Posts Tagged ‘art’

A return to St. Helens Avenue and the galleries there.

A few galleries devoted to contemporary art can be found on St. Helens Ave.  I know that I have mentioned some of their past exhibits in previous blog posts.  Exhibits change and so back we go.   The three exhibits that I saw today have little in common with each other.  Three artists with different views; three men trying to turn their thoughts and ideas into something visual.  The first gallery that I visited today is the Clint Roenisch Gallery where the exhibit is “Hot Takes, No Sax”, by Torontonian Niall McClelland.   It will be there until 21st April.

From Wiktionary: “Noun[edit]. hot take (plural hot takes). A bold, broad, and subjective moral generalization on a situation, with little or no original analysis or insight, especially by a journalist.”   Something written quickly and without much thought put into it.   Although some people associate it with journalism, you could also apply it to a lot of things online – think about the comments section after a news article, or something on your facebook or twitter feed.   Sometimes I think that that expression applies well to contemporary art – thrown together to provoke but not much actually went into it.

below: Running diagonally across the room is a line of trunks and metal cases that are covered with bumper stickers.  On the wall are 4 images, each with a black and white background.  The frames are covered with more bumper stickers.  This is only part of the exhibit.

room in an art gallery, a line of trunks runs diagonally across the room, they are covered with bumper stickers.

below: These are the three images on the wall in the photo above.  The frame on one side of the image on the left has the names of four American politicians from the not so recent past – Nixon, Goldwater, McGovern, and Carter.  Some of the images may be familiar to you as well.

three pictures on a gallery wall, in black and white checkerboard backgrounds, blue images on that. Artist is Niall McClelland

below: More of the stickers.  Is there a theme to them?  How do these relate to hot takes?   Which side is the artist on?  “Urban farmer”, “When you sit down for dinner, thank a farmer”, “Impeach Trump”, “Give a hoot”, “The times they are a changin”, “Be green”, “Bio fuels: no war required”, “Who’s your farmer?”, “I’d rather be gardening”, “Nasty woman”, “Break the chains, shop at independent stores”,  “Saving seed is a basic human need”, “Localvore”,  “Whatever happens to the water, happens to the people”, “What is the proper way to fold an anarchist flag?”

sticker covered metal cases on the floor of an art gallery with a picture on the wall behind, the work of Niall McClelland at the Clint Roenisch gallery

Next is Douglas Coupland’s “Tsunami” at Daniel Faria Gallery, until 28th April.  Trashy in a certain way.  Coupland has collected, cleaned and painted various plastic containers and other disposable items he found along the shore in British Columbia.  A number of the items probably crossed the Pacific Ocean after the earthquake and tsunami in Japan in 2011. Trash on display?  We’ve all heard the expression “reduce, reuse, recycle” which may be facetious here?  Is it too pretty to be a statement about the environmental impact of plastics?

plastic containers and other items found washed up on the shore of British Columbia, cleaned up and painted and put in sealed clear plastic boxes, art gallery exhibit, artis is Douglas Coupland

below: The large gold piece is a collection of more debris that Coupland has amassed and painted.  Another one,  all in black, is on a different wall (not shown here).

plastic containers and other items found washed up on the shore of British Columbia, cleaned up and painted and put in sealed clear plastic boxes, art gallery exhibit, artis is Douglas Coupland, with large structure behind made of gold painted containers and other items

This spring, Coupland will transform the Vancouver Aquarium into a vision of the Great Pacific Garbage Patch by filling aquarium tanks with some of the trash that Coupland has collected – by some I mean 20 tons of it.  Twenty tons of found rubbish.  Twenty tons of plastic and other debris.   Jet streams will simulate ocean currents and the garbage will “float, bounce, disperse and gather along the tank, fragments flowing into one another like an overwhelming and exhausted assemblage”.

below: Tucked away in the back room of the gallery are four paintings like this, also by Douglas Coupland.

part of a Douglas Coupland painting, with a black and white picture of a man's face in the center of swirls of colours. Apainting by Douglas Coupland

 

Part three is the exhibit “Raw War” by Bruce Eves that is on at the Robert Kananaj Gallery until 21st April. Eves was just given one of the 2018 Governor General’s Awards in Visual and Media Arts.

