I’ve called them blobs for lack of a better word. It’s almost as if someone’s conceptual art project was released into the wild.

three black and white photo paste ups that look like ameobas or primitive life forms on a concrete wall, outdoors,

below: These two blobs look a like amoebas, or other single cell life forms. Can’t you picture them swimming in a pool of muddy water?

two black and white photo paste ups that look like ameobas or primitive life forms on a concrete wall, outdoors,

below: There is definitely a “life form” quality to them. With a little imagination, the middle one looks like a chicken embryo inside an egg. In fact, all three could be embryonic.

three black and white photo paste ups that look like ameobas or primitive life forms on a concrete wall, outdoors,

below: Now the life forms have evolved a bit and developed tentacles or little stringy bits like a jellyfish has. They seem to be interacting.

seven black and white photo paste ups that look like ameobas or primitive life forms on a concrete wall, outdoors,

Have fun with them!
I found them on a wall on Runnymede Road just south of the CPR tracks at St. Clair.

UPDATE: These blobs are water photograms produced by ‘J’ . A photogram is an image made without a camera; objects (in this case, water) are placed directly on light sensitive paper. When a light is shone onto the objects, different shades of grey are produced depending on how much light reaches that paper surface. The more light, the blacker that area of the image becomes. White areas are produced by objects that allow no light to pass through.

The other evening I was going to try some evening photography along the waterfront starting around Sugar Beach. As I walked down Lower Jarvis, this view caught my attention – looking west along Lakeshore Blvd.  It’s a view that has been changing very rapidly.    I counted at least seven cranes as I stood there waiting for some of the traffic to clear.

downtown Toronto, looking west towards all the tall buildings, looking along the Lakeshore with lots of traffic on it, many buildings in the foreground under construction with 7 cranes in the photo

below: Sugar Beach.   Unfortunately a film crew was already here so I didn’t stick around.

a group of people standing near the waterfront at sugar beach with its pink umbrellas and white muskoka chairs

below: One of the buildings to the east of Sugar Beach is a new George Brown College building.

looking up to a second floor of a building that has a very large window, three round tables and some chairs can be seen through the window

below: Film crew trucks ready to be loaded back up

the back of two large trucks with their doors open as cables, tools and other equipment for filming is being load back into the trucks

The strip of green that you see on the right side of the above photo is part of Sherbourne Common (at the foot of Lower Sherbourne Street).    From here east to Parliament is now being developed as East Bayside and is a continuation of the now completed development from Jarvis (Sugar Beach) to Sherbourne.   East Bayside is bounded by Queens Quay and Lake Ontario as well as Sherbourne and Parliament.  1800 residences are planned in this space.

below: Some of the condos are under construction.  Same old same old; yawn.  They may look a little more interesting from a distance, but at street level they are hopelessly banal.  If you want to buy a condo here, there are only a few left in the two buildings known as Aqualina and Aquabella.   In the latter, only 3 are available, starting at a two bedroom suite for 2.8 million.  Five million dollars will get you a three bedroom penthouse with two terraces but if you want to pay an additional 1 1/2 million you get 4,000 square feet on two floors (3 bedrooms and 2 terraces as well).

new condo development by the lake

below: At least the “linear park” and waterfront path is being continued eastward along Lake Ontario.

construction of a waterfront path

orange wheel barrows at a construction site beside a lake

below:  Work is also underway on Queens Quay East.   As a frame of reference, the tall building behind the billboard is in the Distillery District.  Lakeshore Blvd and the Gardiner run behind the buildings with the blue trim.

billboard, construction on queens quay east

What hasn’t yet been started is construction of two office buildings that will front on Queens Quay, called T3 Bayside.  They are going to be made of wood which should be interesting.

