Posts Tagged ‘art’

This blog post is the result of a walk along Bloor Street East between Yonge & Glen Road (with the usual diversion or two).  Bloor Street acquired its name about 1855 and is named for Joseph Bloor (or Bloore).

man with camera pointed upwards, part of a sculpture called Community, by Kirk Newman

below: Bloor Street, looking west towards the intersection of Yonge & Bloor.

downtown Toronto, tall buildings at Bloor and Yonge, glass and steel condo towers

below: “Safe Hands” by Ron Arad, towering 88 feet over Bloor Street in front of One Bloor East (at Yonge).  Look up… way up!!

metal sculpture on Bloor Street, Safe hands by Ron Arad

below: More up!  Glass and steel towers at Yonge and Bloor.

downtown Toronto, tall buildings at Bloor and Yonge, glass and steel condo towers

reflections in tall city glass buildings

below: “Community” by Kirk Newman.  Busy people going about their day.

sculpture, Community by Kirk Newman, many people walking or running down the street,

part of sculpture titled community, by Kirk Newman, life sized people going about their day, woman carrying briefcase, boy with a baseball bat

below: Not an art installation, but large ventilation shafts (for the subway?) just behind Bloor

large grey ventilation shafts rising from the sidewalk behind 160 Bloor East, people walking past

below: Relief sculptures on the limestone exterior of the former Crown Life Building.  They were designed by Canadian sculptor Cleeve Horne and carved by stone cutter Louis Temporale in 1953.

stone relief sculptures on side of building, deer family

stone relief sculptures on side of building, bear family

young man sitting on round seat outside, uner small tree, bike parked nearby, reading on phone

below: Sculpture by Kosso Eloul on the northeast corner of Church and Bloor.

sculpture by Kosso Eloul, at northeast corner of Church and Bloor

below: St. Pauls Bloor Street, Anglican church.   The original church was built in 1842 and has undergone a few expansions and renovations since then.

St. Pauls Bloor Street, church, stone,

man sitting on steps of St. Pauls church, wide steps, three doors, another man walks past

below: A space to sit.

sculpture of homeless person begging, covered in hooded robe

below: Just down the street from St. Pauls Bloor Street, but set back from the street,  is St. Andrews United church. Joseph Bloore lived at Bloor and Park Road, across the street from what was then Bloor Street Methodist Church.   This tablet is a replica of the one that was  installed in the Methodist Church late in 1862.  In the 1980s, the church that this memorial was in was demolished and the tablet moved to the city archives.  Because of a number of church mergers, this was St. Andrews United Church.  He is buried nearby in the Toronto Necropolis.

stone tablet memorial to Joseph Bloore that used to be in a church

“This tablet is erected by the members and congregation of this church, to perpetuate the memory of Joseph Bloore Esq., an exemplary and useful Christian, and a liberal contributor to the erection of this sanctuary.  He calmly fell aslepp in Jesus on Sabbath evening, August 31st 1862, aged 74 years,  The righteous shall be in everlasting remembrance.  Pslam CXII, 6 v.”

below: St. Andrews United church with its front courtyard.

courtyard in front of St. Andrews United church on Boor street

below: Bloor and Church streets, looking southwest

Bloor and Church looking southwest

reflections in glass buildings, bloor and church

Bloor and Church, south on Church towards Bloor

sign that syas stores open during construction, mounted on hoardings

below:  A couple of 1960s/70s brutalist concrete buildings with recessed windows – a fairly common Toronto architectural style.

A couple of 1960s/70s brutalist concrete buildings with recessed windows

below: Sherbourne Street bridge, north of Bloor, over Rosedale Valley Road.  This is the first bridge referred to in the title (yes, it took a while to get here!)

bridge, sherbourne street over the Rosedale ravine

below: Rosedale Valley Road passes under Sherbourne Street as it winds its way along the bottom of the ravine from Bayview to Yonge (approximately!).

