Posts Tagged ‘photography’

The previous post, Face of Time, was about the recent Magnum Photos exhibit at TMU’s Image Centre.  There was another exhibit of post war photographs that was shown at the same time.  This second set were taken by David “Chim” Seymour (a co-founder of Magnum Photos) and they feature some of the 13,000,000 orphaned or abandoned European children.   His work was commissioned by UNESCO and took him to Germany, Austria, Italy, Greece, Poland, and Hungary.  Seymour was Polish, born Dawid Szymin (1911-1956); he died in Egypt at the close of the Suez Crisis.

below:  Some of David Seymour’s photos ended up in the UNESCO publication “Courier”.  This is the front cover of the February 1949 edition, with the headline ‘The Children of Europe’.  The photo was taken in a Warsaw orphanage.   The printed story starts with: “Europe is a stone wilderness and the smoke which has since long lifted from the last war still discloses a shattered continent.  Where it is not shattered physically, it is hurt within its mind and its courage for life.  The child groping his way out of the ruins must make his way to life now in this Europe.”

front cover of Courier magazine, with a black and white photo of a young girl

below: “Millions of children first knew life amid death and destruction.”

black and white photo by David Seymour, children walking along a road among bomb ruined buildings

below: Rehab hospital, Vienna Austria

black and white photo by David Seymour, boy with only one arm learning to use a saw

black and white photo by David Seymour, bombed house, ruined

below: We can also make clothes for ourselves, and we’ll learn to print our own books.”

black and white photo by David Seymour, children learning skilled trades, sewing, printing

black and white photo by David Seymour, a group of children being led on a walk, crossing a river

black and white photo by David Seymour

black and white photo by David Seymour, children wearing rompers, playing outside

black and white photo by David Chim Seymour

below: Ionanina Greece

black and white photo by David Chim Seyour

below: Tuberculosis Sanitorium, Otwock Poland

black and white photo by David Seymour, young children in a tuberculosis sanitorium, laying on cots

black and white photo by David Seymour, boys sitting on benches

black and white photo by David Seymour, children playing musical instruments, trumpets and clarinets

“Children of Europe” is online on a UNESCO website

Face of Time, or in German, Gesicht der Zeit, was a photography exhibition that was shown in Europe in 1955.  Afterwards, it was packed away and forgotten in an Innsbruck basement for fifty years.  The participating photographers were early members of Magnum Photos, a collective of documentary photographers that had been formed in 1947.  A selection of these images have been used to create a renewed ‘Face of Time’ and features photos by Robert Capa, Jean Marquis, Henri Cartier-Bresson, Erich Lessing, Inge Morath, Marc Riboud, and Ernst Haas.

 

below: By Erich Lessing (1923-2018), Vienna Boys Choir 1955.

black and white photo on gallery wall, by Erich Lessing, 1955, boys in Vienna Boys Choir

below: Ernest Haas (1921-1986).  Haas was the on-set photographer for 1955 film ‘Land of the Pharaohs’ that was filmed in Egypt.

black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs'
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs', people sitting on ground, very dusty with dust in the air
black and white photo on gallery wall by Ernst Haas, on set during production of film 'Land of the Pharaohs

below: Jean Marquis (1926-2019), both pictures taken in Hungary in 1954


below:  Henri Cartier-Bresson’s (1908-2004)  photos of Mahatma Gandhi

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, sitting in a bed writing on a book that a woman is holding

 Henri Cartier-Bresson's 1947 photo of Mahatma Gandhi in India, walking between two other people

crowds in India following Mahatma Gandhi,, many are clinging to the side of a train, and many more are following along beside the train

“To take a photograph is to align the head, the eye and the heart. It’s a way of life.”
– Henri Cartier-Bresson

below: Marc Riboud (1923-2016), photos taken in Dalmatia region of Yugoslavia (now Croatia) – scenes of post-war rural life, working in the fields, spinning wool, and meeting at a cattle market.

