Posts Tagged ‘images’

… an art project by Sunday School,  a creative agency formed in Toronto in 2017 by Josef Adamu.  At the moment there are billboards at a few locations around the city including here at Dundas and Lansdowne where there are 3 images.

billboards above a vacant lot. The boards feature 3 large images by Sunday School. On the far left is a reclining woman with arm supporting head. In the center is a billboard with two images. Someone is brushing the hair of a young black woman in one photo. In the other, a person is sitting in a small orange car, viewed from the drivers side of the vehicle.

close up of images on billboards. two images. Someone is brushing the hair of a young black woman in one photo. In the other, a person is sitting in a small orange car, viewed from the drivers side of the vehicle.

Other photos by the group are on display at the Art Gallery of Ontario.  Two examples are:

below: “Jump Ball” is an ongoing project that explores the relationship between basketball and the African Diasporic communities.  Home is not restricted to private spaces, it is also found in unity. Here, in “Jump Ball: Toronto (2019)”,  you can see carefully composed pairings of young men in vibrant Ghanaian Kente cloth or a Senegalese boubou on the basketball court (what is identity?  how does basketball bring young men together?).  These were photographed by O’shane Howard.

photographs on a gallery wall, two in colour, and a group shot in black and white. the coloured photos are of young black men in traditional african clothing on a basketball court

below: Another series of pictures is “Ten Toes Down”, photographed by Kreshonna Keane.  This series features a ballet dancer in her home – a Black dancer in a field that is almost exclusively white.  Home is not just a building.  Home is the body; home is self expression.

two photographs on a gallery wall. on the left a black woman, a ballet dancer, sits on her floor surrounded by pairs of ballet shoes or slippers. the other picture is shoes and books

below: This image by Carlos Idun-Tawiah can also be seen in a parking lot by 80 Spadina Ave (see above, at Lansdowne & Dundas).

image of a young black woman

Sunday School website

Sunday School’s Instagram page

Part of Port Lands redevelopment.

Almost a year ago, a number of photos of the Port Lands work were installed along Villiers Street, “How to Build a River”.  This is at least the second exhibit by Vid Ingelevics and Ryan Walker in this location.  The prior set of images can be seen in a post from 2020, “the new Cherry Street bridge“.  It was part of the Contact Photography Festival for 2022.   I realize that it is now 2023 but I had forgotten about this exhibit until last week when I was walking in the area.

Here are some of the photos along with a few other details seen on Villiers Street.

below: “Sand and Charcoal”

photo by Vid Ingelevics and Ryan Walker of Port Lands redevelopment

a line of different coloured oil drums along a chainlink fence, wood fence behind

below: “Stratified River Ingredients”

photo by Vid Ingelevics and Ryan Walker of Port Lands redevelopment

hydro pole with metal remnants, overgrown with vines

below: Meander

photo by Vid Ingelevics and Ryan Walker of Port Lands redevelopment

below: Eastward on Villiers Street

north side of Villiers street, east of the Keating Channel pub

below: Crib Wall 3
photo by Vid Ingelevics and Ryan Walker of Port Lands redevelopment

no smoking sign on link fence beside a gate locked with two chains, one rusty and one newer. Also a hand painted sign that says don't park in front of the gate

below: “Layering Membrane”

photo by Vid Ingelevics and Ryan Walker of Port Lands redevelopment

a man in a yellow Toronto jacket rides his bike down Villiers street

below: “Transplanting #1”

large photograph by Vid Ingelevics and Ryan Walker mounted like a billboard on Villiers street

looking west along Villiers street to the large Lafarge cement silos at the end of the street, dirt and puddles in the median between the two lanes of traffic, a divided road

below: “Transplanting #2”

large photograph of a man transplanting plants and trees, in an orange vest, on the door of a silo

You might not be able to see these images any more. It is now May 2023 and there is another Contact Photography Festival that has just begun. Ingelevics and Walker have a newer exhibit planned which was scheduled to be installed for the 1st of May. Chances are this newer exhibit will stick around for a while too!

