Posts Tagged ‘photography’

… a few selections from what is/was on view at 401 Richmond last week.  Some of these exhibits were in their last days and may no longer be viewed.

2 young women standing together in a hall at 401 Richmond, white walls, wood floor

below: A Space Gallery, Jason Bearg, ” aen nistwayr mayshkotoonikayhk/First Story”  (until 11 July 2026)  large, round, illuminated artworks cover one wall of the gallery.

part of art exhibit at A Space Gallery, work by Jason Baerg,

below: More Jason Baerg – this is part of a larger piece.

part of an artwork by jason baerg,in an art gallery

A Space hallway windows, Alaa Al-Shawa

2 portraits, one male and one female, hanging in art gallery

below: Isabel M. Martínez’s exhibition “I Was Thinking About All of This and All the While I Kept Walking Further and Further, in Wider and Wider Circles”.  These are prints.

black on white print by Isabel Martinez of squiggles that are vaguely circular, also triangles arranged within those squiggles that look like segments of an orange
black on white print by Isabel Martinez of concentric circles

below: Another printmaker has shown some of the steps in the decision making process when developing a print.  My apologies to the artist for not noting his/her name.

vertical display on gallery wall, 6 little pictures that show some of the decisions made in developing a print, artwork

below: A painting from “Colour of an Object” by Walter Procsa – where colour is the language of emotion and “Contrasting hues are thoughtfully arranged to create both tension and atmosphere” (from the words on the wall of the gallery).

painting of a pink semi circle, transparent white circle and blue triangle, by Walter Procsa

below: A similar look to the painting above is this little diagram.  It was achieved in a very different manner if the title, “Colonization and Extinction Rates” is to be believed.   Lines produced by graphing a mathematical equation or two.  The slope of a straight line is rise/run.  If you think that the darker orange shape is a parabola, then any quadratic equation will do.

If the title is “real”, this is piece by Richard Ibhgy and Marilou Lemmens might be a representation of the equilibrium model of island biogeography where the immigration of new species to the island is balanced by the consequent loss of species.  The x-axis here is the number of species and the point where the black shape turns grey is the equilibrium point where colonization = extinction.  But, and it’s a big but, graphs by other people of the same data aren’t exactly like this one.

in an art gallery, little diagram in oranges and black with title colonization and extinction rates

below: Molly Steels, “Within a Surface”, an exhibit that showcases the work that she did during her 6 month artist residency at Gallery 44. Strips of birch bark matched with black and white photos of people in a lake.

collage of birchbark and black and white photos of women standing in lake, by Molly Steels, at art gallery

… or paired photos with an element removed on one side that appears in its original form on the other.

photography by Molly Steels, at art gallery

below: One photo from “Cute Paranoias” by Jake Santos – This small photo was displayed surrounded by a lot of white space.  It is another Gallery 44 exhibit.

 

Photograph by Jake Santos from his Cute Paranoisa exhibit at Gallery 44, 401 richmond St.

An exhibit of a different kind….

a man is standing inside a display case, adjusting the overhead lights

 

street art, section of painted garage, rainbow striped unicorn

 

…. from Shaw to Crawford
Two very different CONTACT Photography exhibits and a short walk between them.

 

“Aphasia”  is a photography exhibit now on at Youngplace (on Shaw, just north of Queen)  Here, photographer   James Andrew Rosen  “… explores themes of impermanence, decay, and the non-linear process of healing after a traumatic experience…”  In medical terms, aphasia is a disorder that affects how you communicate.   All aspects of communication are impacted by this neurological disorder –  the ability  to speak, write, and understand both spoken and written language.   The cause is damage to the brain because of a stroke or other physical injury.

Rosen presents his photos in groups, all arranged horizontally. The exhibit runs until the end of May

 

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen, mostly red and black

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen

photography, at a gallery, exhibit titled Aphasia, by James Andrew Rosen

It is a short walk from Youngplace down to Queen Street either via residential streets or the alleys that run behind them.

 

small painting nailed to a wood pole, with text that says look more

a woman is outside, washing a yellow car, in front of a house with a mansard roof,

on a fence in an alley, part of the fence is covered with 5 or 6 paintings, bags of lawn garbage lined up in front of the fence, back of houses behind

Emily May Rose mural of raccoons on a garage door in an alley

alley views, garage door in blue, black, and white diagonal stripes

colourful abstract urban art on a white garage door

childlike drawings on white grage door - tree with yellow birds on branches, a seahorse, some turtles,

white line graffiti drawing on a black garage door

old wood stump, upright on sidewalk, with plastic figure nailed to it as artwork

“City of Light” at the Lyceum on Queen (at Crawford) is a collection of photos taken by Martin Reis, in Paris France. It too was part of the CONTACT Photography Festival but unfortunately its last day was the 18th of May.

