Posts Tagged ‘photography’

Also could be called, “Of bricks and stones and a lot of glass.”

I was recently telling a relative that one of the best ways to explore Toronto, especially downtown,  is just to get off at a subway station or streetcar stop and start walking.  There is always something to see.   This walk is the result of taking my own advice and just getting off at Queen station and seeing where my feet took me.   First stop was the Eaton Centre where Michael Snow’s birds still fly.  “Flightstop”.

interior of eaton centre shopping mall, south end by queen street exit, escalators and stairs, glass ceiling

below: Interior, Eaton Centre where all the benches have been removed.  Sadistic?  Gone are the days when you could take pictures of the men sitting outside Victorias Secret.

inter eaton centre shopping mall, people walking, others on walkway above,

interior of eaton centre shopping mall, large dream catcher shaped decoration hanging from the ceiling, with gold, silver, and white, ribbons, people on stairs beside it

below: As I walk around the city, I see more and more of this – the glass wall.   This view is south on James Street as I walk between the Eaton Centre and Old City Hall.

looking south on James street with old city hall on the right and eaton centre on the left, looking towards queen street with lots of glass towers in the background

below: Approaching City Hall and Nathan Phillips Square from the east you now encounter a conundrum.  Did people hit their heads on the low ramps?  Or were people camping out here?  A poor, and I hope temporary, solution.

barricades under a ramp with two signs saying this way, with red arrows, pointing opposite directions from each other

below:  A few images from “The Red Chair Sessions”, photography by Nadya Kwandibens  A series of 9 large photos is on display in the ground floor windows of City Hall (viewed from outside).  On the right, Sage Paul, designer and artist, originally from English River; on the left, Mushkegowuk Iskwew from Peetabeck (Fort Albany Ontario).

red chair photography at toronto city hall

below: Portrait of Ogimaa Kwe Bnes (aka Chief Lady Bird, her Spirit name) from Mnjikaning and Aura from Onyota’a:ka, posing under a mural that the two of them painted at Underpass Park.

red chair photography at toronto city hall

below: The backside of Sir Winston Churchill as he walks away from City Hall – something to think about?  The new court house is in the background.

man standing beside backside of statue of winston churchill

below: New court house from the corner of Chestnut and Armoury.

new court house, tall glass and steel building

below: Reflections in the glass of the new court house

very blue sky with white puffy clouds, reflected in windows of new court house on armoury

below:  Across Chestnut from the court house is an old hotel that is now part of U of T.  Its older brick and concrete facade contrasts with the glass and steel of the newer building.

grey brick and concrete wall

below: More concrete, the back of City Hall (completed 1965).  This is not a view that is typically shown but I find it fascinating that there are no windows at all on the outer sides.  As it turns out the back walls are made from 18 inches of reinforced concrete that allow for cantilevered floors which in turn make it possible to have an inner structure with few structural elements.

back side of toronto city hall, curved buildings, concrete

below: Also on Centre Ave is the Textile Museum. At the moment one of their exhibits is about quilts, “The Secret Codes: African Nova Scotian Quilts.  Some of the quilts are older ones like this pair by Susan Lawrence (1931-2008) which is a variation of “square in square” pattern.

two quilts by Nova Scotia resident Susan Lawrence, hanging in the textile museum

below: Other quilts are more contemporary such as these three by Myla Borden from New Glasgow NS

three quilts by Myla Borden on exhibit at textile museum, black line applique of daily scenes

quilt by Myla Borden on exhibit at textile museum, black line applique of daily scenes

I first read about these quilts on a blog, junkboattravels.blogspot.com  She has a more thorough description of the exhibit along with some pictures. I will add a few more of my photos at the bottom of this post, but if you are interested in seeing others, I recommend checking out the link above (and then scroll down a bit).

below: Looking north on Centre Ave to Dundas and beyond.  The facade of the old brick building on the northwest corner is being saved. It was built in 1928 as an extension to McLean Hunter which was on University Ave. This Beaux-Arts style building has five storeys of offices and four storeys for a printing plant.

looking north on centre avenue towards dundas

below: A closer look at the facade.

dundas and centre, northwest corner, facade of old brick building is being saved during redevelopment

below: Also Centre and Dundas, but the eastside of Centre, a colourful spot… and a trendy way to liven the street appeal of a parking garage.

east side of Centre and Dundas inersection with colourful abstract geometric mural on the corner of a parking garage, and turquoise upper level of Hong Shing restaurant

below: “The world is a little bitter. I want to give you a little sweet.” written on the inside.  Tiles in a marvelous tessellation by the front door.

looking in the window of a restaurant or coffee shop, with tiles in grey black and white pattern by the front door

below: Reflections in the glass at the northwest corner of University and Dundas.

glass building with lots of reflections, northwest corner of dundas and university

below: Crossing University Ave. while looking west on Dundas.  There’s a curvy new building underway.