Rosedale Valley Road passes under Sherbourne Street, buildings of downtown Toronto in the distance

below: Once upon a time, the corner of Bloor and Sherbourne was home to the Sherbourne Blockhouse, shown here in a drawing by R. J. Brough (October 1862).  There isn’t much to the road!…. but there is a church steeple in the background.  This blockhouse was one of three built to defend the city from possible ‘invasion’ by rebels  and other rabble rousers in 1837.  That was the time of the Upper Canada Rebellion led by William Lyon Mackenzie against the British colonial government and the  Family Compact (the unelected local ‘government’ of the day).  The blockhouse wasn’t needed for defense and fell into disrepair. It is long gone.

pencil drawing by R. J. Brough in 1862 of Sherbourne Blockhouse,

. Photo Credit: Toronto Public Library file E4-82a, Public Domain (found on Wikipedia).

below: Part of the Bloor and Sherbourne intersection today.  The red brick building on the right was once a Dominion Bank building – and is now a TD (Toronto Dominion) bank.   The Dominion Bank was formed in the late 1860s.  In 1955 it merged with the then 100 year old Bank of Toronto to form the Toronto Dominion bank.

doorway in red brick bank building with sign over door carved stone, that says The Dominion Bank Chambers

below:  The beginnings of Bloor Street east of Sherbourne – This photo was taken about 1908 and as you can see there wasn’t much of a road there.   It would be 10 or 11 years later that the Prince Edward Bridge (aka the Bloor Viaduct) opened to the east thereby providing easy access across the Don River via Bloor.   But that’s a whole other bridge, and a whole other story best left for another day.  Note the Dominion Bank building at Bloor and Sherbourne – still there more than 100 years later.  Also, there was already a Sherbourne Street bridge over the ravine.

old black and white photo from about 1908, by William James, from City Archives, showing Bloor east of Sherbourne when it was a dirt road

Photo credit: City of Toronto Archives, fonds 1244, item 7244

below: Glen Road Pedestrian Bridge connects Rosedale to St. James Town.  It is officially called the Morley Callaghan Footbridge and for our purposes, it is bridge number two.

below: “Rise together thru these clouds, as on wings”  This is actually part of the lyrics to a song, “Sunday” by David Bowie.

written graffiti in white on black railing on bridge

below: This is the plaque that is mounted on a wall near the bridge.  It mentions Edgar Jarvis, one of the early land owners in the area.  It was Jarvis who teamed up with Joseph Bloore to develop the land that became the village of Yorkville.   The plaque’s title mentions the name Morley Callaghan then says nothing about him in the write-up.  Callaghan (1903-1990) was a Toronto novelist/writer; he also appeared on TV and radio.

plaque by Glen Road bridge, also known as Morley Callaghan bridge

Glen Road Pedestrian Bridge – Morley Callaghan Footbridge. The Glen Road Bridge has served the South Rosedale neighbourhood for over 140 years.  The structure is approximately 107 metres (351 feet) long and it spans the Rosedale Ravine where Castle Frank Brook once flowed before draining into the Don River.  Edgar Jarvis was one of Rosedale’s earliest developers.  He envisioned it as a residential area for the affluent.   To connect the neighbourhood to the city, he commissioned a bridge across the ravine.  After 1877, a wooden bridge for vehicular traffic was in place, and by 1882, an iron version had replaced it.  The City of Toronto annexed South Rosedale five years later and purchased the iron bridge from Edgar Jarvis for $10,000 in 1889.   By the 1950s when the iron bridge was over 60 years old, the City adapted it into a pedestrian only crossing.  It was replaced with a rigid-frame steel structure in 1973.  The design is well suited for this type of crossing; the angled legs remove the need for supports on the ravine floor.  The Glen Road Bridge is a rare example of this design in Ontario.  The bridge was extensively rehabilitated starting in 2020.  Designated under the Ontario Heritage Act, 2003.

below: At the south end, the Glen Road bridge leads to a tunnel that goes under Bloor Street.  The walls of the tunnel have recently been renovated and are now lined with three new pieces of art by Inuit artist Couzyn van Heuvelen .

below: The Glen Road entrance to Sherbourne subway station.

below: Glen Road ends at Howard where a few old houses still remain.

 few businesses on Howard St., in old brick houses, including Apo Filipino restaurant and Howard convenience store

empty cardboard boxes stacked up on the sidewalk outside of a store, waiting for garbage or recycling collection
old brick building, second empire style, with black roof, large blue awning over front door,

redevelopment of older buildings on Howard Street, building more housing

older three storey red brick building on Howard Street, with newer buildings in the background, a red car on the street

car parked in front of building where fake window with a painting of a young boy looking into the window of a restaurant

woman walking past a sidewalk box that has been painted

below: The view from Howard & Sherbourne, looking west, a mix of old and new.

below: Maison Selby, on Sherbourne, this Queen Anne Revival-style building has is now a French restaurant.  It has seen many changes over its 140 year history.  The first occupants were members of the Gooderham family (the whiskey people).  It was briefly home to Branksome Hall girls’ school before they moved to a larger space.  In 1912 it became a hotel and it has generally been a hotel, bar, or restaurant space since then, albeit under many different owners.

