Archive for the ‘galleries’ Category

“To Dream of Other Places” is an art installation by Emmanuel Osahor that is now showing at the Power Plant Contemporary Art Gallery.  All pieces have ties to a garden in one way or another.

people in an art gallery, looking at art, taking pictures of it, walls are painted in a garden scene in blues, large paintings on top of that

The exhibit starts with a seven etchings in a series titled “A Chair Outside”.  Using different techniques, Osahor presents his version of different garden scenes that he is familiar with – gardens in which he has found solace.

etching by Emmanuel Osahor at Power Plant Contemporary Art Gallery, black, grey tones, window of a house with tree and garden in front

Etchings are made using metal plates covered with an acid-resistant substance (usually wax).  An image is created by removing sections of the wax and then subjecting the plates to acid. The acid will eat away the exposed metal.  When the plate is then used to make a print, the exposed areas remain white.  That’s a very simplistic description of the process because I know that there are lots of videos on the internet that can explain it much better!

etching by Emmanuel Osahor at Power Plant Contemporary Art Gallery, black, grey tones, tree, grass, plants,

The main part of the exhibit is a large room with walls that have been painted, floor to ceiling, in a fairly abstract garden scene predominantly in blue tones.  This sets the scene, a night garden.

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

Several large paintings of garden scenes hang on the blue walls.

lawn chairs, night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues, two young women taking selfies

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

night garden effect, paintings by Emmanuel Osahor, walls painted in garden scene in blues, other paintings of outdoor garden scenery hung on top of the blues

There is a second series of small etchings as well.   More gardens, but this time based on visits to National Trust gardens in the UK.

black and white etchings of garden scene

black and white etchings of garden scene

My usual warning – these photos are pictures of pictures in a gallery setting.  The real thing is much better.   The paintings are bigger – a bigger experience and a bigger visual impact.

Osahor’s paintings and etchings are on display until mid September 2025.

From now until early September, there are two outdoor art installations at the Aga Khan Museum.  First, “Muqarnas, Form and Light” is a photography exhibit in Aga Khan Park that showcases the images of muqarnas taken by Glenn McArthur.

aga khan museum building, from the park

Muqarnas are three dimensional details found in Islamic architecture especially in mosques and madrassas (schools).  They are usually found incorporated into the top of vaulted structures such as domes and doorways. Often they look like honeycombs.  They can be made of many different materials such as stone, stucco, and plaster.

below: From the Abd Al-Aziz Khan Madrassa in Bukhara, Uzbekistan, is this painted plaster muqarna.  The blue and gold representing the sky is at the top.

muqarna in madrassa in bukhara uzbekistan, photo in an exhibit in Aga khan park, by Glenn McArthur

below: And a closer look at the painted details.  It was originally built in 1652 and then restored in 1993.

closer detail of part of muqarna in madrassa in bukhara uzbekistan, photo in an exhibit in Aga khan park, by Glenn McArthur

below: A carved stone muqarna covers a portal in the Al Rifa-i Mosque in Cairo, Egypt, built in 1912.

large photo on display in Aga Khan Park,
person sitting on bench and reading, park,

below: Decorated in dark blues and gold, this muqarna is found in the funerary complex commission by Çoban Mustafa Pasa, the vizier and son-in-law of Ottoman Sultan Selim 1 who reigned 1512 to 1520.  It is in Gebze Turkey.

below: Stucco muqarnas arches in the Court of the Lions at Alhambra Palace, Grenada Spain, late 14th century.

one of the images in form and light, an art installation by Glenn mcArthur

below: Close up look at part of a wooden muqarna from the Cappella Palantina (Palatine Chapel) in Palermo, Sicily (Italy). Although it was commissioned by a Christian monarch, Roger II of Sicily (reigned 1130-1154), it includes Byzantine and Islamic elements. Roger II was also a Norman but during his reign Sicily was very multicultural.  It is a rare example of a muqarna in a non-Islamic building and is the oldest surviving wood muqarna.

close up of part of a ceiling,

More of McArthur’s muqarna images can be seen on his Instagram page – mcmuqarnas

pink and white blossoms on weeping cherry tree, Aga Khan park

Also outside, but on the other side of the museum is another art installation.

Tracey-Mae Chambers, art installation at Aga Khan museum, outdoors, crochet and knit circles connected together to make a larger circle.

This one is the work of Tracey-May Chambers and it is constructed with red wool, silk, and cotton yarn. It consists of a circle made of connected knit and crocheted circles and within that circle there is a butterfly waiting to emerge.

It is one of 100 installations that Chambers is doing across the country for Hope And Healing Canada.  The red yard connects the elements and is a reminder that we are all connected too.