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people working in wheat field, Cetina Valley

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), person spinning wool

Marc Riboud Magnus Photo, black and white photos taken in Dalmatia region of Yugoslavia (now Croatia), people at cattle market in Vrilka

below: A few images taken by the lone woman photographer in the exhibit, Inge Morath (1923-2002) – all taken in London England.

post war, London England, black and white photo by Inge Morath of two women on New Bond Street, both wearing fox stoles around their necks

two post war, London England, black and white photos by Inge Morath

closer up view of people on the street, in a post war, London England, black and white photo by Inge Morath

below: And last, but not least, by Robert Capa.  He died in 1954 when he stepped on a landmine in Vietnam while working on a feature for “life” magazine.  The photo show here is a village festival in Basque country.

black and white photo pf people dancing, by Robert Capa, village festival, Basque, post war

Originally shown at the TMU Image Centre at the end of 2025, it remained until 4th April of this year.   Unfortunately the exhibit is now over and the centre is closed while it prepares for next month’s exhibits.  May has been CONTACT Photography Festival month here in Toronto for quite a few years now and one of the events is a showing by the previous years winner of the Scotiabank Photography Award at the TMU Image Centre.  Last year’s winner, and this this year’s feature photographer is Dawit L. Petros.

 

One of the latest exhibits at the Art Gallery of Ontario (AGO) is a collection of photographs and videos from 1964. But not just any photos. This collection features the Beatles and centers on their first visit to the USA in 1964. The videos are famous ones – the interview at the airport when they first arrived in New York City as well as videos from their performance on the Ed Sullivan Show. Sprinkled throughout the exhibit are a number of pictures that Paul McCartney took – pictures of the paparazzi that followed them, of the people and crowds that they encountered, the other Beatles, as well as a few of the cities around them.

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career, blue wall with black and white photos,

below: A series of three selfies that McCartney took in Paris in 1964. The bathroom mirror technique?

Paul McCartney self portraits, series of 3 black and whites, taken in Paris in 1964

photos from paris france 1964, taken by paul mccartney, black and white

below: John Lennon, Paris, 1964, taken by Paul McCartney


photo of John Lennon, taken in paris france 1964, taken by paul mccartney, black and white

below: George Harrison, NYC, 1964

PanAm airplane, New York City, Beatles in USA for the first time, image, black and white

AGO, Art Gallery of Ontario, exhibit of Paul McCartney's photography,as well as photos of the Beatles and the people around them from early in their career,

below: Slide show of colour photos of the Beatles taken in Miami in 1964

man with back to camera, sitting, watching a slide show with large image of the Beatles, AGO

below: One wall was devoted to a “contact sheet” style of print. Most of them were from their appearance on the Ed Sullivan Show in New York City, February 1964.

yellow wall at Art Gallery of Ontario covered with enlargements of negatives printed like a contact sheet. Pictures were from their television performances, like Ed Sullivan show, in the mid 1960s.

photo of two men in a car, one is aphotographer and is leaning out the window with his camera, 1960s, black and white photo

picture of a woman standing outside a window, inside there are other people looking out

below: Watching the video taken at the airport when they first arrived in New York City, 1964

people at Art Gallery of Ontario watching a video of the interview with the Beatles at the airport in New York City when they first arrived in the USA

below: New York City views

photograph taken out the front window of a car of a New York City scene with billboards and tall buildings

two black and white photos on a gallery wall,

a woman looking at black and white photos on the wall of an art gallery

two of the black and white photos of the beatles, AGO exhibit

There was a small section of the exhibit that showed some video from when the Beatles played at Maple Leaf Gardens in Toronto.

The exhibit continues until 7 June 2026

and a few places in between.

 

young people crossing o'connor drive, at intersection, with a metal box on the corner painted with a large female portrait

Amsterdam and Skopje refer to two streets that intersect with O’Connor Drive in the northeast corner of East York, Amsterdam Avenue and Skopje Gate.   There is also a Wakunda Place but the spelling is different from Wakanda, the fictional country that was created of Marvel Comics.

