Traces left behind, reminders of the past
Along Spadina on a cold November day – from King to College.
below: A streetcar passes by, down the middle of the road with young trees growing alongside the tracks. In the background is an old white brick building with rounded brown arches over the upper windows that now houses the Furama Cake & Dessert Garden – one of the many restaurants, coffee shops and bakeries along this stretch of Spadina.
Construction of Spadina Avenue began in 1815. It was always a wide street, running between Bloor and Queen.
Spadina, and neighbouring Kensington market, was the center of Jewish life in Toronto in the early 1900’s with synagogues, delis, tailors, a Yiddish theatre, and more. About 80% of Toronto’s Jews lived in the area. It was also home to the garment district (also known as the fashion district) with its numerous furriers, clothing factories and warehouses – what we’d probably call sweat shops today.
below: The northeast corner of Dundas and Spadina, June 1930 showing the sign over the door of ‘The Standard’ a Yiddish theatre that opened in 1921. It was converted into a (mainstream) cinema in 1934 and renamed ‘The Strand’. Another renaming occurred in 1941 when it became ‘The Victory’. Twenty years later it became the Victory Burlesque. The doors closed permanently in 1975. Photo found on Bygone Theatre website.
below: This plaque is on the west side of Spadina, just north of King Street. It describes the contributions of Benjamin Brown (1890-1974), architect, to the area.
Benjamin Brown, one of Toronto’s first Jewish architects, designed more than 200 buildings throughout his career. Born in Lithuania, he came to Canada as a child. Brown graduated from the University of Toronto’s architecture program in 1913. He was partners with architect Robert McConnell until 1921, when he set up an independent practice.
Commissioned largely by members of Toronto’s Jewish community, Brown’s projects ranged from parking garages and gas stations to apartment houses and factory lofts. His Tower Building (1927) and Balfour Building (1930) on Spadina Avenue at Adelaide Street formed a gateway to Toronto’s garment district. Other well known buildings by Brown include the Hermant Building (1929 on Dundas Square, the Primrose Club (1920) and the Beth Jacob Synagogue (1922), the first Toronto synagogue designed by a Jewish architect. Brown retired in 1955.
Both the Tower Building and the Balfour Building still stand. The later, pictured on the plaque is on the NE corner of Spadina & Adelaide. It was named for Arthur J. Balfour, British statesman, the author of the 1917 Balfour Declaration that pledged British support for a Jewish homeland in Palestine.
below: This is ‘Uniform Measure/Stack’ by Stephen Cruise and it includes that giant thimble on a stack of buttons, a few button shaped tree planters, and a tape measure carved into the sidewalk as it goes around the corner (you can see a bit of it at the bottom right of the photo). This tribute to the garment district, or rag trade if you want to call it that, dates back to 1997. A few years ago the tape measure was painted yellow – but not by the artist. It has since been cleaned up. Recent sidewalk work has scarred the tape measure but most of it remains intact.
below: Another piece of garment district history – an old Singer sewing machine as an ornament above a narrow alley between two buildings.
In the 1960s and 70s, the Jewish population moved out and the Chinese moved in. In keeping with the changes that were occurring on Spadina, The Victory was sold in 1975 and subdivided into shops on the main floor and a Chinese language cinema upstairs, first named the Golden Harvest and then the Mandarin. This cinema closed in 1994.
In the late 60s and early 70s, the city demolished a large section of land to make way for the new city hall. At that time, Chinatown was centered around Dundas and Elizabeth streets. Many of the Chinese who were displaced by the construction moved west along Dundas to Spadina. Although many of the Chinese businesses and residents have moved north to Markham & vicinity, this stretch of Spadina is still considered to be Chinatown.
below: A panda eating bamboo, painted by Murals by Marg with support from Chinatown BIA & StreetARToronto.
below: Another Chinese themed mural, with tags unfortunately.
below: This caught my attention – Does it look like fresh ginger? And no, there was nothing in front of the sign either. Smile.
below: Even on cold days you can buy fruits and vegetables on the sidewalk outside the Chinese grocery stores.
below: Feeding the pigeons.
below: This is an old display of CD’s mounted on a wall inside a window of an empty store. The window is dirty but if you step into the recess of the entrance way, you can see the possibility of reflection, light and colour playing together. This was actually the first picture that I took when I walked up Spadina the other day. After I saw this window I started paying closer attention to other empty stores.
There are quite a few empty stores and sections of Spadina are quite grubby looking. As I mentioned above, many of the Chinese businesses have move on and once again the area is the middle of a change.
below: Someone cared enough to paint this delicate birdcage and ivy scene on the wall. Doesn’t it make you wonder who did it? and why? and what happened to them?
below: A painted over intercom – a remnant of the past. But the plywood that the intercom was mounted on is partially torn away to reveal an even older, more hidden, past. Does anyone live or work at 437 anymore? What lies behind the door?
below: This little place had a short life as a store – but for the life of me I can’t remember what it was. I think that once upon a time it was an 8 Eleven (play on 7 Eleven stores) but that was long ago and I know that it closed before I first saw this space. How easy it is to forget.
below: As I passed by this window, I thought to myself “How cute, pikachu.” Then I stopped and went back. No, not pikachu. Part of the seedier side of Spadina Avenue.
below: Layers. On the left, hoardings around an old building being demolished and on the right, a staid brick building. Behind them is a newer development with its bright east wall.