Maison Selby, old Victorian brick building

below: Trinity Lutheran Church, also on Sherbourne.

Trinity Lutheran church on Sherbourne

below: “For Sinners Only” says their sign – very inclusive!

sign in front of Trinity Lutheran church that says for sinners only

below: Back on Bloor Street where Rogers dominates the corner of Bloor and Mount Pleasant (another of those concrete buildings with recessed windows).

Rogers building at Bloor and Mount Pleasant

below: Mount Pleasant passes underneath Bloor.  The walls are covered with murals by Ian Leventhal.

mural by Ian Leventhal, landscape, on walls of bridge, bloor over mount pleasant

mural by Ian Leventhal, landscape, on walls of bridge, bloor over mount pleasant

below: The south end of Mount Pleasant just before it becomes Jarvis Street…  and that makes bridge number three.

Mount Pleasant Avenue as it passes south of Bloor

below: It’s not the most positive note to end on but hey, someone took the time to make this sticker and then find a home for it.  May they change their mind one day!

graffiti sticker

graffiti on the back of a city sign that is a growling character made of a hand giving the figure

A Saturday morning walk through Yorkville.

spherical shaped street lights with a tall condo building behind

below: Southwest corner of Yonge and Yorkville where the original brick buildings lining Yonge Street have been saved (or at least the facades have been).

southwest corner of Yonge and Yorkville, older brick buildings at street level, tall glass and steel condos rising behind them

Once upon a time Yorkville, and its neighbour, Cumberland, were quirky little streets.  Joseph Bloor and William B. Jarvis started development here about 200 years ago as a place to escape the city.  Yorkville as suburbia.  It was able to hold back the developers for a while, but even Yorkville has to succumbed; glass and steel towers have arrived.

sign on condo at 1 Yorkville

below: Looking east on Yorkville, back towards Yonge Street where the Toronto Reference Library is.

looking east on Yorkville Ave towards Yonge Street with the Toronto Reference Library at the end of the street

below: Redevelopment along Yorkville isn’t finished yet…..

looking into a construction site

below: Yorkville Fire Hall, Station 312, is the oldest active fire station in the city.  The original station was built in 1876 back when Yorkville was a village and not part of the City of Toronto.  The building has been rebuilt and updated since then but the five storey clock tower remains as it was originally built.

Yorkville fire hall

below: There is a large reddish fountain beside the Four Seasons Hotel (the building to the left of the fountain

large fountain public art beside hotel

below: Part of Yorkville Avenue was closed to traffic for the third Yorkville Murals event.  YorkvilleMurals was presented by Taglialatella Galleries and INK Entertainment, and held in partnership with the Bloor-Yorkville Business Improvement Area

street signs at the corner of Yorkville and Bellair

open top tourist bus, hop on hop off, in Yorkville with people on the sidewalk beside it

woman holding a small dog and looking at her phone as she walks with a group of people

two woman in Yorkville, both wearing black blouses

man painting a large section of temporary wall in maroon colour in prep for a mural painting

children helping to paint a mural

below: Typing, and creating, poetry

a person with shaved head, and many tattoos on arm, dangling earrings, and a couple of necklaces, at an old fashioned typewriter, typing poetry, outdoors,

below: Sewing on the street, part of an exhibition of design and fashion.

mother and daughter watching a woman at a sewing machine, outdoors, Yorkville

outdoors, sitting at a table a woman with a prada purse is talking to a psychic

below: She is posing in front of a large inflatable heart designed by Michelle Hoogveld

asian woman posing for a picture beside a large multi coloured inflatable heart, public art display

below: “Every day is a new beginning” and a new chance for selfies and Instagram photos.

a young man stands in front of an orange door with writing on it that says every day is a new beginning, posing for a photograph, door is part of interactive art display

below: “The Oxley – Adult daycare done right”

outdoor restaurant patio with sign that says The Oxley adult daycare done right, pigeon in sidewalk, other people walking on sidewalk too, policeman watching

two women, both dressed in pink walking together down the street

below: This Toilet Paper Magazine creation was an interactive art installation.  The exterior of this shipping container structure had a mirror to encourage selfies and other photos.  One could also walk through the center of it.

below: The main attraction was a large mural covering many walls that was painted by Ola Volo. It surrounded the courtyard where other art installations or activities were on display.

below: A bouquet of balloons from Ballooms,

balloon bouquet, large,
man taking picture of woman who is leaning standing beside wall with large mural by Ola Volo

below:  That same courtyard is home to the Taglialatella Gallery where artworks by The Connor Brothers (aka James Golding and Mike Snelle), “The Story You Tell Yourself” were hanging on the walls.  This “I drink to make other people more interesting” is one of them.

