Posts Tagged ‘photography’

This is a blog post about a exhibit at TMU Image Centre by American photographer Richard Avedon (1923-2004) titled “Immortal: Portraits of Aging, 1951–2004”.  This is just a small sampling of the almost 100 portraits hanging in the gallery.

Richard Avedon (1923-2004) was both a fashion and a portrait photographer.   He produced thousands of portraits over his lifetime.  He worked for many magazines including ‘Harpers Bazaar’, ‘Vogue’, and ‘The New Yorker’ and he was involved in many advertising campaigns for companies such as Calvin Klein (think of Brooke Shields in 1980) and Revlon (“The most unforgettable women in the world wear Revlon”).    There are numerous books that feature collections of his photographs.

below: Lee Friedlander, photographer, 2002

Lee Friedlander, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

In this exhibit most, if not all, of the portraits are of older people (hence the title of the exhibit) and many of them are well-known names.

people looking at photographs in a gallery, black and white portraits by Richard Avedon

In the 1960s Avedon started making studio portraits of civil rights workers, politicians, and cultural dissidents/activists.  As his reputation grew his studio work expanded to include many other public figures and celebrities.

below: Dorothy Day, activist, co-founder of the Catholic Worker Movement, 1969

Dorothy Day, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

below: Portraits of three men with American political connections, from left to right: Arthur Schlesinger, Clark Clifford, and Dean Rusk all taken in 1993.

three men, three separate black and white portrait photographs by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

below: W.H. Auden, poet, in a New York City snowstorm, 1960

W.H. Auden, poet, in New York City, in a snow storm, , black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

below: Robert Flaherty, director, 1951

Robert Flaherty, director

 

below: Avedon didn’t always center his subjects in the picture and in this case, even chopped off part of his face.

people looking at photographs in a gallery, black and white portraits by Richard Avedon

below: Souer Emmanuelle, nun, Paris, 1998

Souer Emmanuelle, nun in Paris, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

below: Vicente Escudero, flamenco dancer, 1955

Vicente Escudero, flamenco dancer, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

below: Gloria Swanson, actor, 1980

Gloria Swanson, 1980, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

below: Michelangelo Antonioni, director, and his wife Enrica, Rome,

people looking at photographs in a gallery, black and white portraits by Richard Avedon

Micelangelo Antonioni and his wife Enrica, black and white portrait photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

people looking at photographs in a gallery, black and white portraits by Richard Avedon

people looking at photographs in a gallery, black and white portraits by Richard Avedon

people looking at photographs in a gallery, black and white portraits by Richard Avedon

below: Dr. Benjamin Spock and his wife Jane Cheney, 1969

Benjamin Spock and his wife Cheney,, black and white photograph by Richard Avedon hanging on a wall in a gallery, TMU Image Centre

Until 5 December 2026

On a recent wander through the Art Gallery of Ontario I encountered a few ‘people’.  They were happy, forlorn, busy, engaging, cute, creepy, odd, and more.   I hope that you’ll agree!

below: “Interesting Story” 1898, by Laura Muntz Lyall (1860-1930)

below: A Louis Valtat (1869-1952, French) painting that depicts a couple at a cabaret. Can you see the dancer?

below: “June”, bright and bold, by Lynn Donoghue (1953-2003, Canadian)

below: This is a section of “Torn Heart” by Natalka Husar (b. 1951, Ukrainian roots).  One comment about her painting that I saw on an AGO website is, “Husar’s paintings are a compelling mix of joy, guilt, mystery, and seduction, and Torn Heart vividly expresses the complexities and paradoxes of love stories we have all lived.” (source)

below: “Night Games at the Paradise” by Rae Johnson (1953-2020, Canadian) is a painting of people sitting in the outdoor section of a bar next to Johnson’s Toronto home.  No one is happy.

below:  Watching one the videos made by Diego Marcon (b. 1985 in Italy).  I am having trouble with this one as I found Macron’s videos to be too creepy, too dark.  His digital/CGI people don’t look quite right (on purpose?).

