Posts Tagged ‘reflections’

below: ‘The Encompassing’ by street artist Javid (aka JAH) stands in one of the reflecting pools between the Ismaili Centre and the Aga Khan Museum.   This is one of a number of pieces on display.  Each is painted on reclaimed corrugated metal.  They are an examination of the geometry in Islamic patterns and architecture.  His work will remain on display until the 31st of October.

a painting called The Encompassing stands in a reflecting pool in front of the Aga Khan Museum.

below: On the other side of the above painting, is this one – “Beyond”, also by Javid.  The Ismaili Centre is in the background with its large pale blue dome over the prayer room.

A painting in blue, pink, and purple, of stars, by Jacid Jah, in a reflecting pool with the Ismaili Centre behind it

 below: The large wood beams that cover the entrance to the Ismaili Centre were being re-stained this morning.

a pick up truck and a lift in front of the entrance to the Ismaili Centre, workmen are re-staining the large wood beams that support the glass roof.

The Toronto Ismaili Centre is one of 6 around the world.  It was designed by Indian architect Charles Correa and opened in 2014.  If you go on the tour of the inside of the Ismaili Centre, you will see a building that is filled with natural light, as well as natural woods and stone.

below: A calligraphy based medallion made of stone is on a white wall.  The Arabic word ‘allah’ is in the center and surrounding it are the ninety nine attributes of God, written in Arabic.

chairs and sofa in a large room, on grey carpet, most of floor is polished stone, medallion of stone on the white wall.

below: A closer look at the wall.  It took two men, a father and son, fourteen months to carve the design into this wall and a matching wall on the other side of the room.  They worked six days a week .  The arabesque design was penciled on using a stencil and then carved by hand.

carved white wall, plaster

below: A second medallion is on a wall across the room from the one above (on the other wall that was carved).

medallion of stone, calligraphy, arabic, on a white wall

Crossing back past the reflecting pools to the Aga Khan Museum….

below: Another Javid Jah painting, this time “The Manifest”.   (To the left, you can see a metal sculpture called “Big Heech” ).   Like all of Jah’s paintings here, this one is based on geometry.  The basic shape here is a pentagon (sacral chakra) and it is seen on the floor.  This type of archway is called a muqarna and it is unique to muslim architecture.  Here the shape of the indentations in the muqarna are based on the pentagon.

a painting called The Encompassment stands in a reflecting pool in front of the Aga Khan Museum.  Painted by Javid Jah, blue arch over red entranceway

The “Big Heech” is the work of Parviz Tanavoli, made from stainless steel in 2014.   It is derived from the Persian word for “nothingness” and it is an important word in Perian Sufism.

“Emperors and Jewels: Treasures of the Indian Court from the Al-Sabah Collection in Kuwait”, is a temporary exhibit at the Aga Khan Museum featuring artworks and historical objects from the treasuries of Mughal emperors.  The Mughal Empire ruled most of present day Pakistan and India in the 16th and 17th centuries.   The Mughals were Muslim but the majority of the population were Hindu.

below: Part of a larger picture depicting a hunting scene, reproduced and enlarged especially for the exhibit.

part of a painting at the Aga Khan museum of a moghul ruler on a horse in a hunting scene

below: Three glass bottles

on display at the Aga Khan Museum, 3 glass bottles, rounded bottoms and narrow tops, one is marroon, one is teal and the last is royal blue

below: Two fish joined to make a circle, a standard.  From India, late 18th century.   Made from silver.  There are many myths and symbols that feature fish.  In Hindu tradition, the fish was associated with Brahma and Manu, a progenitor of mankind.  In addition, one myth is that a fish was believed to hold up the globe.

on display at the Aga Khan Museum, two fish joined in a circle, a standard, for the top of a pole

below: A portrait of Nawab Bairam Khan, painted around 1710-40, watercolour and gold on paper.  He is pictured in profile, sitting alone in his peaceful garden.