below:  On the far right is “Fugetaboutit,”  a marble sculpture of a Star Wars Stormtrooper wearing a suit and tie by Montreal-based street artist Stikki Peaches (it was one of a few of his sculptures there that day).  On the wall behind him is “If you haven’t got anything nice to say come sit next to me” which is another Connor Brothers creation.

below: The other exhibit at the Taglialatella Gallery was Stefan Sagmeister’s  “Before We Forgot Things Were Worse”.

below: “La Misma” 2023, Stefan Sagmeister

painting on a gallery wall, La Misma 2023, by Stefan Sagmeister

below: “Purple, Then Green, Then Red”, 2023, another by Stefan Sagmeister

painting by Stefan Sagmeister, Purple then green then red, diamond shapes on black background, one diamond has old fashioned portrait of a man in it

below: Close up of part of an artwork by Zhuang Hong-Yi at Galerie LeRoyer.  It is make with painted pieces of rice paper

artwork by Zhuang Hong_yi made with pieces of rice paper, painted, in curls, looks 3 D,

below: “A Gentle Gesture – Thread Series 237”, 2026, by Lu Luo at Galerie LeRoyer

artwork by Lu Luo made of threads in mostly reds with some yellow and orange, 180 cm by 160 cm, looks like two cupped hands holding two swirls of threads and colours.

below: Bronze sculpture, “Figure Catching a Fly”, 2019, by David Altmejd on Avenue Road

large Bronze sculpture, Figure Catching a Fly, 2019, by David Altmejd on Avenue Road

below: Glass and sky merge and blend together.

below: ‘North Rustico, Tied to the Tide. ‘ part of the exhibit “What’s Next” by Ailene Vrana MacDougall at the Ruth Upjohn Gallery, Women’s Art Association of Canada

painting by Ailene Vrana Macdougall, title North Rustico, a boat is moored along a pier with small buildings behind it

below: “Edinburgh – Hidden Courtyard” also by Ailene Vrana Macdougall.

painting by Ailene Vrana Macdougall, title is Edinburgh - Hidden Courtyard

below: On Prince Arthur Street, across the street from the gallery mentioned above is this mid-century apartment building. One of the architects was Estonian-born Canadian  Uno Prii (1924-2000).  He designed a number of buildings in the city back in the 1960s.  Out of curiosity I went looking for a list of them but so far the closest that I’ve come is this article in Spacing magazine from 2013 (Mod Toronto)

apartment building designed by architect Uno Prii, mid century, sweeping vertical supports curved at the bottom,

below: “Austerity kills”

graffiti on the back of a construction sign that says austerity kills

below: They almost had it right….

danger due to sign that has the word construction spelled incorrectly

below: Ending this with a little silliness, a TTC temporary stop.  A pit stop for the TTC?

two blue porta potties beside a TTC bus stop sign with a temporary stop sign on it. At entrance to museum subway station

On a recent wander through the Art Gallery of Ontario I encountered a few ‘people’.  They were happy, forlorn, busy, engaging, cute, creepy, odd, and more.   I hope that you’ll agree!

below: “Interesting Story” 1898, by Laura Muntz Lyall (1860-1930)

below: A Louis Valtat (1869-1952, French) painting that depicts a couple at a cabaret. Can you see the dancer?

below: “June”, bright and bold, by Lynn Donoghue (1953-2003, Canadian)

below: This is a section of “Torn Heart” by Natalka Husar (b. 1951, Ukrainian roots).  One comment about her painting that I saw on an AGO website is, “Husar’s paintings are a compelling mix of joy, guilt, mystery, and seduction, and Torn Heart vividly expresses the complexities and paradoxes of love stories we have all lived.” (source)

below: “Night Games at the Paradise” by Rae Johnson (1953-2020, Canadian) is a painting of people sitting in the outdoor section of a bar next to Johnson’s Toronto home.  No one is happy.

below:  Watching one the videos made by Diego Marcon (b. 1985 in Italy).  I am having trouble with this one as I found Macron’s videos to be too creepy, too dark.  His digital/CGI people don’t look quite right (on purpose?).