There has been a lot of talk for the past 12 to 14 years about extending streetcar service along this route.  So far a lot of planning and a lot of talk but that’s it.  An LRT right of way running along the south side of the street has been approved but the East Bayfront LRT project, (aka Waterfront LRT) has stalled because of the usual political shenanigans and financial hiccups.   A major part of the delay has been the question of how to link an East Bayfront LRT to Union station.  The present tunnel is barely sufficient for the streetcars that use it now.  Just recently (April 2019) the city released a report on how to address this issue.  I haven’t read it all yet (it’s 40 pages long) but the gist of it is that the city is considering two options – 1. rebuilding the tunnel or 2. building an automated people moving system of some sort and leave all streetcars out of the tunnel.

below: There is a small trench down the center of the street.

danger sign on construction zone in the middle of the street, Queens Quay, looking west along the street towards downtown toronto

Any ideas what’s being planned for the north side of Queens Quay?

two orange and black traffic contruction cones on the street in front of an old white industrial building with red door frames and a wood loading dock with yellow trim
metal framework that is holding up a large billboard

below:  Queens Quay turns towards Parliament Street.  The blue building is a Sidewalk Labs information centre.  The land that Sidewalk Labs wants to develop, Quayside, is close by – south of Lakeshore and east of Parliament.  It also includes the little strip of land between Queens Quay and Lakeshore, i.e. that answers my question above about what happens on the north side of Queens Quay.  There was some rumour (plan?) about Sidewalk Labs being involved in development of some of the Portlands but is that still on?    As to what their plans are or where they are at now, I have no idea.  That’s probably another blog post!

many orange and black cones on a stretch of road that is having work done on it

“Stop at nothing to get a head”

stencil on a wall that has been spray painted a pale blue, black ink, man holding a tall stick on the top of which is a head, words that say, stop at nothing to get a head

But be careful…. that head could become some body’s dinner!

a small paste up on a utililty pole, blue stencil of the monopoly guy's head, top hat and X's for eyes, under his head are the words eat the rich

401 Richmond is a renovated industrial building that is now an arts and culture hub; it includes many little galleries. The building was built in stages between 1899 and 1923 for the Macdonald Manufacturing Company who made lithographed tinware such as biscuit tins and containers for tea and  tobacco.

Many of the galleries are participating in the CONTACT Photography Festival and what follows is a selection of what is on display at the moment.  A few non-photography installations have snuck in as well.

One of the galleries is the Red Head Gallery. Their exhibit, titled ‘Pentimento’, is a collection of work by some of their members.    From their website: “The work presented is a diverse commentary on the idea of photography and the definition, role & relevance of the photograph, both directly & indirectly, in the act of image and object making.”

below: ‘Untitled’ by Tonia Di Risio. The photos have been printed on vinyl and then stuck to the gallery wall.

an artwork that is a collage of photos of cookies, tables, and bungalows, stacked on top of each other to make a large tower

below: “Still Life with Paper’ by Jim Bourke

image on a gallery wall, orange table cloth, an open newspaper with illustraion of a woman's head, two partially filled cups of tea, with saucers

below: ‘Process’ by Sally Thurlow is 6 photographs of a demolition and renovation of a house (prompted by a rotting roof) and the upheaval that that causes.   Each little frame is made from something from the job site including Tims cups and yellow caution tape.

Process, and artwork by Sally Thurlow, of photos in a wood frame and each photo is framed with found objects

The word pentimento means “a visible trace of earlier painting beneath a layer or layers of paint on a canvas.”  The last blog post dealt with palimpsest which is erased text that becomes visible and it seems to me that pentimento is very similar, but with pictures not words, paint not ink.

***

Urbanspace Gallery, “Further Along the Road”, an exhibit of photos taken on Dupont Street in Toronto, by Eliot Wright.

below: Left: 1220 Dundas St looking west.  Right: 1072 Dundas Street West.  Both photos were taken in July 2016

two photos taken on Dupont street, the one on the right is of 3 old cars parked in a driveway. The other is of signs for taxis and car repair shops

below: Left: CP railline, west of Shaw.  Right top: Creeds coffee bar, 390 Dupont St., taken from the CP tracks, July 2016.   Right bottom: CP rail line west of Dufferin, August 2016

Three photos of trains and train tracks on Dupont Street

***

below: Laura Shintani, Bodywashi! at Tangled Art Gallery

art installation that uses strips of plastic shower curtain. The squares in the plastic make the person on the other side appear many times - one each in every square

