Posts Tagged ‘art’

‘Demonstration’ by Michael Landry
at the Power Plant Contemporary Art Gallery

Now showing in the narrow Fleck Clerestory is an installation that consists of a collection of red and white paintings on paper.  Each is a male and/or female shaped silhouette figure with a protest sign.    They are pinned to the wall, from top to bottom.   Every one has a different slogan, phrase and/or image on the placard they are holding.

below: Looking down on the Fleck Clerestory from the upper level.

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory on both walls, looking down from the upper level to see whole exhibit, two women on the lower level looking at it.

The work has grown, i.e. more pieces have been added, since it was installed late in September.   Landry has been asking the public to contribute their thoughts and feelings which he then draws.  Over the course of the next few months, it will evolve and grow as more people submit their ideas and suggestions.   In the end there will be a “wall of protest”, or perhaps more aptly, it will be a snapshot of the hopes and concerns that we have.

below: Some of the issues addressed from the serious (stop fracking, end hate, no more marijuana arests, opioid overdoses) to the more lighthearted (such as ‘go topless day’, and ‘we the north’).

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory

If you have an image, slogan, or words, and you want to participate in this project, check out the submission guidelines by following this link

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory

below: “No pipeline” and  “lorsque les mots perdent leur sens, les gens perdent leur liberte”.

red and white paintings of demonstration signs being held by stick figure men part of an art exhibit at fleck conservatory - sign says no pipeline

below: “Stop premature Christmas decorating!”

red and white paintings of demonstraion signs being held by stick figure men part of an art exhibit at fleck conservatory - sign says stop premature Christmas decorations

The exhibit continues until mid-May.

‘Straying Continents’ is a large hanging artwork that is on display at the ROM (Royal Ontario Museum).  The artist,  El Anatsui, constructed it out of aluminum and copper wire in 2010.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

Thousands of recycled aluminum liquor bottle caps of different colours were cut and shaped (twisted or flattened) and sewn together with copper wire.  In some places the caps are flat and tightly packed while in other places they are twisted into rope-like pieces and loosely woven into the design.

below: The grey in the bottom part of the picture is the wall showing through. The lighting also creates shadows within the artwork.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

Viewed as a whole, it is a fascinating piece. It does look like two continents separated by an ocean.  At the same time, innumerable interesting compositions can also be found by looking at it in sections.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

recycled liquor bottle cap artwork

below: The piece doesn’t hang straight which creates folds, shadows, and more interest.

artwork hung on a wall, covers the wall, by El Anatsui, a Ghanese artist, made of different colours of liquor bottle caps, metal, close up

below: It also provides material to play with.

abstract of circles and partial circles made from bottle cap artwork

 

Florine Stettheimer: Painting Poetry,
an exhibit at the Art Gallery of Ontario

Florine Stettheimer (1871-1944) was the 4th child of five, daughter of  Joseph and Rosetta.  Joseph, a banker, abandoned the family early on and was never mentioned again.  Older siblings Walter and Stella married and moved out while the younger three girls, Ettie, Florine and Carrie remained in the same household with their mother until their deaths.   They became known as “the Stetties”.  They hosted salons in Manhattan and lived a life of leisure and artistic pleasure.

below:  Family Portrait II, 1933, This painting has flowers, New York City references, and Florine Stettheimer’s immediate family portrayed in a theatrical setting/arrangement.  These are themes that occur over and over again in Stettheimer’s work.  Here Ettie is reading, Rosetta is playing cards, Florine is painting, and Carrie is playing hostess.

painting by Florine Stettheimer on display at the Art Gallery of Ontario

The Stettheimer children were born in Rochester NY.  Between 1906 and 1914 Florine and her mother and sisters lived in Europe before settling in Manhattan.

A portion of the exhibit features  a collection of designs for costumes for a ballet that Florine wrote while she was in Paris in 1912.  ‘Orphee of the Quat-z-Arts’ (or ‘Revellers of the Four Arts Ball’) was based on a costume parade organized by Parisian art students and in it the main character, Georgette, encounters the ancient Greek minstrel Orpheus and a parade of mythical creatures, as she and her father walk down the Champs Elysee.  The ballet was never performed.

below: One of 42 sketches and 9 relief maquettes, Georgette.

costume design mockup by Florine Stettheimer, AGO exhibit,

below: People, both men and women, were painted with elongated willowy shaped bodies.

a woman looking at a painting by Florine Stettheimer, AGO,

Florine also wrote poetry and she liked to send her poems to her friends.  In 1949 her sister Ettie published a book of Florine’s poems titled ‘Crystal Flowers’.  This is one of the poems:

And Things I Loved
a poem by Florine Stettheimer

Mother in a low-cut dress
Her neck like alabaster
A laced up bodice of Veronese green
A skirt all puffs of deeper shades
With flounces of point lace
Shawls of Blonde and Chantilly
Fichues of Honeton and Point d’Espirit
A silk jewel box painted with morning glories
Filled with ropes of Roman pearls
Mother playing the Beautiful Blue Danube
We children dancing to her tunes
Embroidered dresses of White Marseilles
Adored sashes of pale watered silk
Ribbons with gay Roman stripes
A carpet strewn with flower bouquets
Sevres vases and gilt console tables
When sick in bed with childhood ills –
All loved and unforgettable thrills.