looking west along dundas from university

below: The old court house, or Toronto Courthouse, which was built in 1966 is on University Ave just north of Osgoode Hall.  It is a 20th Century Modern building clad in Queenston limestone, a stone that you can also see on many other Toronto civic buildings such as the ROM and the .  It is quarried in Queenston, near Niagara Falls, and at one point was the largest quarry operation in Ontario.  You’d easily mistake it for concrete.

old court house building, or Toronto Courthouse, 361 University Ave., 8 storeys, clad with Queenston limestone, Canadian flag flying beside.

below: Cannons and yellow umbrellas

two cannons behind a black wrought iron fence by a patio with yellow umbrellas

below: Behind the yellow umbrellas

below: A narrow passageway between buildings.

two people at the end of a narrow lane that has a tall black wall on the left. 4 lamp posts along the wall

below: Old City Hall clock tower

a woman on her phone walks north on university ave past the canada life building where a man is sitting on the steps

below: The CN Tower sneaks into the photo.  At Osgoode, Metrolinx has taken over part of University Avenue for construction of the Ontario Line across Queen Street.

a man walks south on university, past the entrance to osgoode subway station on the northwest corner of university and queen west

below: Even Campbell House is behind scaffolding.

below: Just another Toronto street corner.

workmen in orange safety clothing standing around and talking or watching others work, construction site at Queen and Simcoe

below: Another facade saved. This one is at Queen and Simcoe where a bank once stood.

construction on Queen West and Simcoe

below: The wide open mouth of the green monster reaches upward as it tries to grasp the red balcony between its jaws.

below: This is the bank in question, The Canadian Bank of Commerce, built in 1930 just after the beginning of the Depression.  The photo was taken in 1931.  Take a close look at the other buildings in the picture, the stores to the right.   The structure with the Coleman Oil Burners billboard is gone but take a  look at the next couple photos which are of this stretch of Queen West today.

old black and white photo of bank of commerce on southwest corner of queen and simcoe, black and white, taken 1931

Queen street west, new condo with red glass on balconies, older stores like Adrenaline Tattoo, a Barbershop, Hollywood Hi, south side of the street

below: Queen West struggles to maintain its character.  The store in the middle is definitely in sad shape.  It looks like it would collapse if the others weren’t there to support it.

three stores on Queen West

two stores on Queen West

three stores on Queen West

below: There’s a little white “ceremonial” street sign, just below the blue and white Queen St. West sign, that let’s you know that this stretch of road was also named Moses Znaimer Way.  Znaimer had a long career in the entertainment industry in Toronto including co-founding CITY-TV, MuchMusic, and more.  In Toronto, a ceremonial street name is secondary to the legal name.  I am not sure how many there are in the city and I haven’t gone down that rabbit hole to find out.  Interesting idea though.

two people crossing the street by Queen West, with stores in the background, Civello, Stag Shop and another

below: Queen and McCaul, looking west

below: Gelber Brothers ghost sign on Richmond Street.

below: The CN Tower… again!  and Hooters (do they still exist?)

below: Murals in a parking lot.  Both were painted by Alex Bacon.

below:  Blue marine life, sharks circling.  An ominous hook.  This one of many Pangea Seed Foundation sponsored murals in the city.  Some of the others appear in a much earlier blog post, “love letters in paint” (2016).  Pangea Seed’s original mission was to use science, art and creativity to “inspire positive change around pressing ocean environmental issues”. This campaign has now branched out to increase awareness of the issues involving out fresh water lakes and rivers as well.

mural, blues, aquatic, marine animals, sharks swimming in the water

below: Restaurants on John Street.

restaurants in old brick houses on John street, with tall glass and steel condos rising above them

below: A vacant building longing to be another restaurant. In the meantime it’s been painted black… and as I type those words I am reminded of the Rolling Stones song, “Paint it Black”.  The song is a bit depressing and negative but then again, so is a blackened building.

older three storey building with mansour roof and upper gable windows, painted black, vacant, ad posters on it

The last stanza is “I wanna see it painted Painted black
Black as night
Black as coal
I wanna see the sun Blotted out from the sky
I wanna see it painted, painted,
painted Painted black, yeah

below: “We See You” shout out to the doctors, nurses, and other healthcare professionals that worked throughout Covid.  “Thank you”.  Painted by Elicser Elliott.

mural by elicser elliott on the side of a Tim Hortons, small lane, with text that says we see you. it's a thank you mural to the healthcare professionals that worked throughout covid

below: Variety on Adelaide.  Bricks and stone and a lot of glass.

older brick building, with sign Variety on Adelaide, in front of newer glass and steel condos

below: Looking east along Adelaide (a one way street with bike lanes and newly rebuilt streetcar tracks).

looking east along adelaide from john

below: Looking down the middle of the glass and metal sculpture in Grasett Park.  If you were to step back a bit, the sculpture takes on the shape of sails of a ship.