Both the “Light and Form” exhibit and Chambers’ crochet installation will remain until 7 September 2025.

reflecting pool in front of Islamic Center, by aga Khan Museum, small trees, clouds,

Toronto city street sign for Wynford Drive, includes Aga Khan Blvd as well

“Phase in my Journey” is the title of an exhibit of the wonderful black and white photography of Walter Borchenko.   The photos span 20 years of his craft including his work with filters, with infrared photography, and with minimal digital manipulation.

below: Grassy Brook, Talbot River Road, Kawartha Lakes Ontario

below: Look Left cross walk, Birmingham England

the words look left in capital letters on the pavement by a crossing, warnings to pedestrians crossing the road

below: Wet tables, Las Ramblas, Barcelona

outdoors, lots of small tables and chairs, in the rain, wet, Barcelona, photo by Walter Borchenko

below:  One of the reflecting pools at the Aga Khan Museum.

large, 66 inches by 40 inches, black and white photo by Walter Borchenko, of one of the reflecting pools at Aga Khan museum in Toronto

below: On the left, Leather Jacket, New York City.   On the right, an intentionally out of focus city scene – a little disorienting, full of motion and uncertainty.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival,

All of the images are printed on hand-made Awagami Japanese paper.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: Hong Kong ferry terminal

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: New York New York casino in Las Vegas in the foreground.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: The larger picture on the left is the Airport Long Distance Train Station in Frankfort Germany.  On the right, is an older house in Port Royal, South Carolina.

black and white photo by Walter Borchenko, exhibit is at Japanese Canadian cultural center and is part of Contact Photography Festival

below: Not a Borchenko photo! The exhibit is being held at the Japanese Canadian Cultural Center. Outside, they have the oldest Sakura tree that I have ever seen. It has large, dense, gorgeous blossoms!

sakura, cherry, blossoms on a tree, lots of pink and white petals

Exhibit closes 30th June

 

I went to College Park in search of a CONTACT Photography Festival exhibit.  To me, College Park has always been a place where people pass through on their way to somewhere else.  If they linger it’s to grab a bite to eat from the food court or from the grocery store.

lower level of college park, outside glass wall of grocery store

I’ve never spent much time looking around inside so I wandered around a bit. I couldn’t find any space/place where there might be a photo exhibit.

a chair sits behind a translucent blue glass wall, escalator and the reflection of that escalator in the background

coming to the top of an escalator to an atrium where the walls are glass

I found a small group of paintings by Divyani Chandorkar in a small, out of the way corner by an elevator. Interesting, but not what I was after.

painting of a nature scene by Divyani Chandorkar, a sunset or sunrise over water

After a chat with a security guard and a little more walking around, I discovered that the photos were being displayed outside!  They are in a public space immediately south of the College Park building- between the College Park and Aura buildings.  Here, they become part of the environment.

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photo of a couple standing facing each other with arms wrapped around each other

Photo by Hikari Creatives (aka Winson Sun) who specialize in wedding and engagement photos.

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The exhibit is presented by the Downtown Yonge BIA and Aden Camera.

photo by Nim Mendoza of a bright orange building, night time, there is a group of young people walking past it, outside

by Nim Mendoza

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picture photograph on display as part of contact photography festival, night city scene, by Aidan Samuels, cars on a street

by Aidan Samuels

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photo of lower part of man's body, wearing dark pants, holding a purple skateboard, by Nim Mendoza

by Nim Mendoza

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This large bunny and butterfly were there too!

large blue sculpture of a rabbit in the foreground, and a butterfly with open wings in the background

Other photographers involved in the show: Rob Burns, Maryn Western, and Eden Schwinghamer.

public park space behind College Park and beside Aura building, people sitting on benches,

Hart House, at the University of Toronto, has two photography exhibitions on at the moment. Both are in hallways and both are open to the public.

Please remember that these are photos of pictures behind glass – don’t judge the quality of the image on display by the quality of the photo here on the blog! As usual, the real thing always looks better.

The first is “Interwoven Identities, Unraveling Diaspora Narratives” with the goal of tracing “the threads of memory, migration, and identity that shape Asian diasporic experiences and mental health.” This quote is taken from the Asian Art and Culture Trust website.

below: Fangdan Chen’s photo seems like a collage of many different kinds of faces, some natural and some not.

Untitled photograph by Fangdan Chen, on display at Hart House

below: A photograph by Sarah Jihae Kaye titled, “I’ve Begun to Distrust my Body”.