“taps into a zeitgeist fraught with peril”

below: Part of Work #901 by Bruce Eves.  There are seven panels in total.  Every hour for a week in February 2014 he took his heart rate.  The numbers in the squares are his heart rate.  It’s difficult to see in this picture, but each square also has the date and time.  In addition, each panel is a day.   Something happened on Friday February 14th at 16:00 to elevate his heart rate to 123 beats/minute!

Part of a set of 7 paintings by Bruce Eves on a gallery wall, each painting is squares with numbers in them. The numbers are Eves' heart rate taken every hour for a week.

Eves has also painted a sequence of numbers that are actually nine blood pressure readings.  It was after he learned that he had a heart condition that Eves started using his health (and the monitoring thereof) as subject matter.   A self-portrait based on data about oneself, so to speak.  How his doctor sees him.

A few things to think about?

(P.S. My apologies for the title)

 

Lots of shiny silver balls, like bowling balls with bling, and lots of paint on large canvases…. on the surface these two things don’t really have anything in common.  But because they are two things that I saw at the Art Gallery of Ontario, I’m going to throw them together in this blog post.  The shiny spheres are part of a display by Yayoi Kusama  while the paintings I refer to are those by J.P. Riopelle and Joan Mitchell.

I saw the balls first.   There has been a lot of hype and publicity for the latest AGO exhibit, “Infinity Mirrors” by Yayoi Kusama that just opened this past weekend.  You’ve probably seen the all the red and white polka dots on the TTC and elsewhere around the city.   Last week when I was at the AGO I noticed that another Kusama exhibit was in the works, one that didn’t involve buying a “hard to get” ticket.  I was curious.  I’ve seen some photos of “Infinity Mirrors” so I went with great expectations.   Maybe that was my mistake.

below: “Narcissus Garden” consists of a large room with hundreds of shiny silver spheres laid out on the floor.

a large room, with 3 women looking at hundred of silver balls arranged on the floor. The balls are about the size of bowling balls

“Narcissus Garden” dates back to 1966 when it was a performance piece by Kusama at the Venice Bienalle.  She walked among the balls, picking them up, and looking at herself in them.   Here, at the AGO, they lie on the floor.   The ceiling is reflected over and over again.   It’s a dull ceiling.   The balls are scuffed up.   You might be able to lie on the floor to get a good look at the reflections bouncing around and that might be interesting.  As it is, “listless” is the word that I would use to describe it.  It’s the tag along mangy mutt to the main event.

reflections of a person in a few shiny silver balls

I spent a few minutes trying to figure out how to improve the presentation but, meh, no.  Instead I went upstairs to take a second look at the lesser known “new” exhibit at the AGO, the marvellous Mitchell and Riopelle show, “Nothing in Moderation”.  American abstract painter Joan Mitchell (1925 -1992) and Canadian abstract painter Jean Paul Riopelle (1923-2002) met in Paris in 1955.  For 24 years they were colleagues, friends, and lovers.  This exhibit consists of more than 50 of their works on loan from collectors around the world and shown together.

below: Looking at (part of) ” Tilleul (the Linden Tree)”, 1992 by Mitchell.

A woman in dark bright pink hair, with matching purse and shoes stands in front of a large painting by Joan Mitchell in an art gallery

below: Three degrees of interest in “Chasse Interdit (Hunting Prohibited)” by Mitchell, 1973.  On loan from the George Pompidou Centre in Paris.   The title of the painting refers to a ban on hunting – apparently Riopelle loved hunting and Mitchell loathed it.

Three people are looking at a large Riopelle painting in an art gallery, two are sitting on a couch and the third is standing closer to the painting.

below: The painting here is “Avatac” by Riopelle, 1971.  It is acrylic paint on top of lithographs on canvas

an emptry art gallery room except for a security guard standing on one side, a brown couch is in the middle of the room and a large abstract painting by Riopelle is one one wall, you can see into the next room where there is also a painting on a wall.

below: This is a photo of a small part of the above painting.  If you look closely, you can see the lithograph peeping through.   I can see a small animal head near the top left (a cat?) and there seems to be another lower down.

acrylic paint on top of lithograph, a detail of a large work by J P Riopelle called Avatac, created in 1971.  abstract art.

below: One thing that intrigued me about Riopelle’s painting was that even though there is a lot of paint (palette knife?), there are still some places where the canvas is visible.  Just small bits.

a close up of a large abstract painting with lots of acrylic paint on it

below: The details in the above photo are from the top left square in ” Mitchikanabikong ” by Riopelle.