glass and metal sculpture in a park that looks like sails on a ship

below: Looking through the netting/glass, same sculpture as above.  The park is named after Dr. George Robert Grasett, a medical doctor (1814-1847).  The park stands on the site of the Emigrant Hospital built in 1847 to treat “ship fever” (typhoid) and other sicknesses in the Irish immigrants who started arriving in greater numbers that year.  Many died on the journey and many more were sick when they arrived.  Dr. Grasett was appointed as Medical Superintendent of the hospital but he died of typhoid fever about a month afterwards.   His name, as well as the names of the other doctors, nurses, and orderlies, (and one priest) are engraved on the benches in the park.

looking through etched glass on a sculpture to street scene on other side of adelaide street

below: Designs in the pavement – etched into the granite is an 1842 map of Toronto.

pavement designs in a small park, grasett park, dedicated to robert grasett and irish immigrants of the 1840s

below: Widmer Street, where a row of old houses has been preserved, but are dwarfed by the developments around them.

below: King Street, looking east from John Street.

barriers on King Street that were initially part of King street pilot for streetcars but infrastructure never made permanent, King street looking east from JOhn

below: It’s always there!  The CN Tower again.

below: Southeast corner of King and John.  Another glass wall.

below: Another row of preserved brick facades.  This time on King West.

preserved row of brick buildings on king street, with glass and steel condo rising above and behind

below: Rising above the Royal Alex Theatre

top part of Royal Alexandra Theatre building on King Street, with new glass condo towering above it

a couple standing on sidewalk and talking, a red and white crane in a construction site rises behind them, condo building in the background

below: This is “The Poet, The Fever Hospital” (1992) by Bernie Miller in David Pecaut Square

Bernie Miller sculpture in David Pecaut Square, title of The Poet, The Fever Hospital

below: Nearby is a new sculpture by Gillie and Marc and it has a very long title: “He was on a Wild Ride to a Safer Place with Rabbitwoman and a Dogman” (not the Dogman from the childrens books!). There is an empty seat at the back of the bike and it’s waiting for you to join them on their wild ride!

sculpture in david pecaut square, a four seater bicycle with a large rhino in the front seat, then a dog and then a rabbit. the back seat is empty for photo ops, this is by Gillie and Mac and is called He was on a wild ride to a safer place
Rabbitwoman and Dogman from a Gillie and Mac sculpture

black door at number 122, with white words painted on door that say who taught you to love

black and white slap graffiti on a metal box on sidewalk

This post has grown. It’s longer than I had envisioned it when I started putting ideas together a few days ago. I am not sure whether to thank you or to congratulate you for getting this far! Maybe both. Anyhow, I hope that you’ve seen a few new things, or interesting bits, as you’ve scrolled through this post.  Perhaps the pictures have brought back some memories?  In the meantime…..


As promised earlier, more quilts to end the post.

quilt in a museum

 

quilt in textile museum, the cotton pickers

quilt in a museum with a poem on it as well as black and white photos

“Sing poets of this beauty
Sing choirs of this inviolate pride
Make these moments precious to history
Let these scenes live in every eye”

… a CONTACT Photography post.

Gallery 1313 and Elaine Fleck Gallery are within a block of each other out in Parkdale and both were participating in this year’s festival.

The Elaine Fleck Gallery were featuring the work of one artist, Bill Hornbostel, in a retrospective show titled ‘Luminous Realism’.   At Gallery 1313 I saw ‘Offshoot’, a collection of images from nine photographers.   Unfortunately the latter was only on display until May 19th.

below: Hornbostel’s images are large, and shot at slightly longer exposures.   Some of the photos, like this one of traffic on Bay Street south of Old city Hall, were taken in Toronto

a large photograph of Bay Street in Toronto, looking toward old city hall, hanging on a wall in Elaine Fleck Gallery, photo by Bill Hornbostel

below: ‘Offshoot’ at Gallery 1313

two women in an art gallery looking at photographs that are mounted on the wall

below: Margaret Kittel Canale, two building exteriors, orange and blue.

two photographs on a gallery wall, both building exteriors, the upper photo is an orange building, the lower one is grey stone with a blue arched door

below: Jude Marion (two photos), industrial areas in Hamilton.

photograph by Jude Marion of an industrial part of hamilton ontario at night

four photos of hamilton industrial areas on a gallery wall, work of jude marion

below: Lilianne Schneider with “Displaced” that looks at the abandonment and relocation of two heritage structures.

photographs of rural abandoned buildings by Lilianne Schneider, on a gallery wall

below: One of the photos by Courtney Fairweather who chose to highlight cell phone usage in today’s society.

man in orange robes, seated, looking at his cell phone, a photograph in a gallery by courtney fairweather

below: Some interesting photographs by Ted Scott

4 photos on a gallery wall by ted scott

below:  When I first posted this, I thought these images were part of ‘Offshoot’ but I was mistaken.   They are in fact part of a solo exhibit of digital photocollages by Janne Reuss (in a separate little room) titled ‘Thread(t)s and Narratives’ .

artwork on a gallery wall

artwork on a gallery wall

With apologies to the photographers whose work I haven’t shown (not missed on purpose): Joachim Oepkes, Ulla Djelweh, James Sutherland, and Eric Garsonnin.