on display at the Aga Khan Museum, a painting, portrait of Nawab Bairam Khan, painted around 1710 to 1840, watercolour and gold on paper, scene is a man sitting on a carpet, under a tent roof, leaning on a large pink pillow

below: Knife with jade handle carved in the shape of a horse head and neck.

on display at the Aga Khan Museum, a metal knife iwth a jade handle that is carved into the shape of a horse head and neack, decorated with gold bridle

This year’s Nuit Blanche was on September 28th and 29th.  The night’s activities were spread over a large number of locations around the city.  That was a few days ago so yes, I am a bit behind.  I was laid low for a couple of days with this cold that’s been going around… or I took a few days to recover from being up until 3:30 a.m.!

 

below:  Part of ‘Continuum: Pushing Towards the Light’ by Brandy Leary and the Anandam Dancetheatre.  They made they way across the glass enclosed bridge over Queen Street between the Eaton Centre and The Bay store.

4 people in costume, performance art, on glass covered bridge

below: From behind the burlap (or tarp?) Nathan Phillips Square, from an installation ‘Radical Histories 2012-2018’ by Ibrahaim Mahama.

looking at the back of the 3D Toronto sign at Nathan Phillips, looking through burlap and tarps that have been stitched together

below: More from the same installation, this time from the “right” side.  It was great for making shadow figures.  Thanks to Jude for starting off the evening with me… and getting creative (silly?) too.

making shadows against the fabric draped around City Hall and Nathan Phillips square

below: We found a photo shoot on Bay Street.

two young women posing on the street

below: On Bloor Street, nothing to do with Nuit Blanche but it looked cool.   Reflections and lights.

reflections in a window that has been lit with a red light, a mannequin is reflected from the store across the street

below: Eaton Centre, a quieter moment that night.

a young boy leans against his father as he reads a book, MIghty Robot, at the Eaton Centre

below: Checking the map.   Yonge Dundas Square – the installation there was very unimpressive so I took people pics instead.

a couple looks at the Nuit Blanche map

below: At Church of the Redeemer (Avenue Road and Bloor), Korean Dancers.  “Star Moon Water Stone” by Ensemble Jeng Yi

two Korean women in traditional costume, gold dresses, and decorated hair

below: Drummers, same venue as above.

drummers, performing, Church of the Redeemer, Nuit Blanche

below: ‘This Storm is You’ at the Ontario Science Centre, an installation by Zahra Saleki.   Photography on the walls and stories on the floor.

art installation for Nuit Blanche at the Ontario Science Centre, by Zahra Saleki called 'This Storm is You'.

below: Walk among the stories.  “Every story deserves to be lit.  Grab a sharpie and write yours.”

lit sign, large capital letters in pale blue, Every Story deserves to be lit. Grab a sharpie and write yours.

below: Smile!.. and a testament to the start of love.   Two of many lit stories.

white lanterns, rectangular, with tea lights in the bottom, scattered around the floor, people walking around them.

below: Saleki’s photos displayed here are abstract dance photographs in black and white.  Negative images and slowing the camera to produce the blur of motion.

black and white photo of a man leaning forward, finger pointed to ground, slow shutter speed, blurred motion,

four photographs on a black wall, by zahra Saleki, figures in motion

below: This is what you saw when you first got off the subway (is the SRT a subway?) at Scarborough Town Centre.  It’s part of the ‘The Things They Carried’ Babel series.  The motifs are similar to those on the installation at Yonge -Dundas Square, that oops, I don’t have a picture of.

installation of blue lights shining on fabric banners

below: At Scarborough Civic Centre, ‘Everything I Wanted to Tell You’ by Hiba Abdallah.  A series of words in lights projected onto several buildings.  The words changed every few seconds to tell a story or two.

two large signs at Scarborough Nuit Blanche, from the installation called Everything I wanted to tell you. Back lights say We worked so hard to make this place home

below: More of the words.  “People hold on so tightly to a specific narrative of this place”.