Toronto street sign for St. Patricks Square, in background is CP24 car that looks like it has crashed through the wall of a building

The building at St. Patricks Market on Queen Street West is empty but the exterior walls are now a pop-up outdoor gallery.  It is part of Art On Queen West.  Some of the artwork that is on display:

below: “I See You” By Peru143

image on display at outdoor pop-up gallery, St. Patricks market, by Peru 143, stylized text says Toronto

below: “Bouquet” by Curtia Wright

image by Curtia Wright, woman with purple skin and pink hair, head and shoulders portrait

below: “The Queen” (representing Queen West) by Andrew Patterson

image by Andrew Patterson, white line drawing on blue, purple, and orange background, a human-like figure with crown on head and objects in upraised arms

below: “Pies, para que los quiero si tengo alas para volar?” Or in English: “Feet, what do I need you for when I have wings to fly?” by Alejandra Paton

image of Frieda Kahlo

below: “The Reimagining of the Steps” by Jenelle Lewis

an illustration by Janelle Lewis of many people on circles of stairs and steps

below: “Untitled” by Jenelle Lewis

illustration by Janelle Lewis, a woman getting onto the back of a blue and purple tiger with black stripes

below: “Pizza Night” by Jieun June Kim

stylized marine scene, pink and yellow striped octopus, fish, starfish,

 

below: Southeast corner of Adelaide & Peter

Southeast corner of Adelaide and Peter, all tall buildings

below: West side of Peter at Adelaide

West side of Peter at Adelaide.  New tall buildings except older beige building on the northwest corner.

below: Still standing – Second Empire style from the late 1850s, with a mansard roof that was added a little later. Just north of it, a 47 storey condo is being constructed.

old pale beige brick house from the late 1850s with brown mansard roof at the northwest  corner of Peter and Adelaide.  empty, boarded up, with some tags on it, metal exterior staircase from ground level to second story, Second Empire style

below: On the hoardings at this construction site on Peter, is “Toronto Makes Good” a photo exhibit hosted by JAYU and The STEPS Initiative that features the work of nine young people (ages 18 – 29).

hoardings at a construction site, large red and white sign on top that says made in Toronto, a parking meter machine on the sidewalk, two large photographs on the hoardings, part of an exhibit

below: “Swing Summer Away” by Johnny Wu. Taken at the CNE

Photograph on slightly reflective hoardings, black and white, CNE swings with people on the ride,

below: “Toronto Waterfront Silhouette” by April Beatson. Taken at one of the wave decks near Harbourfront.

hoardings on construction site, black and white photo of a skateboarder in the air above the wave deck on Toronto waterfront, reflections of the cars and buildings around in the black parts of the photo

below: “Members of a Nicaraguan Dance Troupe” by Tenzin Dorjé.  Taken at a performance at Mel Lastman Square.

photograph on hoardings, three women of Nicaraguan dance troupe in long colourful dresses, green, yellow, and orange, also with flowers in their hair

photograph on hoardings, three women of Nicaraguan dance troupe in long colourful dresses, red, yellow, and blue, also with flowers in their hair

below: “Game 6” by Stephen Attong. Raptors fans celebrating on the streets of Toronto after the team won their first NBA Championship.

black and white image of Raptors victory party on the streets of Toronto, on hoardings

parts of two photos that are exhibited adjacent to each other on construction hoardings. on left is people at street party after Raptors won the NBA series and on the right is a close up of a woman's face in profile

hoardings on Peter street, with covered walkway on sidewalk, photo exhibit on the hoardings

Other photographers with images on the hoardings: Holly Chang, Leilah Dhoré, Nawang Tsomo, Radha, and Sherry Yu.

below: Saving the old facade

yellow metal scaffolding to keep up the brick facade of an old building while the rest of it is demolished.

below: Some things can’t be saved.

old wood steps covered with a faded, well worn, carpet in greens and browns

windows of an empty building, one is broken.  Words pastries written on one window and word lunch written on broken window

chainlink fence and gate at construction site, remnants of interior wall still show old walls that were once pale yellow

2 round paper paste up slaps on a pole.  The upper one shows a map of the world with the Atlantic Ocean in the center, the lower one is the round part of an eye

Van Gogh Immersive Exhibit at the old Toronto Star building at 1 Yonge Street.