The Bill Hornbostel show continues until the end of May

a large framed photograph on a gallery wall with lots of reflections of the people in the gallery, and of the view from the front window of the gallery

 

 

It’s May 1st, the start of May and the start of CONTACT Photography Festival.   It’s a chance to see what other people are doing with photography besides what is posted online on sites like flickr or Instagram.  Some of the work will be great and you may get inspired.   I am sure that there will also be images that you dislike.   But that’s art.  That’s why create.

Events like CONTACT that are spread all over the city also give you the excuse to try someplace new as well.  For instance, today I was back in Scarborough.

below: Bellamy Road, looking north from just above Ellesmere

view of Bellamy looking north

below: Hiding in the back of a multi-unit building was the home of Next Generation Arts.

low rise light industrial building on Bellamy, with red sign in front for Arts group

The front looked abandoned.  But look for the unexpected.

below: Ghost sign on window. “Denture”?  an arrow pointing left, and a phone number?

ghost sign on glass window beside door of empty office unit

 With apologies for the less than stellar quality of the photos….  The show in their gallery features work that was produced as a result of their ‘PS Scarborough’ program for youth and seniors.

photograph, framed, on a gallery wall, Next Generation Arts

 

two framed photographs on a gallery wall

below:  Something has caught their attention…..

framed photograph on a gallery wall, inside subway station, by entrance and exit gates, with green arrows, many people, all looking at something on a wall, some taking pictures of it

below: I am afraid that I have inserted myself into the image. Sigh. The downside of glass in front of photos.  It is an interesting photo of a woman on the subway, looking through windows with reflections.

framed black and white photo hanging on a gallery wall

below: Now an historic photo!  An evening shot of the Scarborough RT, no longer with us, with more reflections.

framed photo of Scarborough RT through a window, with reflections of interior lights, passing a large building, framed photo on gallery wall

Have fun exploring!  You never know what will catch your eye!  Seen behind the building with the gallery as I wandered around.  Lost?  Thrown away? Stolen and abandoned?

plaid handbag with ribbon trim, outside, lying on the ground, with old wood, and a flattened cardboard box

And enjoy all that May has to offer.

red tulips

Artists whose work is shown at the gallery:

Ruby Chan
Nithursan Elamuhilan
Leeza Gheerawo
Patricia Guyader
Noor Hamadi
Anudev Kumarri
Samantha Lu
Casey Lun
Anne Ng
Dhiviya Prabaharan
Shammah Salwa
Michelle Tan

a small weed grows up beside a brick wall

 

Woodbine Beach &
Winter Stations

Woodbine beach in the winter, large trees, some snow,

faded orange wood snow fence in winter, at the beach

woman walking two dogs at the beach

below: “We Caught a UFO”.  Design Team: Xavier Madden and Katja Banović (Croatia and Australia)

public art, winter stations, on Woodbine beach, supposed to look like UFO that landed on the beach, covered with netting

young boy holding a stuffie as he sits inside an art installation at winter stations, netting a ufo

below: “Nova” designed by a team from Toronto Metropolitan University Department of Architectural Science.

nova art installation, winter stations 2024, woodbine beach, white fabric over red triangles shapes made by metal bars

shadows on white fabric of a public art installation at the beach

looking past white fabric and red posts, part of an art installation, towards the lake Lake Ontario where a couple is walking a dog on a leash

two women dressed in winter layers, with two dogs, getting a dog to pose by icicles on a shrub by giving it treats

below: “Bobbin'”  Design Team: From University of Waterloo – Max Perry, Jason Cai, Kenneth Siu, Simon Peiris, Yoon Hur, Angeline Reyes, Oluwatobiloba Babalola, Yiqing Liu, Kenyo Musa, Ali Hasan

winter station called bobbin on woodbine beach, red wood fence around a teeter totter

a woman walking a small brown dog on the boardwalk at woodbine beach

three young people jogging on the boardwalk at woodbine beach

below: “Kaleidoscopic Odyssey” designed by Brander Architects Inc., Adam Brander, Nilesh P, Ingrid Garcia, and Maryam Emadzadeh

two girls wearing pink coats play inside art installation that has many reflective surfaces

man crouching inside a tube with reflective surfaces as he takes a picture

kaleidoscope art installation reflections

below: “Nimbus” designed by David Stein

woodbine beach by Lake Ontario on a sunny wintery march morning, with art installation, part of winter stations, nimbus, designed by david stein, people walking on beach, large tree

nimbus winter station art installation at wodbine beach, large white cloud with blue rope rain

below: Someone left their ammo behind.

a pile of snowballs left on a wood bench at the beach

Hum dum dum ditty dum
Hum dum dum

below: A Porter flight approaches the island airport

porter airplane coming in for landing over Lake Ontario, with small dock in foreground

below: The Empire Sandy moored at the waterfront, with the Toronto fire boat in the distance.

