A Saturday walk about with friends
Looking at people. Ordinary people. Going about their summer lives.
There is no theme to this blog post. It’s just a description of some of the things that I saw as I walked down Bathurst Street the other day after taking the 512 streetcar to St. Clair West station. In a lot of ways its like other busy Toronto streets, some houses, a few corner stores, and an alley or two along the way. A little bit of architecture and a little bit of history round out the story.
At St. Clair West and Bathurst, the northeast corner remains vacant. About four or five years ago there was a gas station and car wash on this corner. St. Clair West subway station is just to the east, just beyond the trees on the right hand side.
below: I went looking for an old photo of this corner and this is what I found. It’s from 1924. If the streetcar’s destination is Caledonia, then it is going westward. In 1924, St. Clair was the northern edge of the city and very little development had occurred here. It is interesting to note that the streetcar tracks came first, then the development. In addition, I’d love to be able to read the sign about dogs but the resolution of the photo is not good enough. An ad? A sign saying no dogs allowed? Or something else?
below: Of course, no vacant lot remains that way for long. At the moment, three 30 storey towers joined with a 6 or 7 storey podium has been proposed for the site but it is still in the re-zoning and planning stages. The light brown building to the left is St. Michael’s College School (boys school).
below: New development on the southeast corner of this intersection is almost complete. People have moved into the units above while the finishing touches are put on the lower retail floors. Developments like this are all over the city. Developments that look great (maybe?) on paper but are lackluster and banal at street level.
below: As I walked south on Bathurst, this mural caught my eye.

Words written beside the mural:
“Long before concrete and steel
Punctuated the landscape
The land was pure and natural
This mural acknowledges and honors 13 trees and 21 medicinal plants that have thrived here since time immemorial.”
The mural was funded by Toronto’s Start program (street art) and Na’Ma’Res Sagatay, a residence for indigenous men that is nearby.
I will admit that the main reason that I was walking in this area is because I wanted to check out the new public artwork that I’ve read about at Bathurst and Vaughan. It is “Three Points Where Two Lines Meet” by Christian Giroux and Daniel Young and apparently there is some controversy about it.
below: For those who don’t know that intersection, it is V-shaped. This photo shows the approach to the intersection from the north, on Vaughan. I took this photo because my first reaction to the scene was “Ugly. Ugly is what Toronto does”. From this angle the sculpture gets lost in the visual noise.
Cities have rules and regulations for public art. It needs to be weatherproof and graffiti-proof. It can’t block the view of drivers and pedestrians. No sharp edges or structures that people might hurt themselves on – note the two black poles are to prevent people from hitting their heads.
From Giroux & Young’s website: “Taking its form from the orphaned triangular site on which it sits, this artwork produces a new urban room by combining a multicoloured truss structure, the triangular plot of wild grasses it encloses, and an encircling sidewalk thats acts as a podium and plinth. Located between the converging energies of uptown and downtown, the structure densifies an intersection already clotted with utilities and challenges established forms of urbanism and spatial representation in Toronto.” Think of that what you will. While you’re thinking, you can check the website for more photos and information.
below: An interesting (unique?) roofline on what turns out to be The Occult Shop. I made one mistake – I neglected to cross the street to go inside and find out just what one can buy here.
below: These people can still be seen in the space above the doorway at 1358 Bathurst.
Continuing south on Bathurst, as you go downhill towards Davenport Road, there is a retaining wall beside the sidewalk on the west side. This wall was painted back in October 2013. The city paid $23,000 to two Brooklyn NY street artists (Patrick McNeil and Patrick Miller, together known as Faile) who designed the mural and in turn paid other artists to paint it.
