Lower River Street passes through it; Eastern Avenue passes over it.
And now the support pillars on the eastern side of the park have been painted by various street artists.
You’ll find more photos of the park in the post below too
Robert Home Smith (1877 – 1935) was a lawyer, business man, civil servant, and land developer. In the early 1900’s he acquired 3000 acres of land along the Humber River, from Lake Ontario north to what is now Eglinton Ave.
A mural has been painted by Emilia Jajus on Royal York Road as it passes under the train tracks close to Dundas West. The east side of the underpass is finished and it depicts Robert Home Smith and some of the effects that he had on the area.
below: At the south end of the mural there is a portrait of Robert Home Smith. A young girl can be seen hiding behind the trunk of a large tree. Because the tree is painted on the corner, you can’t see the young boy who is hiding on the other side of the tree until you get closer to the mural.
below: Part of the mural, fishing in the Humber River by the bridge at the Old Mill. The bridge was built in 1916 after an older bridge was washed out in a storm. It is still there.
Part of the land that he owned was the site of the King’s Mill. This mill was built in 1793 on orders from Lieutenant Governor John Graves Simcoe. It was to mill lumber for the proposed town of York. Here, Home Smith built the Old Mill Hotel as well as the the Old Mill Tea Room. The tea room was opened on 4 Aug 1914, the same day that Britain declared war on Germany.
below: Part of the mural, the Old Mill Hotel
below: The Old Mill hotel in 1945
Robert Home Smith planned to develop the land on both sides of the Humber River (known as the Humber Valley Surveys) into residential lots that were aimed at affluent buyers. Although he died before the completion of this project, the neighbourhood of Kingsway as well as parts of Swansea, Baby Point, and Humber Village, still stand.
The parkland that is adjacent to the Humber River as it curves around Baby Point is named Home Smith Park in memory of this man.
below: A poor quality photo showing a view of the whole mural. A replacement photo is needed, one taken on a day when there aren’t so many shadows!
A while back, I posted some photos of ‘Zones of Immersion’, Stuart Reid’s art installation at Union Station. Now that it is completed, I decided to revisit it. There has been some talk about how depressing it is.
I’ll let you decide whether it is depressing or not.
If you are on the ‘northbound to Finch’ platform you get a clear view of all the panels.
If you are on the ‘northbound to Downsview’ platform you can only see some of the glass panels.
I’ve now been back a number of times and this is what I saw:
1) Of the figures with discernible gender, 12 or 13 were male.
2) The males are of different ages and shapes.
3) The number of females outnumber males by at least 2:1.
4) Almost all (or even all?) of the women are young. They are all thin, if not gaunt.
5) There is one child…. with a finger up his/her nose.
6) Only two or three figures are smiling.
“the way we settle into a seat
the way we stretch when the train is empty
and retract as it fills
the way we deflect a glance and simultaneously present
language of the body claiming, relinquishing and balancing
personal space in the interstitial realm
halfway between the worlds of here and there”
The panels that can be seen on the ‘northbound to Downsview’ platform are seen as the reverse of those viewed from the other platform.

“slicing through the clay of the earth’s first skin
steel rails and electric lines
going from going to
slicing through time and distance
darkness and light
station by station
releasing us into the city’s fabric
stop by stop
after a days labour
taking us home”
(added in October) I got off the subway at Union Station today. There were three guys in front of me. One of them stopped and pointed to the nearest painting which happened to be the one above. As he pointed he said “See what I mean, if that doesn’t make you want to jump… “.
I’m happy to be corrected if you can prove me wrong.
Piliriqatigiingniq
This mural is on the south wall of Hosteling International on Church St.,
and in a parking lot on Court St.,
just north of King St. East and across from St. James Cathedral.
Painted July 2015
This project was a collaboration between Mural Routes and the Nunavut Arts and Crafts Association. Artists were youth from Cape Dorset as well as graduates from Toronto’s Oasis Skateboard Factory: Latch Akesuk, Audi Qinnuayuaq, Cie Taqiasuq, Parr Etidloie, Julieta Arias and Moises Frank.
This railway bridge is on Royal York Rd, south of Evans Ave. and close to the Mimico GO station. The mural that is there was painted in 2005 and is now showing signs of age. A lot of the paint is peeling badly.
Project of Lamp Community Health Center,
funded by City of Toronto Graffiti Transformation Project,
with thanks to Mimico Residents Association, United Way, and Toronto Community Housing.
Flat Death and Contemporary Floral Arrangements,
by Sarah Cwynar,
large photographs on billboards on Lansdowne Avenue,
Part of CONTACT Photography Festival.
below: ‘Flat Death’ at Lansdowne and Dundas West.
Black and white photos of books on four billboards.
below: ‘Contemporary Floral Arrangements’ on the corner of Lansdowne and College
The foundation for ‘Contemporary Floral Arrangements’ are 1960’s photographs of floral arrangements. Small objects such as key chains, plastic bits, buttons, spools of thread, etc are then placed on the photos, matching colour and tone.
The idea that this is an ad made of things that no one wants may be interesting in theory but in practice it’s just a pretty picture. Because of the location of the billboard, the details of the picture can’t be seen.