It’s like a car wash for people although no water is involved.  Strips of translucent plastic (shower curtain material?) hang from the ceiling.   After walking through the plastic you encounter the scene below.

an art installation that looks like the puffy pieces in a car wash

***

Gallery 44, “Developing Historical Narratives”

art gallery room with three large canvases on the floor, all wth bright yellow backgrounds

 

below: One of the images in ‘Petro Suburbs’, a series of black and white images by Hajra Waheed, also Gallery 44.   The subject matter is based on old aerial photos of Dhahran Saudi Arabia, a town that the artist grew up in.  It was also a gated town built for Saudi ARAMCO (Arabian American Oil Company).  Dhahran was protected by airbases, both US & Saudi, as well as by the CIA and such.  Access and privacy were strictly controlled and photography and filming were not allowed.

an aerial photo of a U shaped street of suburban houses, surroundings are blacnked out with translucent paper or something similar

 

below: Untitled cyanotypes by Sarah Comfort, part of a series called “More Than This”.

4 cyanotype prints (blue) on a gallery wall

***

below: An image by Shelley Wildeman, superimposed people in the hallway.

a photo of a large entrance way, lots of glass, and many people superimposed over each other.

***

below: Two pieces by Florence Yee, who introduces herself on her website as: “Florence Cing-Gaai Yee is a queer Cantonese visual artist based in Tkaronto/Toronto and Tiohtià:ke/Montreal.  These hang in the Space Gallery which are windows in the hallway on the ground floor at 401 Richmond.

4 rice clear rice bags with red handles, with embroidery on them, red words that say, she saw me at the grocery store and remembered to get rice

artwork by Florence Yee, a plastic dry cleaners bag hanging on a hanger on a wall with a white fringed piece of cloth inside, on the outside of the bag are the words, They said I was whitewashed by Chinese people only run dry cleaners

***

The last of the 401 Richmond galleries that I explored this past week is the Abbozzo Gallery where Patty Maher’s exhibit “The Sky as my Witness ” is now being shown.

below: “The Quiet Storm”

a large photo of a red headed woman, long hair, in a braid, standing on a snow covered road with her back to the camera, in the countryside

below: “Parallel Universe”.  Because we are all just dots in the universe.  The same but different.

close up of a Patty Maher photograph, Parallel Universe, the back of two red headed women, both with large dice on their head, one die per head,

below: “Land Line”.

A Patty Maher photo of a woman standing on a deserted country road with an old rotary phone at her feet, her head has been cropped out of the photo, foggy in the background

The above photo is from a series called ‘The Liminal Field’.  On her website, Maher describes the series thusly: “This staged self portrait series is an exploration of the state of liminality that occurs in midlife.  It is an attempt to symbolically describe the transformation that needs to take place when moving from youth to the second half of life.  The field depicted here is a construct and does not exist in real space.  It has been constructed to indicate a place that is both personal an intangible.  Each photo symbolically depicts an internal struggle that is necessarily part of this transition.”

 

As you can see, there is a a wide selection of images and ideas lurking in the galleries at 401 Richmond.   Most exhibits change over every month or so – so there is always something to see.

Palimpsest.  I had to look up the word too.  No, it’s not the superlative form of palimps.  As it turns out, palimsest has to do with surfaces that have been reused or altered while still retaining traces of its earlier form.

What does it have to do with this blog post?  It is the name of an exhibit of photos by a Poland-based collective, Sputnik Photos.  Between 2008 and 2016 this group compiled their ‘Lost Territories Archive‘; this is a project that documents the “physical, political, and sociocultural” aspects of the former Soviet republics.  Some of the thousands of images that they collected are on display in the Allan Lambert Galleria at Brookfield Place as part of this year’s CONTACT Photography Festival. It is on view for the month of May.

people in Allan Lambert Galleria, a couple of large photos, a workman on a crane,

below: “A sculptural model in a student atelier, Spitak Armenia, 2014”.

