Archive for the ‘galleries’ Category

subtitle: A little wander down King Street East (and area) with a look at  both the past and present .

the words enter slowly on the glass portion of a garage door, with reflections in that glass of people walking past

…Starting with a cup of coffee and a CONTACT exhibit – photos by Jamaal Owusu-Ansah titled “Hints of Orange” at the Black Canary coffee shop on Sherbourne Street just north of King, showing until 5th June (but coffee and goodies still available after that!)

photography exhibit, by Jamaal Owusu-Ansah, back of black man holding three oranges behind his back

photography exhibit, by Jamaal Owusu-Ansah, back of black man holding three oranges in a plastic bag slung over his shoulder and behind his back

chalkboard sign outside black canary coffee shop that says, "I don't care what the weather says anymore, It's iced coffee season"

“I don’t care what the weather says anymore, It’s iced coffee season”

women sitting at table and red chairs outside black canary coffee shop on Sherbourne street

below: Looking west on King from Jarvis with the steeple of St. James Cathedral rising above.

looking west on king towards St James Cathedral, TTC streetcar in foreground

below: King Street has been a vital part of Toronto since the beginning.  It was one of the original roads laid out in the late 1790s in the Town of York (which became Toronto in 1834).   At that time it ended at Berkeley Street.

old town toronton red and white banner, on king street east

below: south side of King street, looking west from Sherbourne

south side of King street, looking west from Sherbourne

below: The southwest corner of King and Sherbourne streets.

southwest corner of king and sherbourne streets

below: More views of the King and Sherbourne intersection – this time the northeast corner with the newer condos rising above.  The old bank building became part of those condos.

northeast corner of King and Sherbourne, number 230 King is old bank building, glass and steel condos rising behind it

below: In 1972 when this photo was taken, 230 King Street East was a branch of the Canadian Imperial Bank of Commerce (CIBC).  It was built in 1908.

1972 black and white photo of CIBC (bank of commerce) building at king and Sherbourne

Photo from City of Toronto Archives, Fonds 2032, Series 841,

the word betty's in red on window of now empty bettys pub

Betty’s (once the Betty Ford Clinic – or just the Betty Ford? –  until the original Betty Ford  issued a cease and desist order) has moved to Queen St East. The King location closed in 2022 after 30 years on the premises. The building, and its neighbour,  234 and 236 King Street East, are listed as city heritage sites. In 1888, the red brick building was constructed as a warehouse for a bedding manufacturer,  Chaney and Co Bedding.  And yes, they are empty because a developer plans to build a condo tower here.

historic plaque for 236 king street east, chaney bedding company

round beer signs above the windows of old pubs, now empty, Fosters, Steam Whistle, Heineken, and Carlsberg

below: Duke Mews is a short lane running west from Princess, back towards Sherbourne. It is just north of King Street, between King and Adelaide. Once upon a time, Adelaide Street was called Duke Street.

Toronto street sign for Duke Mews

below: West end

west end of Duke Mews, back of apartment building on Sherbourne

orange wall, back of building

graffiti on a brick wall in yellow that says you are the love of my life

“You are the love of my life”

.

below: Looking east towards Ontario Street at a view that won’t be available for much longer.  The buildings that were once here have been demolished and the site is awaiting redevelopment.

view from the east end of Duke Mews, looking across vacant lot towards Ontario Street where there is a glass and steel office tower built above an older brick building

below:  This is the brick facade that was retained when the Drug Trading Building was redeveloped (into offices and workspaces, not condos).  It was originally built in 1942 (and  expanded in 1946).  The Art Deco elements on the entrance were also saved.   This was the administration building for the company -factories were on the other side of Ontario Street.  In 2022 this was the Sun TV building even though the transition to a taller repurposed building was already underway .   The Drug Trading Company had been founded in 1896 to supply independent pharmacies with medications and other products.

brick facade of the Drug Trading Company Building

below: Looking northeast from Duke Mews – past the empty lot and the edge of The Shift to farther along Adelaide Street.