Photograph by Sarah Jihae Kaye, on display at Hart House

below: “Gourd” by Phoung Nguyen

photograph by Phoung Nguyen, title is gourd, on display at hart house

below: “Imagined Ricefields” by Reginald Balanga  – a barren winter scene that is possibly as far away from any rice field as possible.

a photo of a blacket draped over oa chainlink fence, winter scene, snow on the ground, small leafless trees.

The second floor hallway has an exhibit that features work by the Hart House Camera Club. The winners of the 103rd Annual contest, in 9 categories. A sample below. If your favorite photo isn’t here, don’t take it personally, it’s probably because I had trouble with reflections in the glass of many of them.

below: Cosmo Chan “Home”

colour photograph of a large multi story building

below: “Gently” by Jacob Lee

Photograph by Jacob Lee, two people reaching out to touch each other, with focus on the hands

below:  A surreal blue scene by Ongphat Piyabenjarad titled, “Parallel Worlds”

surreal photo, all in blue, two people floating or swimming underwater, with cityscape, highrises, in the background,

below: “Veiled” by Jasmine Lu, part of a photographic essay.

photo of a woman with light clothing, standing knee deep in water, part of a series by Jasmine Lu

below:  A young man sitting on a bench in what might be a bus shelter.   This is “How to Start your Digital Detox” by Gerald Lerchbaumer.

colour photo, man sitting on bench with back to camera, street scene in front of him

below: Albert Huang, “Camel Man”

black and white photo of a man with two camels, by Albert Huang, title The Camel Man, on display in the hall of Hart House at University of Toronto

below:  “The Strongman” by David Williams.

A black and white frames photo on display on a brick wall, The Strongman by David Williams

below: Playing with reflections, in another David Williams photo.  Who is watching who?

black and white photo of a man looking out a window, by David Williams, with reflections of the photographer and the wall behind

two framed colour photos hanging on a brick wall, interior, as part of an exhibit by the hart house camera club

below: Auden Cole “Phone Hunch”

colour phiotograph, black silhouette of a man behind clear glass or plastic that has graffiti on it

The Hart House Camera Club exhibits ends 30th of April.

The “Interwoven Identities” show continues until 18th May. If you are interested in the subject, there is another exhibit at the STACKT Market during the month of May called “Interwoven Identities: Healing in Community” – information at the Asian Arts and Culture website.

A quick, and very selective, look at the Art Gallery of Ontario (AGO), focusing on two exhibits, “Light Years, the Phil Lind Gift” and “Moments in Modernism”.

below: Rodney Graham, “Media Studies ’77” . This large installation (lit from behind) will bring back memories if you are of a certain age!

below: Welcome to Vancouver

below: A series of images by General Idea (There are actually 4 pieces in this series).  General Idea was a group of 3 Canadian artists, Felix Partz (aka Ronald Gabe), Jorge Zontal (aka Slobodan Saia-Levy) and AA Bronson (aka Michael Tims).  The three men met in Toronto in the late 1960s; their collaborative work then continued until the mid 1990s. They were pioneers in the field of conceptual photography.

below: William Kentridge, “Drawing for Another Country, Flooded Street”, 1994.   Kentridge was born in South Africa in 1955)

below: “River Road” by Canadian photographer Jeff Wall. The photo was taken along the Fraser River in Richmond BC and was taken in 1994.  It is shown here as a transparency over a lightbox so that it is lit from behind.

The “Moments in Modernism” exhibit is a re-working of artworks owned by the AGO.  Some of you may have seen one or two pieces before.

below: “Delta Tau” by Morris Louis, 1960.

below: “Abstraktes Bild”, 1986,  by Gerhard Richter (b. Dresden Germany 1932).

below: I have seen this before (and possibly shown it here?) and I like it as much as ever.  It takes a certain amount of audacity or gumption to create a painting like this. Robert Motherwell painted this – title: “Open No.37A: in Orange”, 1971, charcoal and acrylic.

Robert Motherwell painting, orange, with three thin black lines, like an unfinished square, top open

below: Robert Rauschenberg (1925-2008), mixed media on panel, 1964 (only part of it is shown).   Rauschenberg made pieces like these that he called ‘combines’ and they were for stage decorations for performances by an experimental dance group (Merce Cunninham Dance Group).  In 1963 they did a world tour  called  “Story”where they made a different ‘combine’ for each performance.  This particular piece was made onstage at London’s Phoenix Theatre in August, 1964.

Robert Rauschenberg, combines, artwork,

The modernism exhibit is more extensive than I have made it seem.  I didn’t take many pictures of pieces that I had seen before which may or may not have been the right call.  Andy Warhol’s large silkscreen image of the 4 identical Elvis Presley’s holding a gun ready to shoot is on display –  the one where two Elvis’s are in bright colours and the other two are in black and white.     You can also see Alex Colville’s “Woman in a Bathtub” if you want (I think that it is the worst of Colville’s otherwise wonderful paintings).   In addition, there are works by Canadian artist Rita Letendre and Norval Morisseau, plus others.