large painting by Riopelle called Mitchikanabikong which is sort of divided into 6 quares, 3 across the top row and 3 on the bottom.  they alternate light and dark

below: The gallery was quiet on Wednesday morning.   Both of these paintings are by Joan Mitchell.   On the left, on loan from the Smithsonian American Art Museum in Washington DC is “Marlin”, 1960.  The other is “Untitled” from 1961 and it is on loan from the Joan Mitchell Foundation in New York.

a flat bench in front of two paintings on a gallery wall

And to end, a couple more for you to enjoy.

two women looking at large paintings in an art gallery

a woman with her back to the camera is looking at a large painting in an art gallery, AGO, Art gallery of Ontario,

 

Yesterday started damp and grey but then flipped to bright and sunny.   Almost spring-like even.   So off to the beach I went.

mural of people enjoying the beach, surfing, jogging on the boardwalk.

Well, not that kind of beach.   It does look warm though doesn’t it?  Yesterday it was more like this:

below: Looking towards Lake Ontario from Kew Beach Ave.  Lots of trees and lots of what looks like grass but is more like mud.   Squish, squish as I walked gingerly across the water logged ground, trying to keep my shoes clean.

large park beside Lake Ontario at Kew Beach, Toronto, large mature leafless trees, spring, grass is brownish colour, some people in the distance, walking on the boardwalk,

The goal?  To check out this year’s warming stations art installations.  Lots of others had the same idea as it turns out.   Some kids, some dogs, but that’s okay.

below: Interacting with “Nest” both on the outside…..

a woman model poses beside an art installation on the beach

below: …. and on the inside. Like all the other warming stations, this one is built around a lifeguard station.

kids climbing on a lifeguard station that is inside Nest, an art installation that is open to the sky at the top of the lifeguard chair.

below: The structure is covered with netting-like fabric on the inside and webbing on the outside.  It was designed by a team from Ryerson University – Adrian Chiu, Arnel Espanol, and Henry Mai.

an older couple examine the fabric that is on the inside of Nest, a warming station at Kew Beach

below: A sign of the times, a pink pussy hat makes its appearance as “Pussy Hut”

large oversized pink pussy hat as an art installation on the beach

two little girls inside the large pink pussy hut warming station

below: “What’s all the fuss about?”

a small black and white dog with a blue neoprene vest and a red coat with 4 legs

below:  A large square made of many pieces of hanging red fabric, anchored at the bottom with plywood.  This is “Obstacle” by Kien Pham.

Obstacles, by Kien Pham, an art installation part of warming stations 2018 in Toronto, by Lake Ontario, consists of many large flaps of red fabric that you can walk between.

a girl in pink jacket with pink hood stands between large flaps of red fabric that is part of Obstacles, an art installation

 

below: “Revolution” by a design team from OCAD university. It consists of 36 vertical red poles with conical metal pieces that twirl. You can look through them or speak through them, or just walk amongst the red poles.

people walking amongst an an art installation of small conical tubes like megaphones on red poles of differing heights.

looking down a metal tube

an art installation of small conical tubes like megaphones on red poles of differing heights, lake in background

below: Red!

a mother holds her young son's hand as they stand together on a beach overlooking Lake Ontario, backs to the camera

below: “Rising Up” by University of Guelph, School of Environmental Design and Rural Development.  The design was inspired by the topography of the Don Valley.

a white and brown dog on a leash in the foreground, people and kids climbing on a wooden structure which is actually an art installation called Rising Up

looking through part of rising up, a wood structure built on the beach, a couple walks hand in hand between the art installation and Lake Ontario

rising up, an installation part of warming stations at kew beach, beside lake ontario

below: Ooops!  One has blown over and collapsed already (it was quite windy).  Ironically it was called “Wind Station” (designed by Paul van den Berg and Joyce de Grauw).  When it was first constructed, it was in the shape of a nuclear cooling tower and you could go inside.  The little plastic windmills continue to blow in the wind.

a few people in the background, they are looking at white wood and white plastic toy windmills lying on the ground. it is a collapsed art installation, part of warming stations at kew beach, by Lake Ontario

below: Not everyone was looking at the warming stations.

a lone person standing on a beach, looking out over Lake Ontario, back to camera, in full wetsuit, holding onto a surf board under his (or her) arm, another surfboard sits on the sand.

below: This is ‘Make Some Noise’, designed by Alexander Greiss and Jorel Heid. Apparently it is based on based on the intonarumori, an invention of the Italian futurist Luigi Rusollo in 1914. An intonarumori generates noise. Rusollo envisioned noise music replacing traditional forms of music but he was not successful and none of his contraptions survived.