looking northeast from Duke Mews towards Ontario and Adelaide and west on Adelaide

reflections in Drug Trading Company building, also known as the Shift

below: Now looking southeast from Duke Mews towards King Street. A small sliver of that property along King will become a park.

vacant lot on Princess street north of King

below: The facade of the three storey red brick building at Princess and King is being saved.

yellow scaffolding to hold up brick facade that is being saved as the rest of the building as been demolished

arch in old brick facade that is being kept as rest of building gets rebuilt

below: Once upon a time, the Crow Bar restaurant was on the corner of Adelaide and Princess.  It closed in 2016 and in more recent years, the corner was a parking lot.

black and white photo of the Crow Bar restaurant on the corner of Adelaide and Princess street, black and white photo

This 1972 photo is from the City of Toronto Archives, fonds 2032, series 841, file 38, item 7.    Fonds 2032 is from the Toronto Planning Board and series 841 is a large collection of photos taken of intersections around the downtown core in 1972.

below: Another restaurant of the same vintage nearby on King Street, the Patrician Grill, just closed

Patrrician grill restaurant on King street, old sign outside front door

below: Interior of the Patrician Grill, at the same location since 1953.

patrician grill, interior, as seen through glass doors after closing for the last time

a bike and its shadow

two one way signs in front of a brick building

lookingin a convex mirror by the exit from an underground parking garage, two white arrows on the pavement pointing in different directions

cyclist, and king street reflected in a store window

looking in window of a furniture store, with lamps, couches, mirrors, etc

window, white curtain, words on window that say the Rosebud, shadows of the words on curtains

below: Looking southeast at King and Berkeley. Metrolinx has cleared the whole block between Berkeley and Parliament for Ontario line subway construction.

a person crosses King street at Berkley, looking southeast towards metrolinx construction of Ontario line

man working in back of truck on King as a TTC streetcar passes, Globe and Mail building in the background, near Ontario line subway construction

below: Looking southwest at King and Parliament at the hoardings around the block that Metrolinx has taken over.

King and Parliament streets, looking south west, Ontario line construction hoardings, Globe and Mail building in the background

at king and parliament, waiting for traffic lights to turn green, police car, cyclist and man on a scooter

below: Brick buildings on the northwest corner of King and Power Streets.  They are actually the back of 93 Parliament Street – built in 1908 for the Aluminum and Crown Stopper Company as factory and warehouse.   They manufactured supplies for bottlers.

old brick buildings on king street at power street

below: King and Power 1972 with a Canadian Imperial Bank of Commerce on the corner.

City of Toronto Archives, fonds 2032, series 841

below: Also King and Power, but in January of 1937 when there were houses on Power Street.  This photo is from a large collection of photographs taken in 1936 and 1937 of housing in this area.  A large number of the houses are in awful condition, poorly built, and condemned by the city.

black and white photo from city of toronto archives, king and power streets, northwest corner, January 1937

below: If you then turn around and face east, this is the view that you get.  It’s in black and white and I bet that it could pass as a vintage photo even though I took it a few days ago (except the modern cars might give it away).

king street, looking east from Power street.

below: Another City Archives fonds 2032, series 841 photo from 1972.  It’s not a direct match to the photo above, but the building on the corner of King and Power (356 King East) is the same one.  It wasn’t looking too healthy in 1972!  It is nice to see something that has improved with age (and some TLC).  This photo happens to show the row of buildings on the north side of King adjacent to number 356.

1972 photo from city of toronto archives, of row of buildings on the northeast corner of king and power

below: There are four leaf clovers hiding in the greenery in this Rowell Soller mural beside Sackville Park

rowell soller mural on the side of a building beside Sackville Park on King Street

below: If you have ever walked or driven this section of King Street East, you may have noticed the bright pink exterior of Cam’s Muffler/Thruway Muffler!

looking west on king from Sackville

below: Repairs and updates are in progress on the ramps between the Gardiner Expressway and Don Valley Parkway that cross over King Street.  The concrete supports were painted by Shalak Attack and Bruno Smoky a few years ago.

shalak attack and bruno smoky painting of a person, face, large eyes, on concrete support pillar of overhead ramp

construction on don valley parkway ramp that crosses over king street

private property no trespassing sign on a fence that is over grown with shrubs

old painting of cats in a wicker basket, outside a vet on King and Cherry

In 1901 King Street was extended as far east as the Don River.  Because of the curvature of Lake Ontario, King Street swings north and merges with Queen just before the river.