Vincent Van Gogh Immersive exhibit - large faces of Van Gogh projected on the wall, from self portrait paintings

Images from paintings by Vincent Van Gogh were projected on all four walls plus the floor of a very large space. The installation includes his work the Mangeurs de pommes de terre (The Potato Eaters, 1885) to the Nuit étoilée (Starry Night, 1889), Les Tournesols (Sunflowers, 1888), and La Chambre à coucher (The Bedroom, 1889).  It was a slow moving video that was about 35 minutes long.

vincent Van Gogh Immersive Exhibit, 4 people, turquoise flowers, 2 men standing, one person sitting on a bench

Vincent Van Gogh Immersive exhibit

Vincent Van Gogh Immersive exhibit - person sitting on floor, taking aphoto with camera, starry starry night

Vincent Van Gogh Immersive exhibit - a middle aged couple sitting on floor, a baby stroller sitting by the exit

There were circles on the floor in which you had to stand/sit but you could move from circle to circle if there was an empty one.

Vincent Van Gogh Immersive exhibit - crooked tree with white blossoms on a turquoise background

The most interesting portraits were those of people dressed in white.

Vincent Van Gogh Immersive exhibit - a woman in a long white dress crouches beside the wall, images project onto her and her dress, pinks and purples

Vincent Van Gogh Immersive exhibit - a woman stands beside the wall, orange colours all around her including the floor, green images of windows and shutters too

Vincent Van Gogh Immersive exhibit

Mirrors were placed around any structures that were in the way.

Vincent Van Gogh Immersive exhibit - people sitting and standing

Vincent Van Gogh Immersive exhibit - people sitting on the floor with projections of images of inside of house with tables and chairs in orange and yellow tones

Link for more information on the exhibit
which continues at least until the end of October

#VanGoghTO

This blog post wanders from Burger Mania at Yonge Dundas Square to the Riverside Eats & Beats StreetFEST and onward to the Riverdale Art Walk  out Queen Street East, with a few distractions along the way.

thre people sitting at different tables in a coffee shop

a man with glasses and hair that is shaved on one side of his head is offering another man a rice krispie square, he is holding it to the man's mouth

a woman in long overcoat and hat is talking to and gesturing, with a woman in a white head scarf and top

a man selling rice krispie squares and other desserts, outdoors, Yonge Dundas Square, from E and R Sweetery

under a red tent roof, people preparing food

a woman in a red shirt and sunglasses walking with her son who is also wearing sunglasses, south asian ethnicity

under a tent roof, a man is cooking burgers

a large inflatable pool floatie in the shape of a pink flamingo sits on the ground at Yonge Dundas Square, in front of a bar selling drinks

a young Asian woman is taking a picture of a small burger with her phone

family group - mother and father laughing, baby in stroller, Asian, at Yonge dundas square

people sitting on a bench by large red flower pot in Dundas Square. Man at end, balding with grey hair, is reading a newspaper, two people are eating

a woman sits at a high table with three small burgers on it, two dogs are beside her on the ground but looking up

a young man is being grabbed and held on to by two security guards and they are removing him from Yonge Dundas square

a topless man with a bag on his back skate boards at Dundas Square

a woman is laughing as she talks on her phone and walks up Yonge Street

a couple walking together on Yonge, passing the Stag Shop. He is wearing pink pants and a white jacket. Both have white hair.

below: Yonge Street was closed to traffic between Queen and Dundas Streets because a large crane was parked there temporarily while heavy objects were lifted onto the roof of the Eaton Centre.

a large crane is on a truck in the middle of Yonge street, downtown, with tall buildings on both sides including the Eaton Centre under renovation on the right

three workmen in orange safety clothing use a crane to lift heavy objects off a flatbed truck

a police man in a bright yellow jacket stands in front an orange cone and yellow police tape to block off Yonge Street. He's directing traffic, to make cars turn on Queen street. A woman with orange hair is walking across the street , just went in front of the police man

a man in a kiss t-shirt is talking, a black man is waiting for a streetcar behind him, streetcar is just arriving.

reflection in the glass of a door and window of a Burger King restaurant, of a woman witting on the sidewalk pan handling

a couple holds each other on the street

Riverside Eats and Beats

a man playing a fiddle, smiling, wearing a blue cap and a blue plaid shirt

below: Soundcrowd was practicing for their performance at The Opera House that evening.

a choir onstage with a man with microphone standing in front of them

in a store window, two mannequins with no heads waering gold close fitting dresses, in front of window is a rack of clothes on the sidewalk, with two women looking

a group of women talking, outside

 

Riverdale Art Walk at Jimmy Simpson Park.

