Posts Tagged ‘portraits’

With the Strength of Our Diversity

Posted: November 14, 2022 in graffiti and street art, locations
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Eight squares of positive messages.

With the strength of our diversity;
With the wisdom of our ancestors.

We look ahead to our prosperity

concrete block against a metal fence with simple painting of a person's back

We create our own identity

concrete block against a metal fence with simple painting of a person's back, braided hair down middle of head

Based on love and empathy

concrete block against a metal fence with simple painting of a person's back, short hair, tattoo of sun on back of neck, carrying a violin case on his back

We firmly believe in equality

concrete block against a metal fence with simple painting of a person's back

Embracing our unity; unleashing our creativity

concrete block against a metal fence with simple painting of a person

Striving for peace and respect

concrete block against a metal fence with simple painting of a person, in profile, holding a parasol over their head, hair held back in a bun with pair of chop sticks

These simple paintings are arranged along a fence at Kingston and Galloway Roads in the West Hill neighbourhood in Scarborough. At one end, on Galloway Road, only the back of the person is seen from the sidewalk. In the middle, the people are starting to turn so that by the other end of the line they face the street.

concrete block against a metal fence with simple painting of a person of Caribbean origin, male, wearing oversized heat

concrete block against a metal fence with simple painting of a person, male, african type clothing including hat

This was a StreetARToronto project with the help of the Boys and Girls Club of East Scarborough as well as Behind the Line

portraits, larger than life

Posted: May 7, 2022 in events, public art
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This year’s CONTACT Photography Festival showcases the work of a few photographers who focus on portraits.  Two of these, Tyler Mitchell and Jorian Charlton, are shown here.

First, on the west side of Spadina near King Street is this large portrait:

very large photo titles Georgia, pasted on brick wall, black woman rubbing her tummy,

It is “Georgia” by Jorian Charlton, a Toronto based photographer whose works centers around Jamaican-Canadians and their culture. There is also an exhibit of her work titled “Out of Many” at the Art Gallery of Ontario that can be seen until 7 Aug 2022.

Nearby is a series of portraits by American photographer Tyler Mitchell (b. 1995) is on display on King Street West by Metro Hall. This is “Cultural Turns”.

outdoor exhibit, portraits of black people, King St West, by Tyler Mitchell

people walking past, on sidewalk, outdoor exhibit, portraits of black people, King St West, by Tyler Mitchell

3 of the portraits in Cultural Turns exhibit outside Metro Hall, on the left a couple - man in pink shorts has his arm around the womans shoulders

Tyler Mitchell photograph of two women and a bike

part of outdoor exhibit of work of Tyler Mitchell photographer

a portrait by Tyler Mitchell of a black woman with big white sunglasses and a white jacket open enough to show lots of cleavage

There are actually three parts to this exhibition.  Unfortunately I do not have photos of the other parts but they are billboards at Dovercourt and Dupont as well as an indoor component at the CONTACT Gallery.

‘Seeing Evergreen’

Posted: May 2, 2022 in people, public art
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“To know a forest you start with the roots”

“Seeing Evergreen” is an exhibit presented by Jamii   Twelve older residents of the area were paired with local youth to share their stories.  The results of these conversations, along with portraits of the participants, are on display in David Crombie Park on The Esplanade.

small yellow concrete arch leading to a circular garden in a park, with posters as part of an art exhibit

below: All the posters have a large portrait on one side

in David Crombie Park, 3 large posters each with one large portrait, on the right is a woman holding up a pink T- shirt

below: On the other side is a small picture as well as the words written. Posters with portraits and stories of four – Victoria, Naomi, Stella, and Carol-Anne

four large poster boards on display in a park with a red brick apartment building behind

below: Nancy and Chet, their pictures and stories.

portraits and stories of nancy and chet, each on their own poster board on display outside in a park

below: Posters with the Toronto skyline behind.