The AGO has a photography exhibit, “Picture Space” (until 1 Nov 2026) that features some photos from their collection, including from the following four photographers.

below: Barbara Astman (b. 1950, Canadian) –  two big eyes staring back at you.  This is “Seeing and Being Seen #1”

below: Luther Konadu’s photos from “Ambient Photo” are actually four put together  and displayed in one horizontal image.   I have separated them into two halves (this photo and the next).  “Ambient Photo” is on ongoing project that looks at the mechanics of photography.

below: Sandra Brewster’s “Hiking Black Creek” 2018 is a very large picture that is printed on wood panels.  The original photo was taken in the 1970s and shows her parents hiking shortly after they arrived in Toronto from Guyana.

below: “Beauty at a Proper Distance” by Suzy Lake (b. 1947 in Detroit, now in Toronto).

And last, with a bit of silliness, a quirky photo taken in Yayoi Kusama’s infinity room.

 

….. and other seemingly unrelated things

Aga Khan park in spring, with people looking at pink blossoms on the weeping cherry trees, also an art exhibit of photos by Hassan Hajjaj, of Arab women boxers

These photos were taken at Aga Khan Park where there is a CONTACT Photography Festival exhibit of images by Hassan Hajjaj (b. 1961, Morocco).  The subject of these photos is Arab women boxers.  The exhibit is titled, “La Salle de Gym de Femmes Arabes”

close up of an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit
below: Front and back

 an Arab woman with hair and face covered, wearing Everlast boxing gloves and jacket, photo by Hassan Hajjaj, CONTACT photography festival exhibit, two panels, front view and back view of the woman

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

I was disappointed when I realized that the photographer was male. Do we need men to tell women’s stories? Or, if these stories were told by a woman, how would they differ?

….especially with respect to this photo. Really? Yellow heart-shaped sunglasses?

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

It may be culturally insensitive, but I see very little to like in this photo.  I don’t see strong women, I see women being erased because they have to hide behind so many layers and so many restrictions.  There is no empowerment here; there is no individuality.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers
photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers

Yes, those are cans of food in all the borders.  And yes, they are supposed to remind us of Andy Warhol’s use of Campbell soup cans.

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, photo of a black ball, a red pair of boxing shoes, and a dark green pair of socks

photo by Hassan Hajjaj, CONTACT photography festival exhibit, Aga Khan Park, Arab women boxers, woman on a bike

below:  This is “ALIF”  by Acil Benamara.  It is part of “Inner Structures – Outer Rhythms” which is an exhibit showcasing contemporary Arabic and Persian graphic design and typography.  The rest of the exhibit is inside the museum.

below: A fox among the serviceberry trees.

small, life size sculpture of a fox, standing among serviceberry trees in blossom, beside reflecting pool at Aga Khan museum

reflecting pool in front of Islamic Center

The magnolias were also in bloom.

white magnolia blossoms on a tree

The 12th annual Winter Stations installation at Ashbridges Bay and Woodbine Beach is nearing the end of its six week run.  I visited it recently on a rather forlorn grey and wet morning.

below: Along the boardwalk – two little black blips in the distance

below:  A little closer, to see two hands facing each other.  Another couple with their umbrella, and me with mine.  The lifeguard station in the middle looks a bit awkward don’t you think?

looking from boardwalk across beach to Lake Ontario

below: So…. what can we do about it?

winter stations, public art installation at Woodbine beach, in late March, no snow,

below: ‘Embrace’ consists of two large hands made with layers of black wood.  The edges of the layers are painted in bright rainbow colours.  It was designed by Will Cuthbert.

winter stations, public art installation at Woodbine beach, in late March, no snow, title is embrace, designed by Will Cuthbert

below:  The next installation is Crest, also made of wood.

winter stations, public art installation at Woodbine beach, in late March, no snow, title is crest, curved structure made of wood

below: Curved pieces of wood connect with amazing geometry to form a simple yet complex three dimensional structure.  It could be a pile of driftwood if seen from afar while closer up it looks like a wave about to break and crash to the shore.  The design team responsible for ‘Crest’ is from the University of Waterloo School of Architecture and the Department of Architectural Engineering

winter stations, public art installation at Woodbine beach, in late March, no snow, title is crest, curved structure made of wood

below: There seems to be a few features that popular “stations” have that re-appear year after year.  One of these is a window that looks out over the lake – this is one of the 2026 windows as found on ‘Specularia’.  The twist is that the windows are actually boxes with mirrors angled inside, like a periscope.  The view from the five windows is quite different depending on the angle of the mirror.

small window in dark blue plywood wall, looks towards lake ontario

below: Another popular feature is the presence of “flappy or dangly” bits like fabric or rope. This installation, ‘Specularia’, incorporates this too!  This is not to belittle the creativity of the artist (TORNADO SOUP: Andrew Clark) – I quite like the installation and the interactive possibilities here (just need to add people!).