a large bed of pink and white tulips in front of a white tent (roof only) with paintings on the side that are for sale, Riverside Art Fest

a woman holds a small white dog while she talks to a man, in front of a white tent with artwork on the walls for sale. Two women inside the tent are looking at the dog and smiling

two paintings on easels outside a white tent. One is an airplane at an airport and one is a barn in snow

a framed portrait of a woman on a metal grid, people standing behind it including a man with a white shirt with bright red and black blotches

large images (photosgraphs) in red, black and yellow, for sale

small artwork hanging on a white tent wall, light is coming from behind so they are silhouetted

a boy in a fedora sits cross legged on a high stool while looking at a phone. He is in a tent with artwork on the wall that is for sale

at an art show, an art piece made of metal, images on metal

Palimpsest.  I had to look up the word too.  No, it’s not the superlative form of palimps.  As it turns out, palimsest has to do with surfaces that have been reused or altered while still retaining traces of its earlier form.

What does it have to do with this blog post?  It is the name of an exhibit of photos by a Poland-based collective, Sputnik Photos.  Between 2008 and 2016 this group compiled their ‘Lost Territories Archive‘; this is a project that documents the “physical, political, and sociocultural” aspects of the former Soviet republics.  Some of the thousands of images that they collected are on display in the Allan Lambert Galleria at Brookfield Place as part of this year’s CONTACT Photography Festival. It is on view for the month of May.

people in Allan Lambert Galleria, a couple of large photos, a workman on a crane,

below: “A sculptural model in a student atelier, Spitak Armenia, 2014”.

large picture of an old white statue, Brookfield Place, 2 men looking at it. Photo's title is A sculptural model in a student atelier, Spitak Armenia

below: “Cafeteria at the Heydar Aliev Centre, Gobustan Azerbijan, 2016”.   In 2013, to mark the 10th anniversary of the former president of Azerbijan, Heydar Aliyev, his son and successor, Ilham Aliyev, ordered the country’s 70 district capitals to each build a monumental centre named after his father.

people walking past a large photo in Allan Lambert Galleria at Brookfield Place. Photo by Sputnik Photos, title is Cafeteria at the Heydar Aliev Centre, Gobustan Azerbijan,

below: “Semipalatynsk Nuclear Test Site, Kazakhstan, 2016”.  The Soviet Union conducted over 400 nuclear tests at this site in northeast Kazakhstan between 1949 and 1989.  The impact of radiation exposure was hidden by Soviet authorities and didn’t become known until the site closed in 1991.

a couple walk past a large picture, small reddih mounds of dirt on a barren grassy field, flat land, no trees or other plants

 below: ‘Homemade construction for growing grapes, Yerevan Armenia, 2013’.  Urban farming was popular during the post-Soviet crisis in the 1990’s.  Today grapes are grown in every neighbourhood using homemade constructions for supporting the vines.

a large picture on display in Allan Lambert Galleria of a homemade structure to hold up grape vines in a back yard in Yerevan Armenia

below: “Anaklia Georgia, 2013”  Anaklia is a village on the Black Sea.  In 2011, Mikheil Saakashvili, the president of Georgia, announced a program to transform the village into a luxury resort.  Construction began in 2012.  Saakashvili’s party lost the parliamentary elections in 2013 and he fled the country.  Work on this project was discontinued.

large photo of a oval shaped structure on the top of a tower, on the coast, surrounded by barren land, abandoned building, in Anaklia Georgia (former USSR republic)

below: “Slutsk Belarus, 2013”.  This image is of ‘Cultural Space’, an installation in the sugar factory Saharny Zavod.  The factory was given an award for best ideological work in a contest organized by a regional committee for ‘admiration structures’.

two large photos on exhibit, with a woman standing in front of one of them.

Members of Sputnik Photos: Andrej Balco, Jan Brykczynski, Andrei Liankevich, Michal Luczak, Rafal Milach, Adam Panczuk, and Agnieszka Rayss.

***

More about the word palimpsest:

In Ancient Greek, it was παλίμψηστος (palímpsēstos) and in Latin it was palimpsestus meaning “scraped clean and ready to be used again”.  It was originally applied to wax covered tablets that the ancient Greeks and Romans used to “write” on by scratching out the letters with a stylus.  Smoothing the wax would erase the words.   Around the 6th century vellum, or parchment prepared from animal skins, became more commonly used.  It was expensive.  Early on, writing on parchment could be washed away using milk and oat bran but over time it would come back, but faintly.   In the later Middle Ages, writing was removed with powdered pumice which was more permanent.