The AGO has a photography exhibit, “Picture Space” (until 1 Nov 2026) that features some photos from their collection, including from the following four photographers.

below: Barbara Astman (b. 1950, Canadian) –  two big eyes staring back at you.  This is “Seeing and Being Seen #1”

below: Luther Konadu’s photos from “Ambient Photo” are actually four put together  and displayed in one horizontal image.   I have separated them into two halves (this photo and the next).  “Ambient Photo” is on ongoing project that looks at the mechanics of photography.

below: Sandra Brewster’s “Hiking Black Creek” 2018 is a very large picture that is printed on wood panels.  The original photo was taken in the 1970s and shows her parents hiking shortly after they arrived in Toronto from Guyana.

below: “Beauty at a Proper Distance” by Suzy Lake (b. 1947 in Detroit, now in Toronto).

And last, with a bit of silliness, a quirky photo taken in Yayoi Kusama’s infinity room.

 

Two very different men born in different times and in different places… who happen to take pictures.  Some of these pictures are now hanging on the walls of the TMU Image Centre.

The main exhibit showcases some of the work of Dawit L. Petros a Montreal-based  artist and winner of the 2025 Scotiabank Photography Award.  He was born in Eritrea and came to Canada with his family when he was a child.  His work often focuses on the ideas of belonging, migration, displacement, and the idea of ‘home’.  Except for his earlier work, most of his photography is conceptual.   (bottom section below)

In a smaller gallery are photographs by Larry Fink (American, 1941-2023) that are drawn from the Image Centre’s collection. “Social Graces” is a series of 31 black and white photographs from the 1970s that contrast wealthy urbanites with poorer rural folk.  Rich people at fashionable Manhattan clubs and social events on one hand and working-class  rural Pennsylvanians at their parties and social occasions on the other hand.

black and white photo by Larry Fink from his Social Graces series from the 1970s, young man with mustache, wearing a white shirt with buttons undone and bare chest is showing

black and white photo by Larry Fink from his Social Graces series from the 1970s, man in plaid shirt, jacket, and baseball cap, is holding a drink.  Eyes closed, but smiling,

black and white photo by Larry Fink from his Social Graces series from the 1970s, couple dancing, under a chandelier, woman looking off into the distance

black and white photo by Larry Fink from his Social Graces series from the 1970s, women sitting at a bar smoking, with pitchers of beer on the bar

black and white photo by Larry Fink from his Social Graces series from the 1970s

black and white photo by Larry Fink from his Social Graces series from the 1970s

black and white photo by Larry Fink from his Social Graces series from the 1970s

black and white photo by Larry Fink from his Social Graces series from the 1970s, two women standing on a concrete front porch, young woman in shorts, older woman in a plaid dress

black and white photo by Larry Fink from his Social Graces series from the 1970s

black and white photo by Larry Fink from his Social Graces series from the 1970s

black and white photo by Larry Fink from his Social Graces series from the 1970s

****

photo by Dawit Petros in art gallery, colour photo, family portrait, 5 people standing in a line, parents at the ends, three kids in the middle with shortest daughter in the very center

photo by Dawit Petros in art gallery

photo by Dawit Petros in art gallery

photo by Dawit Petros in art gallery

photo by Dawit Petros in art gallery

photo by Dawit Petros in art gallery

photo by Dawit Petros in art gallery

photo by Dawit Petros in art gallery

Both exhibits end on the 1st of August.

two women talking while standing looking at photographs, family photos in colour by Dawit Petros in art gallery

… a few selections from what is/was on view at 401 Richmond last week.  Some of these exhibits were in their last days and may no longer be viewed.

2 young women standing together in a hall at 401 Richmond, white walls, wood floor

below: A Space Gallery, Jason Bearg, ” aen nistwayr mayshkotoonikayhk/First Story”  (until 11 July 2026)  large, round, illuminated artworks cover one wall of the gallery.

part of art exhibit at A Space Gallery, work by Jason Baerg,

below: More Jason Baerg – this is part of a larger piece.

part of an artwork by jason baerg,in an art gallery

A Space hallway windows, Alaa Al-Shawa

2 portraits, one male and one female, hanging in art gallery

below: Isabel M. Martínez’s exhibition “I Was Thinking About All of This and All the While I Kept Walking Further and Further, in Wider and Wider Circles”.  These are prints.

black on white print by Isabel Martinez of squiggles that are vaguely circular, also triangles arranged within those squiggles that look like segments of an orange
black on white print by Isabel Martinez of concentric circles

below: Another printmaker has shown some of the steps in the decision making process when developing a print.  My apologies to the artist for not noting his/her name.