blue flaps of lightweight fabric hanging from red wood supports in public art installation

below: While we’re on the subject of repeated elements, let’s consider the popularity of reflective surfaces. They are always fun to play with too!  Here is ‘chimera’, designed by Denys Horodnyak & Enzo Zak Lux.  It’s a four sided structure and each side is made of a grid of convex circular mirrors.

winter stations, chimera art installation, a large cube made of convex circular mirrors

reflections in a group of convex circular mirrors, as part of an art installation called Chimera, at Woodbine Beach on Lake Ontario

reflections on a rainy day, red umbrella

below:  These polycarbonate panels are filled with water that freezes when the temperatures plummet – hence the name “Glaciate”.  But it’s difficult to make ice when it’s raining!  It probably have looked a bit different just a few days ago when we had snow and colder temperatures.

winter stations, public art installation at Woodbine beach, in late March, no snow, title is glaciate, made of polycarbonate panels filled with water that freezes to ice

below: A couple of panels have come off but otherwise the installation has stood up well  (…actually, they all have been quite robust).  The panels form a nice little maze of passageways to explore.

winter stations, public art installation at Woodbine beach, in late March, no snow, title is glaciate, made of polycarbonate panels filled with water that freezes to ice

Glaciate is the result of a collaboration between a group from Toronto Metropolitan University Department of Architectural Science and one associated with Ming Chuan University School of Design in Taiwan.

 

Displayed in one of the halls of 401 Richmond, were some relatively small pieces of fabric art.  Small in size, but big in story.   They were all the product of a workshop, “Stitching Resilience: Tatreez–Arpillera Dialogues which was held at A Space Gallery, at the end of May (a few months ago).   My apologies for not noting the names of the women who created these.

below: A woven artwork by Andrea Idrobo with an anatomical drawing of a human heart as the centerpiece.

woven hanging artwork, wall hanging, with central piece being an anatomical drawing of a heart on white fabric, by Andrea Idrobo

Handprints.  The words “50 Anos y Donde Están?” are embroidered on red; they translate to “50 years and where are they?”.  Arpilleras are a traditional form of Chilean textile art and they have been used to denounce human rights abuses during the Pinochet dictatorship. The piece features appliqued hands and a flame, to convey its message of protest or remembrance of those who died or disappeared.  Augusto Pinochet came to power after a military coup in 1973.   The dictatorship ended in 1990 when democratic elections were held and Pinochet lost.

embroidered and appliquefabric artwork, with black hands reaching towards each other, red and gold fabric border,

fabric collage and embroidered artwork

The words are from “Por qué cantamos” by Mario Benedetti (1920-2009).  He was a poet/novelist/journalist from Uruguay.

words printed on white fabric in a fabric artwork

Cantamos por el nino y porque todo y porque algun futuro y porque el peublo cantamos porque los sobreviviantes y nuestros muertos quieren que cantemos We sing for the child and for everything and for some future and for the people we sing because the survivors and our dead want us to sing Cantamos porque el grito no es bastante y no es bastante el llanto ni la bronca cantamos porque creemos en la gente y porque veneremos la derrota We sing because shouting isn’t enough, nor is crying or anger enough; we sing because we believe in people and because we venerate defeat.

 

fabric art, mostly red with gold text embroidered that says I am not a number

 

fabric art,

cocinamos para saciar el hambe – we cook to satisfy our hunger

 

part of the text printed on fabric from an artwork, detailing the Plan Condor, Santiago in 1975, 50th anniversary

En noviembre 1975, representantes de los regimenes de Argentina, Bolivia, Chile, Paraguay y Uruguay reunidos en Santiago de Chile, establecieron el Plan Condor . La red transnacional de Condor permitia a las dictaduras apuntar especificamente a personas exiliadas que habian huido de su pais de origen y continuaban denunciando desde el extranjero a los gobiernos dictoriales en el poder
In November 1975, representatives of the regimes of Argentina, Bolivia, Chile, Paraguay, and Uruguay, meeting in Santiago, Chile, established Operation Condor. The transnational Condor network allowed the dictatorships to specifically target exiles who had fled their countries of origin and continued to denounce the dictatorial governments in power from abroad.

fabric art, with a lot of text

and a few places in between.

 

young people crossing o'connor drive, at intersection, with a metal box on the corner painted with a large female portrait

Amsterdam and Skopje refer to two streets that intersect with O’Connor Drive in the northeast corner of East York, Amsterdam Avenue and Skopje Gate.   There is also a Wakunda Place but the spelling is different from Wakanda, the fictional country that was created of Marvel Comics.