the Empire Sandy, a three masted sailing ship moored at a dock at Toronto Harbour, in winter, foggy grey day

ice and reflections on the water, with ropes from a boat with snow and ice on them

“Oh the wind is lashing lustily
And the trees are thrashing thrustily

And the leaves are rustling gustily
So it’s rather safe to say

That it seems that it may turn out to be
Feels that it will undoubtedly
It looks like a rather blustery day, today”

as sung by Winnie the Pooh

windows on a boat with snow on them, ropes,

below: A kraken is taking over the boat!

picture of an octopus painted on the side of a red and black boat that is tied up at the shore

below: A large photograph, on the south wall of the Power Plant Contemporary Art Gallery is  “These Times 2019” by Anique Jordan which has been on display since the CONTACT Photography Festival last spring.

large black and white photo displayed on exterior wall of art gallery, person lying down with back to the camera

below: “Kuumba”, Photography by Stephen Tayo is on display outside at Harbourfront

large photograph displayed outside, two Black men, one has his arm around the other

harbourfront parking pavilion and entrance building with two large photographs by Nigerian Stephen Tayo featuring black men, and black hair

large photo of two Black women with their hair in curved shapes made from braids, displayed outside in winter, Queens Quay, Ontario Square

below:  Also at Harbourfront, orange ties blowing in the wind.  These are remains, and a reminder, of Orange Shirt Day on 30th September.

2 rows of orange ties hanging from tress, winter, snow covered ground, in a park

CN Tower between two condos

below:  Looking east on Harbour Street, parallel to the Gardiner Expressway, toward York Street and the wedged shaped building that has been squeezed into the space.

wedged shaped building at York and Gardiner Expressway

below: Waterfront ReConnect: Pixel Story is a “temporary creative intervention” located under the Gardiner Expressway at Lower Simcoe.  Crowd-sourced stories and memories of the waterfront each on a little blue square.  Making constructive use of a space that has been neglected for so long; adding colour and interest to what was grey and slightly foreboding.

under the Gardiner, pillars painted blue and purple

blue squares arranged in a grid as part of a public art installation. some squares have simple white pictures and some squares have words written in white

“Railways arrived on Toronto’s waterfront in the 1850s. To accommodate, a southward extension of the shoreline via infill was required. The ground where we stand now is close to the original shoreline of the lake.”

construction beside the Gardiner expressway, raised road, winter,

below:  On the north side of the Gardiner – still a little darkness lurking there.

under a Gardiner expressway ramp

below: City of Toronto sign says Tree Protection Zone.  I don’t think that I believe it.

City of Toronto tree protection zone sign on a fence around a construction supply site. no trees there, under the Gardiner Expressway

walking beside a Gardiner Expressway ramp, near York street, north side

concrete bent pillar under the gardiner painted blue with the work york, for york street,

glass structure south of the Gardiner on York

looking into entrance of 12 York, reflections in the glass

below: At this point I had had enough of the cold; it was time to check out a warmer route!  So underground I went, down into the PATH system.   The lobby of ICE at 12 York has this large circular skylight over the escalator.

skylight in roof over escalator to PATH system in ICE condos

 below: And then there is this long black, white, and chrome tunnel that connects the ICE condo and the PATH system.   The walls on both sides are reflective and it’s a bit disorientating.  Is this supposed to represent walking through a block of ice, or black ice?

tunnel from Ice Condos at 12 York to the PATH system, black and white and reflective surfaces

below: PATH, the underground rabbit warren of tunnels that connect downtown buildings to each other.  Usually I get lost down here.

on a white wall, PATH sign,

below: I found myself in a grocery store

view of shelves in grocery store

below: And I discovered that the PATH sometimes goes high, not low.  I found myself on the upper level of the Scotiabank Arena.

a man walks through the PATH system on the upper level of scotiabank arena, interior

below: There is a great view of Legends Row from up here – that’s the statues of all the Maple Leaf Captains from the past.

looking out window of scotiabank arena and seeing legends row, the line up of statues of former Maple Leafs captains

below: And inside, a collage of Leaf players hangs on the wall.

collage of Maple Leafs hockey players, framed picture on wall

below: There’s even a portrait of Justin Bieber, behind glass, wearing a Maple Leaf jersey with a Captains C on the shoulder.

framed picture of Justin Bieber in a Maple LEafs jersey, blue, with a C,

below: This is also good vantage point for all of Maple Leaf Square

Maple leaf square view towards union station with royal york hotel in background, snowy, grey day,

below: Including a close up view of the rusty metal things…  Actually it’s “Search Light, Star Light, Spot Light” (1998) by John McEwen.

rusty metal conical shapes, art, maple leaf square, metal has star shaped holes and are lit from inside

At Scotiabank Arena, the PATH splits into two possibilities.  One route is through Union Station and the other is up the escalator towards the new GO Bus Terminal.

below: Four  (or five?) John Tavares’s to give directions to the new GO Bus Terminal.  Happy to oblige!

