Posts Tagged ‘Richmond St.’

Now showing at the Onsite Gallery, is an exhibit of photography by T.M. Glass called “The Audible Language of Flowers”.  Glass’s work is inspired by 17th and 18th century northern European still life flower paintings.

below: On the back wall is  “Clematis in a Chinese Teapot”, 2017 (The teapot is from the Gardiner Museum).   The photograph on the right (with the red flowers) uses a vase from the Royal Ontario Museum, “Tulips in a Persian Vessel”, 2017.

people sitting on a bench in a gallery, reading, large photos of flower bouquets on the walls around them

But they are not just large photographs.   They have been enhanced in a process that has become known as digital painting.  This technique involves enlarging the image to the pixel level.   Attributes such as sharpness, colour and vibrance are then manipulated  giving the finished image more of a painted look.

below: Part of “Anemone Canadensis in an Italian Pharmaceutical Vessel”, 2017 (The ‘vase’ is from the Royal Ontario Museum). 

white flowers and greenery in a vase with a picture of a young man on it, part of a larger photograph by T.M. Glass in a gallery

below: Close up of some of the flowers in one of the photographs where you can see the “brush strokes”.

close up of photo of a red flower and a white flower that has been manipulated using digital painting techniques

below: Glass has also been experimenting with 3D printing.  On display are some sandstone and resin sculptures that were created from digital files, including these two.

2 white 3 D printed sculptures of flowers in a vase, in a gallery, with large pictures, in colour, of bouquets of flowers in vases on tables

The exhibit continues until August 18th.
Onsite Gallery is part of OCADU and is at 199 Richmond St. West.
This exhibit is part of the CONTACT Photography Festival.

picture of a blue vase with red and white flowers, framed on a gallerywall, reflections of other pictures in the glass, black background

Both Adelaide St. East and Richmond St. East pass over King Street as they converge into Eastern Avenue.  Recently the concrete supports that help hold up these overpasses have been painted in bright, bold pictures.  The murals are entitled ‘Frozen Memories’ and they were designed and painted by street artist Shalak Attack with help from Bruno Smoky and Fiya Bruxa.

 All four pillars of the overpasses are in view.

Each pillar has a large face on the side that faces King Street and a picture that depicts something representative of Corktown on the other sides. 

Paintings on the large T shaped concrete supports of the overpass, in  the foreground is the face of a man with the eyes on the upper horizontal portion of the support and his mouth on the lower part.

These murals are a part of the StreetARToronto Underpass Program or “StART UP.” 

Paintings on the large T shaped concrete supports of the overpass,  a man passes by on the sidewalk while in the foreground is a support painted with street scenes.  Houses and streetcar tracks.

Enoch Turner established Toronto’s first free school in the Corktown area in 1848. 

Paintings on the large T shaped concrete supports of the overpass, a young girl in a pink top sitting at a table and writing in a notebook.  The word love is written on one of the pages.

painting of the Enoch Turner school on one of the pillars supporting Adelaide St. East in Toronto.  Other Corktown houses are also painted here on the lower part of the pillar.

  Two of the main industries in Corktown were bricks and beer.   One pillar pays homage to the people who worked in these industries, including this bricklayer.

Paintings on the large T shaped concrete supports of the overpass, a man portrayed in blue tones, wearing an old fashioned hard hat and holding a trowel.

Mural on concrete pillar of a blue brick layer surrounded by symbols of industry such as factories, gears, beer bottles, bricks.  There is a parking lot surrounding the concrete support so there are cars parked in front of the pillar.

This mural is a another tribute to the early days of Corktown.   Sailing ships, maps and compasses are for the immigrants that came here.   The first church built in Corktown was Little Trinity in 1843.   It’s stained glass window is shown here.

Paintings on the large T shaped concrete supports of the overpass, three supports are in the picture.  The one in the foreground has marine scenes - two sailing ships, a large turtle, and waves.  The two supports in the background are those with faces, one man and one woman.

other views

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Paintings on the large T shaped concrete supports of the overpass,  a large multicoloured woman's face is on the concrete support that is across the street.  A chain link ffence and yellow fire hydrant are in the foreground.