vertical display on gallery wall, 6 little pictures that show some of the decisions made in developing a print, artwork

below: A painting from “Colour of an Object” by Walter Procsa – where colour is the language of emotion and “Contrasting hues are thoughtfully arranged to create both tension and atmosphere” (from the words on the wall of the gallery).

painting of a pink semi circle, transparent white circle and blue triangle, by Walter Procsa

below: A similar look to the painting above is this little diagram.  It was achieved in a very different manner if the title, “Colonization and Extinction Rates” is to be believed.   Lines produced by graphing a mathematical equation or two.  The slope of a straight line is rise/run.  If you think that the darker orange shape is a parabola, then any quadratic equation will do.

If the title is “real”, this is piece by Richard Ibhgy and Marilou Lemmens might be a representation of the equilibrium model of island biogeography where the immigration of new species to the island is balanced by the consequent loss of species.  The x-axis here is the number of species and the point where the black shape turns grey is the equilibrium point where colonization = extinction.  But, and it’s a big but, graphs by other people of the same data aren’t exactly like this one.

in an art gallery, little diagram in oranges and black with title colonization and extinction rates

below: Molly Steels, “Within a Surface”, an exhibit that showcases the work that she did during her 6 month artist residency at Gallery 44. Strips of birch bark matched with black and white photos of people in a lake.

collage of birchbark and black and white photos of women standing in lake, by Molly Steels, at art gallery

… or paired photos with an element removed on one side that appears in its original form on the other.

photography by Molly Steels, at art gallery

below: One photo from “Cute Paranoias” by Jake Santos – This small photo was displayed surrounded by a lot of white space.  It is another Gallery 44 exhibit.

 

Photograph by Jake Santos from his Cute Paranoisa exhibit at Gallery 44, 401 richmond St.

An exhibit of a different kind….

a man is standing inside a display case, adjusting the overhead lights

 

street art, section of painted garage, rainbow striped unicorn

 

…. from Shaw to Crawford
Two very different CONTACT Photography exhibits and a short walk between them.

 

“Aphasia”  is a photography exhibit now on at Youngplace (on Shaw, just north of Queen)  Here, photographer   James Andrew Rosen  “… explores themes of impermanence, decay, and the non-linear process of healing after a traumatic experience…”  In medical terms, aphasia is a disorder that affects how you communicate.   All aspects of communication are impacted by this neurological disorder –  the ability  to speak, write, and understand both spoken and written language.   The cause is damage to the brain because of a stroke or other physical injury.

Rosen presents his photos in groups, all arranged horizontally. The exhibit runs until the end of May

 

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen, mostly red and black

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen

It is a short walk from Youngplace down to Queen Street either via residential streets or the alleys that run behind them.

 

small painting nailed to a wood pole, with text that says look more

a woman is outside, washing a yellow car, in front of a house with a mansard roof,

on a fence in an alley, part of the fence is covered with 5 or 6 paintings, bags of lawn garbage lined up in front of the fence, back of houses behind

Emily May Rose mural of raccoons on a garage door in an alley

alley views, garage door in blue, black, and white diagonal stripes

colourful abstract urban art on a white garage door

childlike drawings on white grage door - tree with yellow birds on branches, a seahorse, some turtles,

white line graffiti drawing on a black garage door

old wood stump, upright on sidewalk, with plastic figure nailed to it as artwork

“City of Light” at the Lyceum on Queen (at Crawford) is a collection of photos taken by Martin Reis, in Paris France. It too was part of the CONTACT Photography Festival but unfortunately its last day was the 18th of May.

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

below: The street art wheatpaste with the cats holding bouquets of flowers (in the center of this image) is the work of Tweet Street Art who is from Melbourne Australia.  Perhaps you recognize some of the other graffiti and street art in these photos?

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

2 women drinking white wine in an art gallery

man sitting outside a glass door, playing an accordion

 

two men on a corner, across from building with mural on exterior wall, says queen street west in blue letters on pink background,

Exploring CONTACT exhibits along a small stretch of Queen Street West.