The mural is quite long and I only have a few pictures of bits and pieces of it.
below: Apparently Davenport Road is considered to be one of Toronto’s oldest roads. It follows the base of a ridge and provided a route between the Humber River in the west and the Don River in the east.
below: There is a park on the northwest corner of Bathurst and Davenport, The Tollkeeper’s Park. The old house, the Tollkeeper’s Cottage, is now a museum run by The Community History Project. It is open on Saturday afternoons (and some Sundays during the summer)
below: And across the road is Tollkeeper’s Lane. There are chairs everywhere in this city not usually as comfy looking as these.
below: An old Comet parked in the alley
below: Tomatoes and other vegetables growing in a front yard.
below: A hand, part of an Elicser mural. This mural, which is on both sides of the railway underpass just north of Dupont, is still there. Photos can be seen in a blog post from Nov 2014 (Yikes! Have I been blogging that long?!).
There are a few remnants of a more industrial past in the area near the railway tracks.
below: Another door – I doubt that it’s open now, or that it ever will be again.
below: These windows, and the house too, probably won’t be here much longer either.
below: A very standard row of semi-divided houses; a common sight. Hundreds (thousands?) of these were built around the city.
below: And a not so usual semi.
below: A touch of art deco.
below: Slight larger houses, with turrets even! (or is there another name for this architectural element?)
below: This is part of Coopers Hawk Lane which is just south of Dupont.
below: In another nearby alley …. a pink cat eating ice cream
below: And a gate with a frame, and the laundry beyond.
July is still hot and still humid. Not complaining though – it’s just part of my excuse as to why I haven’t posted much recently. Yesterday morning I managed to get myself out the door around 7:30 so I could walk comfortably – without drowning in sweat.
below: Getting ready to walk.
I followed the morning light but still trying to stay away from places that are too familiar. The following pictures are in no particular order.
below: With hands on hips, in an alley near Queen & John.
below: Vincent Van Gogh has taken up a position on Dundas Street across from the AGO. This 8′ x 8′ sculpture sits in front of the Mayberry Fine Art gallery. It is the work of Saskatchewan artist Joe Fafard who recently had an exhibit at that gallery. Fafard has other works in the city – he is the artist that produced “The Pasture” which is the seven life-sized bronze cows outside TD Centre. I don’t have a photo of the cows for this blog post, but if you don’t know the piece (or want to see it again), here is a link to an article about them.
below: A large flower in an alley doorway.
below: Beside the flower is a black and blue butterfly.
below: A heart bursting with colour on Cayley Lane.
below: Black face, white face. What emoji face are these?
below: Harriet Boulton Smith is the ceremonial name for the section of John Street between Queen Street West and Stephanie Street. Harriet Smith was the last owner of “The Grange” and Grange Park. When she died in 1910, she left her home and seven acres of land to the Art Museum of Toronto (AMT). The site is now the home of the Art Gallery of Ontario. She also bequeathed the family art collection to the AMT. This section of John Street was once the driveway to the Grange.
below: He lost his head in the lane.
below: Taking the bathroom stall with him. The toilet paper holder is empty though.
below: One of my favorite windows. Sunday was the day of the French vs Croatia soccer/football World Cup game and there was a group of France supporters gathering on Peter Street to watch the game. Apparently the party after the game, celebrating France’s victory, spilled out onto the street afterwards but unfortunately I missed it.
below: Old rusty metal barrels and butterflies.
below: The ice cream “mane” is still there. I frequently walk down an alley and wonder if I’ve ever been this way before… and then I spot an old friend and recognize where I am. That was the case when I spotted the ice cream guy (mane? why mane?). I think he dates from 2014.
below: Same alley as the ice cream man, perhaps the same vintage originally? The white swirls and the ‘love’ came after I think.
below: 24 hour public parking on the large sign, private parking on the small pink one but no one’s parking there anyhow.
below: Pasteups on plywood hoardings. A love love love lovebot and a blessed urban ninja squadron amongst others.
below: Reflections
below: Large mural behind Queen Street West (south side) featuring queens of different sorts – cards, chess and people at the minimum. “Queen Street West” designed and painted by Christiano De Araujo near the end of 2017.
below: Looking south on Soho Street towards Queen. On the right is the new Mountain Equipment Coop store under construction.
below: Street art in the greenery
below: Lines. Electrical lines. Horizontal lines of the stairs. Vertical lines of the buildings.
below: The next two photos are of a large mural on the back of a new building. The first picture shows the figures on the right hand side of the mural. Figures in action.
below: The Umbra building is clad with vertical lines made from a material that takes on different colours depending on the light.
below: Who is she?
below: Bent metal bracket
Today, Monday, the sky looks stormy. Perhaps a good thunderstorm will take away the humidity. Whatever the weather, I’ll be back soon!