Every neighbourhood has a story to tell, even if it’s just the story of a quiet life in their own corner of the city.  There are many similar threads that run through the many narratives of Toronto neighbourhoods – the ethnic stores and restaurants, the redevelopment of older buildings into new housing, quiet side streets.  There’s probably a mix of residential styles – single family homes, rowhouses, older apartment buildings, and newer glass and steel condos where people are trying to live as best they can.   It is a scene repeated over and over again.  Parts are fascinating, parts are dull and lacklustre.  There will always be utility poles and wires and garbage bins in the way.    Maybe there will be an alley or two to explore – with old abandoned cars, basketball hoops, and graffiti left behind by jilted lovers or angry young men.   There’s probably a vacant lot where a building has been demolished – or perhaps it hasn’t been demolished yet but it’s just sitting there taking up space and looking sadder and sadder with time.

Just because there are many similarities doesn’t make it less interesting.  Here are a few images from “between Amsterdam and Skopje”.

old welcome banner is falling off the wall, glass wall, with bright red above it

single family homes on a tree lined street

upper two storeys of a line of rowhouses, each slightly different, brick

upper level, back of stores on O'Connor, white brick strip mall, square white chimneys

blue metal xonstruction fence in front of an empty building with parking lot in front of it

parking lot and abandoned buildings waiting to be demolished

faded picture on exterior wall, overflowing cup of coffee or tea on bottom of foot that is upside down, wearing white sock

mailbox at number 1519, beside an image of a woman lying on her back

markings on a sidewalk in pink and red


large yellow arrows on the pavement in a parking lot

backyard garden with overhead vines

bright orange leaves on a tree in front of an apartment building

brick residence, fall colours outside

window of Jesse's filipino foods restaurant

reflections in the window of an audio equipment store

looking in the window of Shakira Beauty Academy, with some reflections of trees and cars outside

halloween decoration, life sized skeleton sitting on a chair on a balcony

two metal boxes on sidewalk painted with street art

Not every neighbourhood has a large bowling pin (as public art). Backstory – the condo that this pin sits in front of was built on the site of the old O’Connor Bowling Lanes (1951-206).

very large white bowling pin sitting in the middle of a large raised garden, as art

Of all the similarities that this neighbourhood shares with others in the city, not many of the others can claim to have a cookie outlet….

entrance to Peek freans cookie outlet, one car parked in front, mostly glass front to the building

And even more unique,  it’s also the home of the Peek Freans Biscuit factory.  There was a lovely sweet vanilla-ish smell in the air the day that I walked around.  Peek Freans has a long history in England dating back to the 1850s.  In 1949 they established their first bakery in Canada, here on O’Connor Drive.

entrance to peek freans cookie factory, a yellow brick building

Although the company has changed hands numerous times since then, the East York factory still produces cookies (and other items such as Oreos and Wheat Thins) for Mondelez Canada.

looking across O'Connor Drive towards Peek Freans cookie factory

Back in 1953 when this photo was taken there wasn’t much else around!

black and white photo of Peek Freans cookie factory in 1950s, on O'Connor drive, not much else is around it ,

source: City of Toronto Archives, fonds 1128, series 380, item 39

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tops of storage silo towers at peek frean cookie factory

below: A couple of the metal boxes painted by D. Drew.

orange painting on a metal bell box, car parked behind it, boarded up business in the background with for sale sign on it, painted by D. Drew

forest sunset scene painted on a metal sidewalk box

man walking dog on sidewalk, past fall coloured trees

orange traffic cones stored in pink container

clear bottle with yellow liquid, partially full, sitting on a yellow concrete wall

side wall of a white brick building

looking in a window with flat rectangular ceiling lights, reflections of hydro pole and lines outside

balcony wth black railing on a grey brick building, blue sky with a cloud, transformer on hydro pole, with some wires

row houses on the corner of O'Connor Drive and Skopje Gate

After I wrote this blog post I asked google for a list of streets in Toronto named after American cities.  I got this answer: “Toronto has a number of streets named after American cities, such as Chicago Street, Dallas Street, and Milwaukee Avenue. These streets often have historical connections or reflect the city’s relationships with other North American metropolises.”  I had never heard of these streets in Toronto!  Maybe I missed something.