people on the beach checking out the art installation, Make Some Noise, a large yellow and black vertical box, with four large black loudspeakers

a child with a red jacket is trying to climb inside a large black speaker, conical shaped, on the side of a black and yellow art installation at the beach, warming stations, Kew Beach, lake ontario is in the background.

below: This is one side of the box. The red is a handle that can be turned thus generating noise. I don’t think that it was working. Each side had a handle and a black speaker.

close up detail of one side of Make Some Noise, an art installation, yellow and black diagonal stripes, narrow and close together

Stay warm!

 

A morning exploring some of the art galleries at the University of Toronto.

below: Robarts Library, a large concrete building, is part of the University of Toronto and is their main humanities and social sciences library. It opened in 1973 and has been called Fort Book ever since.

intersection of Harbord and St. George streets, Robarts Library, large concrete building

I have walked past this library many times but I have never gone inside. What I didn’t know about this building is that it is also home to the Thomas Fisher Rare Book Library.  It is named after a Thomas Fisher (1792-1874), who came from Yorkshire to Upper Canada in 1821 and settled by the Humber River.  In 1973, his grandsons, Sidney and Charles Fisher, donated many books to U of T .  Since then, the library has grown to approximately 740,000 volumes including hundreds of versions of Alice in Wonderland in many different languages.  They also collect manuscripts, photographs,  and other rare materials.   You can search their holdings online.

below: The view from the 4th floor observation deck.

interior of Thomas Fisher Rare Book library, looking down from the upper level to the tables below. Shelves of books line all the walls, ceiling is open to 4 or 5 storeys up , large central light fixture

At the moment, the Thomas Fisher Library has an exhibition called “Fleeting Moments, Floating Worlds, and the Beat Generation: The Photography of Allen Ginsberg”. Ginsberg (1926-1997) is known for his poetry but he also took pictures. The Thomas Fisher library has the largest collection of Ginsberg prints in the world.

exhibit of photos by Allen Ginsberg displayed in the Thomas Fisher Rare Books Library at U of T, some black and white photos in a case, some books too, shelves of books in the background

below: Mr. Ginsberg took bathroom mirror selfies.  I wonder what he’d think of instagram?

picture of a black and white photo taken by Allen Ginsberg of himself sitting naked and cross legged in front of a bathroom mirror

Ginsberg became friends with William Burroughs and Jack Kerouac, and the trio later established themselves as the main players in the Beat Movement with their unconventional writing and wild (for the times) lifestyles.  Ginsberg’s first published work was “Howl” in 1956.  It was called “an angry, sexually explicit poem”.   The San Francisco Police Department declared it to be obscene and arrested the publisher.  The court ruled that it was not obscene.  I can see it being “ahead of its time” in 1956 but today it’s fairly tame.

The opening lines:

“I saw the best minds of my generation destroyed by madness, starving hysterical naked,

dragging themselves through the negro streets at dawn looking for an angry fix,

angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,

who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of

cold-water flats floating across the tops of cities contemplating jazz,”

below: Three books about The Beats.

display in a glass top case, three books by Alan Ginsberg, the one in the middle has a yellow cover and is The Beats

The Ginsberg exhibit continues until the 27th of April.

A short walk through part of the St. George campus….did I mention that it was snowing at the time?… to another art gallery on campus.

snow is falling, snow on the ground, tree in foreground, also black wrought iron fence, looking across the playing field of the U of T St. George campus to a building, tower,

below: We passed a moose standing in the snow.

a flat metal sculpture of a moose stands in a small space beside a tree, snow on the ground, snow falling from the sky. public art

The second gallery was the Art Museum at Hart House.   One of the exhibits showing there is “Figures of Sleep”.  Straight from the gallery website is this description of the exhibit: ” [it]…considers the cultural anxieties manifest in the popular and critical imagination around the collapsing biological function of sleep under economic, social and technological transformation”.  What it is is a collection of videos, photographs, and artwork depicting sleep, i.e. people sleeping by a number of different artists.  This exhibit ends on 3rd March.

below: Watching videos of people sleeping

a person watching a large video display in an art gallery

below: She’s very life like.  She’s also much smaller than life sized but even so, she was a bit creepy. “Untitled (old woman in bed)”, 2000-2002, by Ron Mueck.