large picture of an old white statue, Brookfield Place, 2 men looking at it. Photo's title is A sculptural model in a student atelier, Spitak Armenia

below: “Cafeteria at the Heydar Aliev Centre, Gobustan Azerbijan, 2016”.   In 2013, to mark the 10th anniversary of the former president of Azerbijan, Heydar Aliyev, his son and successor, Ilham Aliyev, ordered the country’s 70 district capitals to each build a monumental centre named after his father.

people walking past a large photo in Allan Lambert Galleria at Brookfield Place. Photo by Sputnik Photos, title is Cafeteria at the Heydar Aliev Centre, Gobustan Azerbijan,

below: “Semipalatynsk Nuclear Test Site, Kazakhstan, 2016”.  The Soviet Union conducted over 400 nuclear tests at this site in northeast Kazakhstan between 1949 and 1989.  The impact of radiation exposure was hidden by Soviet authorities and didn’t become known until the site closed in 1991.

a couple walk past a large picture, small reddih mounds of dirt on a barren grassy field, flat land, no trees or other plants

 below: ‘Homemade construction for growing grapes, Yerevan Armenia, 2013’.  Urban farming was popular during the post-Soviet crisis in the 1990’s.  Today grapes are grown in every neighbourhood using homemade constructions for supporting the vines.

a large picture on display in Allan Lambert Galleria of a homemade structure to hold up grape vines in a back yard in Yerevan Armenia

below: “Anaklia Georgia, 2013”  Anaklia is a village on the Black Sea.  In 2011, Mikheil Saakashvili, the president of Georgia, announced a program to transform the village into a luxury resort.  Construction began in 2012.  Saakashvili’s party lost the parliamentary elections in 2013 and he fled the country.  Work on this project was discontinued.

large photo of a oval shaped structure on the top of a tower, on the coast, surrounded by barren land, abandoned building, in Anaklia Georgia (former USSR republic)

below: “Slutsk Belarus, 2013”.  This image is of ‘Cultural Space’, an installation in the sugar factory Saharny Zavod.  The factory was given an award for best ideological work in a contest organized by a regional committee for ‘admiration structures’.

two large photos on exhibit, with a woman standing in front of one of them.

Members of Sputnik Photos: Andrej Balco, Jan Brykczynski, Andrei Liankevich, Michal Luczak, Rafal Milach, Adam Panczuk, and Agnieszka Rayss.

***

More about the word palimpsest:

In Ancient Greek, it was παλίμψηστος (palímpsēstos) and in Latin it was palimpsestus meaning “scraped clean and ready to be used again”.  It was originally applied to wax covered tablets that the ancient Greeks and Romans used to “write” on by scratching out the letters with a stylus.  Smoothing the wax would erase the words.   Around the 6th century vellum, or parchment prepared from animal skins, became more commonly used.  It was expensive.  Early on, writing on parchment could be washed away using milk and oat bran but over time it would come back, but faintly.   In the later Middle Ages, writing was removed with powdered pumice which was more permanent.

Along with the historical definition, palimpsest has a more modern definition.  The Merriam-Webster Dictionary gives this newer meaning as, “something having usually diverse layers or aspects apparent beneath the surface”  while the Cambridge English Dictionary uses these words, “something such as work of art that has many levels of meaning, types of style, etc. that build on each other.”

Now showing at the Onsite Gallery, is an exhibit of photography by T.M. Glass called “The Audible Language of Flowers”.  Glass’s work is inspired by 17th and 18th century northern European still life flower paintings.

below: On the back wall is  “Clematis in a Chinese Teapot”, 2017 (The teapot is from the Gardiner Museum).   The photograph on the right (with the red flowers) uses a vase from the Royal Ontario Museum, “Tulips in a Persian Vessel”, 2017.

people sitting on a bench in a gallery, reading, large photos of flower bouquets on the walls around them

But they are not just large photographs.   They have been enhanced in a process that has become known as digital painting.  This technique involves enlarging the image to the pixel level.   Attributes such as sharpness, colour and vibrance are then manipulated  giving the finished image more of a painted look.

below: Part of “Anemone Canadensis in an Italian Pharmaceutical Vessel”, 2017 (The ‘vase’ is from the Royal Ontario Museum). 

white flowers and greenery in a vase with a picture of a young man on it, part of a larger photograph by T.M. Glass in a gallery

below: Close up of some of the flowers in one of the photographs where you can see the “brush strokes”.

close up of photo of a red flower and a white flower that has been manipulated using digital painting techniques

below: Glass has also been experimenting with 3D printing.  On display are some sandstone and resin sculptures that were created from digital files, including these two.