While walking on Yonge Street on the day of the Pride Parade, I noticed that the St. Charles tavern clock tower was visible once more. Also on that day, I heard someone ask the person beside them what the tower was. The answer was something like, “I don’t know what it is but it looks interesting.” I went back this weekend to take some pictures – not quite so many people in the way!
below: The St. Charles as it was back in the 1950’s. It was built by Charles Hemstead who had made his money in real estate and horse breeding. Hemstead sold it in 1958 but it continued as the St. Charles until 1987.

photo credit: 1955. Photo by James Salmon, originally found at Toronto Public Library. I found it online at Toronto.com in an excellent article about the history of the building and its role in the LGBQT community.
I have always associated the tower with the St. Charles Tavern but I now know that the tower pre-dates the St. Charles by many decades. It was built as part of Fire Hall Number 3 in the 1870s. Although the fire hall is long gone (it was replaced by the fire hall on Grosvenor Street in the 1920’s), the clock tower has survived several changes of ownership. It is also going to survive the next change which, of course, is the building of a large glass and steel condo on the southwest corner of Yonge & Grosvenor.
below: The site has been cleared. Looking south from Grosvenor.
below: Looking north up Yonge Street towards Grosvenor. The yellow scaffolding is holding up the brick facade of 480 and 482 Yonge Street. It too will be incorporated into the new development. Can you count how many new condos there are? Did you notice that the two clock faces say different times?
The clock kept time until 1969. It had been maintained by the city up until then. Repairs and upkeep stopped when the city decided that the cost was too much. Maybe it will function once again in the near future.
below: An archway has been built into the back of the clock tower.
Another story of changes underway;
more documentation of buildings about to disappear.
On a leafy stretch of Bayview Avenue, there are some buildings that now sit empty. The weeds have taken over the yards, as have large signs advertising the townhouse development that will be built there. Actually the signs are only on one yard, this one:
below: There are curtains in the window but some shingles are missing and the frontyard is overgrown with weeds – 2716 Bayview Avenue, sitting empty. If you drive past it on Bayview you’d probably miss it because of the large trees between the house and the street.
below: Nature takes over very quickly if you let it. The lilies haven’t lost to the thistles yet though.
below: The backyard was very overgrown too. The side door was open but I didn’t go in. The basement appears to be in good shape.
If you go to their website, only 7 townhouses are shown in the drawings while the properties on either side of it (4 in total) are included in the plans as “future development”. If you look at the original application on the City of Toronto website, the whole plan called for 20 townhouses facing Bayview Ave and a single family dwelling facing the street behind. Each townhouse is 4 storeys (including basement level which is half garage and driveway) and 18’9″ wide. The above ground levels are 47′ deep. The site drawings and architectural plans were from June 2017. I am not sure why the discrepancy. It’s not uncommon for changes to occur between the planning stage and the final product… So take the measurements that I just gave you with a grain of salt.
below: One house to the south, 2710 Bayview. A newer style house than its neighbour with part of its front yard hidden behind a glass block wall. It too is set back a large distance from the street. Once upon a time, someone put some love and care into this house. I hoped that it was well used in its time.
below: Moving north, this is 2720 Bayview. There is evidence that large trees have already been cut down. At the moment all the evidence is well hidden from passers-by. A year ago, farther south on Bayview a developer cut down 30+ large trees without permits from the city because they were building townhouses on the site The outcry was big but the penalty is small.