My next move was to look for Chicago Street in Google maps.  “There is no street named “Chicago Street” in Toronto” was the answer.  I also struck out looking for Dallas Street (which is when Google tried to direct me to Yonge Street).  The answer when I searched for Milwaukee Street was the best of all – “There is no “Milwaukee Street” in Toronto; however, there is a street called Ossington Street, often mentioned in lists of the city’s coolest streets, and a retail store named The Milwaukee Road located at Yorkdale Mall).   The next time you walk down Ossington, you can think of Milwaukee!

 

In 1869, Canadian photographer Alexander Henderson (1831-1913) was commissioned to take a series of photos along the route of the new Grand Trunk Railway between Montreal and Toronto.  These images were for a travel book, “All-round Route Guide” to sell to tourists and settlers along the route.  This Montreal to Toronto section followed the north shore of the St. Lawrence for most of its route.  The railway had opened in 1856 and more routes had been added (to Portland Maine! to Sarnia!) or were planned. 

below: Lumberer’s Shanty, Lievre River, Quebec, before 1865

albumen print, vintage black and white photo by Alexander Henderson of a lumberer's shanty in winter, small log cabin structure covered with snow, Quebec

A recent exhibit at Artspace TMU (at 401 Richmond) showcased albumen prints of some of Henderson’s photos along with photos taken by Dawson Cox.  All of Cox’s images were mounted on particle board.  The exhibit was titled, “Like the Seams of a Coat”.

below: Camera store, corner of Clark and St Antoine, Montreal.

photo in a gallery, by Dawson Cox, of stores in Montreal,

below: Victoria Square, Montreal, about 1872

old photo by Alexander Henderson, of Victoria Square in Montreal, albumen print, in a gallery, taken in 1872

below: Group shot

group photo, on a hill above a small town

below: Group shot, 1870s style – G. Company of 78th Highlanders, taken by Alexander Henderson

vintage black and white phiti, Group of G. Company of 78th highlanders, taken around 1870 by Alexander Henderson

Coat seams are usually hidden but they are essential to holding everything together. Important yet unseen.

below: Cox’s photo of torn graffiti on an old brick wall

below: Lake, Saint Bruno Mountain, Quebec, before 1865

old photo of a lake and st Bruno Mountain in Quebec, 1860s
photo of a village with a church
photo of a stuffed fox, mounted standing on all fours and seeming to walk

below: L’Anse a l’Eau, Saguenay River, Quebec, 1868

old black and white photo, a lone scrawny pine tree on a rock overlooking the Saguenay River in Quebec, with village below, village of L'Anse a L'Eau

Back in June at ASpace Gallery  (one of the galleries at 401 Richmond West), there was an exhibit that was also part of an MFA in DocMedia thesis.  Part of the exhibit consisted of photographs made with a pinhole camera.  These cameras were mounted on various parts of an old oak tree. The exhibit can also be viewed as a look at the relationship between the photographer,  Lisa Murzin, and an old oak tree.  If trees could communicate, what would they say?  What do they see and how do they view the world?

 

Whatever you think of the premise of the project, the images from the pinhole camera are intriguing.

drops of rain
the river’s thread
left behind
a stream of water maneuvers the crevice

 

… and a few things more from TMU Image Centre exhibits.

First, the main gallery of the Image Centre is showing a collection of the work of Clara Gutsche, winner of the 2024 ScotiabankCONTACT Photography award.  One of her series features photos of Quebec nuns, “The Convent Series”, taken before 1999.   Hence “nuns” in my title –   The “weddings” in the title comes from another exhibit here – a collection of portraits of brides and grooms over the years.

a woman looks at framed photographs on a gallery wall, TMU Image Centre gallery, Clara Gutsche show

black and white photo from convent series by clara gutsche, nun with painting, on display at TMU Image Centre

framed black and white photo from convent series by clara gutsche, nuns in black and white habits lined up in a hallway

framed black and white photo from convent series by clara gutsche, nuns outside hitting tennis balls with tennis racquets, against a wall

framed colour photo from convent series by clara gutsche, nuns in red playing croquet outside

There are other series of her work also on view including some taken inside a Catholic high school.