3 large posters with text and a small portrait in David Crombie Park with the Toronto skyline behind

generally Dundas, from McCaul to Augusta

Posted: March 26, 2022 in alleys, graffiti and street art, intersections, locations
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Toronto is a city of surprises; a city of variety.  If you are bored with one street, just walk another block or turn at the next intersection and chances are you’ll encounter something different.  The scenery will change.  For instance, on Dundas West you leave the downtown core just after University Ave., walk past OCADU, the Art Gallery of Ontario and Grange Park… next, through a section of Chinatown at Spadina and then immediately into the Kensington Market area.   Just south of Kensington is the redevelopment of Alexandra Park….  and you’ve only walked a few blocks.

traffic signs and pedestrian crossing signs on Dundas with downtown highrise in the background and Ocadu banner on pole

below: The newly renovated OCADU annex building on the southeast corner of Dundas and McCaul is now called the Rosalie Sharp Pavilion.  The curve of the roof contrasts nicely with the sharp edges of the neighbouring buildings

Rosalie Sharp pavilion on the southeast corner of Dundas and McCaul, shiny metal facade on the building,

below: The northeast corner of Dundas and McCaul is yet another hole in the ground.  The Art Gallery of Ontario and Rosalie Sharp Pavilion are in the background.  I am beginning to feel like a broken record player when I mention yet another condo construction site (tangent – is there a 21st century equivalent to “broken record player”?).

construction site, orange plastic, hole in the ground, St. Patricks church on right, AGO in the background, at Dundas and McCaul, northeast corner

below: The demolition of the buildings on Dundas West opens up new views of St. Patricks RC Church.

on Dundas West, just east of McCaul, hoardings around a construction site with St. Patricks RC Church behind

below: Around the corner from St. Patricks, is Our Lady of Mount Carmel Church and its bilingual signage and beautiful red door.

entrance doorway to Our Lady of Mount Carmel Church, red wood door, signs on right side in English, signs on left side in Chinese

below: Krispy Kreme (yes, they still exist!) and Jimmys Coffee on McCaul in almost identical buildings.  Like twins but with a dash of their own personality.

old buildings on McCaul street, two remaining rowhouses, three storeys, one is Krispy Kreme at street level, the other is a Jimmys Coffee. A larger squarer brick building on the right, also three storeys

below: Thing 1 and Thing 2 running down the alley

mural with Thing 1 and Thing 2 from Sr. Suess Cat in the Hat book

below: …but not this alley.   That’s a lot of stairs!

Toronto downtown alley backs of houses, exterior stairs up to third floor, fences, brick, concrete,

below: Each building has it’s own character from years of changes and modifications as people come and go.  They may not be good looking but they are often unique – someone’s little piece of the city.

back of houses in alley, tree, fence,

below: Front yard patio

loveseat and armshair outside on grey mat, door to building is double red door, storefront,

below: Critters in the window

three stuffie toys in the middle window of a bay window set in a beige stucco house, behind a wood fence, rusty metal roof on bay window

below:  An old TTC streetcar loses its load.  By the looks of it, this image will disappear once the ivy comes back to life in a few weeks.

painting on concrete wall of a TTC street car leaning over and people falling out

Super star written on the window of a hair salon in china town, large red Chinese letters too, reflection in the window

below: Put together by the ‘Long Time No See Photo Project’, “Chinatown, the Best” is a collection of portraits that highlights seniors in the Chinatown area along with their thoughts and opinions on what makes Chinatown great.

Chinatown poster series on residents, in windows and door on Dundas

below: The posters are on display over eight locations on Spadina and Dundas West.

Chinatown poster series on residents, in windows and door on Dundas

Left to right:
1. Come and work out in Chinatown.
2. Chinatown is my looking glass. Newcomers come thru finding support to enter Canada & I go back thru to understand where my ancestors and I come from. Keep Chinatown strong!
3. Chinatown is my ancestral village. In 1892 Great-Grandfather Charlie Yep laid down family roots in Montreal – but the early years of international racism gave way to self-loathing Kungfu? Chinesey food? Aiiyah!! Standing defiant in a martial arts pose is a testimony to overcoming my denial. I am Chinese-Quebecois Canadian. Au bout!
4. For making Chinatown the Best, Lily draws on her spiritual energy medicine knowledge to develop a healing relationship with the living landscape and its inhabitants to foster the restoration of the area’s sluggish energetic anatomy and amplify its vibrational health and wholeness.
5. deu say lin yeung im ah im duck!

below:  In another Chinatown window is this display – pictures of food with four old black and white pictures.

picture in window in Chinatown, collage of food photos and old black and white photos. One black and white is old Shanghai Bund

below: The picture on the far right depicts Shanghai Bund and river waterfront so it is possible that the other photos are also of Shanghai?  Or at least cities in China?