Picture of Maple Leafs captain John Tavares in quadruplicate, in uniform and helmet, photo on the wall behind a sign giving directions to the new GO bus station

below: There is now a pedestrian bridge over Bay Street that connects the Scotiabank Arena and Union Station Bus Terminal to the new CIBC SQUARE building. This is the view looking south on Bay

view south on Bay street from pedestrian bridge south of railway tracks that joins union station to cibc square

man using phone to take picture out a window from pedestrian bridge, another person watching him as he walks past

below: Along the north wall of the bridge is a work by Nicolas Baier called “Mycelium”.  It is a network of LED lights and it is visible from outside as well.

elevated enclosed walkway over street, with one wall made of glass with artwotk of LED lights running through it

reflection in mirrored glass with a network of L E D lights running through it

below: At CIBC Square there is a new rooftop garden/park that has a tall  skinny metallic tree, along with some real trees. There is no access to it yet but it will probably  be a more welcoming in a few months.

rooftop park, closed for winter and construction, cibc square

At this point I retraced my steps back through Scotiabank and then walked through Union Station where I learned that a small space has been set aside for a temporary roller skating rink.  Free rentals. Free entry.

two women roller skating, one has fallen and the other is helping her up

below: He still stands outside Union Station with the flock of birds flying around while the sun reflects off the gold tinted Royal Bank Building.

sculpture outside union station, man with birds flying around him in partial sphere shape, gold coloured rbc building behind him

below: Steamy Yonge Street on a cold day

Yonge street looking north at king on a cold winter day, steam coming from manhole, steam and fog above the street too

below: Development notice outside 69 Yonge Street.

blue and white city of toronto development notice outside door of 60 yonge street, orange and black traffic construction cones in front of the building

below: C’est tout. Fini. Time to go home.

a man stands on the platform at king subay station, talking on his phone

 

If you are interested in photography, especially taking pictures of people, then I highly recommend seeing the current exhibit of Arthur Newman’s black and white photos at the Art Gallery of Ontario.  Newman was an American photographer born in New York City in 1918.  He is known for his work with portraits, especially with ‘environmental portraits’.  These are images that are much more than head shots as they include context that provides further information about the subject.  Often the location or the accessories used in the shot were more dominant than the person being photographed.

Keep in mind that these are pictures of framed photographs hung in a room with low light, i.e. they are much better in real life.

below left: Michel Tapie, art critic and curator
below right: Georges Mathieu, French painter

black and white portrait by Arnold Newman, 2 portraits, on right is Georges Mathieu a French Painter and on left is

below top: from left to right – Phillip Glass 1981 composer, artist Roy Lichtenstein 1975, and Annie & Josef Albers 1976 (also artists)
below bottom: (all painters) from left to right – Edward Hopper 1960, Richard Artschwager 1987, and Lily Michaels 1959.  The image that is only partially shown is of Martha Graham, dancer and choreographer taken in 1961.

on wall at art gallery of ontario, black and white portrait by Arnold Newman, 6 photos

below: Israeli artist Moshe Kupferman, taken 1982

black and white portrait by Arnold Newman, of artist Moshe Kupferman

below left: Abstract image in home of Yechiel and Haviva Shemi, 1982
below right: Allen Ginsberg, poet, 1985

at art gallery of ontario, exhibit of black and white portraits by arnold newman, photo of poet alan ginsberg kneeling on a bed

below: Jean Arp, sculptor, 1949

at art gallery of ontario, exhibit of black and white portraits by arnold newman of french sculptor jean arp

below left: Jean Cocteau, 1960, writer and visual artist
below right: Yaacov Agam, sculptor, 1966

at art gallery of ontario, exhibit of black and white portraits by arnold newman, 2 photos

below left: Julio La Parc, artist, 1967
below right: Lee Krasner, artist 1973

at art gallery of ontario, exhibit of black and white portraits by arnold newman, 2 photos

below: John Hay Whitney, taken 1947.  Whitney was chairman of the board at MOMA (Museum of Modern Art) in New York City.

portrait of John Hay Whitney taken by Arnold Newman

below: Priscilla Colt and Thomas C. Colt Jr., 1950, museum directors, Portland Art Museum, Oregon.

portrait taken inside an art gallery, beside a scultprue of a standing figure, a couple,  photo taken by arnold newman

black and white photo by Arnold Newman of a man holding a picture frame around his head

Unfortunately this show ends this weekend, on the 21st of January.  I didn’t realize that it was ending so soon so I am glad that I caught it when I did.

The photography of Wolfgang Tillmans (b. 1968 in Germany), “To Look Without Fear” is on display helter skelter on the walls of the upper floor of the Art Gallery of Ontario.  Breathtaking in its audacity, but to speak without fear, overwhelming in its mediocrity.

view through an open door into a gallery room where people are looking at papers displayed on a table

There are some outstanding moments of brilliance and/or technique but they are swamped by lesser pieces.