words projected onto the side of a building at Scarborough Civic Centre, part of Nuit Blanche installation, Everything I wanted to tell you by Hiba Abdallah

below: More projections at Scarborough Civic Centre.  Sorry, not sure which installation this is.

large projections on the concrete wall of Scarborough Civic Center

below: Scarborough Town Centre (mall) had a mountain of inflatable globes you could walk under, or just look at.  ‘Walk Among Worlds’ by Maximo Gonzalez

piles of inflatable globes are arranged at Scarborough Town Centre, people are walking around them and through a tunnel made of them

below: Weaving stories, ‘Interlacing’ by Community Arts Guild, at Scarborough Town Centre.

three people are taking their turn weaving coloured strips of fabric into a community weaving project

below: Watching a performance at the Scarborough Civic Centre.

people line the edge of a balcony to watch a performance below

below: Running through the lights.

woman runs past a white screen that is being lit with coloured lights, making her shadow coloured

below: Reflections, Aga Khan Museum

in front of the Aga Khan museum, a large white lit ball is reflected in the pool of water

below: more Aga Khan

Aga Khan at Nuit Blanche

below: Showing ‘Insomnia’, a video filmed in Tehran showing simply the view out his bedroom window, by Simin Keramati, Aga Khan Museum

a room in the Aga Khan that is showing a video made in Tehran, two people are sitting on stools as they watch it, orange carpet on the floor, old decorated bookcases against the walls.

side of the Aga Khan museum lit in bluish purple light

below: Trash at Yonge Dundas Square.  Nothing to do with Nuit Blanche, just an ordinary day’s worth of garbage.  It just happened to catch my eye as I was walking down the stairs to the subway.

clear plastic bags full of trash are pilled up against a clear wall at Yonge Dundas square

Ending with rubbish would be a weird way to end a post, so here’s another mannequin.  I saw lots of them that night too, unfazed by the activity around them, unmoved by the night’s events.

below: I’m out here every night.  Nice of you to finally notice….

bald white mannequin with dark sunglasses and very dark red lipstick, looking at the camera, wearing an orange and brown top with a collar, reflected red, ywllow, and green lights behind her.

 

A new mural in town,
Equilibrium, by Okuda San Miguel, aka Okudart

below: As seen from Sherbourne street.  It’s tall!  23 storeys tall in fact.  Not just a new mural but also a new landmark.

a man walks up Sherbourne street, on the sidewalk, past a vacant lot, in the background is the back of some older brick buildings and beyond that is a tall building with a mural on it, equilibrium by okudart

below: As seen from Allan Gardens.

Allan Gardens conservatory with its glass dome roof in the foreground, tall buildings in the background. The side of one of the background buildings has a colourful mural on it with a rainbow striped background

below: It’s painted on the side of the Parkside student residence (once the Primrose Hotel) on the SW corner of Jarvis and Carlton streets.   It looks finished although the ropes and lifts are still in place.  No one was painting when I walked past this afternoon.  The artist, Okudart, has already signed the piece.

car stopped at street light at Carlton and Jarvis. Behind the car is a very tall mural, bright colours, geometric shapes, some human like figures too, with blue conical noses, equilibrium by okudart

below: The very top portion.  A blue conical beak and feathery wings on a female human like figure who is sitting on three large heads.

very top part of mural, equilibrium by okudart

below: Just a bit lower on the mural – more beaks but this time they look like carrots.  A black and white globe with a mouth in Africa.  One blue eye in the Atlantic Ocean and one orange eye in Asia.   Is that a man on the left?

middle section of mural, equilibrium by okudart

below: Under the globe another female figure with a blue nose.  Nude but discreetly so.

lower portion of equilibrium by okudart

The background of the mural consists of large rainbow coloured stripes on top and black on the bottom.  These were painted by local artists before Okudart finished the piece.

below: Street level

street level part of mural, equilibrium by okudart

below: The church across the street does not have stained glass windows.  The colours are reflections from the mural.

part of mural, equilibrium by okudart, reflected in church windows across the street from it

part of mural, equilibrium by okudart, reflected in church windows across the street from it

The mural was part of the STEPS Initiative Program and it also involved StART (StreetARToronto), the owners of the residence, and a number of other partners.