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

below: The street art wheatpaste with the cats holding bouquets of flowers (in the center of this image) is the work of Tweet Street Art who is from Melbourne Australia.  Perhaps you recognize some of the other graffiti and street art in these photos?

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

in a gallery, photos taken by Martin Reis in Paris France

2 women drinking white wine in an art gallery

man sitting outside a glass door, playing an accordion

 

two men on a corner, across from building with mural on exterior wall, says queen street west in blue letters on pink background,

Exploring CONTACT exhibits along a small stretch of Queen Street West.

Gladstone Hotel

below: Two images, on the left artwork by Dianne Twombley and on the right, an image by Natalie Hunter, “Of Rust and Rays (Slater Steel)”

photo in photography exhibit for contact photography festival 2026,

photo in photography exhibit for contact photography festival 2026,

photo in photography exhibit for contact photography festival 2026,

******

Paul Petro Contemporary

below: On the upper floor of the gallery, an exhibit by Ho Tam, “Lessons 2000”  (until June 6th).  The photos look back to Tam’s childhood and school days in Hong Kong.

photo by Ho Tam in photography exhibit for contact photography festival 2026, at Paul Petro Contemporary Gallery

photo by Ho Tam in photography exhibit for contact photography festival 2026, at Paul Petro Contemporary Gallery

below: On the ground floor of the gallery, photos by Marlene Creates, “Selected Works from 24 Years in a Patch of Old-Growth Boreal Forest… ”  (also until June 6th).  The pictures show a hand in front of different types of trees in different years.

photo by Marlene Creates in photography exhibit for contact photography festival 2026,

photo by Marlene Creates in photography exhibit for contact photography festival 2026,

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Propeller Gallery

below: “Yellow Tree”,  mixed media, burnt wood, wire, by Frances Patella

photo by Frances Patella in photography exhibit for contact photography festival 2026 Propeller Gallery, title is yellow tree

below: Small mixed media images on acrylic, also by Frances Patella

photo by Frances Patella in photography exhibit for contact photography festival 2026 Propeller Gallery

below: “Reflected”, one of the photographs taken by Peter Friedrichsen as part of his “Emergence”  exhibit (until 24 May).   His photos were taken at Tommy Thompson Park (once the Leslie Street Split) to help document the evolution of that space.  The images were processed using pigments made from brick and charcoal gathered from the site.  (My apologies but the reflections in the gallery were awkward here).

photo by Peter Friedrichsen in photography exhibit for contact photography festival 2026, at Propeller Gallery

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Twist Gallery

photos by Ryan Bolton in photography exhibit for contact photography festival 2026 at Twist Gallery,

“Before Borders”is the show at the Twist Gallery. It is a collaboration between Ryan Bolton and Yuma Dean Hester (until the end of May).

below: “Driving Back Through the Northern Rockies” (unfortunately with reflections), by Ryan Bolton

photo by Ryan Bolton in photography exhibit for contact photography festival 2026, Twist Gallery

below: Somewhere along the Liard River, by Yuma Dean Hester

photo by Yuma Dean Hester in photography exhibit for contact photography festival 2026 at Twist Gallery,

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18 Waits

below: 18 Waits is actually a men’s clothing store where everything is made in Toronto .  Here, Adrian Merritt Smith has an exhibit titled “Retreat” that is showing until 31 May.  This first picture was taken while driving through Saskatchewan.

photo by Adrian Merritt Smith in photography exhibit for contact photography festival 2026,

below: Top to bottom: Dundas Valley, Kearney, and near Chatsworth (all in Ontario).

photo by Adrian Merritt Smith in photography exhibit for contact photography festival 2026 at 18 Waits store,

Gallery 1313

There are three shows here – first, by Gregg Thurlbeck second a group exhibit by Offshoots!, and last a small selection of the missing persons posters from New York City after 9/11.

below: Two of Gregg Thurlbeck’s images from “City for the People, Forest for the Trees”.

