Relentless

Ubiquitous

These are two apt words to describe construction in Toronto, or to be more precise, the tearing down of  older houses and building smaller condo units or townhouses in their place.  We are experiencing the downsizing of living space as land values continue climbing upwards.

I drove past this Bayview Avenue house on the weekend and was intrigued by the look of it – a pale yellow,  once grand older house now sitting empty.   Many of the mature trees that were in its front yard have been cut down so the house is now easily visible from the street.  I went back to that section of Bayview Avenue with my camera yesterday morning.

older two storey house, pale yellow, with black and white trim and black front door, mature trees in the front yard.

There wasn’t much of a chain across the front yard so it was easy to walk up to the house.  It looks like the front door hasn’t been used in quite some time.   The window appears to have an old fashioned storm window on the outside although the shutters look more modern.   I’d love to know the history of the house (How old is it?  I suspect that it was built when this section of Bayview was still on the fringes of the city and before Bayview became 5 lanes wide but I don’t know for sure.)

front door of an older house, number 2450, pale yellow walls, white frames around door and window, black door, black shutters,

Right next door is this large bungalow:

large bungalow set back from the street behind a few pine trees, brown roof, stone facing on the exterior, large lawn,

Originally built as a family home, this became the Bayview Hebrew School of the Arts in 2008.  The school is relocating and the building now sits empty.

nonsdescript white double doors as front entranceway of a house, flagstone steps and porch are buckling as is the ashphalt walkway leading to the front door.

looking through the front window into an empty building, looking through the back windows to the yard beyond.

Just up the street was this house.  It looks empty but there was a recycling bin beside the garage and some curtains in the windows so I didn’t wander up to the front door…. even though I really like that red door!  There was no chain across the driveway, nor were there any “keep out” signs.   Neither of those things would stop me, but they are good indicators that no one lives there anymore.   Google street view of this address is from August 2015 and at that time there was a for sale sign on the property.

bungalow set back from the street, large front yard with uncut long grass and a few mature trees, also a low wood fence,

The above are the “going” half of the title of this blog post.  The “coming” are these doors under construction; they too are on this part of Bayview Avenue.   Side by side front doors with a concrete layer between them – two of a row of five townhouses.  One day (soon?) someone will be able to walk in their front door and go up a level or two, to floors that haven’t yet been built.

from the front, street view, two of a row of townhouses under construction, plywood exterior with holes where the doors and windows are going to be.

This is the development that caused an uproar a year ago when they illegally clear cut two lots – cutting down about 30 large trees including a linden tree that was close to 150 years old in the process.  According to the City of Toronto Municipal Code Chapter 813, Article III, conviction for cutting down a mature tree  results in a “minimum fine of $500.00 and a maximum fine of $100,000.00 per tree involved in an offense; a special supplementary fine of $100,000.00 is also possible.” (source).

In October 2016, Format Group (the developers involved) paid a fine of $155,064.  This amount includes $657.30 per tree to cover city inspection costs and $116,600 for the planting of 200 new trees — mostly at other sites.

The two lots will be developed into 11 3-storey townhouses and 4 single family houses.  All units have already sold.

a row of townhouses being built, the lower floors are framed with plywood, the upper storey hasn't been started yet.

Before I leave the area, there is something similar going on across the street.

tree with yellow caution tape in front of an empty lawn with empty house in the background

First – there is this empty house sitting on a corner lot at Bayview and Wilket.  This one property is the future home of seven 3-storey townhouses as well as one single detached house.   Does anyone want to do the math on the potential profit – one house for 8 units in a time where even a townhouse sells for more than a million.

driveway and entranceway of a brick house that is now empty

Second – this sign has also appeared nearby. When I checked their website I found this description: “Located in north Toronto, The Bridle Path is synonymous with prestige and exclusive luxury. Known for its spectacular homes and refined neighbourhood character, it’s no wonder that this is the place that Toronto’s discerning elite prefer to call home. Now, on Bayview Ave. in the heart of the Bridle Path neighbourhood, Kingsmen Group is excited to introduce a new luxury townhome community that embodies the very essence of refined prestige living. Register today for more information coming soon.”