close up of a picture of sliced meat on a platter, as well as two old black and white photos. Photo on right is Shanghai Bund with boats docked along the river shore.

below: Another window with pictures – this time The Kensary, a cannabis store in Kensington.

window of the Kensary cannabis store in Kensington, full of Toronto landmarks

below: A close up of part of the window showing Casa Loma, Roy Thomson Hall, Hughs Room, the El Mocambo, the Silver Dollar, Massey Hall, and gabled Victorian era houses

close up of picture in window of The Kensary, Toronto landmarks, Casa Loma, Roy Thomson Hall,

below: Hoardings on Spadina where a skeleton reaches out for passers-by.

man on sidewalk on Spadina, walking past hoardings with graffiti and street art and adverts, one mural is a large skull with outreached bony arms,

below: Kensington view of the CN Tower

CN Tower in background, large hydro wood structure in foreground, view from Kensington

below: Facilities at Bellevue Park – more than just “all gender”

a blue and yellow porta potty covered in macabre street art, in bellevue park

in blues, mural by elicser of an older man with white beard, a hook for a hand, smoking a pipe, wearing a cap

a dead end in an alley where all the fences and gates are covered with murals, a large tree, the backs of two storey houses in different materials and colours, brick, wood,

below: Wanted poster for Putin the war criminal

two stencils on hoardings, one is a pink woman's head and the other is a wanted poster for putin, war criminal, Russian leader for his invasion of ukraine

street art on hoardings with word war, black hands and red flames, yellow building tower,

below: There’s at least one Maple Leafs fan left!

sticker on a pole, a stick figure person with a happy face and a realistic blue Maple leafs hockey jersey

bke parked at bicycle stand with graffiti slaps on it, across street from fruit and vegetable market with green walls and red and white striped awning, Kensington market area of Toronto

poster graffiti of a white skull on black background, large red border, on a pole, with alley street art in the background

a woman taking pictures of street art in an alley

below: Jumblefacefoto collages

two large jumblefacefoto collages on walls of empty storefront, open door, with large sign saying coming soon, someone has written in black marker, large letters, freedom in back

in an alley, a door painted black, part of a callligraphy mural with black writing on magenta and orange background

below: Alexandra Park redevelopment progresses. Dundas West is the northern edge of the 16 acre site owned by TCHC (Toronto Community Housing Corp). Most of the original units that were built in the 1960s are now gone.

orange digger working behind a fence, beside older brick apartment building, sign on fence that says you are not your mistakes.

on a pole, twp graffiti slaps, on top is an intricate line drawing of flowers and on the bottom is a bruha, intergalactic in many colours

below: Apparently it’s okay to be white. Actually it’s okay to be brown, or black, or any shade in between too.

on the back of street traffic signs, two slaps. On top is one with words It's okay to be white, and on the bottom a small face with a round surprised mouth

below: Anarchist piano lessons?

poster on hoardings that says Anarchist piano lessons

below: “They say death takes you to a better place but I doubt it”  Me?  I’m in no hurry to find out.

square slap graffiti, small, with text crammed into it that says They say death takes you to a better place but I doubt it

small black and white sticker of a screaming face, on a pole with street art, beside a wood utility pole with lots of orange paint

on a wooden fence, a sign that says warning CCTV cameras, surveillance, you are being watched

Andy Warhol at the AGO

Posted: July 30, 2021 in galleries
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The Art Gallery of Ontario has re-opened after several months of COVID lockdown. They have created an all new Andy Warhol exhibit in celebration.

This is some of what can be seen:

 

people standing in an art gallery looking a three large and colourful paintings by Andy Warhol of faces

below: Elvis Presley

a man in pale blue jacket and baseball cap stands in front of a portrait by Andy Warhol

below: Part of a series of images of an electric chair in different colours

two women look at prints of electric chair in 4 different colour tones

three young women look at two paintings of guns by Andy Warhol, large and on a gallery wall

a couple pass by six Andy Warhol paintings. Two of Debbie Harry and two of Dollie Parton and two of Mick Jagger

below: Debbie Harry

Andy Warhol portrait of Debbie Harry

below: Karen Kain

two portraits of Karen Kain, one on turquoise background and the other on light purple background

The exhibit is on until October 2021.