4 framedcolour photos on a gallery wall, all are interior shots of a catholic high school

girls sitting at desks in a school by clara gutsche

This is only a small sample of Gutsche’s work.  You can see more at the Image Centre until 2nd August 2025 – The originals look better than my copies!!

 

Let’s move on to the happy couples….

“Something Old; Something New – The Wedding Photography Collection of Stephen Bulger and Catherine Lash” is  the full title of the exhibit.  The title says it all.  The exhibit gives a glimpse into the history of photography and the techniques used to produce images.  It also takes a look at a sliver of social history… especially with respect to clothing styles.  All the photos were donated to the Image Centre by Bulger and Lash in 2023.

photo of a wedding party, from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre

photo by Karl Speiss, 1855, black and white, of a bride and groom, from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre

portrait of bride and groom in a fancy oval frame, from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre

bride and groom portrait, old, on red carpet, man with top hat,

on a gallery wall, image of bride and groom, from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre

from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre

bride and groom, bride with head covering typical of roaring 20's

below: “Meilleurs Vaux pour votre Bonheur”, 5th of Jan, 1910

French postcard made with image of bride and groom portrait, Meilleurs Vaux pour votre Bonhour, 1910, with green 5 cent stamp

from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre

from Something Old Something New, a collection of wedding photos over the years, collected by Stephen Bulger and Catherine Lash, and then donated to the TMU Image Centre. Groom in a top hat, bride in a white coat with many small buttons, and a high collar

Unfortunately the exhibit has ended.

 

From now until early September, there are two outdoor art installations at the Aga Khan Museum.  First, “Muqarnas, Form and Light” is a photography exhibit in Aga Khan Park that showcases the images of muqarnas taken by Glenn McArthur.

aga khan museum building, from the park

Muqarnas are three dimensional details found in Islamic architecture especially in mosques and madrassas (schools).  They are usually found incorporated into the top of vaulted structures such as domes and doorways. Often they look like honeycombs.  They can be made of many different materials such as stone, stucco, and plaster.

below: From the Abd Al-Aziz Khan Madrassa in Bukhara, Uzbekistan, is this painted plaster muqarna.  The blue and gold representing the sky is at the top.

muqarna in madrassa in bukhara uzbekistan, photo in an exhibit in Aga khan park, by Glenn McArthur

below: And a closer look at the painted details.  It was originally built in 1652 and then restored in 1993.

closer detail of part of muqarna in madrassa in bukhara uzbekistan, photo in an exhibit in Aga khan park, by Glenn McArthur

below: A carved stone muqarna covers a portal in the Al Rifa-i Mosque in Cairo, Egypt, built in 1912.

large photo on display in Aga Khan Park,
person sitting on bench and reading, park,

below: Decorated in dark blues and gold, this muqarna is found in the funerary complex commission by Çoban Mustafa Pasa, the vizier and son-in-law of Ottoman Sultan Selim 1 who reigned 1512 to 1520.  It is in Gebze Turkey.

below: Stucco muqarnas arches in the Court of the Lions at Alhambra Palace, Grenada Spain, late 14th century.

one of the images in form and light, an art installation by Glenn mcArthur

below: Close up look at part of a wooden muqarna from the Cappella Palantina (Palatine Chapel) in Palermo, Sicily (Italy). Although it was commissioned by a Christian monarch, Roger II of Sicily (reigned 1130-1154), it includes Byzantine and Islamic elements. Roger II was also a Norman but during his reign Sicily was very multicultural.  It is a rare example of a muqarna in a non-Islamic building and is the oldest surviving wood muqarna.

close up of part of a ceiling,

More of McArthur’s muqarna images can be seen on his Instagram page – mcmuqarnas

pink and white blossoms on weeping cherry tree, Aga Khan park

Also outside, but on the other side of the museum is another art installation.