There is so much wrong with that paragraph.  I wouldn’t call this part of Bayview a part of the Bridle Path neighbourhood; you might be able to make an argument that it’s on the fringes of said neighbourhood but that would be stretching it.  “Prestige” and “luxury” are words that are so overused that they are almost meaningless with respect to Toronto real estate.   It seems silly to compare a townhouse on Bayview with the homes on the Bridle Path but I guess that’s what sells.  Actually, you could probably sell them without such a comparison!

sign advertising new townhouse devlopment by kingsmen Group inc.

Oh dear, I want to call this a Thursday Doors post so I’d best call it quits here.  I’ve probably already strayed too far off topic!  For more information on the Thursday Doors project see here.

‘Making Peace’ is a traveling exhibit that is being shown in Toronto at the moment.  It was produced by the International Peace Bureau (IPB) and was first shown in in 2010 as a celebration of the 100th anniversary of the 1910 Nobel Peace Prize that was awarded to IPB.  It’s purpose is to promote peace as well as educate and inform.

It can be seen until the end of June on Front Street East in the Canary District (by Corktown Commons, east of the Distillery District).    In Toronto, the exhibit involves short four-sided pillars that line the sidewalk and each side of every pillar has a photo with a description or a quote from a famous person.  There is also a temporary gallery in an indoor space ‘loaned’ to the exhibit by one of the developers in the Canary District.

below: A painting in progress by Ford Medina showing Nelson Mandela in five colours.  These colours carry over into the outdoor exhibit and each colour represents the five main elements that IPB considers necessary for peace:
1. disarmament and nonviolence (purple)
2. conflict prevention and resolution (red)
3. economic and social justice (orange)
4. human rights, law and democracy (blue)
5. environment and sustainable development (green)

indoor temporary gallery for the Making Peace exhibit, a painter is in the midst of creating a large painting of five copies of a picture of Nelson Mandela, each copy is in a different colour, purple, red, orange, blue and green,

below: The display extends into Corktown Commons.  Here the pillars are green as this is the section for the fifth element named above, the environment.

outdoor exhibit, Corktown Commons, short pillars with 4 sides, each side has a picture and a description, the background colour is green which represents the environment and sustainability.

below:  Photo by Ribeiro Antonio.  The words that accompany this photo are: ” On 25 September 2015, the 193 countries of the UN agreed to an historic plan of action, entitled ‘Transforming our world: the 2030 Agenda for Sustainable Development’.  This plan contains 17 goals with 169 targets covering a broad range of sustainable development issues.  These include ending poverty and hunger, improving health education, making cities more sustainable, combating climate change, and protecting oceans and forests.”  If you are interested in this, there is more information on the UN website.

a photo of a person dressed in a large blue and green Planet Earth costume, holding the hand of a young boy as the walk on a beach towards the water

below: Blue is for human rights, law, and democracy and here you have an old black and white photograph of Sylvia Pankhurst (1882-1960), a British campaigner, apparently taken when she was in Australia speaking out on behalf of woman’s rights as part of the Suffragette movement.  The Suffragettes (or Women’s Social and Political Union or WSPU) was founded by a small group of women in 1903, including Sylvia, but during WW1 Sylvia was expelled from the WSPU because of her pacifist views and anti-war actions.  Her sister Adela shared similar views – she immigrated to Australia where campaigned against the First World War.

a vintage black and white photo that is part of an exhibit, outdoors, called Making Peace

below: Two photos.  The one on the right, of the woman holding the flower in front of the armed soldiers, was taken at a Peace March against the Vietnam War in Washington DC in 1967.  The photo on the left was taken in 2001 and is the back of a Kamajor fighter in Sierra Leone.  They played a role in the civil war that occurred in that country between 1991 and 2002.

2 sides, taken from the corner, of a box like structure, with black and white photographs on the two sides, one of the back of a man with a rifle across his shoulders and a backpack that says Lets go to school. The other photo is a woman standing up to a line of soldiers with bayonets.

below: A couple of the red pillars on Front Street with the blue sculpture, “The Water Guardians ” behind them.   The images on the closest pillar are of inside the Holocaust Memorial in Jerusalem as well as UN peacekeepers in Bosnia.

an outdoor art exhibit on peace, two of the structures used for mounting pictures on, with the blue sculpture on Front Street, Canaray District, in between the two boxes.

below: Closer to home, this pillar celebrates the work of the Toronto Parks and Trees Foundation.   Working with the city as well as with community groups, businesses, and individuals, they help to increase  Toronto’s tree cover.

a set of four photos about planting trees on the side of a square pillar, one of many pillars that are arranged in a line on the sidewalk.