 

I’ll end this blog post with three bits of cuteness, all are sections of the large Uber5000 mural on the Queen Street wall of the Toronto Humane Society, one of the last buildings on Queen Street before the Don River.  Uber5000’s little yellow birdie is such a happy fellow!

small part of animal themed mural by Uber 5000 at the Toronto Humane Society, little yellow birdie is laughing

small part of animal themed mural by Uber 5000 at the Toronto Humane Society, hamster in a cage, running on a wheel

small part of animal themed mural by Uber 5000 at the Toronto Humane Society, little yellow birdie is playing fetch with a black and white dog

… a few selections from what is/was on view at 401 Richmond last week.  Some of these exhibits were in their last days and may no longer be viewed.

2 young women standing together in a hall at 401 Richmond, white walls, wood floor

below: A Space Gallery, Jason Bearg, ” aen nistwayr mayshkotoonikayhk/First Story”  (until 11 July 2026)  large, round, illuminated artworks cover one wall of the gallery.

part of art exhibit at A Space Gallery, work by Jason Baerg,

below: More Jason Baerg – this is part of a larger piece.

part of an artwork by jason baerg,in an art gallery

A Space hallway windows, Alaa Al-Shawa

2 portraits, one male and one female, hanging in art gallery

below: Isabel M. Martínez’s exhibition “I Was Thinking About All of This and All the While I Kept Walking Further and Further, in Wider and Wider Circles”.  These are prints.

black on white print by Isabel Martinez of squiggles that are vaguely circular, also triangles arranged within those squiggles that look like segments of an orange
black on white print by Isabel Martinez of concentric circles

below: Another printmaker has shown some of the steps in the decision making process when developing a print.  My apologies to the artist for not noting his/her name.

vertical display on gallery wall, 6 little pictures that show some of the decisions made in developing a print, artwork

below: A painting from “Colour of an Object” by Walter Procsa – where colour is the language of emotion and “Contrasting hues are thoughtfully arranged to create both tension and atmosphere” (from the words on the wall of the gallery).

painting of a pink semi circle, transparent white circle and blue triangle, by Walter Procsa

below: A similar look to the painting above is this little diagram.  It was achieved in a very different manner if the title, “Colonization and Extinction Rates” is to be believed.   Lines produced by graphing a mathematical equation or two.  The slope of a straight line is rise/run.  If you think that the darker orange shape is a parabola, then any quadratic equation will do.

If the title is “real”, this is piece by Richard Ibhgy and Marilou Lemmens might be a representation of the equilibrium model of island biogeography where the immigration of new species to the island is balanced by the consequent loss of species.  The x-axis here is the number of species and the point where the black shape turns grey is the equilibrium point where colonization = extinction.  But, and it’s a big but, graphs by other people of the same data aren’t exactly like this one.

in an art gallery, little diagram in oranges and black with title colonization and extinction rates

below: Molly Steels, “Within a Surface”, an exhibit that showcases the work that she did during her 6 month artist residency at Gallery 44. Strips of birch bark matched with black and white photos of people in a lake.

collage of birchbark and black and white photos of women standing in lake, by Molly Steels, at art gallery

… or paired photos with an element removed on one side that appears in its original form on the other.

photography by Molly Steels, at art gallery

below: One photo from “Cute Paranoias” by Jake Santos – This small photo was displayed surrounded by a lot of white space.  It is another Gallery 44 exhibit.

 

Photograph by Jake Santos from his Cute Paranoisa exhibit at Gallery 44, 401 richmond St.

An exhibit of a different kind….

a man is standing inside a display case, adjusting the overhead lights

 

street art, section of painted garage, rainbow striped unicorn

 

…. from Shaw to Crawford
Two very different CONTACT Photography exhibits and a short walk between them.