Tracey-Mae Chambers, art installation at Aga Khan museum, outdoors, crochet and knit circles connected together to make a larger circle.

This one is the work of Tracey-May Chambers and it is constructed with red wool, silk, and cotton yarn. It consists of a circle made of connected knit and crocheted circles and within that circle there is a butterfly waiting to emerge.

It is one of 100 installations that Chambers is doing across the country for Hope And Healing Canada.  The red yard connects the elements and is a reminder that we are all connected too.

Both the “Light and Form” exhibit and Chambers’ crochet installation will remain until 7 September 2025.

reflecting pool in front of Islamic Center, by aga Khan Museum, small trees, clouds,

Toronto city street sign for Wynford Drive, includes Aga Khan Blvd as well

“Phase in my Journey” is the title of an exhibit of the wonderful black and white photography of Walter Borchenko.   The photos span 20 years of his craft including his work with filters, with infrared photography, and with minimal digital manipulation.

below: Grassy Brook, Talbot River Road, Kawartha Lakes Ontario

below: Look Left cross walk, Birmingham England

the words look left in capital letters on the pavement by a crossing, warnings to pedestrians crossing the road

below: Wet tables, Las Ramblas, Barcelona

outdoors, lots of small tables and chairs, in the rain, wet, Barcelona, photo by Walter Borchenko

below:  One of the reflecting pools at the Aga Khan Museum.

large, 66 inches by 40 inches, black and white photo by Walter Borchenko, of one of the reflecting pools at Aga Khan museum in Toronto

below: On the left, Leather Jacket, New York City.   On the right, an intentionally out of focus city scene – a little disorienting, full of motion and uncertainty.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival,

All of the images are printed on hand-made Awagami Japanese paper.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: Hong Kong ferry terminal

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: New York New York casino in Las Vegas in the foreground.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: The larger picture on the left is the Airport Long Distance Train Station in Frankfort Germany.  On the right, is an older house in Port Royal, South Carolina.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: Not a Borchenko photo! The exhibit is being held at the Japanese Canadian Cultural Center. Outside, they have the oldest Sakura tree that I have ever seen. It has large, dense, gorgeous blossoms!

sakura, cherry, blossoms on a tree, lots of pink and white petals

Exhibit closes 30th June

 

I went to College Park in search of a CONTACT Photography Festival exhibit.  To me, College Park has always been a place where people pass through on their way to somewhere else.  If they linger it’s to grab a bite to eat from the food court or from the grocery store.

lower level of college park, outside glass wall of grocery store

I’ve never spent much time looking around inside so I wandered around a bit. I couldn’t find any space/place where there might be a photo exhibit.

a chair sits behind a translucent blue glass wall, escalator and the reflection of that escalator in the background

coming to the top of an escalator to an atrium where the walls are glass

I found a small group of paintings by Divyani Chandorkar in a small, out of the way corner by an elevator. Interesting, but not what I was after.

painting of a nature scene by Divyani Chandorkar, a sunset or sunrise over water

After a chat with a security guard and a little more walking around, I discovered that the photos were being displayed outside!  They are in a public space immediately south of the College Park building- between the College Park and Aura buildings.  Here, they become part of the environment.

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photo of a couple standing facing each other with arms wrapped around each other

Photo by Hikari Creatives (aka Winson Sun) who specialize in wedding and engagement photos.

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The exhibit is presented by the Downtown Yonge BIA and Aden Camera.

photo by Nim Mendoza of a bright orange building, night time, there is a group of young people walking past it, outside

by Nim Mendoza

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picture photograph on display as part of contact photography festival, night city scene, by Aidan Samuels, cars on a street

by Aidan Samuels

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photo of lower part of man's body, wearing dark pants, holding a purple skateboard, by Nim Mendoza

by Nim Mendoza

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This large bunny and butterfly were there too!

large blue sculpture of a rabbit in the foreground, and a butterfly with open wings in the background

Other photographers involved in the show: Rob Burns, Maryn Western, and Eden Schwinghamer.

public park space behind College Park and beside Aura building, people sitting on benches,