very realistic and life like scupture of an old woman with grey asleep under a blanket with her head on a pillow

below: “Dream Catcher” by Rebecca Belmore, 2014 .  This wall hanging is quite large.

dream catcher by Rebecca Belmore, a large wall hanging of a person sleeping on the sidewalk, under a blanket with a picture of a lion on it.

below:  The Malcove Collection is in the same gallery.  The collection includes about 500 pieces, not all of which are on display at the moment.  Dr. Lillian Malcove (1902-1981) was born in Russia just before her parents emigrated to Canada and settling in Winnipeg.  She graduated from the University of Manitoba with an M.D. and then spent most of her adult life as a Freudian psychoanalyst in New York City.  Over her life time she amassed a collection of art that she bequeathed to U of T.

wall display cases in an art gallery, religious pieces on display, old, antiquities

below: From the Malcove collection, ‘Male Dedicant’, made of limestone, Coptic, late 4th century or early 5th century

antique stone carving (relief) of a man with curly hair, both hands raised, one hand holding a spherical object and the other hand holding a cross

below:  Detail from “The Burning Bush”, 19th century.

very old painting, religious, virgin mary and baby jesus in the center surrounded by other religous scenes

 

below: Last but not least, and having nothing to do with art, is this plaque on a wall near the art gallery at Hart House.  It commemorates the relationship between the Canadian and Polish Armies during WW1.  A transcription of it appears below.

 

plaque on an exterior brick wall commemorating the role of the Polish Army

In the early months of 1917, twenty three Polish probationary officers were trained here by the staff of the Canadian School of Infantry in Toronto.  They were the forerunners of more than 20,000 North American volunteers of Polish descent who were trained in Canada (mostly at Niagara on the Lake) to serve in the French Army, ultimately commanded by Joseph Haller.  The existence of this Polish Army in France went far to assure the presence of Poland at the Peace Conference at the end of the war and played a significant role in the reconstitution of a reunited and independent Poland after 123 years of partition. 
The Canadian Polish Congress has placed this tablet to commemorate the ardent Polish patriotism of so many Polish volunteers from the United States and Canada.   The Congress also wishes to honour the Canadian officers who trained the volunteers, including notably Lieutenant Colonel A.D. Lepan of the staff of this university and his principal subordinates, all from this university as well as Major C.R. Young, Major H.H. Madill, Major W.F. Kirk and Major F.B. Kenrick. A.D. 1990

 

a bike parked outside an old brick building on St. George campus of U of T, snow covered

More information about:

Allen Ginsberg exhibition

Figures of Sleep, and others, at Hart House Art Museum

Illustrations of the holdings of the Malcove Collection

 

‘Demonstration’ by Michael Landry
at the Power Plant Contemporary Art Gallery

Now showing in the narrow Fleck Clerestory is an installation that consists of a collection of red and white paintings on paper.  Each is a male and/or female shaped silhouette figure with a protest sign.    They are pinned to the wall, from top to bottom.   Every one has a different slogan, phrase and/or image on the placard they are holding.

below: Looking down on the Fleck Clerestory from the upper level.

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory on both walls, looking down from the upper level to see whole exhibit, two women on the lower level looking at it.

The work has grown, i.e. more pieces have been added, since it was installed late in September.   Landry has been asking the public to contribute their thoughts and feelings which he then draws.  Over the course of the next few months, it will evolve and grow as more people submit their ideas and suggestions.   In the end there will be a “wall of protest”, or perhaps more aptly, it will be a snapshot of the hopes and concerns that we have.

below: Some of the issues addressed from the serious (stop fracking, end hate, no more marijuana arests, opioid overdoses) to the more lighthearted (such as ‘go topless day’, and ‘we the north’).

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory

If you have an image, slogan, or words, and you want to participate in this project, check out the submission guidelines by following this link

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory

below: “No pipeline” and  “lorsque les mots perdent leur sens, les gens perdent leur liberte”.

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory - sign says no pipeline

below: “Stop premature Christmas decorating!”

red and white paintings of demonstraion signs being held by stick figure men part of an art exhibit at fleck conservatory - sign says stop premature Christmas decorations

The exhibit continues until mid-May.