 

below:  The painting in the foreground of this picture is ‘Self-Portrait with Palette (Painter and Faun)’, 1910s.  According to the words that accompany the painting, the faun behind her symbolizes a memory inspired by Russian ballet star Vaslav Nijinsky whom she saw perform in Paris in 1912.  After the performance, Florine wrote: “Nijinsky the faun was marvelous.  He seemed to be truly half beast… He knew not civilization – he was archaic – so were the nymphs.  He is the most wonderful male dancer I have seen”.

people at the Art Gallery of Ontario in a gallery featuring paintings by Florine Stettheimer,

below: Self-portrait, 1933

two women looking at a portrait painted by FLorine Stettheimer,

“For a long time
I gave myself
To the arrested moment
To the unfulfilled moment
To the moment of quiet expectation
I painted the trance moment
The promise moment
The moment in the balance
In mellow golden tones…
Then I saw
Time
Noise
Color
Outside me
Around me
Knocking me
Jarring me
Hurting me
Rousing me
Smiling
Singing
Forcing me in joy to paint them…”

This exhibit continues at the AGO until 28 January 2018

We went exploring.  With a three year old.  A three year old who is starting to explore the world as only a three year old can.  One who gets joy from ‘balancing’ on the green line as we walked the Lower Don Path.

little girl in a pink jacket is wlking down a green line that is painted in the middle of a path, approaching an underpass under the railway tracks.

We were walking with a purpose – to find ‘Monsters for Beauty, Permanence and Individuality’ by Duane Linklater.  This is a collection of cast concrete gargoyles, replicas of those on Toronto buildings, that is now on the Lower Don Trail.  Last week I saw them from the subway as it passed across the Bloor Viaduct so I knew approximately where to walk.

The Lower Don Trail only has a few access points – we entered by Riverdale Park and walked north.

a hanging vine, autumn coloured, in front of the train tracks.

below: Renovations of the underside of the bridge at Bloor/Danforth have just been completed and already one piece of graffiti has appeared.

grey concrete bridge with black metal supports, part of the structure, with one graffiti face drawn in red

Just a bit farther north, and on the west side of the path we encountered the artwork.  It’s a scattered arrangement of some interesting pieces.  If left in place, some future archeologist of the future might stumble upon it and be totally mystified.

cast concrete sculpture of a seated woman with her head bent forward

Today I got myself tied up in knots as I fought with words as I tried to write this post.  How do I describe the thoughts behind the installation?  Should I talk about the meaning of gargoyles vs grotesques?

a few concrete gargoyles scattered on the ground by the Lower Don Trail, part of Duane Linklater's art installation.

But then I realize that I should just leave it be.    Be content.

a concrete block and man's head gargoyle, with moustache, folded arms holding a scroll or similar), about 2 feet square, Bloor Viaduct in the background

After all, what was more important was that the blocks turned out to be the perfect size for a three year old to stand on and roar like a lion.   We played.  And it was fun.

a young girl stands on top of a conrete block with the face of lion, she has her hands beside her mouth as she too roars like a lion

red sumach trees in the background with dead brown heads of plants growing in front

 

 

 

 

 

 

 

Progress is a spiral upward is the title of an exhibit at the Tangled Arts Gallery at 410 Richmond.  It is a series of collages of ink and/or paint drawings by Toronto artist sab maynert.

three people in an art gallery looking at drawings by sab meynert.

“for sight beyond seeing
for seeing in order to know”

pen and ink, and paint, drawings by sab meynert on a gallery wall, thumb tacked to the wall, black and white, intricate

“let the flow carry you, rest in the soil, let the seed push you to the sun,
palms out to the sky,
let go, make room”

pen and ink, and paint, drawings by sab meynert on a gallery wall, thumb tacked to the wall,

below: The piece in the middle is “By Proximity”, 24″ x 24″, gouache and ink on paper.

pen and ink, and paint, drawings by sab meynert on a gallery wall, thumb tacked to the wall,

below: bottom left (yellow and black): “You Give Everything”, ink on paper, 9″ x 12″ while bottom right (with the red ‘knot’) is “Decisions we Made”, ink on paper, 9″ x 12″.

pen and ink, and paint, drawings by sab meynert on a gallery wall, thumb tacked to the wall,

“pull yourself out of the thornbush
you smell like flowers”

pen and ink, and paint, drawings by sab meynert on a gallery wall, thumb tacked to the wall,

The quotes that I’ve used in this blog post are lines that I have pulled from the writing that accompanies the exhibit, a poem with the same title, “Progess is a Spiral Upward”.

The exhibit continues until the 14th of October.
Link to sab meynert’s website

 

 

four sections of four different brain sculptures

The second annual Brain Project is now on display across the city.  These are only a small sample of the brain sculptures that form the exhibit.  In total there are 100 brains in about 20 locations around the city.   There is a map on the Brain Project website if you are interested in visiting some of them.