Gladstone Hotel

below: Two images, on the left artwork by Dianne Twombley and on the right, an image by Natalie Hunter, “Of Rust and Rays (Slater Steel)”

photo in photography exhibit for contact photography festival 2026,

photo in photography exhibit for contact photography festival 2026,

photo in photography exhibit for contact photography festival 2026,

******

Paul Petro Contemporary

below: On the upper floor of the gallery, an exhibit by Ho Tam, “Lessons 2000”  (until June 6th).  The photos look back to Tam’s childhood and school days in Hong Kong.

photo by Ho Tam in photography exhibit for contact photography festival 2026, at Paul Petro Contemporary Gallery

photo by Ho Tam in photography exhibit for contact photography festival 2026, at Paul Petro Contemporary Gallery

below: On the ground floor of the gallery, photos by Marlene Creates, “Selected Works from 24 Years in a Patch of Old-Growth Boreal Forest… ”  (also until June 6th).  The pictures show a hand in front of different types of trees in different years.

photo by Marlene Creates in photography exhibit for contact photography festival 2026,

photo by Marlene Creates in photography exhibit for contact photography festival 2026,

******

Propeller Gallery

below: “Yellow Tree”,  mixed media, burnt wood, wire, by Frances Patella

photo by Frances Patella in photography exhibit for contact photography festival 2026 Propeller Gallery, title is yellow tree

below: Small mixed media images on acrylic, also by Frances Patella

photo by Frances Patella in photography exhibit for contact photography festival 2026 Propeller Gallery

below: “Reflected”, one of the photographs taken by Peter Friedrichsen as part of his “Emergence”  exhibit (until 24 May).   His photos were taken at Tommy Thompson Park (once the Leslie Street Split) to help document the evolution of that space.  The images were processed using pigments made from brick and charcoal gathered from the site.  (My apologies but the reflections in the gallery were awkward here).

photo by Peter Friedrichsen in photography exhibit for contact photography festival 2026, at Propeller Gallery

******

Twist Gallery

photos by Ryan Bolton in photography exhibit for contact photography festival 2026 at Twist Gallery,

“Before Borders”is the show at the Twist Gallery. It is a collaboration between Ryan Bolton and Yuma Dean Hester (until the end of May).

below: “Driving Back Through the Northern Rockies” (unfortunately with reflections), by Ryan Bolton

photo by Ryan Bolton in photography exhibit for contact photography festival 2026, Twist Gallery

below: Somewhere along the Liard River, by Yuma Dean Hester

photo by Yuma Dean Hester in photography exhibit for contact photography festival 2026 at Twist Gallery,

******

18 Waits

below: 18 Waits is actually a men’s clothing store where everything is made in Toronto .  Here, Adrian Merritt Smith has an exhibit titled “Retreat” that is showing until 31 May.  This first picture was taken while driving through Saskatchewan.

photo by Adrian Merritt Smith in photography exhibit for contact photography festival 2026,

below: Top to bottom: Dundas Valley, Kearney, and near Chatsworth (all in Ontario).

photo by Adrian Merritt Smith in photography exhibit for contact photography festival 2026 at 18 Waits store,

Gallery 1313

There are three shows here – first, by Gregg Thurlbeck second a group exhibit by Offshoots!, and last a small selection of the missing persons posters from New York City after 9/11.

below: Two of Gregg Thurlbeck’s images from “City for the People, Forest for the Trees”.

photo by Gregg Thurlbeck at Gallery 1313 in photography exhibit for contact photography festival 2026,

photo by Gregg Thurlbeck at Gallery 1313 in photography exhibit for contact photography festival 2026,

Offshoot! 2026 (group exhibit), until May 11th including the following:

below: Benjamin Rondel – a photo that looks like a winter scene taken from above.

photo by Ben Rondel at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Christine Mack with a series on urban doors (mostly Toronto and Hamilton)

photo by Christine Mack at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Jude Marion

photo by Jude Marion at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Lilianne Schneider, “Old Tree”

photo by Lilianne Schneider at Gallery 1313 in photography exhibit for contact photography festival 2026,

photo by Lilianne Schneider at Gallery 1313 in photography exhibit for contact photography festival 2026,
two people in a gallery looking at photographs and talking to each other, Gallery 1313

a mop leans against a wall, in a gallery with photos on the wall

******

person with pink umbrella walks past a black building on queen street west with large letters printing the words life with art, life without art,

….. and other seemingly unrelated things

Aga Khan park in spring, with people looking at pink blossoms on the weeping cherry trees, also an art exhibit of photos by Hassan Hajjaj, of Arab women boxers

These photos were taken at Aga Khan Park where there is a CONTACT Photography Festival exhibit of images by Hassan Hajjaj (b. 1961, Morocco).  The subject of these photos is Arab women boxers.  The exhibit is titled, “La Salle de Gym de Femmes Arabes”

close up of an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit
below: Front and back

 an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit, two panels, front view and back view of the woman

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

I was disappointed when I realized that the photographer was male. Do we need men to tell women’s stories? Or, if these stories were told by a woman, how would they differ?