A trip to Toronto Islands on a sunny spring day.
Photos and stories – an eclectic mix of history and nature that resulted from wandering around the eastern portion of the islands.

below: From the ferry, looking toward the glass and steel of the city.

sail boats in Inner Harbour of Lake Ontario, in front of the Toronto skyline with highrises and skyscrapers also ship moored at Redpath Sugar refinery

Toronto Islands is a collection of at least 12 small islands.  In the early years the island archipelago was really a peninsula of sandbars and ponds; it was connected to the mainland by a narrow strip of sandy shoreline. This landform was created over centuries by the action of waves, winds and lake currents – washing away portions of the Scarborough Bluffs and depositing this material to the west in a five-mile-long hooked shape. This process of natural “landscaping” continued until the spring of 1858, when a particularly powerful hurricane created a channel four to five feet deep through the peninsula.  By June of that year, the Eastern Gap was a waterway, and the Toronto Islands came into being.

below: On the ferry between the city and Centre Island.

people lined up along the front railing of a ferry from Centre Island to the city of Toronto, looking at skyline and taking picture of it. Toronto is in the background.

The first buildings on the islands were the Blockhouse Bay garrison built in the 1794 by the British at Gibraltar Point – it included a blockhouse and storage structures.  A second blockhouse and a guard house were built soon after, only to be destroyed by the Americans in the Battle of York in April 1813.   The lighthouse at Gibraltar Point built in 1809 still stands (sorry, no photo).

In 1833 Michael O’Connor built a hotel on one the islands.  He used a horse-drawn boat to ferry customers across from the mainland to his hotel.  At that time, there was still access by road but it was a toll road.  In 1836 it cost sixpence for every four-wheeled carriage drawn by two horses.  Smaller ‘vehicles’ paid less.   In 1858 the hotel (now Quinns Hotel) was destroyed during the same hurricane that turned the peninsula into an island.  The hotels were destroyed but the islands remained popular.  With no road access, ferries were needed and many people ran private ferry services until they were bought out or amalgamated into the Toronto Ferry Company in 1892.  It was privately owned until 1926 when it was purchased by the City of Toronto for $337,500.

ferry, ceiling is full of orange life jackets, railings along edge, Lake Ontario, benches to sit on but no people

blue abstract from two blue doors with cut out where handle should be

Many houses and businesses, (hotels, restaurants, bowling alley, laundry, theatre etc) were established over the years from Hanlon’s Point in the west to Wards Island in the east.   Today, residences are only in the eastern section of Wards Island and on Algonquin Island.

The Ward’s Island community began in the 1880s as a settlement of tents. Up until then, that eastern end of the islands was mostly wetlands.  The first summer colony on Ward’s in 1899 consisted of just eight tenants, each of whom had paid a fee of $10 rent for the season. The number of tents grew each year.  In 1913, the city felt it necessary to organize the community into streets. The evolution from tents to cottage structures progressed in stages with the building of floors, the addition of kitchens and then porches, resulting in the creation of the homes.

two houses on Wards Island, small wood housses, one bright blue and the other is white

grey wood siding on house with white door and small porch. Two yellow and metal chairs on the porch

In 1953 the municipal government changed their policy toward the Toronto Islands landscape and its residents. Businesses were removed and the systematic demolition and burning of homes began.  More of the islands became parkland.    There are 262 houses on Wards and Algonquin Islands today, down from about 630 residences on all the islands.  The last of the Lakeshore houses was removed in 1968 but traces of them still remain.

wood boardwalk along the foreground of the photo with a concrete path leading away from it, into an overgrown area

part of old concrete breakwater, once there was house here, number 170 embedded in the concrete

below: The pier on the Lake Ontario side.

metal fence in the foreground, beach, pier and Lake Ontario in the middle and background

below: Sandbags along the shore.  Last spring there was a lot of flooding here and the island was closed to visitors – sort of.  Ferries didn’t run and the park facilities were closed.  The islands are very flat and low so it doesn’t take much extra water to flood.

large white sandbags along the shore, beach on the other side, Lake Ontario in background with a row of rocks as breakwater a short distance from the shore, sign on the beach

sign fallen over and under water, surrounded by rocks, Lake Ontario

below: There is a small amusement park, Centreville, on Centre Island.