Light Years continues until November 2025,
while Modernism continues until March 2026 (another year)

This past week there was an exhibit at Gallery 1313 that paid tribute to Murray McKay.  Murray started modeling for college level life drawing classes in the 1990s.  Between then and his passing in 2024, he had a large impact on Toronto’s art community.  More than forty artists contributed their drawings or paintings of Murray to the exhibit which was simply titled “Murray”.

three brightly coloured paintings, on gallery wall, gallery 1313, all three are portraits

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

Gallery 1313 Murray McKay tribute exhibition

This exhibit was only on between 5th and 16th March (now ended)

  “The Culture: Hip Hop and Contemporary Art in the 21st Century” is now showing at the Art Gallery of Ontario (AGO).  It features 90 works by more than 60 artists.  Some of them are shown here…. 

below: Portrait of a day when 103 of members of the Toronto Hip Hop community got together in one place, August 2024.  The photo was taken on the steps of the Liberty Grand at Exhibition Place by photographer Patrick Nichols.

black and white group shot of a lot of people on outdoor steps, 103 people associated with hip hop in toronto, on the steps of the Liberty Grand Entertainment place

This exhibit has also been seen in Baltimore and St. Louis.

“Placing fashion, consumer marketing, music, videos and objects in dialogue with paintings, sculpture, poetry, photography and multi-media installations, the exhibition considers activism and racial identity, notions of bling and swagger, as well as gender, sexuality and feminism.”

a woman looking at pictures at the Art Gallery of Ontario

below: Painting by Zeh Palito,a Brazilian artist who seems to like pink.  Title: “It was all a Dream”.

 painting by Zeh Palito in Art Gallery, black woman,

below: Cardi B., aka Belcalis Marlenis Cephus, with unity on her arm by Hassan Hajjaj.  She is considered one of contemporary music’s top female artists.

portrait of Cardi B by Hassan Hajjaj

below: “Live Culture Force 1’s”, 2022, by Aaron Fowler. They are gigantic Nike Air Force 1 sneakers that have been made out of car parts.  Contemporary art seems to like big things – Once upon a time back in 1960s there was a giant hamburger on display at the AGO.  I wonder if the creator of that hamburger, Claes Oldenburg,  realized what he started (and whatever happened to it anyhow?).  Tangent alert – The AGO purchased the hamburger in 1967 for $2000.

sculpture that is a large pair of white running shoes made of car parts.

below: “Swamp Boy” by Amani Lewis

painting on a gallery wall by Amani Lewis

below: “Real Negus Don’t Die” by Fahamu Pecou.  Reflects on the idea that death can’t stop us and perhaps touches on  the idea that immortality comes through remembrance.

artwork in graphite and acrylic paint of a man with a t-shirt with portrait of a black man and text that says real negus don't die

below: “The Minister of Enterprise” by Kudzanai Chiurai.  Oversized shades indoors, a big cigar, and some bling.  Add some swagger.

portrait of a black man all blinged out

below: I made a mistake with this room.  I initially thought, what a waste, a whole room for a red puffy jacket.  Turns it, it’s a godsend for instagram ready selfies.  Lots of room, mirrors behind the jacket, and presto…  many, many pictures on Instagram and TikTok.  I should have taken the time to wait for people to get in my way!

a mannequin with a red puffy jacket on a pedestal in a niche in a yellow room, mirrors behind the jacket

below: “Louis Uluru”, 2009, by Luis Gispert.  Looking at Uluru (formerly Ayers Rock, in Australia), from the comfort of a very well-appointed car.

below: Hanging from the ceiling, a collection of  one glittery pair of Adidas sneakers and many brown work boots, some sparkly with glitter and some not.  Bejewelled kicks.  “Cloud Break”, a sculpture by Devan Shimoyama

a collection of sneakers and work boots strung together on a chain and hanging from the ceiling, in an art gallery, also some artificial flowers stuck into the boots.

Exhibit continues until April 2025.

two women looking at fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

Pacita Abad (1946-2004) was born in the Philippines.  During the Marcos regime, she left Manila intending to study law in Spain. Instead, she ended up in the USA.

below: “Old Dhaka” (Bangladesh) 1978, oil on canvas

Many of the artworks that were on display were large-scale hanging trapuntos, a form of quilted painting made of stitched and stuffed canvas.

below: The central piece in this image is “LA Liberty” 1992.  Here Abad recasts Lady Liberty as an “International Lady of Color” as opposed to the very white, very European, statue that exists in New York City.

three large pieces fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

below:  “If My Friends Could See Me Now”, An American Dream with all the trappings of a ‘typical’ middle class life.