2 white 3 D printed sculptures of flowers in a vase, in a gallery, with large pictures, in colour, of bouquets of flowers in vases on tables

The exhibit continues until August 18th.
Onsite Gallery is part of OCADU and is at 199 Richmond St. West.
This exhibit is part of the CONTACT Photography Festival.

picture of a blue vase with red and white flowers, framed on a gallerywall, reflections of other pictures in the glass, black background

The merging of events, the overlap of months.
At the Distillery District, many features were made yellow in April in honour of cancer awareness month.

the heart at the Parliament street side of the Distillery District that is usually red has been made yellow

Towards the end of that month, some large pictures began appearing on the brick walls.  An early installation for CONTACT month, May, these are Sage Szkabarnicki-Stuart’s  “Good Stuff Bad Stuff” which is a series of conceptual photographs attached to the exterior walls of some of the buildings.

From the CONTACT website:  “a series of bizarre self-portraits that connect concepts of home and identity. The artist’s own grungy apartment and various public spaces serve as the backdrop to the photo series. Using physical experiences and found objects, the photographs in this exhibition explore the relationship between ourselves and the personal objects we buy, inherit, and throw away.”

picture on a wall at the Distillery District

below: I’m not sure that a candle on one’s head ‘explores’ anything… but maybe I was missing something?

a woman's head with a lit candle on it, melted wax has run down her face and hair, bright orange wall in the background.

And so we go off on a bit of a google tangent to see what there is for ‘candle, head’.  I find candles as a Christian symbol for light in the darkness.  There is also an image of a black man with a real lit candle on his head with melting wax running down his forehead, lit by his pastor “to deliver him from the spirit of homosexuality”.  Searches also yield skulls as candle holders (or candle holders in skull shapes) used as a novelty item, or as method of casting spells if you believe in such things.   And last, Tim Burton made a music video for “The Killers” (a group) where at the end, two people are sitting across from each other at a table, both with a lit candle on their head.  In this last case there is melding of reality and fantasy as one character is a wax figure that occasionally comes to life.   Whether this has anything to do with the image above, I have no idea.   But I’m sure that my ramblings, although entertaining (ha!) are probably just a detour.

below: Hope floats. One of the photographs on a wall surrounded by “graffiti” ( of the fake kind).  No candles here?  It’s the paper boats that are burning.  If there were candles, they are long gone.

a head partially submerged in water, surrounded by little white trays with flames

 

below: More yellow

the four legs of the large spider-like sculpture at the Distillery District are yellow and the head part is wrapped with blue plastic

below: Another picture.  Flowers and hands.

a large poster attached to brick wall, outside, hands coming out of a large bush with purple flowers on it.

below: More picture.  This time an ode to junk food and trashiness by the looks of it.  The lion is blue but unmoved.  With a fast food paper crown on her head and a cigarette in her mouth.  Garbage randomly strewn but carefully placed so there is no product placement.

picture on a stone wall, blue tones, lion sculpture, sitting beside flight of stairs, woman leaning against lion, cigarette in her mouth, food in the other hand, garbage strewn on the stairs around her feet

below: The last bit of yellow for today.

distillery district, love sign for locks, the heart has been decorated with a lot of yellow flowers

fake yellow flowers placed by some locks

below: And one last photograph to give you some ideas of what to do with the photos of Venice that you might have, you know, the ones that look like everyone else’s.   There are many more on display at the Distillery District.   As I type this I am warming up to the pictures but I am still torn.   Does anyone want to offer an opinion?

large photo on a brick wall, taken by a canal in Venice, of a woman covered from head to toe in black weeds as she stands beside the canal

Sage Szkabarnicki-Stuart is on Instagram

I’m not sure what the allure of the cherry (aka sakura) blossoms is.  Has it become a symbol of spring and who doesn’t like the long awaited end of winter?  Is there something special about the cherry flower?  Or is it more ‘exotic’ than the magnolia that flowers about the same time, or a bit earlier?  Why not celebrate the lilac trees?  Or other trees that blossom in the spring?

below: A couple of cherry blossoms along with some buds and partially opened flowers.

sakura cherry blossoms on a cherry tree along with some pinkish coloured buds, white petals and yellow centers.