 

“Aphasia”  is a photography exhibit now on at Youngplace (on Shaw, just north of Queen)  Here, photographer   James Andrew Rosen  “… explores themes of impermanence, decay, and the non-linear process of healing after a traumatic experience…”  In medical terms, aphasia is a disorder that affects how you communicate.   All aspects of communication are impacted by this neurological disorder –  the ability  to speak, write, and understand both spoken and written language.   The cause is damage to the brain because of a stroke or other physical injury.

Rosen presents his photos in groups, all arranged horizontally. The exhibit runs until the end of May

 

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen, mostly red and black

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen

It is a short walk from Youngplace down to Queen Street either via residential streets or the alleys that run behind them.

 

small painting nailed to a wood pole, with text that says look more

a woman is outside, washing a yellow car, in front of a house with a mansard roof,

on a fence in an alley, part of the fence is covered with 5 or 6 paintings, bags of lawn garbage lined up in front of the fence, back of houses behind

Emily May Rose mural of raccoons on a garage door in an alley

alley views, garage door in blue, black, and white diagonal stripes

colourful abstract urban art on a white garage door

childlike drawings on white grage door - tree with yellow birds on branches, a seahorse, some turtles,

white line graffiti drawing on a black garage door

old wood stump, upright on sidewalk, with plastic figure nailed to it as artwork

“City of Light” at the Lyceum on Queen (at Crawford) is a collection of photos taken by Martin Reis, in Paris France. It too was part of the CONTACT Photography Festival but unfortunately its last day was the 18th of May.

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

below: The street art wheatpaste with the cats holding bouquets of flowers (in the center of this image) is the work of Tweet Street Art who is from Melbourne Australia.  Perhaps you recognize some of the other graffiti and street art in these photos?

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

2 women drinking white wine in an art gallery

man sitting outside a glass door, playing an accordion

 

two men on a corner, across from building with mural on exterior wall, says queen street west in blue letters on pink background,

Exploring CONTACT exhibits along a small stretch of Queen Street West.

Gladstone Hotel

below: Two images, on the left artwork by Dianne Twombley and on the right, an image by Natalie Hunter, “Of Rust and Rays (Slater Steel)”

photo in photography exhibit for contact photography festival 2026,

photo in photography exhibit for contact photography festival 2026,

photo in photography exhibit for contact photography festival 2026,

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Paul Petro Contemporary

below: On the upper floor of the gallery, an exhibit by Ho Tam, “Lessons 2000”  (until June 6th).  The photos look back to Tam’s childhood and school days in Hong Kong.

photo by Ho Tam in photography exhibit for contact photography festival 2026, at Paul Petro Contemporary Gallery

photo by Ho Tam in photography exhibit for contact photography festival 2026, at Paul Petro Contemporary Gallery

below: On the ground floor of the gallery, photos by Marlene Creates, “Selected Works from 24 Years in a Patch of Old-Growth Boreal Forest… ”  (also until June 6th).  The pictures show a hand in front of different types of trees in different years.

photo by Marlene Creates in photography exhibit for contact photography festival 2026,

photo by Marlene Creates in photography exhibit for contact photography festival 2026,

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Propeller Gallery

below: “Yellow Tree”,  mixed media, burnt wood, wire, by Frances Patella

photo by Frances Patella in photography exhibit for contact photography festival 2026 Propeller Gallery, title is yellow tree

below: Small mixed media images on acrylic, also by Frances Patella

photo by Frances Patella in photography exhibit for contact photography festival 2026 Propeller Gallery

below: “Reflected”, one of the photographs taken by Peter Friedrichsen as part of his “Emergence”  exhibit (until 24 May).   His photos were taken at Tommy Thompson Park (once the Leslie Street Split) to help document the evolution of that space.  The images were processed using pigments made from brick and charcoal gathered from the site.  (My apologies but the reflections in the gallery were awkward here).

photo by Peter Friedrichsen in photography exhibit for contact photography festival 2026, at Propeller Gallery