Every neighbourhood has a story to tell, even if it’s just the story of a quiet life in their own corner of the city.  There are many similar threads that run through the many narratives of Toronto neighbourhoods – the ethnic stores and restaurants, the redevelopment of older buildings into new housing, quiet side streets.  There’s probably a mix of residential styles – single family homes, rowhouses, older apartment buildings, and newer glass and steel condos where people are trying to live as best they can.   It is a scene repeated over and over again.  Parts are fascinating, parts are dull and lacklustre.  There will always be utility poles and wires and garbage bins in the way.    Maybe there will be an alley or two to explore – with old abandoned cars, basketball hoops, and graffiti left behind by jilted lovers or angry young men.   There’s probably a vacant lot where a building has been demolished – or perhaps it hasn’t been demolished yet but it’s just sitting there taking up space and looking sadder and sadder with time.

Just because there are many similarities doesn’t make it less interesting.  Here are a few images from “between Amsterdam and Skopje”.

old welcome banner is falling off the wall, glass wall, with bright red above it

single family homes on a tree lined street

upper two storeys of a line of rowhouses, each slightly different, brick

upper level, back of stores on O'Connor, white brick strip mall, square white chimneys

blue metal xonstruction fence in front of an empty building with parking lot in front of it

parking lot and abandoned buildings waiting to be demolished

faded picture on exterior wall, overflowing cup of coffee or tea on bottom of foot that is upside down, wearing white sock

mailbox at number 1519, beside an image of a woman lying on her back

markings on a sidewalk in pink and red


large yellow arrows on the pavement in a parking lot

backyard garden with overhead vines

bright orange leaves on a tree in front of an apartment building

brick residence, fall colours outside

window of Jesse's filipino foods restaurant

reflections in the window of an audio equipment store

looking in the window of Shakira Beauty Academy, with some reflections of trees and cars outside

halloween decoration, life sized skeleton sitting on a chair on a balcony

two metal boxes on sidewalk painted with street art

Not every neighbourhood has a large bowling pin (as public art). Backstory – the condo that this pin sits in front of was built on the site of the old O’Connor Bowling Lanes (1951-206).

very large white bowling pin sitting in the middle of a large raised garden, as art

Of all the similarities that this neighbourhood shares with others in the city, not many of the others can claim to have a cookie outlet….

entrance to Peek freans cookie outlet, one car parked in front, mostly glass front to the building

And even more unique,  it’s also the home of the Peek Freans Biscuit factory.  There was a lovely sweet vanilla-ish smell in the air the day that I walked around.  Peek Freans has a long history in England dating back to the 1850s.  In 1949 they established their first bakery in Canada, here on O’Connor Drive.

entrance to peek freans cookie factory, a yellow brick building

Although the company has changed hands numerous times since then, the East York factory still produces cookies (and other items such as Oreos and Wheat Thins) for Mondelez Canada.

looking across O'Connor Drive towards Peek Freans cookie factory

Back in 1953 when this photo was taken there wasn’t much else around!

black and white photo of Peek Freans cookie factory in 1950s, on O'Connor drive, not much else is around it ,

source: City of Toronto Archives, fonds 1128, series 380, item 39

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tops of storage silo towers at peek frean cookie factory

below: A couple of the metal boxes painted by D. Drew.

orange painting on a metal bell box, car parked behind it, boarded up business in the background with for sale sign on it, painted by D. Drew

forest sunset scene painted on a metal sidewalk box

man walking dog on sidewalk, past fall coloured trees

orange traffic cones stored in pink container

clear bottle with yellow liquid, partially full, sitting on a yellow concrete wall

side wall of a white brick building

looking in a window with flat rectangular ceiling lights, reflections of hydro pole and lines outside

balcony wth black railing on a grey brick building, blue sky with a cloud, transformer on hydro pole, with some wires

row houses on the corner of O'Connor Drive and Skopje Gate

After I wrote this blog post I asked google for a list of streets in Toronto named after American cities.  I got this answer: “Toronto has a number of streets named after American cities, such as Chicago Street, Dallas Street, and Milwaukee Avenue. These streets often have historical connections or reflect the city’s relationships with other North American metropolises.”  I had never heard of these streets in Toronto!  Maybe I missed something.