Although there are a number of places around the city to see sakura trees (14 I think), High Park seems to be the most popular place.  True, they have the oldest trees and the most trees planted in one area.   It has become the site of an annual pilgrimage by thousands of people to see the blossoms.   Even though the ‘sakura watch’ website said that ‘peak’ blossom hadn’t yet arrived, I decided to check out High Park yesterday.

below: Lots of signs to direct pedestrian traffic to the cherry trees.  The roads were closed to most cars.

pink sign on the grass by the entrance to High Park that says Please keep of the bloomin' trees.

large trees in the park, people walking on the path on the other side of the trees, green grass, shadows, some blossoms on a couple of the trees

below: There were a couple of school groups there for the morning. Although there weren’t too many blossoms to see, it was a beautiful spring morning and many of the kids were making the most of it.

three girls have a crab walk race down a small hill

a black person walks a dog on a leash up a hill on a paved path through HIgh Park, other people are behind. Some pink and white flowers are starting to grow on the trees

below: An Instagram moment I suspect.

an Asian woman with a bright pink handbag holds a branch of a cherry tree in front of her face while another woman takes her picture with a phone.

people enjoying a day in the park, some taking pictures of cherry blossoms

below: An engagement photo shoot

an engagement photo shoot at high park, man on his knee presenting a woman in a bluish green dress a box that presumably has a ring in it. Another man is holding a stand with a large light on it.

Yesterday there were many more buds and partially opened flowers than there were blossoms.  By the weekend, there will probably be a profusion of white petals… as well as a swarming of people.  I had to search for flowers to take pictures of but at least it was a relatively quiet and peaceful morning.

sakura cherry blossoms

the back of a man whose baseball cap says Toronto on the back and his black jacket says Ontario on the back

May Day, the 1st of May.  In some countries it is International Workers’ Day, or Labour Day, and is often a holiday (similar to the first Monday in September that is celebrated as Labour Day in Canada and the USA).   This May 1st there was a protest in front of Queen’s Park to protest some of the recent policies announced by Ontario Premier Doug Ford and his provincial Conservative party.

 

below: UnaFORDable DOUG and CONservative CONS

people carrying protest signs at a rally

below: Cheering for a clownish Doug Ford as premier, the first clown we’ve had.

a man in an orange wig and clown costume holds a sign on pink bristol board that says Hooray! Our first clown premier

below: Let them drink beer.  Doug Ford as Marie Antoinette (how did he fit into the dress?!)

a woman holds up a sign at a protest that says let them drink beer. with a picture of Doug Ford as Marie Antoinette

below: …. and at Rock bottom prices folks!

at a Queens Park demonstration on May day, a woman holds a red and white for sale sign with the word Ontario written in the blank, for sale Ontario

below: Oink oink, Ford with a pink snout

three people at a protest in Toronto, woman on right is yelling, man on left has a camera on a tripod and man in middle is holding a sign with a picture of Doug Ford's face with a pig snout that says Our futures are not yours to fuck with, greedypig, #greedypig

below: Signs.  “You know it’s time for change when children act like leaders and leaders act like children.”

a few people with home made placards at an anti-Ford May day protest

below: A poop emoji makes an entrance

a person holds up a sign that is a drawing of Doug Ford's head with a poop emoji on top of his head

below: That’s a good reason to revolt!

a woman in a blue coat and black beret holds a sign that says We're having a revolt because the PC's are so revolting

below: Rapping to the crowd

a young black man is performing a rap song in front of a crowd at a protest

below: Bees and trees not sleaze….and some important facts about mental health and youths in the province.

protest signs at a rally including one that says Bees and trees not sleaze

below: You have been warned!  Beware! Killing two birds with one stone,  Entrepreneurs at TugaDoug.com advertize their product while protesting.  Follow the link to order yours for $19.95