CN tower in the background, people on the Skyline ride at Centre Island passing over water, with large boats docked farther up the river

below: Island transport that can be rented if you don’t want to walk.

people cycling in 2 quadricycles, a four wheeled bicycle like vehicle, on paths,

the orange and white wall tile pattern of Pizza Pizza with a red bike parked in front of it.

below: Boats moored QCYC (Queen City Yacht Club), one of the three yacht clubs on the islands.

sailboats moored at a wood dock, QCYC

below: Sakura trees in bloom.   The trees were donated by the Sakura Project.  The aim of this project was to strengthen Japanese Canadian relations by planting cherry trees in visible locations across Ontario.   Between 2000 and 2012,  3,082 trees were planted at 58 locations.  The trees on Centre Island were planted in 2011.

path, sakura (cherry) trees on either side with their pink and white blossoms, other large trees around them with pale green of new leaves

below: Catkins from a red alder tree.  They almost look like raspberries packed tight together.

red fuzzy blossoms droop from the end of a tree branch

new yellowish green flowers on a tree, also leaf buds just opening,

ants in the bud on a tree

below: An early family of Canada geese.

family of Canada geese, 2 adults and 7 or 8 fluffy little goslings swimming in the water

below: The pier at the eastern end of Wards Island is bad need of repair.  To the right is the entry into the Eastern Channel (or Eastern Gap).

broken concrete pier into Inner Harbour of Lake Ontario, with Toronto skyline and CN Tower in the distance

below: Looking over to Algonquin Island.  Once upon a time this island was just a sandbar.

waterway, orange life ring and ladder on one side of the river, houses and docks, and boats on the other. r

two people standing on the shore of Center Island, looking at the Toronto skyline and taking pictures of it.

and back to the mainland.

people exiting a ferry, from above

Today.  Wonderful

back of an audi with the licence plate 1drful, or wonderful,

and Shiny.

wavy reflections of a building in the windows of another downtown building

I am not usually a morning person but how could I resist not getting up and moving on this gorgeous spring day?  With my metropass in my back pocket….

looking out the open doors of a TTC streetcar, as they start to close, see reflection of the streetcar in the window of the store beside the streetcar

… and my walking sandals on (Yes! Sandals!) I headed out to explore the day.

a foot, standing on pale brick red lockstone, crumbling kerb beside the foot, some weeds starting to grow up between the cracks.

(early enough to beat the crowds!)

interior of a TTC streetcar, looking towards the back, red covered white seats, no one else on the car.

The early morning criss cross shadows and reflections.

light and shadow patterns produce by low morning sun shining on downtown glass skyscrapers, on the street below with its white lines adding to the pattern

The soft greens, and almost yellows, of new leaves.

a park with green grass, trees just beginning to bud, in front of a number of glass and steel condo towers in downtown Toronto . willow trees and other kinds of trees.

The flowers – tulips, daffodils and hyacinths – that have spring up in planters around the city.

pink tulip growing beside a shiny metal sign, reflected in the sign, other spring flowers in the background.

Oh no.  The geese are back (or did they never leave?).

A lone Canada Goose walking on a small stretch of grass beside a busy road and the onramp to the DVP. head down, looking for food.

The dogs are still waiting for the water to be turned on.

statues of dogs around a fountain that is dry at the moment.

On Yonge Street (near Wellington), there has been too much water.  The street has been closed while water main issues are straightened out (it has since been opened).

road closed sign, black arrow on orange sign, ornage and black striped traffic cones, blocking Yonge street, with trucks in the background.

wet road, water gushing out of a large hose, feet and legs of some men.