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Twist Gallery

photos by Ryan Bolton in photography exhibit for contact photography festival 2026 at Twist Gallery,

“Before Borders”is the show at the Twist Gallery. It is a collaboration between Ryan Bolton and Yuma Dean Hester (until the end of May).

below: “Driving Back Through the Northern Rockies” (unfortunately with reflections), by Ryan Bolton

photo by Ryan Bolton in photography exhibit for contact photography festival 2026, Twist Gallery

below: Somewhere along the Liard River, by Yuma Dean Hester

photo by Yuma Dean Hester in photography exhibit for contact photography festival 2026 at Twist Gallery,

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18 Waits

below: 18 Waits is actually a men’s clothing store where everything is made in Toronto .  Here, Adrian Merritt Smith has an exhibit titled “Retreat” that is showing until 31 May.  This first picture was taken while driving through Saskatchewan.

photo by Adrian Merritt Smith in photography exhibit for contact photography festival 2026,

below: Top to bottom: Dundas Valley, Kearney, and near Chatsworth (all in Ontario).

photo by Adrian Merritt Smith in photography exhibit for contact photography festival 2026 at 18 Waits store,

Gallery 1313

There are three shows here – first, by Gregg Thurlbeck second a group exhibit by Offshoots!, and last a small selection of the missing persons posters from New York City after 9/11.

below: Two of Gregg Thurlbeck’s images from “City for the People, Forest for the Trees”.

photo by Gregg Thurlbeck at Gallery 1313 in photography exhibit for contact photography festival 2026,

photo by Gregg Thurlbeck at Gallery 1313 in photography exhibit for contact photography festival 2026,

Offshoot! 2026 (group exhibit), until May 11th including the following:

below: Benjamin Rondel – a photo that looks like a winter scene taken from above.

photo by Ben Rondel at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Christine Mack with a series on urban doors (mostly Toronto and Hamilton)

photo by Christine Mack at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Jude Marion

photo by Jude Marion at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Lilianne Schneider, “Old Tree”

photo by Lilianne Schneider at Gallery 1313 in photography exhibit for contact photography festival 2026,

photo by Lilianne Schneider at Gallery 1313 in photography exhibit for contact photography festival 2026,
two people in a gallery looking at photographs and talking to each other, Gallery 1313

a mop leans against a wall, in a gallery with photos on the wall

******

person with pink umbrella walks past a black building on queen street west with large letters printing the words life with art, life without art,

….. and other seemingly unrelated things

Aga Khan park in spring, with people looking at pink blossoms on the weeping cherry trees, also an art exhibit of photos by Hassan Hajjaj, of Arab women boxers

These photos were taken at Aga Khan Park where there is a CONTACT Photography Festival exhibit of images by Hassan Hajjaj (b. 1961, Morocco).  The subject of these photos is Arab women boxers.  The exhibit is titled, “La Salle de Gym de Femmes Arabes”

close up of an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit
below: Front and back

 an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit, two panels, front view and back view of the woman

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

I was disappointed when I realized that the photographer was male. Do we need men to tell women’s stories? Or, if these stories were told by a woman, how would they differ?

….especially with respect to this photo. Really? Yellow heart-shaped sunglasses?

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

It may be culturally insensitive, but I see very little to like in this photo.  I don’t see strong women, I see women being erased because they have to hide behind so many layers and so many restrictions.  There is no empowerment here; there is no individuality.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers
photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

Yes, those are cans of food in all the borders.  And yes, they are supposed to remind us of Andy Warhol’s use of Campbell soup cans.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, photo of a black ball, a red pair of boxing shoes, and a dark green pair of socks

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, woman on a bike

below:  This is “ALIF”  by Acil Benamara.  It is part of “Inner Structures – Outer Rhythms” which is an exhibit showcasing contemporary Arabic and Persian graphic design and typography.  The rest of the exhibit is inside the museum.

below: A fox among the serviceberry trees.

small, life size sculpture of a fox, standing among serviceberry trees in blossom, beside reflecting pool at Aga Khan museum

reflecting pool in front of Islamic Center

The magnolias were also in bloom.

white magnolia blossoms on a tree

Prints by Canadian artist David Blackwood at the Art Gallery of Ontario.