Women (mostly) at the AGO

Posted: September 27, 2019 in galleries, people
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women looking at paintings at the Art Gallery of Ontario

below: Two pieces by Valerie Blass from her collection titled “The Parliament of the Invisibles”.   Blass used plaster casts of body parts,  dressed them in clothing, and then arranged them in little installations.  (On the fourth floor of the AGO until 1st Dec)

art by Valerie Blass, a parliament of invisibles, clothes taking the form of people

below: Stepping out in denim shorts and red boots.

artwork by Valerie Blass at the Art Gallery of Ontario, one red boot, a pair of denim shorts and a blue ikea bag on a step stool

below: Working among the heads

below: Part of “Mother and Child with Pulled Tooth”, a sculpture made of whale bone, antler, grey stone, ivory, and sinew by Karoo Ashevak.

whale bone sculpture in art gallery, mother and child, large round face with open mouth and two outstretched arms with large hands

below: A print by Carole Conde and Karl Beveridge, Screenprint and ink on paper, about 1975. “Why does the woman do the laundry and cooking?”  Although in the image the woman is using a tape recorder and is no where near the kitchen.

q print that shows a woman working, in red ink on green background, with black words written on top of it, why does the woman do the laundry and cooking

below: Part of “Blur” by Sandra Brewster – a collage of more than 80 black and white “portraits” of people out of focus and uncentered.

a collage of many black and white blurred and uncentered portraits of people on a wall in an art gallery, part of Blur series by Sandra Brewster

below: There is also a very large out of focus image on a wall of its own.  The photo on its own wasn’t very interesting but it provided a wonderful backdrop to some experiments of my own.  There are those who stop and look and linger and those who pass by without a second glance.

people, out of focus, walking past a large out of focus picture of a woman, a photo by Sandra Brewster as part of her blur series

a couple holding hands with the woman leading the man, out of focus, walking past a large out of focus picture of a woman, a photo by Sandra Brewster as part of her blur series

people, out of focus, walking past a large out of focus picture of a woman, a photo by Sandra Brewster as part of her blur series, three men, two are together and the third is walking in the opposite direction

people, out of focus, walking past a large out of focus picture of a woman, a photo by Sandra Brewster as part of her blur series, a man in a green shirt

people, out of focus, walking past a large out of focus picture of a woman, a photo by Sandra Brewster as part of her blur series, a man pointing

Sandra Brewster’s “Blur” is on exhibit until 20 March 2020.

Dreams and Love

Posted: February 14, 2019 in galleries
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I’ve decided to put together two exhibits that are on at the moment in one blog post.  The first is ‘Same Dream’ by Omar Ba at the Power Plant Gallery and the second is ‘Reflections of Love’ by a group of photographers next door at one of the  Harbourfront galleries   The two exhibits don’t have a lot in common except the close proximity of the two galleries and the fact that I saw them on the same afternoon last week.

First, Omar Ba was born in 1977 in Dakar Senegal.   He studied art in Dakar and then in Geneva where he now spends part of his time.

below: The large work in the middle of the gallery was painted in place.  That is Jesus on the cross.  The center figure has the word”Horus” painted beside it.  Horus was an Egyptian God who was usually depicted with a falcon’s head on a human body.   The painting depicts “a recurrent motif of birth, death and reincarnation across different cultures today” according to the description of the exhibit on Power Plant’s website .

gallery at Power Plant Contemporary, show of works by Omar Ba, large painting of Jesus and Horus in the middle of the room, a man sitting on a wood bench looking at some of the paintings on the wall

below: ‘Naufrage’ 2014.  Dictators, despots, and authority figures can be seen in many of his paintings, often mixed in with scenes of plants and/or animals.

Naufrage, a painting by African artist Omar Ba on display at the Power Plant Contemporary Art Gallery, a black man in uniform peaking out from behind a lot of plants and their stems

below: Similar to the one above, except hear the plants are based on fairly realistic human hearts with black aortas and yellow blood vessels.

Omar Ba painting of a man behind plants with human hearts on top of them

below: Ba’s paintings are full of small details as can be seen in this close-up of part of ‘Autopsie de nos consciences 2’, 2018.   Name the flags?

detail from an Omar Ba pinting, a black man holding an automatic rifle. The butt of the gun is covered with small flags from different countries

below: More details but from a different painting.

close up of a painting by Omar Ba of a boy's face in grey dots, wearing a patterned shirt

***

‘Reflections of Love’ is a photography exhibit on at Harbourfront for the month of February that features the work of five artists.