photo by Gregg Thurlbeck at Gallery 1313 in photography exhibit for contact photography festival 2026,

photo by Gregg Thurlbeck at Gallery 1313 in photography exhibit for contact photography festival 2026,

Offshoot! 2026 (group exhibit), until May 11th including the following:

below: Benjamin Rondel – a photo that looks like a winter scene taken from above.

photo by Ben Rondel at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Christine Mack with a series on urban doors (mostly Toronto and Hamilton)

photo by Christine Mack at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Jude Marion

photo by Jude Marion at Gallery 1313 in photography exhibit for contact photography festival 2026,

below: Lilianne Schneider, “Old Tree”

photo by Lilianne Schneider at Gallery 1313 in photography exhibit for contact photography festival 2026,

photo by Lilianne Schneider at Gallery 1313 in photography exhibit for contact photography festival 2026,
two people in a gallery looking at photographs and talking to each other, Gallery 1313

a mop leans against a wall, in a gallery with photos on the wall

******

person with pink umbrella walks past a black building on queen street west with large letters printing the words life with art, life without art,

….. and other seemingly unrelated things

Aga Khan park in spring, with people looking at pink blossoms on the weeping cherry trees, also an art exhibit of photos by Hassan Hajjaj, of Arab women boxers

These photos were taken at Aga Khan Park where there is a CONTACT Photography Festival exhibit of images by Hassan Hajjaj (b. 1961, Morocco).  The subject of these photos is Arab women boxers.  The exhibit is titled, “La Salle de Gym de Femmes Arabes”

close up of an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit
below: Front and back

 an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit, two panels, front view and back view of the woman

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

I was disappointed when I realized that the photographer was male. Do we need men to tell women’s stories? Or, if these stories were told by a woman, how would they differ?

….especially with respect to this photo. Really? Yellow heart-shaped sunglasses?

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

It may be culturally insensitive, but I see very little to like in this photo.  I don’t see strong women, I see women being erased because they have to hide behind so many layers and so many restrictions.  There is no empowerment here; there is no individuality.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers
photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

Yes, those are cans of food in all the borders.  And yes, they are supposed to remind us of Andy Warhol’s use of Campbell soup cans.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, photo of a black ball, a red pair of boxing shoes, and a dark green pair of socks

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, woman on a bike

below:  This is “ALIF”  by Acil Benamara.  It is part of “Inner Structures – Outer Rhythms” which is an exhibit showcasing contemporary Arabic and Persian graphic design and typography.  The rest of the exhibit is inside the museum.

below: A fox among the serviceberry trees.

small, life size sculpture of a fox, standing among serviceberry trees in blossom, beside reflecting pool at Aga Khan museum

reflecting pool in front of Islamic Center

The magnolias were also in bloom.

white magnolia blossoms on a tree

The previous post, Face of Time, was about the recent Magnum Photos exhibit at TMU’s Image Centre.  There was another exhibit of post war photographs that was shown at the same time.  This second set were taken by David “Chim” Seymour (a co-founder of Magnum Photos) and they feature some of the 13,000,000 orphaned or abandoned European children.   His work was commissioned by UNESCO and took him to Germany, Austria, Italy, Greece, Poland, and Hungary.  Seymour was Polish, born Dawid Szymin (1911-1956); he died in Egypt at the close of the Suez Crisis.

below:  Some of David Seymour’s photos ended up in the UNESCO publication “Courier”.  This is the front cover of the February 1949 edition, with the headline ‘The Children of Europe’.  The photo was taken in a Warsaw orphanage.   The printed story starts with: “Europe is a stone wilderness and the smoke which has since long lifted from the last war still discloses a shattered continent.  Where it is not shattered physically, it is hurt within its mind and its courage for life.  The child groping his way out of the ruins must make his way to life now in this Europe.”

front cover of Courier magazine, with a black and white photo of a young girl

below: “Millions of children first knew life amid death and destruction.”

black and white photo by David Seymour, children walking along a road among bomb ruined buildings

below: Rehab hospital, Vienna Austria

black and white photo by David Seymour, boy with only one arm learning to use a saw

black and white photo by David Seymour, bombed house, ruined

below: We can also make clothes for ourselves, and we’ll learn to print our own books.”