Blackwood (1941-2022) was born and raised in Newfoundland.  This retrospective exhibit features more than eighty of his prints and drawings.  Most of the prints are etchings.  In a couple of cases, a series of prints shows the development of a finished piece.  The images are very much Newfoundland and Labrador with sailing ships and large icebergs playing a big role.  There are lots of people in boats!

 

at Art Gallery of Ontario, people looking at images by Canadian printmaker and artist David Blackwood

below: “Passing Under the Rostellan”, 2013, etching and aquaprint.  The final copies had a reddish sky.

monochromatic print, black and white, by David Blackburn of a smaller boat with many people in it, passing under the prow of a larger ship called Rostellan

 

below:  “Wedding on Deer Island”, 2020, etching, aquatint & watercolour.

wedding on deer tisland, etching by David Blackwood from 2020, with added aquatint and watercolour, a boat ful of people navigates among chunks of ice in the water, people on the boat are waving flags

below: “The Flora Nickerson in the Labrador Sea”.  The Flora S. Nickerson was a schooner owned by the Blackwood family.  David Blackwood’s father and grandfather were mariners as were many other ancestors.  This boat appears in many of Blackwood’s prints – a boat that he sailed on many times as a child.

image, the flora nickerson in the labrador sea, by David Blackwood, at the Art Gallery of Ontario

below: “The Great Peace of Brian and Martin Winsor”, 1985

print, The Great Peace of Brian and Martin Winsor, by David Blackwood

below: If you look closely at the bottom portion of the above image, I think that you get a better look at the two Winsor men (and their rifles)…..

closer look at bottom part of The Great Peace of Brian and Martin Winsor, two men with rifles

below: …But if you check the details at the top of the print, you find a small empty boat – presumably belonging to the men.   There is certainly a story being told here!

upper portion of The Great Peace of Brian and Martin Winsor, large iceberg, small empty boat

This fascinating exhibit is still on (as I type this) and will continue until 26 July 2026.

The previous post, Face of Time, was about the recent Magnum Photos exhibit at TMU’s Image Centre.  There was another exhibit of post war photographs that was shown at the same time.  This second set were taken by David “Chim” Seymour (a co-founder of Magnum Photos) and they feature some of the 13,000,000 orphaned or abandoned European children.   His work was commissioned by UNESCO and took him to Germany, Austria, Italy, Greece, Poland, and Hungary.  Seymour was Polish, born Dawid Szymin (1911-1956); he died in Egypt at the close of the Suez Crisis.

below:  Some of David Seymour’s photos ended up in the UNESCO publication “Courier”.  This is the front cover of the February 1949 edition, with the headline ‘The Children of Europe’.  The photo was taken in a Warsaw orphanage.   The printed story starts with: “Europe is a stone wilderness and the smoke which has since long lifted from the last war still discloses a shattered continent.  Where it is not shattered physically, it is hurt within its mind and its courage for life.  The child groping his way out of the ruins must make his way to life now in this Europe.”

front cover of Courier magazine, with a black and white photo of a young girl

below: “Millions of children first knew life amid death and destruction.”

black and white photo by David Seymour, children walking along a road among bomb ruined buildings

below: Rehab hospital, Vienna Austria

black and white photo by David Seymour, boy with only one arm learning to use a saw

black and white photo by David Seymour, bombed house, ruined

below: We can also make clothes for ourselves, and we’ll learn to print our own books.”

black and white photo by David Seymour, children learning skilled trades, sewing, printing

black and white photo by David Seymour, a group of children being led on a walk, crossing a river

black and white photo by David Seymour

black and white photo by David Seymour, children wearing rompers, playing outside

black and white photo by David Chim Seymour

below: Ionanina Greece

black and white photo by David Chim Seyour

below: Tuberculosis Sanitorium, Otwock Poland

black and white photo by David Seymour, young children in a tuberculosis sanitorium, laying on cots

black and white photo by David Seymour, boys sitting on benches

black and white photo by David Seymour, children playing musical instruments, trumpets and clarinets