“Earth provides enough to satisfy every man’s need, but not every man’s greed.”  Gandhi

below: Homeless migrant worker, China

picture of a woman sleeping underneath a picture of a woman lying on a bed, shown outdoors so there are some tree leaves in the picture

The exhibit continues until mid-September.

The water levels in Lake Ontario are higher than normal this spring – some beaches are under water and a large percent of the Toronto Islands are flooded.  In front of the Power Plant Art Gallery the water level is even with with the concrete walkway… but not high enough to deter people from enjoying the waterfront this past weekend.

a young couple sits by the waterfront, on a stone bench. He has his arm around her. There is yellow caution tape behind them because the water level in Lake Ontario is high.

It seems appropriate that the artwork on the exterior wall (facing the lake) of the Power Plant features an image of water – white crested waves on a large lake.  The piece is “Bound, Hupfield 2017” by Maria Hupfield; it is 19 feet high and 31 feet wide.   The central image is a seascape painted by the artist’s mother, Peggy Miller, many years ago.  It is being wrapped (unwrapped?) with grey felt-like material.
Is it a treasured artwork that is being readied for storage?
Is it a painful memory that is being covered up to be forgotten?
Is it a family heirloom that is being brought out for someone to admire?

a large art installation on the south exterior wall of the Power Plant contemporary art gallery, with a small tree in front of it.

a girl sits on the rail between the walkway on the waterfront and the water while she reaches a hand out towards a duck. Her mother and younger sister watch.

a mother crouches down beside a young child who is wearing a helmet and is on a scooter, the mother is waving at the Kajama as it docks, the Kajama is a boat with sails that gives tourists rides on Lake Ontario

If you are interested in more information about Maria Hupfield, check the CONTACT website.

“Objects contain meanings beyond their materiality, meanings that we bring to them or receive from them. Objects are the result of an action, entail a trace of a human gesture, and trigger reactions and memories. They have the potential to be read collectively or personally. In her artistic practice, Maria Hupfield reveals the interrelational potential triggered by objects between humans or cultural environments.”

I was away for most of the month of May so I missed a lot of the annual Contact Photography Festival.  In the few days that I had to catch up, I visited a few of the exhibits.  One of these was ‘Nous ne somme pas des heros’ (We are not heroes) by Valerie Blass at the Allen Lambert Galleria in Brookfield Place.

two large cubes constructed from pieces of photos of different people in different positions sit in the middle of Brookfield Place, under the glass arched roof.

Blass arranged people in sculpture-like poses and then photographed them from different angles.  The photographs were then cut into sections, glued on blocks,  and then the ‘sculptures’ were re-assembled.

a large stack of blocks with black and white photos of people on them by Valerie Blass.

The subjects of the sculptures are anonymous.  Their “bodies fold inward, their differences intertwine and merge into single entities” (source).

photographs of the back of a person with another person sitting on his shoulders, upper person is leaning forward with head down, the blocks on which the photos are printed are in the walkway at Brookfield Place

bottom part of photos by Valerie Blass on a block at Brookfield Place as part of Scotiabank Contact photography festival, feet. Also the feet of people walking past.

A detour, with pictures

Posted: April 22, 2017 in general Toronto

Not much blogging has been happening here because once again I’m on the road.  At the moment I’m spending a few days in Sophia Bulgaria.  Winter decided to give us one last blast of snow and frigid temperatures so I hid away in the National Gallery for a while the other day.

below: Three pictures. Not the brightest or the best but I was looking at the overall composition and trying to illustrate the general appearance of the rooms.  From left to right: 1. The Blue Door by Dimitar Arnaudiv (1933-1989), 2. Composition with Child by Radenko Misevic (1920-1995) and 3.  Guest by Ivan Kirkov (1932-2010).