While Yonge was closed anyhow, workmen install a new sign at the corner of Yonge & Wellington.

workmen on a lifter install a new sign on the outside of a Rexall drug store.

Also needing fixing – yesterday’s wind storm left a lot of damage around the city including this very large tree that lost a very large branch.    Actually the whole tree has come down.

large sections of an old tree lie on the ground where they fell during a wind storm. They landed on a chain link fence that is now broken. in a park .

Lots of wires were down too.

a large pole with a myriad of wires (hydro wires) has started to fall over. wires draping low across the street. hydro trucks on the scene

Not everybody was up with the sun this morning.

a man under a white blanket is asleep in the doorway of the old Kingsbrae restaurant, with a can of beer beside him

I hope that your day was shiny and bright too!
I can’t wait to see what tomorrow brings!

below: The reigning champ and I!

a man in a black tshirt crosses the street towards a large indow with lots of reflections in it.

Dots, dots, dots.  Millions of dots? Dots and lights worth waiting for.

‘Infinity Mirrors’, Yayoi Kusama, AGO

on a mannequin, a white t-shirt and a polka dot scarf. The t-shirt has writing that says, My life is a dot lost among thousands of other dots, Kusama

Kusama’s polka-dot paintings were based on visual hallucinations she has experienced throughout her life, often based on “a miserable childhood as an unwanted child born of unloving parents.”  These hallucinations often involve repeating patterns that engulf her field of vision, a process she refers to as “obliteration”.  Painting has  helped to keep her demons at bay, to obliterate her anxieties.

In 1968 she returned to Japan.  In 1977 she checked herself into the Tokyo mental hospital where she has lived ever since.  She has a studio where she works during the day but she returns to the hospital at night.

below: In an effort to keep the waiting times down, the AGO is letting three people at a time into the rooms.   I’m not sure who the man is, but he seemed to put up with Joanne and I and our cameras!  This was the first room in the exhibit and it was a bit of a let down – it was the only one that wasn’t impressive.  Minor gripe – why not a mirror on the ceiling?

phallie fields, white with red dots, mirrored room, mirrored walls, people,

below: 30 seconds per visit.  All timed – note the stopwatch!

a woman is entering Kusama's room with many lights and mirrors

below: Stars and planets into infinite.  Small specks in the vastness of the universe.  Obliteration of the self as we become just a very tiny, minuscule dot in the infinite of space.  This exhibit is “The Souls of Millions of Light Years Away” and is made with hundreds of hanging LED lights.

dark room with lights that look like planets and stars, mirrors on walls and ceiling.

below: The words on the wall say, “The souls of millions of light years away”. This is the line-up for the room above. It was one of the shorter lines.

people lining up inside an art gallery

Kusama was born in Japan in 1929 and trained originally in traditional Japanese painting. One of the only American painters that she knew of was Georgia O’Keefe, having seen her work in an art book. She wrote to Georgia O’Keefe asking for advice on how to break into the New York art world. In 1958 she moved to New York City where she became part of the avant-garde art scene. She was into pop art and hippie counterculture. She organized a series of anti-war public performances featuring naked people who were painted with brightly colored polka dots.

 

below: This room was fun especially since I got to spend a few seconds alone in it.  Dancing with pink balls.

in a room with mirrored walls and ceiling, many large pink balls with black polka dots on them.

below: Looking into “Love Forever” – a small hexagonal box with some mirrors on the outside and two small windows (peepholes!) as seen from the outside.  This structure/exhibit was first shown in 1966.

a woman is looking through a small window into a box with mirrors and lights.

below: Looking in the window…. It’s amazing what can be done with mirrors and lights in a small space.  Mirrors combined with the technology of LED lights that can change colours with computer controlled programs made for an impressive display.  An endless repetition of patterns.

lights, mirrors in a room with a window. Looking in through the window.

below: Same room, different colours

teal blue lights and mirrors, reflections, kusama infinite mirrors

below: Obliteration Room – multicoloured stickers that people have added to an all white room with all white furniture and accessories like wine glasses and dog dishes.  As more people pass through, the more colourful the room becomes.  The dots make it difficult to see the details in the room.  Can you tell what is on the table?