‘Straying Continents’ is a large hanging artwork that is on display at the ROM (Royal Ontario Museum).  The artist,  El Anatsui, constructed it out of aluminum and copper wire in 2010.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

Thousands of recycled aluminum liquor bottle caps of different colours were cut and shaped (twisted or flattened) and sewn together with copper wire.  In some places the caps are flat and tightly packed while in other places they are twisted into rope-like pieces and loosely woven into the design.

below: The grey in the bottom part of the picture is the wall showing through. The lighting also creates shadows within the artwork.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

Viewed as a whole, it is a fascinating piece. It does look like two continents separated by an ocean.  At the same time, innumerable interesting compositions can also be found by looking at it in sections.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

recycled liquor bottle cap artwork

below: The piece doesn’t hang straight which creates folds, shadows, and more interest.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

below: It also provides material to play with.

abstract of circles and partial circles made from bottle cap artwork

 

Florine Stettheimer: Painting Poetry,
an exhibit at the Art Gallery of Ontario

Florine Stettheimer (1871-1944) was the 4th child of five, daughter of  Joseph and Rosetta.  Joseph, a banker, abandoned the family early on and was never mentioned again.  Older siblings Walter and Stella married and moved out while the younger three girls, Ettie, Florine and Carrie remained in the same household with their mother until their deaths.   They became known as “the Stetties”.  They hosted salons in Manhattan and lived a life of leisure and artistic pleasure.

below:  Family Portrait II, 1933, This painting has flowers, New York City references, and Florine Stettheimer’s immediate family portrayed in a theatrical setting/arrangement.  These are themes that occur over and over again in Stettheimer’s work.  Here Ettie is reading, Rosetta is playing cards, Florine is painting, and Carrie is playing hostess.

painting by Florine Stettheimer on display at the Art Gallery of Ontario

The Stettheimer children were born in Rochester NY.  Between 1906 and 1914 Florine and her mother and sisters lived in Europe before settling in Manhattan.

A portion of the exhibit features  a collection of designs for costumes for a ballet that Florine wrote while she was in Paris in 1912.  ‘Orphee of the Quat-z-Arts’ (or ‘Revellers of the Four Arts Ball’) was based on a costume parade organized by Parisian art students and in it the main character, Georgette, encounters the ancient Greek minstrel Orpheus and a parade of mythical creatures, as she and her father walk down the Champs Elysee.  The ballet was never performed.

below: One of 42 sketches and 9 relief maquettes, Georgette.

costume design mockup by Florine Stettheimer, AGO exhibit,

below: People, both men and women, were painted with elongated willowy shaped bodies.

a woman looking at a painting by Florine Stettheimer, AGO,

Florine also wrote poetry and she liked to send her poems to her friends.  In 1949 her sister Ettie published a book of Florine’s poems titled ‘Crystal Flowers’.  This is one of the poems:

And Things I Loved
a poem by Florine Stettheimer

Mother in a low-cut dress
Her neck like alabaster
A laced up bodice of Veronese green
A skirt all puffs of deeper shades
With flounces of point lace
Shawls of Blonde and Chantilly
Fichues of Honeton and Point d’Espirit
A silk jewel box painted with morning glories
Filled with ropes of Roman pearls
Mother playing the Beautiful Blue Danube
We children dancing to her tunes
Embroidered dresses of White Marseilles
Adored sashes of pale watered silk
Ribbons with gay Roman stripes
A carpet strewn with flower bouquets
Sevres vases and gilt console tables
When sick in bed with childhood ills –
All loved and unforgettable thrills.

 

below:  The painting in the foreground of this picture is ‘Self-Portrait with Palette (Painter and Faun)’, 1910s.  According to the words that accompany the painting, the faun behind her symbolizes a memory inspired by Russian ballet star Vaslav Nijinsky whom she saw perform in Paris in 1912.  After the performance, Florine wrote: “Nijinsky the faun was marvelous.  He seemed to be truly half beast… He knew not civilization – he was archaic – so were the nymphs.  He is the most wonderful male dancer I have seen”.

people at the Art Gallery of Ontario in a gallery featuring paintings by Florine Stettheimer,

below: Self-portrait, 1933

two women looking at a portrait painted by FLorine Stettheimer,

“For a long time
I gave myself
To the arrested moment
To the unfulfilled moment
To the moment of quiet expectation
I painted the trance moment
The promise moment
The moment in the balance
In mellow golden tones…
Then I saw
Time
Noise
Color
Outside me
Around me
Knocking me
Jarring me
Hurting me
Rousing me
Smiling
Singing
Forcing me in joy to paint them…”

This exhibit continues at the AGO until 28 January 2018