black and white photo by David Seymour, children learning skilled trades, sewing, printing

black and white photo by David Seymour, a group of children being led on a walk, crossing a river

black and white photo by David Seymour

black and white photo by David Seymour, children wearing rompers, playing outside

black and white photo by David Chim Seymour

below: Ionanina Greece

black and white photo by David Chim Seyour

below: Tuberculosis Sanitorium, Otwock Poland

black and white photo by David Seymour, young children in a tuberculosis sanitorium, laying on cots

black and white photo by David Seymour, boys sitting on benches

black and white photo by David Seymour, children playing musical instruments, trumpets and clarinets

“Children of Europe” is online on a UNESCO website

Face of Time, or in German, Gesicht der Zeit, was a photography exhibition that was shown in Europe in 1955.  Afterwards, it was packed away and forgotten in an Innsbruck basement for fifty years.  The participating photographers were early members of Magnum Photos, a collective of documentary photographers that had been formed in 1947.  A selection of these images have been used to create a renewed ‘Face of Time’ and features photos by Robert Capa, Jean Marquis, Henri Cartier-Bresson, Erich Lessing, Inge Morath, Marc Riboud, and Ernst Haas.

 

below: By Erich Lessing (1923-2018), Vienna Boys Choir 1955.

black and white photo on gallery wall, by Erich Lessing, 1955, boys in Vienna Boys Choir

below: Ernest Haas (1921-1986).  Haas was the on-set photographer for 1955 film ‘Land of the Pharaohs’ that was filmed in Egypt.

black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs'
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs', people sitting on ground, very dusty with dust in the air
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs

below: Jean Marquis (1926-2019), both pictures taken in Hungary in 1954


below:  Henri Cartier-Bresson’s (1908-2004)  photos of Mahatma Gandhi

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, sitting in a bed writing on a book that a woman is holding

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, walking between two other people

crowds in India following Mahatma Gandhi,, many are clinging to the side of a train, and many more are following along beside the train

“To take a photograph is to align the head, the eye and the heart. It’s a way of life.”
– Henri Cartier-Bresson

below: Marc Riboud (1923-2016), photos taken in Dalmatia region of Yugoslavia (now Croatia) – scenes of post-war rural life, working in the fields, spinning wool, and meeting at a cattle market.

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people working in wheat field, Cetina Valley

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), person spinning wool

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people at cattle market in Vrilka

below: A few images taken by the lone woman photographer in the exhibit, Inge Morath (1923-2002) – all taken in London England.

post war, London England, black and white photo by Inge Morath of two women on New Bond Street, both wearing fox stoles around their necks

two post war, London England, black and white photos by Inge Morath

closer up view of people on the street, in a post war, London England, black and white photo by Inge Morath

below: And last, but not least, by Robert Capa.  He died in 1954 when he stepped on a landmine in Vietnam while working on a feature for “life” magazine.  The photo show here is a village festival in Basque country.

black and white photo pf people dancing, by Robert Capa, village festival, Basque, post war

Originally shown at the TMU Image Centre at the end of 2025, it remained until 4th April of this year.   Unfortunately the exhibit is now over and the centre is closed while it prepares for next month’s exhibits.  May has been CONTACT Photography Festival month here in Toronto for quite a few years now and one of the events is a showing by the previous years winner of the Scotiabank Photography Award at the TMU Image Centre.  Last year’s winner, and this this year’s feature photographer is Dawit L. Petros.

 

One of the latest exhibits at the Art Gallery of Ontario (AGO) is a collection of photographs and videos from 1964. But not just any photos. This collection features the Beatles and centers on their first visit to the USA in 1964. The videos are famous ones – the interview at the airport when they first arrived in New York City as well as videos from their performance on the Ed Sullivan Show. Sprinkled throughout the exhibit are a number of pictures that Paul McCartney took – pictures of the paparazzi that followed them, of the people and crowds that they encountered, the other Beatles, as well as a few of the cities around them.

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career, blue wall with black and white photos,

below: A series of three selfies that McCartney took in Paris in 1964. The bathroom mirror technique?