 

a room all white, including white furniture is covered with dots in many colours, stickers that different people have added to the room. Part of exhibit at AGO of work by Yayoi Kusama

Kusama also paints and makes sculptures.

a wall of bright lively paintings by Yayoi Kusama on the wall of the Art Gallery of Ontario. Some women are standing nearby, looking at the paintings.

dot covered sculpture in front of a dot covered painting

the windows on the staircase that runs behind the Art Gallery of Ontario back wall, from 5th to 4th floor, are covered with big red dots in honour of the exhibit by Yayui Kusama

Thanks to Joanne of My Live Lived Full for playing with me!

The other day I headed towards Dupont and Dundas West because I heard about a mural that I didn’t recall having seen.  Here it is … and more.

below: The most westerly part of the mural is on the north side of Dundas West where Old Weston Road and Annette Street meet.

mural on a wall beside a busy street

mural with a bird, chicakdee or sparrow beside a large orange tiger lily

mural, large painting of a tiger lily and a sparrow

 

It continues along the side of the railway underpass on Dupont (it’s a confusing tangle of streets here!)

car stopped in traffic under railway bridge, driver is looking at the mural that is painted under the underpass

….and on the stairwell up to the West Toronto Railpath.

part of a mural, a robin and an orange rose, outside, beside a staircase

colourful mural outside beside a staircase, large flowers and leaves including an orange maple leaf

It was a gorgeous day so I walked around a bit more, of course!

below: On Dundas West

street art of a young person writing on the wall with red letters that say it's just a phase

below: A row of houses with wonderful facades.  You don’t many like that anymore! .. at least not on houses.

older two storey row houses with facades that extend above the roof line,

below: These fooled me at first.  Interesting black and white photos looking grubby and worn… with a small McDonalds logo on the bottom right.   The photo on the bottom left also has a few words in small print that give away the fact this is a McDonalds promotion.  I don’t think I’ve seen any like these elsewhere – or have I missed something?

4 large black and white photos of people eating hamburgers, that is actually a mcdonalds ad

below: The large black metal staircase at the end of the footbridge over the tracks at Wallace Ave are gone.  The replacement stairs are dull and bland.  This change was meant to accommodate new development on Wallace.

new stairs at the end of a footbridge over the train tracks at Wallace street in Toronto, beside the West Toronto Railpath

below: Railpath window reflections.

reflections of the sky in a window

below: Also on the West Toronto Railpath, someone has hung this colourful ‘curtain’ on the fence in order to add a splash of colour to a sitting area.  Once upon a time there were more chairs here.  And a table if I remember correctly.

fabric hanging from a rope beside a footpath, large green cylinder stoarge unit behind it.

below: One of two chalkboards installed by crazydames where people have written notes to cyclists imploring them to slow down and use their bells.  I totally agree!  Just before I came upon this, a man on an electric bike came up behind me, silently and fast.

large chalkboard on an orange brick wall with notes to tell cyclists to slow down and ring their bells.

below: This little gnome still stands by the entrance to a convenience store.  This guarden gnome has been here (Bloor West) for a few years.

a small gnome painted on the wall beside a door to a convenience store. The door is open and people are walking past

below: Reduce, reuse, recycle – here the R used is reuse.   Truck and tractor parts and other bits and pieces craftily arranged and put to use on the outside of the Farmhouse Tavern.  It should look better in a couple of months!

planters on an exterior wall, made of truck and tractor parts

below: A fairy in a garden of mushrooms.

a mural of a fairy, woman, with wings, holding something in her hand and looking upwards, in a garden with large mushrooms,

graffiti on a black wall, white bird like head on pick square

One last look at part of that mural!

mural with flowers, shadows in front

part of a mural, large light purple flower with yellow center and dark pink at inner most part of petals