Most of the rooms featured Bulgarian artists.  There was a few other European artists represented… a couple of Delacroix sketches and some old Dutch school painters to mention a few.

below: A larger than life statue of a painter in front of a large painting.  I couldn’t find any sign that named the painter but in one corner there is some Japanese (Chinese?) writing.  The statue is “Figure of Dechko Uzunov” by Dmir=tar Boikov (1927-2000)

Other interesting paintings and sculptures….

below: Threat by Georgi Chapkanov (b. 1943)

below:  The bust is “Portrait of Alexander Apostolov” by Nikola Chavdarov (1931-1966) and the painting is “Portrait of Valeri Petrov” by Naiden Petkov (1918-1989)

And ending on a colourful note –

below: Zoev’s House in Karlova by Nikola Tanev (1890-1962)

That’s just a brief look at some of the Bulgarian art that I have seen on my travels.  I’m not sure how much I will be blogging over the next while…. but stay tuned!  You never know (and neither do I!)

subtitle: Hanging out in front of Queen’s Park

There is a collection of statues in the front of Queen’s Park.  With the exception of the statue of Queen Victoria, they are of men who helped shape Toronto, Ontario, and Canada in the early years.    I was going to spend some time writing about what each person did but this post started to become very dull.  I don’t mean to diminish the accomplishments of these men, but reading a summary of their lives isn’t the most interesting way to spend time.   If you want to learn more about any of them, I’m sure you can find much more information online!

First, the monarch.  Queen Victoria.  She was born in 1819 (almost 200 years ago!) and became Queen in 1837 when just 18 years old.  She reigned for more than sixty years until her death in January of 1901.   Her husband, and father of her 9 children, was her first cousin Prince Albert of Saxe-Coburg and Gotha.   The fact that her statue’s here is no surprise.  Queen’s Park was named in her honour after all – it was opened by her son Edward in 1860.  The statue though didn’t appear here until 1902, after her death.  It was designed by Mario Riggi.

statue of Queen Victoria in bronze. She's seated, wearing crown and holding mace/staff

Also in the front of the parliament buildings are the statues of six other historical figures:  Sir John A. Macdonald, John Graves Simcoe, Sir Oliver Mowat, George Brown, John Sandfield Macdonald, William Lyon Mackenzie, and Sir James Whitney.  Most people would recognize Sir John A. Macdonald as the first Prime Minister of Canada and some Torontonians might be familiar with the contributions of Mr. Simcoe to their history, but the other four men, who are they?

Let’s start with John Sandfield Macdonald (no relation to Sir John A. )   He was born in Glengarry County Upper Canada in 1812.  He was the first Prime Minister (Premier) of Ontario, starting with Confederation  and the formation of the province of Ontario on 1st July 1867.  He held that position until 1871.  The sculpture is by Walter Allward, 1909.

statue of a man, John Sandfield Macdonald, in front of the parliament buildings at Queens Park. An Ontario flag is reflected in the windows of the building.

 

Next,  Sir Oliver Mowat .  He was born in Kingston Ontario in 1820.  In 1840 he moved to Toronto to study law but in 1857 he was elected a Liberal member of the Legislature of the Province of Canada.  He held various government positions at both the provincial and federal levels up until his death in 1903.  He took part in the Quebec Conference of 1864 which led to Confederation in 1867.  He was the third Prime Minister (Premier) of Ontario after John Sandfield Macdonald and Edward Blake (who was leader for less than a year and has no statue).  He led from 1872 to 1896.     During his almost 24 years as leader of the Ontario Legislature he introduced the secret ballot in elections and extended suffrage beyond property owners.  He also created the municipal level of government.  Between 1897 and his death he was a Senator and then the Lieutenant-Governor of Ontario.  This monument was unveiled in 1905 and was also designed by Walter Allward.

black statue of a man, Sir Oliver Mowat, standing with a book in one hand, and the other hand behind his back. The figure is on top of a grey stone rectangular column, autumn tree in the background.

below: Sir James Whitney was a member of the Ontario Legislative Assembly from 1888 until his death in 1914.  For the later part of those years he was the Premier of Ontario – he was elected four times as Premier.  The statue was sculpted by Hamilton MacCarthy and was unveiled in 1927

statue of a mna with his right arm extended, Whitney, in front of the parliament buildings at Queens Park.