….especially with respect to this photo. Really? Yellow heart-shaped sunglasses?

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

It may be culturally insensitive, but I see very little to like in this photo.  I don’t see strong women, I see women being erased because they have to hide behind so many layers and so many restrictions.  There is no empowerment here; there is no individuality.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers
photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

Yes, those are cans of food in all the borders.  And yes, they are supposed to remind us of Andy Warhol’s use of Campbell soup cans.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, photo of a black ball, a red pair of boxing shoes, and a dark green pair of socks

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, woman on a bike

below:  This is “ALIF”  by Acil Benamara.  It is part of “Inner Structures – Outer Rhythms” which is an exhibit showcasing contemporary Arabic and Persian graphic design and typography.  The rest of the exhibit is inside the museum.

below: A fox among the serviceberry trees.

small, life size sculpture of a fox, standing among serviceberry trees in blossom, beside reflecting pool at Aga Khan museum

reflecting pool in front of Islamic Center

The magnolias were also in bloom.

white magnolia blossoms on a tree

The previous post, Face of Time, was about the recent Magnum Photos exhibit at TMU’s Image Centre.  There was another exhibit of post war photographs that was shown at the same time.  This second set were taken by David “Chim” Seymour (a co-founder of Magnum Photos) and they feature some of the 13,000,000 orphaned or abandoned European children.   His work was commissioned by UNESCO and took him to Germany, Austria, Italy, Greece, Poland, and Hungary.  Seymour was Polish, born Dawid Szymin (1911-1956); he died in Egypt at the close of the Suez Crisis.

below:  Some of David Seymour’s photos ended up in the UNESCO publication “Courier”.  This is the front cover of the February 1949 edition, with the headline ‘The Children of Europe’.  The photo was taken in a Warsaw orphanage.   The printed story starts with: “Europe is a stone wilderness and the smoke which has since long lifted from the last war still discloses a shattered continent.  Where it is not shattered physically, it is hurt within its mind and its courage for life.  The child groping his way out of the ruins must make his way to life now in this Europe.”

front cover of Courier magazine, with a black and white photo of a young girl

below: “Millions of children first knew life amid death and destruction.”

black and white photo by David Seymour, children walking along a road among bomb ruined buildings

below: Rehab hospital, Vienna Austria

black and white photo by David Seymour, boy with only one arm learning to use a saw

black and white photo by David Seymour, bombed house, ruined

below: We can also make clothes for ourselves, and we’ll learn to print our own books.”

black and white photo by David Seymour, children learning skilled trades, sewing, printing

black and white photo by David Seymour, a group of children being led on a walk, crossing a river

black and white photo by David Seymour

black and white photo by David Seymour, children wearing rompers, playing outside

black and white photo by David Chim Seymour

below: Ionanina Greece

black and white photo by David Chim Seyour

below: Tuberculosis Sanitorium, Otwock Poland

black and white photo by David Seymour, young children in a tuberculosis sanitorium, laying on cots

black and white photo by David Seymour, boys sitting on benches

black and white photo by David Seymour, children playing musical instruments, trumpets and clarinets

“Children of Europe” is online on a UNESCO website

Face of Time, or in German, Gesicht der Zeit, was a photography exhibition that was shown in Europe in 1955.  Afterwards, it was packed away and forgotten in an Innsbruck basement for fifty years.  The participating photographers were early members of Magnum Photos, a collective of documentary photographers that had been formed in 1947.  A selection of these images have been used to create a renewed ‘Face of Time’ and features photos by Robert Capa, Jean Marquis, Henri Cartier-Bresson, Erich Lessing, Inge Morath, Marc Riboud, and Ernst Haas.