Along with the historical definition, palimpsest has a more modern definition.  The Merriam-Webster Dictionary gives this newer meaning as, “something having usually diverse layers or aspects apparent beneath the surface”  while the Cambridge English Dictionary uses these words, “something such as work of art that has many levels of meaning, types of style, etc. that build on each other.”

I happened to visit Artscape Youngplace this afternoon just after their latest hallway gallery exhibits were hung.   Showing on both the second and third floors are images produced by the graduating class from Etobicoke School of the Arts contemporary photography course.  I tried to find information about the exhibit online but nothing about it was mentioned on the Artscape Youngplace website or on the Etobicoke School of the Arts website.  If you know of something that has appeared online since this afternoon (29th April) or something that I missed, please let me know.

This is a selection of the pictures on display.  Not all of the labels were up yet and some I didn’t get a clear picture of so my apologies to the photographers whose images that I haven’t credited here.  Also, there was no criteria for selecting these images over the many others also being exhibited.

below: The finishing touches

part of the third floor hallway gallery space at Artscape Youngplace with large colour photos tacked to the wall, a man on a ladder adjusts the lighting

below: By Owen Herlin.  “The Last Week of Summer” on top and “Making Memories” on the bottom.

two photographers by student photographers, horizontal, one on top of the other. The top image is of a skateboarder doing a jump, in three sections, same man but in different stages of the jump

MIDDLE: Why’d you bring me here and then leave. Friends that aren’t mine. Contacts I don’t have.  It’s all good but my time is too valuable right now and a lot of these interactions aren’t ( a lot not all). // writing with words in my head, overlaying over crowded memories that aren’t mine.  “I want more out of life than this”!
LEFT: “Summer. It’s the start of this again, songs that will remind me of these moments above all others again. :

 

below: In the middle, a photograph by Tomoka Taki.  It is flanked by two images by Julia Kerrigan called “Unnatural 1” and “Unnatural 2”.   The opening sentence in the description of Taki’s work is: “I attempt to bridge a gap in communication between myself and older generations within my family.”

three photographs hanging on a wall. On either side is a picture of a woman in a pose, on green grass outside by Julia Kerrigan. In the middle is a black statue, Asian lion, in front of a light pastel coloured circular pattern

below: By Meredith Tudor-Doonan

six images. On the bottom is one large black and white photo of a woman (no head shown) in a long white dress that looks like she's washed up on the beach, lying on her back, arms out streteched. upper level has 5 photos, on the sides are large brown and white images of men's head and shoulders, with eyes looking downward. In the middle of the top part are three snapshots of a person coming out of the lake after swimming

two photographers by student photographers, horizontal, one on top of the other. The top image is of a skateboarder doing a jump, in three sections, same man but in different stages of the jump

below: by Kaya Joubert Johnson

large white wall hanging with long black fringe on top and bottom. words on the wall hanging say Do Not Touch the art, a work by Kaya Joubert

a triptych, three photos, of a woman in an orange long sleeved top, long brown hair, black pants, in three different poses,

below: by Ethan Wilder, “Why complicate the physical world when I can do so in an imaginary one?”

black and white photos by Ethan Wilder

closest to the viewer is a portrait of a young woman sitting on a chair, leaning forward, very orange patterned wallpaper wall behind her

What are words?   How do we use them?

below: “Excuses injurieuses” 2007, by June Clark.  One of her “Wine and Tea” pieces.  It consists of the words Invective and Apology written over and over again starting from the top left corner and moving inwards toward the center.  Instead of a spiral it is a pyramid shape.  Perhaps it rises upwards, or perhaps it sinks down.  It’s only 40cm x 40 cm so the words are tiny.  I’d love to know how many words there are but I think that I’d be screaming profanities before I finished counting.  What I can tell you is that the pair of words ‘invective apology’ is written 32 times on the outer square.  If  invective is a noun that means, expletive, or abusive language, what does ‘invective apology’ mean and is that the same as the french title, ‘Excuses injurieuses’?

close up artwork of words written over and over again, invective apology, in smaller and smaller circles.