As you enter the gallery, the words on the wall say, “In honor of Black History Month, this thoughtful photography exhibit explores the many forms of love found within our black communities through reflections of self, identity and acceptance. Power within vulnerability and healing can only come through togetherness and conversation. This is a true celebration of exemplified strength in people with deep roots and heritage.”

below: On the back wall, a series of images by Stella Fakiyesi.  Fakiyesi was born in Nigeria and raised in Toronto.

part of art gallery at Harbourfront, wood floors, black bench in the middle, some photos on the two side walls, four large photos on the back wall, a series of four photos by Stella of the same black woman in a number of poses.

part of a photo by Stella Fakiyesi of a black woman, two images superimposed on one another

below: Photo by Sean Brown

photo by Sean Brown of a black woman wearing a green turban, a number of hands are tugging at her ears.

below: Photo by Jah Grey

black and white photo by Jah Grey of a black man holding a large round mirror over his head and in front of his face

below: Two photographs by Quil Lemons

two portraits by Quil Lemons, on the left is a black woman and on the right, three black girls

below: A closer look at the one on the right shows a wonderful tangle of three girls.

a close up of portrait of three girls by Quil Lemons

 

below: Three portraits by Yannick Anton

three photos by Yannick Anton hanging on a gallery wall. All three are portraits of black people with bright yellow backgrounds, one is a father and young son, one is a young girls and one is a young child with parents.

***

Happy Valentines Day!

smiley heart on pink wall with red spray paint lines around

photographs on display

Posted: February 7, 2019 in galleries, people
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the backs of two people, a man and a woman, as they look at framed photographs hanging on a wall at the Ryerson Image Centre

On display at the Ryerson Image Centre at the moment is a collection of more than 200 photographs called “True to the Eyes”.  These photos were part of a collection amassed by Howard and Carole Tanenbaum over the past forty or so years.  The images span the history of photography.  There is a bit more information on the Ryerson Image Centre website.

 

below: An old tintype of three hunters and their dogs.   The process was developed in 1853 and was popular during the 1860s and 1870s.  Tintypes were printed directly on metal (but not actually on tin)- a photographic emulsion was applied to a metal plate.

an old tintype photo of three male hunters in sepia tones, framed in an elaborate picture frame and hanging on a dark grey gallery wall

Two women are looking at a wall covered with framed black and white photos at the Ryerson Image Centre

below: Two wonderful portraits by Rafael Goldchain

two colour portraits by Rafael Goldchain on a gallery wall.

people looking at framed photographs being exhibited at Ryerson Image Centre

below: New York City, 1947, a black and white photo by Louis Faurer (1916-2001, American).  Faurer did a lot of fashion photography for magazines of the day but he is best known for his street photography in New York City and in Philadelphia.

black and white photo from New York City in 1947, by Louis Faurer, hanging on the wall at the Ryerson Image Centre - part of the Howard and Carole Tanenbaum collection.

below: Also on display at the Ryerson Image Centre is a small collection of photos and items from the history of Kodak in Toronto.  The exhibit was organized by Ryerson students.

photo of a large billboard advertising the new home of Kodak in Kodak Heights, Keele Street, Toronto, back when it was being built.

If you are interested in the history of photography or in vintage photos, part 2 of the exhibit of photos from the WW1 era is on display at the Art Gallery of Ontario.

four people sitting on a bench in a gallery looking at a large video screen that is showing images of world war one era stereoscope pictures.

part of an old sepia tone photo of a young man in a soldier's uniform, holding a small dog, World War 1 era, hanging on a wall at the Art Gallery of Ontario

“True to the Eyes” ends 7th April 2019
Part 2 of Photography: First World War ends 14th April 2019,

A day of photography, in three parts – Ryerson Image Centre

Posted: October 5, 2018 in galleries, locations
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One of my stops the other day was the Ryerson Image Centre.

below: Students enjoying the un-autumn-like weather while the pond is almost empty.

the pond outside Ryerson Image Centre is almost dry, there are tables, chairs and yellow umbrellas set up in the pond area, students sitting there.