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

below: “Subali” 1983. Acrylic, oil, gold cotton, batik cloth, sequins, rick rack ribbons on stitched and padded canvas.

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

below: Many of the fabric pieces had marine themes like this very big octopus in “My Fear of Night Diving” 1985.  It is 130 x 170 inches (or 330 x 432 cm).

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

people in an art gallery, Art Gallery of Ontario, looking at artwork by Pacita Abad, large fabric pieces in vibrant colors, of underwater scenes

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario, underwater scene, different types of fish, colourful seaweed,

below: Details, striped braiding sewn on to make the seaweed

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario underwater scene, striped fish, colourful seaweed enhanced with striped braiding sewn on top of the painted mottled pink fabric,

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario. In foreground is an abstract with different sizes of squares and rectangles in different colours, in the background is one with a scene of a woman looking out a window with bars on it.

below: Some of the pieces were hung such that the stitches on the back were visible.  Also interesting.

fabric artwork by Pacita Abad hanging at the Art Gallery of Ontario

Regrettably, this exhibit closes today.

Lee Miller: A Photographer at Work is the title of a recent exhibit at TMU’s Image Centre,

A brief synopsis of her long and storied life – Miller (1907-1977) started her career as a model in New York in the 1920s. She went to Paris in 1929 where she became a fashion photographer. She also tried her hand at conceptual photography in the 1930s when she was living in Egypt with her first husband.  During WW2 she was a war correspondent for Vogue magazine in Europe.

two people looking at black and white photos in an art gallery, an older man and a woman with long red hair

black and white photo in a gallery, of a woman in old fashioned bathing suite standing beside and posing with a large fake fish

below: Fashions for Factories with the subtitle: “Every picture tells a story of streamlined,  uncompromising chic for a vital job.”  One of the paragraphs is this: “A woman is apt to be much what she looks. Fix her up smartly and she’ll be smart at the job.  The factory people know this.”

page from Vogue magazine from the early 1940s, spread on fashion in the factories, and what women were wearing at work, hat like turban, short sleeved shirt

women looking at an exhibit in an art gallery

below: Three actresses and models in a photo taken in New York in 1933.  One woman is unidentified and the other two are Dorothy Hale  (1905-1938) and Kendall Lee Glaenzer (1903-1978)

Lee Miller photo of three women, two sitting on a couch and the other standing behind it. Book case behind couch

below: “What’s Yours?” a double page spread in Vogue magazine with coats on the left and dresses on the right. Country coats and town coats… day dresses and afternoon dresses from a time and place when those details might have been important.

double page spread in Vogue magazine showing three women in each of four photos with different kinds of coats

black and white photo from vogue magazine, young woman holding a tennis racquet. Part of a tennis net is on the wall behind her

below: From an article, Six for Dinner”.  The six refers to six long, simple yet stylish dresses for the well dressed woman of the time.

three back and white photos on a green gallery wall, by Lee Miller

below: Advertising ‘intimate apparel’ but staying modest and discrete (r very coy?)  The age of the girdle! (even though this model doesn’t really need one!) – so glad that that phase has passed (sigh of relief).

black and white lee miller photo for vogue magazine, showing corset, or under garments for women, bra and girdle, slip, hard to tell because details are hidden

old black and white photo by Lee Miller, of three women, fashion photography, 2 standing are wearing slacks, woman witting on ground is in a dress

below: From 1945, chronicling the liberation of Europe by the Allied troops.

two photos, on left is a cover of vogue magazine from 1945, a woman in a head scarf, with bright red lipstick, on right a large photo of a recently liberated part of Europe and an article describing the liberation

below: November 1944, Paris.  “Ah Madame! Merci!  The article is written in French and it is a thank you to all the women who played a role in winning the war.  Like her fashion work, her focus during the war years was also on women and how the war affected them and their place in the world.

two photos on a gallery wall, on left is woman on a motorbike by the eiffel tower in Paris and on the right are a group of black and white photos of women working, article is thanking women for their role in winning world war 2

Her documentation of WW2 and its aftermath was extensive.  She was one of the first photographers into Hitler’s residence (and there is a photo of her in his bathtub).  She also documented the liberation of many of the concentration camps.  After the war, she continued working for Vogue, taking pictures of models and celebrities.

two people looking at photos on the wall of an art gallery

Unfortunately, this exhibit ends today, 2nd December.