I’ve also included William Lyon Mackenzie (1795-1861) with this group of men even though his statue is more to the west of the parliament buildings than in front of them.   He was the first mayor of Toronto (1834) although he was only mayor for a year.   He was also a leader of the Upper Canada Rebellion in 1837.

statue of William Lyon Mackenzie, shown from the waist up and missing his arms, trees in leaf behind him,

below: The oldest man of the lot is John Graves Simcoe (1752-1806), founder of the city of Toronto, the designer of Yonge Street, and one busy man in his time.

statue of a man in bronze standing on a grey stone column, yellow tree behind him. He's got a sword in one hand, with its point on the ground and he is leaning on it slightly

And last, the most well known of the men, Sir John A. Macdonald, first Prime Minister of Canada.

statue of Sir John A. Macdonald, first Prime Minister of Canada, on a grey day, in front of the Ontario Legislature at Queens Park in Toronto,

 

 

 

April 1st was International Pillow Fight day and like previous years, a group gathered at Nathan Phillips Square armed with pillows and ready for a fight.  Swinging, ducking and hitting as well as laughing and smiling, ensued.

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

below: Superman made an appearance

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square, father and son

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square, a girl and a boy wearing a hot dog costume

people, pillow fight, Nathan Phillips Square, two young girls

pillow fight

people, pillow fight, Nathan Phillips Square

people, pillow fight, Nathan Phillips Square

below: A well deserved rest after a fight well fought.

two boys lie on pillos on the concrete ground of Nathan Phillips Square

Mt. Pleasant cemetery is the final resting place of about 168,000 people.  A small percentage of those are interred within mausoleums, some of which are fancier than others.   The following is a sample of the architecture of the mausoleums that I have seen there (including the doors of course).

below: The Eaton family mausoleum with its corinthian columns.   Timothy Eaton is buried here, the founder of the Eatons department store chain (that no longer exists).  Timothy apprenticed to a merchant in Ireland before emigrating to Canada.  After working in a number of stores in Ontario, he purchased a business at the SW corner of Yonge & Queen.  His store was one of the first to sell goods at a fixed price and only for cash…. no bargaining and no credit.

entrance to Eaton tomb/vault at Mt. Pleasant cemetery, two lions beside the steps that lead to the metal door, large corninthian columns on either side of the door.

fancy stone work over the top of the metal door in the Eaton vault. door is greenish colour with age

close up of a pane in a window with a metal window frame, square with lines dividing the pane into 8 triangles, stained glass window in the background. Looking into a vault at a cemetery

below: The Cox family mausoleum which was built in 1905. Sixteen people are buried here including George Albertus Cox (1840-1914) a business man and Senator, his two wives Margaret (d. 1905) and Amy (d. 1915) and their six children.   The building was designed by Sproat & Rolph who were the same architects that designed the Canada Life Building and the Royal York Hotel.  It cost $50,000 to build.

a metal door in a building in a cemetery, three large columns on each side of the door

below: Detail of the flower motif on the windows of the door above.

looking through the metal bars of a window, bars have little flower shaped metal pieces on it, looking into vault in cemetery, stained glas window in the background.

below: Robert Emmet Kelly died in 1915 while on his honeymoon in Atlantic City.  His wife Bessie had this monument built in his honour.  She was buried there when she died in 1964, 50 years after her husband.

small building in cemetery with words Robert Emmet Kelly carved in stone across the top of the door

below: Last, but not least, the Just sisters.   This mausoleum was originally built for Sir Frank Baillie who died in 1921.   His remains were moved to Oakville in the 1960’s and the building sat empty for a few years.  It was purchased by the Just family and now Gloria Irene Just (d. 1977) and Gladys Irene Just (d. 1970) are interned here.  They were daughters of Thomas Fullerton Just, a mining equipment dealer from Quebec.  Someone has left flowers.

front of cemetery tomb for Just family, wood door with engravings on it.

If you are interested in doors, there are lots of blogs that feature door photos on Thursdays…. check out Thursday Doors organized by Norm 2.0 for more information.   This post is a little late but shall we pretend that it’s still Thursday?

small painting of a red headed woman torso, amrs, and head, in a gold frame on a wall with lots of other paintings, except on e is missing and there is a white sign saying why its missing

All kinds of thoughts went through my head as I stood and looked at this painting at the Art Gallery of Ontario (AGO).  A little ho hum and a little melancholy and a little well what next.  There were no new exhibits since the last time that I visited the AGO and quite a few galleries were being prepared for new showings (i.e. closed).   A little bit of that’s a waste of time.   Even here there’s a painting missing.  … no, it’s only a waste of time if I let it be.