 

below: By Erich Lessing (1923-2018), Vienna Boys Choir 1955.

black and white photo on gallery wall, by Erich Lessing, 1955, boys in Vienna Boys Choir

below: Ernest Haas (1921-1986).  Haas was the on-set photographer for 1955 film ‘Land of the Pharaohs’ that was filmed in Egypt.

black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs'
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs', people sitting on ground, very dusty with dust in the air
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs

below: Jean Marquis (1926-2019), both pictures taken in Hungary in 1954


below:  Henri Cartier-Bresson’s (1908-2004)  photos of Mahatma Gandhi

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, sitting in a bed writing on a book that a woman is holding

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, walking between two other people

crowds in India following Mahatma Gandhi,, many are clinging to the side of a train, and many more are following along beside the train

“To take a photograph is to align the head, the eye and the heart. It’s a way of life.”
– Henri Cartier-Bresson

below: Marc Riboud (1923-2016), photos taken in Dalmatia region of Yugoslavia (now Croatia) – scenes of post-war rural life, working in the fields, spinning wool, and meeting at a cattle market.

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people working in wheat field, Cetina Valley

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), person spinning wool

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people at cattle market in Vrilka

below: A few images taken by the lone woman photographer in the exhibit, Inge Morath (1923-2002) – all taken in London England.

post war, London England, black and white photo by Inge Morath of two women on New Bond Street, both wearing fox stoles around their necks

two post war, London England, black and white photos by Inge Morath

closer up view of people on the street, in a post war, London England, black and white photo by Inge Morath

below: And last, but not least, by Robert Capa.  He died in 1954 when he stepped on a landmine in Vietnam while working on a feature for “life” magazine.  The photo show here is a village festival in Basque country.

black and white photo pf people dancing, by Robert Capa, village festival, Basque, post war

Originally shown at the TMU Image Centre at the end of 2025, it remained until 4th April of this year.   Unfortunately the exhibit is now over and the centre is closed while it prepares for next month’s exhibits.  May has been CONTACT Photography Festival month here in Toronto for quite a few years now and one of the events is a showing by the previous years winner of the Scotiabank Photography Award at the TMU Image Centre.  Last year’s winner, and this this year’s feature photographer is Dawit L. Petros.

 

One of the latest exhibits at the Art Gallery of Ontario (AGO) is a collection of photographs and videos from 1964. But not just any photos. This collection features the Beatles and centers on their first visit to the USA in 1964. The videos are famous ones – the interview at the airport when they first arrived in New York City as well as videos from their performance on the Ed Sullivan Show. Sprinkled throughout the exhibit are a number of pictures that Paul McCartney took – pictures of the paparazzi that followed them, of the people and crowds that they encountered, the other Beatles, as well as a few of the cities around them.

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career, blue wall with black and white photos,

below: A series of three selfies that McCartney took in Paris in 1964. The bathroom mirror technique?

Paul McCartney self portraits, series of 3 black and whites, taken in Paris in 1964

photos from paris france 1964, taken by paul mccartney, black and white

below: John Lennon, Paris, 1964, taken by Paul McCartney


photo of John Lennon, taken in paris france 1964, taken by paul mccartney, black and white

below: George Harrison, NYC, 1964

PanAm airplane, New York City, Beatles in USA for the first time, image, black and white

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career,

below: Slide show of colour photos of the Beatles taken in Miami in 1964

man with back to camera, sitting, watching a slide show with large image of the Beatles, AGO

below: One wall was devoted to a “contact sheet” style of print. Most of them were from their appearance on the Ed Sullivan Show in New York City, February 1964.

yellow wall at Art Gallery of Ontario covered with enlargements of negatives printed like a contact sheet. Pictures were from their television performances, like Ed Sullivan show, in the mid 1960s.

photo of two men in a car, one is aphotographer and is leaning out the window with his camera, 1960s, black and white photo

picture of a woman standing outside a window, inside there are other people looking out

below: Watching the video taken at the airport when they first arrived in New York City, 1964

people at Art Gallery of Ontario watching a video of the interview with the Beatles at the airport in New York City when they first arrived in the USA

below: New York City views

photograph taken out the front window of a car of a New York City scene with billboards and tall buildings

two black and white photos on a gallery wall,

a woman looking at black and white photos on the wall of an art gallery

two of the black and white photos of the beatles, AGO exhibit

There was a small section of the exhibit that showed some video from when the Beatles played at Maple Leaf Gardens in Toronto.

The exhibit continues until 7 June 2026