Paul McCartney self portraits, series of 3 black and whites, taken in Paris in 1964

photos from paris france 1964, taken by paul mccartney, black and white

below: John Lennon, Paris, 1964, taken by Paul McCartney


photo of John Lennon, taken in paris france 1964, taken by paul mccartney, black and white

below: George Harrison, NYC, 1964

PanAm airplane, New York City, Beatles in USA for the first time, image, black and white

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career,

below: Slide show of colour photos of the Beatles taken in Miami in 1964

man with back to camera, sitting, watching a slide show with large image of the Beatles, AGO

below: One wall was devoted to a “contact sheet” style of print. Most of them were from their appearance on the Ed Sullivan Show in New York City, February 1964.

yellow wall at Art Gallery of Ontario covered with enlargements of negatives printed like a contact sheet. Pictures were from their television performances, like Ed Sullivan show, in the mid 1960s.

photo of two men in a car, one is aphotographer and is leaning out the window with his camera, 1960s, black and white photo

picture of a woman standing outside a window, inside there are other people looking out

below: Watching the video taken at the airport when they first arrived in New York City, 1964

people at Art Gallery of Ontario watching a video of the interview with the Beatles at the airport in New York City when they first arrived in the USA

below: New York City views

photograph taken out the front window of a car of a New York City scene with billboards and tall buildings

two black and white photos on a gallery wall,

a woman looking at black and white photos on the wall of an art gallery

two of the black and white photos of the beatles, AGO exhibit

There was a small section of the exhibit that showed some video from when the Beatles played at Maple Leaf Gardens in Toronto.

The exhibit continues until 7 June 2026

and a few places in between.

 

young people crossing o'connor drive, at intersection, with a metal box on the corner painted with a large female portrait

Amsterdam and Skopje refer to two streets that intersect with O’Connor Drive in the northeast corner of East York, Amsterdam Avenue and Skopje Gate.   There is also a Wakunda Place but the spelling is different from Wakanda, the fictional country that was created of Marvel Comics.

Every neighbourhood has a story to tell, even if it’s just the story of a quiet life in their own corner of the city.  There are many similar threads that run through the many narratives of Toronto neighbourhoods – the ethnic stores and restaurants, the redevelopment of older buildings into new housing, quiet side streets.  There’s probably a mix of residential styles – single family homes, rowhouses, older apartment buildings, and newer glass and steel condos where people are trying to live as best they can.   It is a scene repeated over and over again.  Parts are fascinating, parts are dull and lacklustre.  There will always be utility poles and wires and garbage bins in the way.    Maybe there will be an alley or two to explore – with old abandoned cars, basketball hoops, and graffiti left behind by jilted lovers or angry young men.   There’s probably a vacant lot where a building has been demolished – or perhaps it hasn’t been demolished yet but it’s just sitting there taking up space and looking sadder and sadder with time.

Just because there are many similarities doesn’t make it less interesting.  Here are a few images from “between Amsterdam and Skopje”.

old welcome banner is falling off the wall, glass wall, with bright red above it

single family homes on a tree lined street

upper two storeys of a line of rowhouses, each slightly different, brick

upper level, back of stores on O'Connor, white brick strip mall, square white chimneys

blue metal xonstruction fence in front of an empty building with parking lot in front of it

parking lot and abandoned buildings waiting to be demolished

faded picture on exterior wall, overflowing cup of coffee or tea on bottom of foot that is upside down, wearing white sock

mailbox at number 1519, beside an image of a woman lying on her back

markings on a sidewalk in pink and red


large yellow arrows on the pavement in a parking lot

backyard garden with overhead vines

bright orange leaves on a tree in front of an apartment building

brick residence, fall colours outside

window of Jesse's filipino foods restaurant

reflections in the window of an audio equipment store

looking in the window of Shakira Beauty Academy, with some reflections of trees and cars outside

halloween decoration, life sized skeleton sitting on a chair on a balcony

two metal boxes on sidewalk painted with street art

Not every neighbourhood has a large bowling pin (as public art). Backstory – the condo that this pin sits in front of was built on the site of the old O’Connor Bowling Lanes (1951-206).

very large white bowling pin sitting in the middle of a large raised garden, as art

Of all the similarities that this neighbourhood shares with others in the city, not many of the others can claim to have a cookie outlet….

entrance to Peek freans cookie outlet, one car parked in front, mostly glass front to the building

And even more unique,  it’s also the home of the Peek Freans Biscuit factory.  There was a lovely sweet vanilla-ish smell in the air the day that I walked around.  Peek Freans has a long history in England dating back to the 1850s.  In 1949 they established their first bakery in Canada, here on O’Connor Drive.

entrance to peek freans cookie factory, a yellow brick building

Although the company has changed hands numerous times since then, the East York factory still produces cookies (and other items such as Oreos and Wheat Thins) for Mondelez Canada.

looking across O'Connor Drive towards Peek Freans cookie factory

Back in 1953 when this photo was taken there wasn’t much else around!