I stood and studied her face, the expression on her face, the tilt of her head and one hand held up.  What was going through her head?  Was the artist trying to tell us something about her?  Or was he just playing with composition in a limited space?  And that’s when the game began – what expressions hang on the walls of the AGO?  A sample:

 

below: part of “Time Dissolve” created around 1992 by Carl Beam (M’Chigeeng Ontario 1943-2000) using photo emulsion, acrylic and pencil on canvas.

part of Time Dissolve, an artwork by Carl Beam. Old photo of a woman seated on the ground bRed letters saying my mother are written on the woman and a red circle is around the boy's head

below: manipulating a series of portraits by Will Gorlitz (b. Argentina 1952).  The paintings were done in 1984 and are called Genre IV, Genre XVI, etc.  Nameless.   Unless her name was Genre and he’s painted her 6 times (one of the paintings in the row is not included here).

a series of 5 women's faces hung in a row on the art gallery wall, paintings by Will Gorlitz

below: Two pieces.  A sculpture called  “Eskimo Mother and Child” (about 1938) by Frances Loring and the portrait “Bess” by Canadian painter Lawren Harris.   I have talked about Loring in a previous post.

a sculpture of a woman with a child on her back, called Eskimo Mother and child by Frances Loring. She stands by a painting by Lawren Harris called Bess which a portrait of a woman in a black hat and black coat

below: part of “Melancholy”, oil on canvas, by Hendrick Terbrugghen (The Netherlands, 1588-1629)

a painting of a young woman sitting, with her hand resting on her hand, elbow on table, lit by candle light, called Melancholy painted by Hendrick Terbrugghen

below: part of “Waitress”, oil on canvas, by Shelley Niro, 1986  (b. USA 1954)

a painting of a waitress wearing black glasses serving a plate of food to a surprised looking red head woman with green eyes, called Waitress, painted by Shelley Niro

below: Engraving on paper, “Drunken Men at a Table” by Gillis Van Breen, Dutch, around 1600.

engraving on paper called Drunken men at a table, by Karel Van Mander, done late in the 1500's

below: The last picture is obviously from a painting with a religious theme. Unfortunately, the photo that I took of the tag with the artist’s name is too blurry to read.  I tried a google search on the image and the first hit was the Wikipedia page for Paul Bernardo.  Oh dear, Google that’s a fail… apparently it’s similar to a figure in a painting by Bernardo Carbone who was a painter in the 1600’s.   So Google put 2 and 2 together and got 17.   Hopefully you (and I) don’t get many 17’s!

part of a religious painting of a young man in a red robe kneeling before another man in white who has one hand on the young man's shoulder.

It was a foggy morning when I walked down McCaul Street.
The CN Tower had its head in the clouds.

looking south on McCaul street towards the CN tower, the top of the tower is covered in low cloud.

below: As I walked south on McCaul, this wall caught my eye.  It’s in an alley that runs perpendicular to McCaul but it can be seen from the street.

A quote by Voltaire in large capital letters, Anything too stupid to be spoken is sung.

below: There are a number of small lanes and alleys in the area and like most alleys, there was graffiti to be found such as these two animals – a whale and a bird having a friendly chat.

Two roughly drawn graffit animals on a wall, a duck and a whale, both in white paint with red details

below: Bugs Bunny is easy to find; he’s on McCaul.

mural of bugs bunny lying on the ground, head on elbow, eating a carrot

below: Just around the corner from the Wascally Wabbit is the Cat in the Hat from the Dr. Suess book of the same name.  This time, the cat’s mischief involves a can of spray paint.   Extra info: yes, you can still get Krispy Kreme doughnuts in Toronto.

mural of the cat from the cat in the hat, the kids book by Dr. Suess, he's holding a can of spray paint.

below: More Dr. Suess, this time Thing 1 and Thing 2.  They are on the same mural as the Cat in the Hat and are running towards him.

thing 1 anf thing 2 from Dr. Suess Cat in the Hat in a mural on the side of a building.