My next move was to look for Chicago Street in Google maps.  “There is no street named “Chicago Street” in Toronto” was the answer.  I also struck out looking for Dallas Street (which is when Google tried to direct me to Yonge Street).  The answer when I searched for Milwaukee Street was the best of all – “There is no “Milwaukee Street” in Toronto; however, there is a street called Ossington Street, often mentioned in lists of the city’s coolest streets, and a retail store named The Milwaukee Road located at Yorkdale Mall).   The next time you walk down Ossington, you can think of Milwaukee!

 

“To Dream of Other Places” is an art installation by Emmanuel Osahor that is now showing at the Power Plant Contemporary Art Gallery.  All pieces have ties to a garden in one way or another.

people in an art gallery, looking at art, taking pictures of it, walls are painted in a garden scene in blues, large paintings on top of that

The exhibit starts with a seven etchings in a series titled “A Chair Outside”.  Using different techniques, Osahor presents his version of different garden scenes that he is familiar with – gardens in which he has found solace.

etching by Emmanuel Osahor at Power Plant Contemporary Art Gallery, black, grey tones, window of a house with tree and garden in front

Etchings are made using metal plates covered with an acid-resistant substance (usually wax).  An image is created by removing sections of the wax and then subjecting the plates to acid. The acid will eat away the exposed metal.  When the plate is then used to make a print, the exposed areas remain white.  That’s a very simplistic description of the process because I know that there are lots of videos on the internet that can explain it much better!

etching by Emmanuel Osahor at Power Plant Contemporary Art Gallery, black, grey tones, tree, grass, plants,

The main part of the exhibit is a large room with walls that have been painted, floor to ceiling, in a fairly abstract garden scene predominantly in blue tones.  This sets the scene, a night garden.

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

Several large paintings of garden scenes hang on the blue walls.

lawn chairs, night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues, two young women taking selfies

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

There is a second series of small etchings as well.   More gardens, but this time based on visits to National Trust gardens in the UK.

black and white etchings of garden scene

black and white etchings of garden scene

My usual warning – these photos are pictures of pictures in a gallery setting.  The real thing is much better.   The paintings are bigger – a bigger experience and a bigger visual impact.

Osahor’s paintings and etchings are on display until mid September 2025.

“Phase in my Journey” is the title of an exhibit of the wonderful black and white photography of Walter Borchenko.   The photos span 20 years of his craft including his work with filters, with infrared photography, and with minimal digital manipulation.

below: Grassy Brook, Talbot River Road, Kawartha Lakes Ontario

below: Look Left cross walk, Birmingham England

the words look left in capital letters on the pavement by a crossing, warnings to pedestrians crossing the road

below: Wet tables, Las Ramblas, Barcelona

outdoors, lots of small tables and chairs, in the rain, wet, Barcelona, photo by Walter Borchenko

below:  One of the reflecting pools at the Aga Khan Museum.

large, 66 inches by 40 inches, black and white photo by Walter Borchenko, of one of the reflecting pools at Aga Khan museum in Toronto

below: On the left, Leather Jacket, New York City.   On the right, an intentionally out of focus city scene – a little disorienting, full of motion and uncertainty.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival,

All of the images are printed on hand-made Awagami Japanese paper.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: Hong Kong ferry terminal

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: New York New York casino in Las Vegas in the foreground.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: The larger picture on the left is the Airport Long Distance Train Station in Frankfort Germany.  On the right, is an older house in Port Royal, South Carolina.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: Not a Borchenko photo! The exhibit is being held at the Japanese Canadian Cultural Center. Outside, they have the oldest Sakura tree that I have ever seen. It has large, dense, gorgeous blossoms!

sakura, cherry, blossoms on a tree, lots of pink and white petals

Exhibit closes 30th June

 

For the month of May, “Time Capsule”, a series of abstract images by French artist Laure Tiberghien is hanging on the walls of Davisville subway station.

on the walls of Davisville subway station, 4 large photographs have been mounted in the display cases usually used for ads. Photos by Laure Tiberghein

Tiberghien doesn’t use a camera to produce the images.  Instead, she creates them by exposing light sensitive paper to different natural and artificial lights.  Further processing is then required.

Two images by Laure Tiberghein, behind glass, by exit from Davisville station platform

Dark colours behind glass make a mirror and these images are no exception.

reflections in a red photograph hanging in Davisville subway station

The images have been inserted into the newer display cases that the TTC now use for advertisements.  On the left of each case is TTC information.

Davisville station, two art images in display cases usually used for ads

reflective picture in reds and blues on wall of davisville subway station, images by Laure Tiberghien

looking across the TTC subway tracks to the platform on the other side, on the northbound side of Davisville station, two images by Laure TIberghien, part of Contact Photography festival

exit sign hanging over platform at davisville subway station