Warning! Beware of Doug says a sign, with picture of Doug Ford on it. Another sign says My pug would make a better premier

below:  Standing near the front of the crowd were these three people with their three different issues –   For Ontario’s Rich Developers,  concern for trees (cancellation of the tree planting initiative), and the threats to health care.

three people at a protest, a woman in an orange coat holding a sign that says I speak for the trees, a man in a yellow jacket with a sign that says Don't take away our health care. and a younger woman with two signs, one is a play on the word Ford so it says For Ontarios Rich Developers where the first letters of those 4 words are emphasized F O R D

below: “Give me the birds and the bees please.”

a woman holds a protest sign that says Give me the birds and the bees please

below: Books not beer

a woman holds a sign that says books not beer

below: “Let’s show our government that we refuse to regress.”

a group of artists with bright yellow and light green signs walks as a group towards a protest in front of Queens Park, the woman at the front also has a sign on a stick that says We refuse to regress

below: Get organized instead of panicking!

in the middle of a protest crowd, a woman holds up a sign that says Don't panic, organize

Maybe I’ll see you at the next protest?

I happened to visit Artscape Youngplace this afternoon just after their latest hallway gallery exhibits were hung.   Showing on both the second and third floors are images produced by the graduating class from Etobicoke School of the Arts contemporary photography course.  I tried to find information about the exhibit online but nothing about it was mentioned on the Artscape Youngplace website or on the Etobicoke School of the Arts website.  If you know of something that has appeared online since this afternoon (29th April) or something that I missed, please let me know.

This is a selection of the pictures on display.  Not all of the labels were up yet and some I didn’t get a clear picture of so my apologies to the photographers whose images that I haven’t credited here.  Also, there was no criteria for selecting these images over the many others also being exhibited.

below: The finishing touches

part of the third floor hallway gallery space at Artscape Youngplace with large colour photos tacked to the wall, a man on a ladder adjusts the lighting

below: By Owen Herlin.  “The Last Week of Summer” on top and “Making Memories” on the bottom.

two photographers by student photographers, horizontal, one on top of the other. The top image is of a skateboarder doing a jump, in three sections, same man but in different stages of the jump

MIDDLE: Why’d you bring me here and then leave. Friends that aren’t mine. Contacts I don’t have.  It’s all good but my time is too valuable right now and a lot of these interactions aren’t ( a lot not all). // writing with words in my head, overlaying over crowded memories that aren’t mine.  “I want more out of life than this”!
LEFT: “Summer. It’s the start of this again, songs that will remind me of these moments above all others again. :

 

below: In the middle, a photograph by Tomoka Taki.  It is flanked by two images by Julia Kerrigan called “Unnatural 1” and “Unnatural 2”.   The opening sentence in the description of Taki’s work is: “I attempt to bridge a gap in communication between myself and older generations within my family.”

three photographs hanging on a wall. On either side is a picture of a woman in a pose, on green grass outside by Julia Kerrigan. In the middle is a black statue, Asian lion, in front of a light pastel coloured circular pattern

below: By Meredith Tudor-Doonan

six images. On the bottom is one large black and white photo of a woman (no head shown) in a long white dress that looks like she's washed up on the beach, lying on her back, arms out streteched. upper level has 5 photos, on the sides are large brown and white images of men's head and shoulders, with eyes looking downward. In the middle of the top part are three snapshots of a person coming out of the lake after swimming

two photographers by student photographers, horizontal, one on top of the other. The top image is of a skateboarder doing a jump, in three sections, same man but in different stages of the jump

below: by Kaya Joubert Johnson

large white wall hanging with long black fringe on top and bottom. words on the wall hanging say Do Not Touch the art, a work by Kaya Joubert

a triptych, three photos, of a woman in an orange long sleeved top, long brown hair, black pants, in three different poses,

below: by Ethan Wilder, “Why complicate the physical world when I can do so in an imaginary one?”

black and white photos by Ethan Wilder

closest to the viewer is a portrait of a young woman sitting on a chair, leaning forward, very orange patterned wallpaper wall behind her