below: Once upon a time you could smell fresh bread when you walked down McCaul but now Silversides bakery sits empty.

empty brick building, with ghost of sign that said Silversides in cursive writing,

below: Old row houses on Baldwin Street.  Most of the remaining old houses on Baldwin, especially those close to McCaul, have been converted into restaurants.

row houses on Baldwin street, three storey old brick houses with gabled roofs. One is now a restaurant.

below: A cheerful yellow house – another example of the older houses in the neighbourhood.

a small yellow bungalow is between two largeer and taller houses. It has a hedge in front and a yellow awning over the front door.

below: More colours…. evenly divided in pink and yellow.  They share a gable and a porch, both of which have interesting details in the woodwork.

a semi divided house, one side pink and the other side yellow, the gable of the house belongs half to one side and half to the other

below:  There’s not as much paint on these houses.  Instead, there is two coloured  brick pattern on all walls of the front of the house.  I wonder how many other houses have brick patterns hiding under their paint?

large semi divided brick house with a center gable and woodedn porch, also wooded oriel window over the front door.  Two colours in the brick work, eachhouse has painted wood a different colour

below: The sign beside the door says: Chinese Seniors Health & Recreation Association of Ontario.  An old Bell telephone booth sits on the corner.

old Bell telephone booth in front of a large semi divided three story house, painted white, fence in front, bikes parked against fence

below: The blue wall of the Art Gallery of Ontario as seen from the other side of Grange Park.  Grange Park has been under renovation for a number of months now but it is looking like it is close to completion.  Part of the renovation has involved creating a new space for Henry Moore’s sculpture, Large Two Forms, which sits on the corner of Dundas and McCaul at the moment.   The couple in this photo caught my eye because she’s in shorts and he’s in a parka with the hood up.

two people are walking up a wide path in a park, Grange Park, with the blue wall of the Art Gallery in the distance

below: Another Grange Park upgrade is the playground.

new playground in Grange Park with the box on pencil structure of OCAD behind it.

below: A lonely urban tree hiding amongst the clutter on the sidewalk.

a lonely tree grows out of a square of dirt on the sidewalk, street scene around it.

below: A large mural celebrating the Ride to Conquer Cancer covers the wall beside the entrance to the parking lot of Princess Margaret Hospital.

very large mural for the Enbridge Ride to Conquer Cancer showing scenes from a fund raising bike ride. Men and women and their bikes

below: This is painted in a slightly different style than the one above!

a mural showing a scantily dressed large breasted blonde woman kneeling amongst red mushrooms.

below: Sitting beside the anser face.

two pieces of street art, an anser face on one side, and a painting of a long haird blond woman sitting in a chair beside it, her back is to the viewer

below: More faces, this time two faces merged into one.

a line drawing graffiti of two faces merged into one, 2 noses, trhee eyes, two mouths,

below: Someone also has a homonym problem.

graffiti on a metal box on the sidewalk says I new this would happen. the words don't fit across the box and the en in happen are written below it

below: Not just a poser bunny, but an honest poser bunny.

a green piece of metal attached to a wood hydro pole with a white drawing of a poser bunny on it.   The word honest in white letters is written beside the bunny

below: A lone survivor.  The Richard Purdom House is the last house standing on this stretch of McCaul.  Richard Purdom was the architect and original owner of the house (1877).  It is a heritage building that “displays features of the Italinate style”.  Most of the buildings around it are hospital buildings (Mt. Sinai and Princess Margaret).  There is usually a car parked in front.

old brick house in front, modern hospital buildings in the background

below: Another bit of history – the bell tower of St. George the Martyr Anglican Church stands near the south entrance of Grange Park.   The original church first opened its doors here in 1845.  It could seat 750 people and the tower was topped with a spire that reached 150 feet.  In the early morning of 13 Feb 1955, the church burned.   The new church is behind the tower and part of the grounds is now a garden dedicated to the memory of the old church and its early congregations

old brick bell tower of a church.  The church burned down many years ago, leaving the tower.  A new church was built behind but you can't see it in the picture

below: Just before the end of the post…  I’m throwing in one window picture because every walk needs a window as much as this wall needs a fresh coat of paint!

two windows with brown frames on a cream coloured wall with the paint peeling to reveal the red brick beneath

Toronto street sign, McCaul St.