June Clark was born in Harlem NY but moved to Toronto in 1968.   At the moment, the AGO is featuring some of her work.  For whatever reason, I was more attracted to the pieces with words.

below: More of Clark’s “Wine and Tea” series, 2007.  Each one is a 40cm x 40 cm square and they are made with wine, tea and paper except for the one on the top left.  It is “Poubelle Lune” and the circle is a rusted lid that fits in a circle that has been cut out of the canvas.

a grid of 8 square artworks by June Clark on a gallery wall

below: Close up of another of the eight squares, a collage of sorts, the silhouettes of two people (men?) in front of flags, one American and one ? Titled: “All Some Many”.  If you look closely, you can see small words cut out of newspapers or magazines, some, all.

close up of an artwork, ink and collage. Brown squares in checkerboard shapes, with one shape being a photo, 4 small words from a newspaper, all (twice) and some (twice).

below: The next two photos are panels from “Formative Triptych” 1989/1990.  The first one says “I always imagine that I never received anything as a child, but I do remember being disappointed that the chocolate Easter Bunny was hollow and then of course there was the red broom and dustpan set.”

old black and white photo of a black girl, smiling, in dress, with words beside that say "

below: The words say “I decided that I must become so famous and so recognizable so the they could never let me die in an emergency room.”

picture of the head and shoulders of a middle aged black woman, old black and white photo, with words beside that say "

below: More collage and more words, this time it’s “Homecominghome”, words on paper towel.   Words like proactive, dulled integrity, impotent, hostage, elation, victim, underwhelmed, illusion, and satisfied surface desires.   These are only some, there were many more, each in their own little black frame.  Paper towel, that stuff we use once and then throw away.  Can we throw away the words?  Or what is behind the words?  Do we want to?

Actually there was a story about why paper towels were used – “…was made during a residency in New York City.  I had been cleaning the space so it was empty aside from paper towels.  It was a way of dealing with my emotions around how I felt living back in Harlem.  Cutting out the words, I felt like I was captive but free – a sort of ransom situation, of calls for help and demands for responsibility. ”  Quote taken from the words on the wall at the exhibit.

a grid of 8 square artworks by June Clark on a gallery wall - black frames around pieces of paper towel with words on them formed from cut outs from newspapers,

Words are fascinating.

June Clark’s work is on exhibit at the Art Gallery of Ontario until December 2018.

 

And while we’re on the subject of words and the AGO, there is a whole room of panels like the one below.  This is “Jack and the Jack Paintings: Jack Goldstein and Ron Terada”

Goldstein was an artist who published his memoirs in 2003, just before he committed suicide.  Terada has taken words from the book and made them into 14 panels, sorry, I mean test-based paintings.  They are Goldstein’s words? Or are they now Terada’s words?  Whose story are they telling?

below: A large painting by Jack Goldstein (lightning) and four of the panels by Ron Terada.

The Jack exhibit continues until 16 September.

Toronto Outdoor Art Fair 2018,
Nathan Phillips Square

three men, in two different booths, side by side, looking at paintings, Nathan Phillips Square, outdoor art fair

three men looking at paintings, Nathan Phillips Square, outdoor art fair

two small paintings on wood, hanging on a metal grid

reflections in a framed artwork, people passing by, outdoor art fair

woman in a brown hat starts to pack up her paintings of people's faces at the end of an outdoor art fair in Toronto

two paintings in a booth at an outdoor art fair, one is yellow, there is a table in front of it, with a flower and and a hat on it, a man walks past

three little glass sculptures of little robot like creatures with rectangular heads and one large antenna

a woman walks past a painting of a cat head in blues and greys,

old rusty hand saws with wood handles, blades have been cut in intricate designs, one in maple leaves and the other with oak leaves

a couple looks at a painting at an outdoor art fair

a man, with back to the camera, stands beside a painting of a topless woman, their faces are close together

a woman carries a large painting, passes by another large painting of a black man with a white beard

a woman in a large brimmed pink hat is talking to another woman in front of some paintings at an outdoor art fair

five black and white photos are attached to a string with wooden clothes pegs

square artworks arranged in a grid on a metal mesh wall, hanging at an outdoor art fair.

sqaure artwork, mainly yellow, person body with large clock head , fish swimming around, letters and numbers on the edges

two muslim women in head scarves walk past some glass sculptures at an outdoor art fair