 

below: One of the locations where you can see some of the brain sculptures is Nathan Phillips Square.

a line of sculptures on display, podius standing in the water of the fountain, arches, and 3D Toronto sign in the backgruond.

Descriptions of all the brains on display around the city, as well as notes on the artists responsible, can be found online.    You can vote online for your favorite brain.

below:  Circles of beads and sequins – circles representing wholeness and totality come together to form a complex mosaic like the brain itself.  “Unleash Your Mind” is by Kara Ross.

a brain sculpture on display in front of the 3D toronto sign, decorated with colourful circles of sequins

below: Sitting on top of a blue and teal brain is a blue jay in a nest – a sculpture by Ted Hamer that is called “Thinkubator”.  Here the brain is shown as an idea incubator where the bird symbolizes the idea.

close up of part oa brain sculpture, the brain is painted blue and teal and there is a blue jay sitting on a nest on top of the egg (the bird is part of the sculpture)

below:  “Vitale” by Molly Gambardella is dedicated to the artist’s grandmother who died of Alzheimers in 2016.   Vitale was her maiden name.

a sculpture of a brain decorated with hundreds of coloured pencils, some are point up and some are blunt end up, the colours of the pencils make shapes and lines on the brain

below: Three of the brains on display at the Distillery District.  In front is “Red Head” by Anitra Hamilton who glued pieces of chicken eggshells to the surface of the brain.  Red acrylic paint highlights the spaces between the eggshells.   In the middle is Cindy Scaife’s “Food for Thought”.  Broccoli, avocado, apple and walnut, all healthy foods,  play in the park.

brain sculptures as part of the Baycret Foundation's Brain Project on display outside at the Distillery District

below: Also at the Distillery District is a brain by Laura Bundesen, “Not Forgotten” is a collage of fabric embellished with lace and embroidery and beads.  It is in memory of her stepmother who suffered from dementia.

close up of a fabric collage on a sculpture, bits of fabric with flowers on it, some embroidered leaves and flowers, lace and trim too,

Part of the goal of the project is raise awareness of diseases like Alzheimers that affect the brain.  Another goal was to raise money  – the sculptures are sponsored by various people and corporations (such as Telus).  As well, most of the brains from last year’s exhibit have been sold.  Funds raised through this project are donated to Baycrest Health Services.

below:  Keight MacLean’s “Loss” illustrates the idea of memory and memory loss using a portrait of a person, a loved one.  Paint as the memory loss, obscures the picture.

outdoor display in a clear acrylic box, a sculpture in the shape of a brain, with the picture of a woman's face on the side, yellow paint drips down from the top of the brain.

people looking at brain sculptures.  one is pointing to them, the other is taking a picture of them.

This morning’s blog post is a mixed up mashed up collection of some of the pictures that I have taken in the past few days. The theme running through the post is “sunny days and people making the most of it.”  It seems like an appropriate subject for a grey morning!

below: #duckman, one of the many ‘performers’ outside the Eaton Centre on Yonge Street.

a young Japanese man is dressed in a yellow body suit, seated on a stool on the sidewalk on Yonge Street, he is playing the drums - actually 5 empty plastic upside down buckets, with #duckman written on the buckets

below: The beginnings of a new mural on Queen Street West.

motorcycle in the foreground, a man painting a white outline of a rose as part of a mural on the side of Canada Convenience store on Queen West, a few people watching him paint

below: This weekend was the annual Riverdale ArtWalk at Jimmie Simpson Park and Community Center.

a man stands holding up a painting (bottom of painting is resting on the ground), more painting displayed on the wall behind him, at the outdoor Riverdale Artwalk art show and sale

below: Dancing to the drums of Venice and Kevin who are playing as past of an event to raise money to fight sickle cell disease.

a young woman dancers at the bottom of the stage steps at nathan phillips,  two people are beating drums on the satge

below: Four singers – they’ve just finished performing on the stage at Yonge Dundas Square as part of the DesiFEST celebrations.

four female singers are smiling, they've just finished a song, performing at Yonge Dundas square as part of Desifest, all 4 are of South Asian descent

below: A sign of the times.

a blackboard sign on the sidewalk in front of Brioche restaurant that says we serve Covfefe. People walking on the sidewalk,

below: It wasn’t just the people who were dressed for summer.

two little white dogs on a leach, both have pink and white frilly dresses on.

below: Gardening season has begun!  The vacant lot beside Nick Sweetman’s mural has been turned into a Garden Centre.

garden plants for sale, outdoors, in front of a large mural, bees, by Nick, on Queen st east

a front yard with gardening supplies, and pots of plants on the front steps

below: With their backs to the windows … but it looks like they’re dressed for summer

two mannequins with their backs to two windows, both dressed in red clothes

people riding down the escalator at the Eaton Centre, a large screen is playing a slideshow of summer pictures as part of an advertising campaign.

a mother helps her young daughter reach down and touch the water in the fountain at Nathan Phillips square