“Children of Europe” is online on a UNESCO website

Face of Time, or in German, Gesicht der Zeit, was a photography exhibition that was shown in Europe in 1955.  Afterwards, it was packed away and forgotten in an Innsbruck basement for fifty years.  The participating photographers were early members of Magnum Photos, a collective of documentary photographers that had been formed in 1947.  A selection of these images have been used to create a renewed ‘Face of Time’ and features photos by Robert Capa, Jean Marquis, Henri Cartier-Bresson, Erich Lessing, Inge Morath, Marc Riboud, and Ernst Haas.

 

below: By Erich Lessing (1923-2018), Vienna Boys Choir 1955.

black and white photo on gallery wall, by Erich Lessing, 1955, boys in Vienna Boys Choir

below: Ernest Haas (1921-1986).  Haas was the on-set photographer for 1955 film ‘Land of the Pharaohs’ that was filmed in Egypt.

black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs'
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs', people sitting on ground, very dusty with dust in the air
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs

below: Jean Marquis (1926-2019), both pictures taken in Hungary in 1954


below:  Henri Cartier-Bresson’s (1908-2004)  photos of Mahatma Gandhi

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, sitting in a bed writing on a book that a woman is holding

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, walking between two other people

crowds in India following Mahatma Gandhi,, many are clinging to the side of a train, and many more are following along beside the train

“To take a photograph is to align the head, the eye and the heart. It’s a way of life.”
– Henri Cartier-Bresson

below: Marc Riboud (1923-2016), photos taken in Dalmatia region of Yugoslavia (now Croatia) – scenes of post-war rural life, working in the fields, spinning wool, and meeting at a cattle market.

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people working in wheat field, Cetina Valley

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), person spinning wool

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people at cattle market in Vrilka

below: A few images taken by the lone woman photographer in the exhibit, Inge Morath (1923-2002) – all taken in London England.

post war, London England, black and white photo by Inge Morath of two women on New Bond Street, both wearing fox stoles around their necks

two post war, London England, black and white photos by Inge Morath

closer up view of people on the street, in a post war, London England, black and white photo by Inge Morath

below: And last, but not least, by Robert Capa.  He died in 1954 when he stepped on a landmine in Vietnam while working on a feature for “life” magazine.  The photo show here is a village festival in Basque country.

black and white photo pf people dancing, by Robert Capa, village festival, Basque, post war

Originally shown at the TMU Image Centre at the end of 2025, it remained until 4th April of this year.   Unfortunately the exhibit is now over and the centre is closed while it prepares for next month’s exhibits.  May has been CONTACT Photography Festival month here in Toronto for quite a few years now and one of the events is a showing by the previous years winner of the Scotiabank Photography Award at the TMU Image Centre.  Last year’s winner, and this this year’s feature photographer is Dawit L. Petros.

 

One of the latest exhibits at the Art Gallery of Ontario (AGO) is a collection of photographs and videos from 1964. But not just any photos. This collection features the Beatles and centers on their first visit to the USA in 1964. The videos are famous ones – the interview at the airport when they first arrived in New York City as well as videos from their performance on the Ed Sullivan Show. Sprinkled throughout the exhibit are a number of pictures that Paul McCartney took – pictures of the paparazzi that followed them, of the people and crowds that they encountered, the other Beatles, as well as a few of the cities around them.

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career, blue wall with black and white photos,

below: A series of three selfies that McCartney took in Paris in 1964. The bathroom mirror technique?