Wolfgang Tillmans black and white photo of a man encountering a deer on a beach

people in an art gallery

people in an art gallery looking at photos by Wolfgang Tillmans including two scantily clad men up in a tree

Some of the best photos were those that had been printed in newspapers such as this photo of refugees in East Timor.

newspaper picture of refugees in East Timor, large boot of a soldier in the foreground

people in an art gallery looking at photos by Wolfgang Tillmans

people in an art gallery looking at photos by Wolfgang Tillmans

people in an art gallery looking at photos by Wolfgang Tillmans

looking at photos on a gallery wall

people in an art gallery

Exhibit continues until then end of September 2023

Earlier in May there was a collection of works by Vancouver based Jin-Me Yoon at the Image Centre (Toronto Metropolitan University).  She was a 2022 Scotiabank CONTACT Photography award winner.

below: Part of the large work, “A Group of Sixty-Seven”, 1996.     These are members of the Korean-Canadian community in Vancouver and they are all standing in front of the same painting, “Maligne Lake Jasper Park”, 1924 by Lawren Harris.  There is a companion piece that shows the back of each person’s head instead of the face.

Many of the images on display featured people in masks.

below: “Untitled 6 (Long Time So Long)”, 2022, inkjet print.

The words on the all for this exhibit describe the ‘Long Time So Long’ series as “absurd satirical elegy to a broken world”.  In each photo, one person is seen in a mask, posing at different sites creating little stories, little dramas just like Korean talchum mask dances and theatre.  Masks to facilitate stories; masks as entertainment.

below: Is it the inside or outside of the mask?

At the Art Gallery of Ontario (AGO) at the moment is another set of photos with masks.  This time the series is “Acts of Appearance” and the photographer is Gauri Gill (b. 1970, India).  Gill had traditional mask makers create a series of masks for her.   Instead of the usual religious masks that they make, she asked them to make masks of themselves or of ordinary things in their lives.

close up of photograph on a gallery wall, a couple sits on a bench, both wearing hindi masks. The man is in navy shorts with white stars on them and a long sleeved buttoned shirt, woman is in red leggings and an animal mask

Gill’s subjects, as well as the mask makers, were from an indigenous community (Adivasi) in Maharashtra India. They are known for their papier-mâché objects especially the traditional sacred masks that depict deities and are worn during festivals.  The main festival is the three day Bohada Festival (usually in May) where people wear masks of 52 different gods and goddesses.

two photos on a red wall at the Art Gallery of Ontario, photos by Gauri Gill, people wearing Hindi masks

 

people in a white truck, photo in India by Gauri Gill, person looking out of back seat window has a large white happy face mask on

Masks appear in many cultures and feature in many religious activities.  The practice goes back many millennia and probably finds its roots in shamanistic activities.  Shamanism played an important part in primitive societies as the channeler of spirits for healing, purification, and protection of those under his supervision. Masks helped the shaman embody one of the spirits (or gods/goddesses) and use it to heal the sick, drive away evil influences, and help people through events that might be affected by the spirit world. When hung in a house, the mask served a protective function.

below: One-eyed shaman mask made of wood, on display at the Art Gallery of Ontario.

very old wood shaman mask with one eye on display at the art gallery of ontario

below: “Raven Steals the Moon”, 2021, by David Ruben Piqtoukun.  Art Gallery of Ontario.  From the words on the wall beside the artwork: ” In this sculpture the Shaman appears as both human and bird, with pieces of the moon stuck in his beak.  Piqtoukun tells the story of a Shaman who was not respected by the people in his community because they did not believe in his powers.  In order to prove himself, he tells them that he will steal the moon an bring it back.  He asks everyone to cover him with rocks and snow, and uses his powers to steal the moon from the sky.”

He accomplishes this by turning into a raven and flying to the moon.  Once there he grows very big and eats the moon, piece by piece, until it is gone.  The world goes dark and people can not hunt or fish.  [My note: why can’t they hunt and fish during the day?]  Shortened version of the ending: people repent and change their ways so raven spits up the moon piece by piece and makes it whole again.

sculpture of a mask with two sides of the face different

Masks bridge the spiritual and earthly worlds.  They also connect religion to art as well as to other aspects of culture.  They become part of theatre and drama and allow us to become different people or different creatures.   They help us tell stories and both Gill, with her use of masks to alter the ordinary, and Yoon, with her masks that highlight the absurd, are part of that age-old tradition that transcends cultures.