black and white photo of Peek Freans cookie factory in 1950s, on O'Connor drive, not much else is around it ,

source: City of Toronto Archives, fonds 1128, series 380, item 39

.

tops of storage silo towers at peek frean cookie factory

below: A couple of the metal boxes painted by D. Drew.

orange painting on a metal bell box, car parked behind it, boarded up business in the background with for sale sign on it, painted by D. Drew

forest sunset scene painted on a metal sidewalk box

man walking dog on sidewalk, past fall coloured trees

orange traffic cones stored in pink container

clear bottle with yellow liquid, partially full, sitting on a yellow concrete wall

side wall of a white brick building

looking in a window with flat rectangular ceiling lights, reflections of hydro pole and lines outside

balcony wth black railing on a grey brick building, blue sky with a cloud, transformer on hydro pole, with some wires

row houses on the corner of O'Connor Drive and Skopje Gate

After I wrote this blog post I asked google for a list of streets in Toronto named after American cities.  I got this answer: “Toronto has a number of streets named after American cities, such as Chicago Street, Dallas Street, and Milwaukee Avenue. These streets often have historical connections or reflect the city’s relationships with other North American metropolises.”  I had never heard of these streets in Toronto!  Maybe I missed something.

My next move was to look for Chicago Street in Google maps.  “There is no street named “Chicago Street” in Toronto” was the answer.  I also struck out looking for Dallas Street (which is when Google tried to direct me to Yonge Street).  The answer when I searched for Milwaukee Street was the best of all – “There is no “Milwaukee Street” in Toronto; however, there is a street called Ossington Street, often mentioned in lists of the city’s coolest streets, and a retail store named The Milwaukee Road located at Yorkdale Mall).   The next time you walk down Ossington, you can think of Milwaukee!

 

In 1869, Canadian photographer Alexander Henderson (1831-1913) was commissioned to take a series of photos along the route of the new Grand Trunk Railway between Montreal and Toronto.  These images were for a travel book, “All-round Route Guide” to sell to tourists and settlers along the route.  This Montreal to Toronto section followed the north shore of the St. Lawrence for most of its route.  The railway had opened in 1856 and more routes had been added (to Portland Maine! to Sarnia!) or were planned. 

below: Lumberer’s Shanty, Lievre River, Quebec, before 1865

albumen print, vintage black and white photo by Alexander Henderson of a lumberer's shanty in winter, small log cabin structure covered with snow, Quebec

A recent exhibit at Artspace TMU (at 401 Richmond) showcased albumen prints of some of Henderson’s photos along with photos taken by Dawson Cox.  All of Cox’s images were mounted on particle board.  The exhibit was titled, “Like the Seams of a Coat”.

below: Camera store, corner of Clark and St Antoine, Montreal.

photo in a gallery, by Dawson Cox, of stores in Montreal,

below: Victoria Square, Montreal, about 1872

old photo by Alexander Henderson, of Victoria Square in Montreal, albumen print, in a gallery, taken in 1872

below: Group shot

group photo, on a hill above a small town

below: Group shot, 1870s style – G. Company of 78th Highlanders, taken by Alexander Henderson

vintage black and white phiti, Group of G. Company of 78th highlanders, taken around 1870 by Alexander Henderson

Coat seams are usually hidden but they are essential to holding everything together. Important yet unseen.

below: Cox’s photo of torn graffiti on an old brick wall

below: Lake, Saint Bruno Mountain, Quebec, before 1865

old photo of a lake and st Bruno Mountain in Quebec, 1860s
photo of a village with a church
photo of a stuffed fox, mounted standing on all fours and seeming to walk

below: L’Anse a l’Eau, Saguenay River, Quebec, 1868

old black and white photo, a lone scrawny pine tree on a rock overlooking the Saguenay River in Quebec, with village below, village of L'Anse a L'Eau

Back in June at ASpace Gallery  (one of the galleries at 401 Richmond West), there was an exhibit that was also part of an MFA in DocMedia thesis.  Part of the exhibit consisted of photographs made with a pinhole camera.  These cameras were mounted on various parts of an old oak tree. The exhibit can also be viewed as a look at the relationship between the photographer,  Lisa Murzin, and an old oak tree.  If trees could communicate, what would they say?  What do they see and how do they view the world?

 

Whatever you think of the premise of the project, the images from the pinhole camera are intriguing.

drops of rain
the river’s thread
left behind
a stream of water maneuvers the crevice