The main exhibit at the Ryerson Image Centre is based on the work of Gordon Parks, specifically his ‘Flavio’ photo essay.  Gordon Parks was an African-American, born in Kansas in 1912.   He bought his first camera in a pawn shop.  In 1948 he began a 23 year career at LIFE magazine where he created many photo essays including ‘Flavio’.   In the 1960’s Parks  went to Rio de Janeiro in Brazil to document the poverty there.  He  centered the project around a boy, Flavio, and his impoverished family, the Da Silvas.  When the photographs and story appeared in ‘LIFE’ magazine in June 1961, it caused quite a stir, especially in Brazil.  In return, a Brazilian photographer, Henri Billot , visited the poorer parts of Manhattan to prove that the poverty in the United States was as bad as the poverty in Brazil.   The family that Billot concentrated on was the Gonzalez family.   There is also some discussion about candid photos vs images that are staged in documentary photography.

As a reaction to the LIFE article, Flavio was brought to the USA for two years to treat his asthma.  Money was also raised to relocate the Da Silva family to a new home.

below: Some of the photos by Gordon Parks.

five black and white photos on a dark grey wall, photos by Gordon Parks of poverty in Rio de Janeiro in the 1960s

below: Flavio and his brother Mario on the promenade in Rio during their first trip outside the favela. 1961.  Favela is Brazilian Portuguese word for slum, or low income area a city (usually on the outskirts).   In the 1960s the favelas were populated mostly by migrants from rural areas who couldn’t afford living in the city.   These areas didn’t have running water, electricity, or sanitation.

two boys in front of a row of apartment buildings, photo by Gorodn Parks

below: Photo by Henri Billot

old photo from the 1960s, 3 children play on the sidewalk by a car that is parked on the street

below:  Neighbourhood of the Gonzalez family, Manhattan, 1961, by Henri Billot (my apologies for the reflections).

Gonzalez building, tenement slums of New York (Manhattan), black and white phot by Brazilian photographer, Henri Billot

below: Flavio and his wife Cleuza da Silva in Rio in 1976 when Gordon Parks returned to see how the Da Silva had fared since his earlier visits.

black and white phot of Flavio and Cleuza da Silva taken in 1976 in Rio by Gordon Parks

In the student gallery was a small exhibit of the work of Alia Youssef.  Her project ‘The Sisters Project’ features portraits of Canadian Muslim women of all ages all with a narrative of their own.   Their portraits were on the wall of the gallery but their portraits and stories are on the website (it’s well worth a visit!)

two photographs by Alia Youssef, each of a muslim woman in a field or park, the one on top is a younger black woman, the bottom is an older whiter woman with a head scarf

In light of the recent earthquake in Indonesia, the third exhibit at the Ryerson Image Centre seems timely.  It is a display of photographs taken in the aftermath of the earthquake in Mexico City on 19th September 1985.  At the time it was the strongest earthquake on record.  Large portions of the city center and the neighbourhoods next to it were leveled.

below: Photo by Barbara Laing.

an old black and white photograph of Mexico city after the 1985 earthquake, a pair of pants and a clock on top of a flattened building, some people in the distance

woman dressed in black in a gallerywith black walls,looking at black and white photos on the wall

below: Photo by Pedro Mayer.

an old black and white photograph from the aftermath of the Mexico City earthquake of 1985, s pile of rubble with people standing on top of it.

the pond outside Ryerson Image Cetnre is almost dry, there are tables, chairs and yellow umbrellas set up in the pond area, students sitting there. aas seen from inside the Image Center

Focus on Our Elders

Posted: August 13, 2018 in galleries
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Now on in the Rotunda at Metro Hall, the second showing of ‘Focus on Our Elders’, a photo documentary project by The 6ix Clicks.

panels on exhibit at the rotunda at Toronto Metro Hall, Focus on Our Elders exhibit by the 6ix clicks photography group. Portraits and interviews of seniors in Toronto.

Portraits of, and interviews with, 24 Toronto seniors from diverse backgrounds.

panels on exhibit at the rotunda at Toronto Metro Hall, Focus on Our Elders exhibit by the 6ix clicks photography group. Portraits and interviews of seniors in Toronto.

The exhibit is only on this week, 13 to 17 August, inclusive.  The Rotunda is on the ground floor of Metro Hall and the building is open from 7:30 to 9 p.m.

For more information about these interviews: 6ix Clicks website

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