Under the masks are faces.  And faces play a large role in   how we see ourselves,  how we look to others,  and often more importantly, how we want to be seen by others.   Jin-Me Yoon’s portraits of Korean-Canadians puts very Asian looking people in a static pose in front of a scene created by a very iconic Canadian painter.    How do we portray ourselves and our communities especially when we want to move beyond the physical?  These are just some of the things that I thought about as I walked through the AGO (having just seen the Yoon exhibit that morning).

below: “Her Blood Spoke in Creole, in Gaelic, in Twi, and in Yoruba”, 2021, Alberta Whittle (b. Bridgetown Barbadoes, 1980).

painting in predominantly purple, two headed serpent, one head at each side of face of a person with a white halo, Alberta Whittle, at AGO

But art looks more than one way.  Like the purple Whittle piece above, we use it to look inward and to express ourselves and our situations.  But we also look outward as we explore and document the world around us.

below: Photo by Louie Palu (b. Toronto 1968),  “Afghan civilians by a graffiti-ed wall with machine guns and anti-coalition slogans in Pashto (‘Death for America’, ‘Death for London’). Helmand Afghanistan 2008.

photograph in a gallery, three young men, one is looking at camera, Arab clothing,

What makes us want to look at the images produced by other people?

a man with a red backpack stands in an art gallery

What makes us want to stop and take a closer look?  The average person looks at a painting in a gallery for about 15 to 25 seconds (depending on which study you read).   Admit it, you scan through these photos fairly quickly!  Maybe you catch a few words; maybe you don’t.

a young man in a gallery stands close to a photo of a man with his hands partially covering his mouth and chin and nose

woman looking closely at a wall full of photos

The self portrait – artists have been creating them forever.

below: “Self Portrait with Blue Handkerchief”, 1941, by Alma Duncan (b. Paris Ontario 1917, d. Ottawa 2004).

painting in a gallery, self portrait

Of course technology has made it possible for everyone to “take selfies” whenever they want.  Whether it’s art or not is an entirely different question!  If you could paint (or other medium) a self portrait of yourself how would it differ from a photo?   How could you convey something more about yourself?  What stories would you want the world to know?

a young woman sits on a bench taking a photo while a man waits with her at the other side of the bench

This blog post has veered in a different direction from most and has been a bit weird to write.  It’s not often that I get distracted by thoughts and questions.  But I hope that you’ve had a chance to think along with me at least for a short time.

reflection of a person in a patterned reflective wall

And maybe the next time you’re out walking you’ll start thinking about some of the stories that are swirling around us.

two men walking through the art gallery of ontario

I’d like to end this with a quote that is displayed on a wall at the AGO: “All that we are is story.  From the moment we are born to the time we continue our spirit journey, we are involved in the creation of the story of our time here.  It is what we arrive with.  It is all we leave behind.  We are not the things we accumulate.  We are not the things we deem important.  We are story.   All of us.  What comes to matter then is the creation of the best possible story we can while we are here; you, me, us, together.  When we can do that and we take the time to share those stories with each other, we get bigger inside, we see each other, we recognize our kinship – we change the world, one story at a time.”  Richard Wagamese (1955-2017) Ojibwe author and journalist.

below: At 460 King West (at intersection with Spadina) there is a mural on the wall and a poster in the Pattison advertising space. Both are part of the CONTACT Photography Festival.

view from parking lot on Spadina, large image on wall of adjacent building

a contact photography festival image, as a large mural, by Jake Kimble showing the artist as a young boy dressed up as a cowboy with large text added to photo that says I was told that the peace was mine to keep

Jake Kimble is a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in the Northwest Territories. The original photograph is of Kimble at age 6 or 7 and it was taken by his mother. In it he is wearing a cowboy at and apparently he was on his way to the Calgary Stampede.

“I was told that peace was mine to keep.” On the CONTACT webpage that describes this installation, this text is “the statement of a promise unfulfilled or a burden to bear. The phrase implies both that peace was his, and its opposite—that he was to be the peacekeeper”.

May 2023 edition

woman sitting in a chair in an art gallery

below:  “In the Comfort of Embers” by Amartey Golding. Photography, video, objects, all in a darkened red space.

Amartey Golding installation at the Power Plant art gallery, red lights,

photograph on red wall, person helping to light a cigarette for man in a hoodie

below: “Drink from the River” by Brenda Draney – a collection of her paintings.

woman in an art gallery looking at some paintings

painting by Brenda Draney of two women at a table

below: A lime green webbed folding lawn chair on a red surface dominates this picture and overpowers the large negative space.

painting on a wall in a gallery, a man in white cap sitting beside a green lawn chair on a red table

below: “Decoded” by Joi T. Arcand.  The walls are covered by this blue and pink striped design.  Using the pink plastic hearts, one can look at the wall  and see things differently – can you find the words, can you decode the message?

pink heart shaped plastic beside a wall of blue and pink stripes

below: Black and white photographs by Anique Jordan both inside the gallery. “Glitches”, a woman on a bed holding two large chunks of watermelon.

black and white photo by Anique Jordan, woman sitting on a bed with half a watermelon, black and white

below:  … and on the exterior south wall.  “These Times 2019” by Anique Jordan

large black and white photograph on an exterior wall, black woman lying on bed with back to the camera, in white t shirt and black and white patterned shorts

two people sitting on a bench by the waterfront, beside boat with a lifeboat

Just outside the Power Plant Contemporary Art Gallery is Ontario Square.  There is another art installation there – Double Pendulum by Maggie Groat.  Photos of that display are in a previous blog post (Double Pendulum, 19 May)