below: But…. if you have permission to build townhouses, there is no way the trees can stay. Any plan that involves creating 20 new townhouses in less space than four single houses doesn’t leave room for large trees. Those will be a thing of the past on this stretch of Bayview. The one below was so big that I couldn’t reach around the trunk of the tree.
below: The fourth building, 2722 Bayview, was originally built as a residence, but it has been a medical clinic for decades. If you peer in the window, there are still posters on the wall (Is It Flu?) and even reading material on the table ([something] Task Force). There is a sign on the front door that says that 2 June 2017 was the last day the clinic was open.
Lastly, I took a picture of this house too as it is beside the ones above. The “Notice” sign on the fence was a bit of a surprise considering how new the house was. My original assumption was that the house was going to be demolished. In fact, the planning application says that the house will be moved to the back of the property and three townhouses will be built in front. One driveway down the north side of the property will access both the new townhouses and the moved house.
Apparently the application was submitted in December 2016 – However, I noticed that the original application called for three 3 storey townhouses (and is on the City of Toronto website as such). The sign says three 4 storey townhouses and a three storey single family dwelling. The house in the photo is only 2 storeys.
What I’ve also learned while researching these properties, is that there is an official document called, “Bayview Townhouse Design Guidelines” that covers Bayview Avenue from the 401 south to Lawrence Avenue East. It was adopted by City Council late in 2015. In fact, large portions of the city have design guidelines and you can find them online.
I was curious to find out how many ongoing development proposals/applications there are in the city. There is an interactive searchable map online that I used. When I searched on ward 25 (where the above sites are), it showed 52 locations. When I tried searching on the whole city, there were too many results. If you’re interested in development, you can play with the website too!
Tinirrusiangit is an Inuktitut word that means “their gifts” or “what they gave”. It is the name of the latest exhibit at the Art Gallery of Ontario features the work of two Inuit artists, Kenojuak Ashevak (1927-2013) and her nephew Tim Pitsiulak (1967-2016). Ashevak (1927-2013) was born in southern Baffin Island although she grew up on the land in the traditional, semi-nomadic hunting lifestyle, living in igloos and skin tents.
In the 1950’s she developed TB and ended up, against her will, in a hospital in Quebec City This was not a happy time in her life. She had just given birth when she was forcibly transferred; the baby was adopted by a neighbouring family. Several of Kenojuak’s children died while she was in the hospital. One of the ways of passing time at the hospital was making arts and crafts such as beading and doll making.
When she returned to Kinngait Nunavut (previously Cape Dorset), she learned printmaking. She was also one of the early members of the West Baffin Eskimo Collective which became Kinngait Studios.
Ashevak was the first internationally known Inuit artist. Her most famous piece, ‘The Enchanted Owl’ 1960, was used on a Canadian postage stamp in 1970 in honour of the Northwest Territories centennial. Owls were one of her favorite subjects.
below: Ravens and Owl, 1979, stonecut and stencil on paper, by Kenojuak Ashevak
below: Happy Little Owl, 1969, stonecut on paper, by Kenojuak Ashevak
below: Untitled, 2004-5, pencil and felt tip marker on paper, by Kenojuak Ashevak
Tim Pitsiulak, born in Kimmirut Nunavut, was a hunter and a painter. He started drawing as a young boy and although he tried carving and jewelry making, most of his artwork centers around depicting everyday life in drawings and paintings.
below: GoPro Hydrophone, 2016, pastel on black paper, by Tim Pitsiulak. Here, the artist (the hunter) throws a GoPro camera into the water to record the sounds and images of the animals in the water.
“What more could I ask for, than for people to notice what we have up here? This is the best thing about being and artist and a hunter.” Tim Pitsiulak quote on the wall at the AGO.
below: Swimming with Giants, 2015, by Tim Pitsiulak. Beluga whales swimming with a bowhead whale.
The exhibit continues until 12 August 2018