Paul McCartney self portraits, series of 3 black and whites, taken in Paris in 1964

photos from paris france 1964, taken by paul mccartney, black and white

below: John Lennon, Paris, 1964, taken by Paul McCartney


photo of John Lennon, taken in paris france 1964, taken by paul mccartney, black and white

below: George Harrison, NYC, 1964

PanAm airplane, New York City, Beatles in USA for the first time, image, black and white

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career,

below: Slide show of colour photos of the Beatles taken in Miami in 1964

man with back to camera, sitting, watching a slide show with large image of the Beatles, AGO

below: One wall was devoted to a “contact sheet” style of print. Most of them were from their appearance on the Ed Sullivan Show in New York City, February 1964.

yellow wall at Art Gallery of Ontario covered with enlargements of negatives printed like a contact sheet. Pictures were from their television performances, like Ed Sullivan show, in the mid 1960s.

photo of two men in a car, one is aphotographer and is leaning out the window with his camera, 1960s, black and white photo

picture of a woman standing outside a window, inside there are other people looking out

below: Watching the video taken at the airport when they first arrived in New York City, 1964

people at Art Gallery of Ontario watching a video of the interview with the Beatles at the airport in New York City when they first arrived in the USA

below: New York City views

photograph taken out the front window of a car of a New York City scene with billboards and tall buildings

two black and white photos on a gallery wall,

a woman looking at black and white photos on the wall of an art gallery

two of the black and white photos of the beatles, AGO exhibit

There was a small section of the exhibit that showed some video from when the Beatles played at Maple Leaf Gardens in Toronto.

The exhibit continues until 7 June 2026

Displayed in one of the halls of 401 Richmond, were some relatively small pieces of fabric art.  Small in size, but big in story.   They were all the product of a workshop, “Stitching Resilience: Tatreez–Arpillera Dialogues which was held at A Space Gallery, at the end of May (a few months ago).   My apologies for not noting the names of the women who created these.

below: A woven artwork by Andrea Idrobo with an anatomical drawing of a human heart as the centerpiece.

woven hanging artwork, wall hanging, with central piece being an anatomical drawing of a heart on white fabric, by Andrea Idrobo

Handprints.  The words “50 Anos y Donde Están?” are embroidered on red; they translate to “50 years and where are they?”.  Arpilleras are a traditional form of Chilean textile art and they have been used to denounce human rights abuses during the Pinochet dictatorship. The piece features appliqued hands and a flame, to convey its message of protest or remembrance of those who died or disappeared.  Augusto Pinochet came to power after a military coup in 1973.   The dictatorship ended in 1990 when democratic elections were held and Pinochet lost.

embroidered and appliquefabric artwork, with black hands reaching towards each other, red and gold fabric border,

fabric collage and embroidered artwork

The words are from “Por qué cantamos” by Mario Benedetti (1920-2009).  He was a poet/novelist/journalist from Uruguay.

words printed on white fabric in a fabric artwork

Cantamos por el nino y porque todo y porque algun futuro y porque el peublo cantamos porque los sobreviviantes y nuestros muertos quieren que cantemos We sing for the child and for everything and for some future and for the people we sing because the survivors and our dead want us to sing Cantamos porque el grito no es bastante y no es bastante el llanto ni la bronca cantamos porque creemos en la gente y porque veneremos la derrota We sing because shouting isn’t enough, nor is crying or anger enough; we sing because we believe in people and because we venerate defeat.

 

fabric art, mostly red with gold text embroidered that says I am not a number

 

fabric art,

cocinamos para saciar el hambe – we cook to satisfy our hunger

 

part of the text printed on fabric from an artwork, detailing the Plan Condor, Santiago in 1975, 50th anniversary

En noviembre 1975, representantes de los regimenes de Argentina, Bolivia, Chile, Paraguay y Uruguay reunidos en Santiago de Chile, establecieron el Plan Condor . La red transnacional de Condor permitia a las dictaduras apuntar especificamente a personas exiliadas que habian huido de su pais de origen y continuaban denunciando desde el extranjero a los gobiernos dictoriales en el poder
In November 1975, representatives of the regimes of Argentina, Bolivia, Chile, Paraguay, and Uruguay, meeting in Santiago, Chile, established Operation Condor. The transnational Condor network allowed the dictatorships to specifically target exiles who had fled their countries of origin and continued to denounce the dictatorial governments in power from abroad.

fabric art, with a lot of text