Posts Tagged ‘photography’

Camera Atomica
a photography exhibit at the Art Gallery of Ontario

below: The first photograph of the bones of the hand, by Wilhelm Rontgen in 1895.    Rontgen was a German physicist who discovered x-rays (or Rontgen rays) in 1895 and he produced this image of his wife’s hand shortly after.  The green in the picture below is a reflection of the chandelier that the AGO has hanging in the room where this exhibit is being shown.

An xray picture of a hand.

The exhibit consists of more than 200 works that all fall under the category of nuclear – topics such as atomic weapons, Cold War politics, nuclear energy, and the mining of uranium.  The photographs cover the history of these topics from 1945 to the present, from the development of the atomic bomb to the meltdown at Fukushima Daiichi in Japan in 2011.

below: Hiroshima Japan, photo by Yoshito Matsushige, taken 6 August 1945.
The first atomic bomb was detonated at the Trinity test site in New Mexico USA on 14 July 1945.  Shortly after, American bombers dropped two atomic bombs on Japan.  The first bomb was dropped 6th August 1945 on the city of  Hiroshima and second one three days later on Nagasaki.

An old black and white photo taken in Hiroshima after the dropping of the atomic bomb during WW2

below: Photo by Dean Loomis, 7 May 1955 of scorched male mannequin standing in the desert 7,000 feet from the 44th nuclear test explosion at Yucca Flat Nevada.  Photo taken the day after the blast.  Apparently mannequins were used to test the effects of the nuclear blasts on people and this photo shows that people at 7000 feet from a blast could be burnt but alive.

Picture of a black and white silver gelatin print from 1955 by Dean Loomis showing a male mannequin in a black suit who has been partially knocked over by a nuclear test blast in the Nevada desert.

below: Mushroom clouds on a wall

A collage of photos of nuclear blast mushroom clouds. There are about 25 colour and black and white photos hanging on a wall of the Art Gallery of Ontario

below:  Part of  ‘Uranium Tailings #2, Elliot Lake Ontario’ a photograph by Edward Burtynsky.

Eliot Lake was established in 1955 as a mining town after uranium was discovered in the area.  In the early 1990’s the mines closed because of depleted reserves and low prices for uranium.

Tailings are the materials left over after the valuable part of an ore has been removed.  The uranium ore found at Eliot Lake had very little uranium in it, only about 0.1% of the ore was uranium.

Close up of part of a photograph by Edward Burtynsky titled Uranium Tailings #2, Elliot Lake Ontario. It is a picture of a desolate swampy looking terrain where all the vegetation is dead. The trees have been reduced to dead poles.

below:  Inkjet prints by David McMillan, part of four on display from his series of photographs of places abandoned because of the Chernobyl disaster in 1986.   The photograph on the right is of the nursery at Pripyat Hospital taken in 1997.   Beside it is a picture of a classroom in a Pripyat nursery school.

Pripyat is an abandoned city in northern Ukraine.  It was built in 1970 to service the Chernobyl Nuclear power plant.  Following the explosion and fire at Chernobyl on 26 April 1986, the city’s 49,000 people were evacuated

Two photographs on a wall. The one in the foreground shows an abandoned hospital nursery in Pripyat Ukraine, abandoned after the Chernobyl nuclear disaster.

A young man is half squatting as he leans back to get a better look at the words on the wall of an art gallery that accompany three black and white photographs.

The exhibit continues until 15th November.

#atomicAGO

The intersection of Yonge and Dundas as a location for a few wedding pictures!

A quick google search shows that it’s not the first time a couple has chosen this location to shoot a few wedding pictures but it’s the first time that I have encountered it!   Yesterday afternoon….

The bridegroom in his black suit dips the bride in her white wedding dress in the middle of a pedestrian crossing across Yonge St. at Dundas in TOronto.
A bride and groom are standing on the corner of Yonge and Dundas streets in Toronto.  They are talking to a woman in a white dress who is organizing the wedding photo shoot.

A bride is standing in the middle of an intersection in downtown Toronto, wearing a long white wedding dress, she has her arm up and is beckoning to the groom.

Water’s Edge
A Pan-American photography exhibit

produced by No.9: Contemporary Art & the Environment.

Two venues are involved, Union Station and Pearson Airport.  The photos below represent a sample of the photos on show at Union Station.

 

below: Bridge Glacier, British Columbia 2012, by James Balog, part of his study of vanishing glaciers.

large photographs, part of an exhibit at Union Station in Toronto -

below: Two black and white photographs by Sebastiao Salgado,
part of a photographic project titled ‘Genesis’.
One aim of ‘Genesis’ was to examine “the fragile beauty and grandeur of nature”.

large photographs, part of an exhibit at Union Station in Toronto -

below:  ‘The Anavilhanas’ taken in Amazonas Brazil, 2009 by Sebastiao Salgado.
Located on the Rio Negro, the Anivilhanas Archipelago is the world’s largest fresh water archipelago.  It is an unique ecosystem with over 400 river islands spread over 90 km.  The Rio Negro is 27 km at its widest point. During the rainy season (November to April) many of these islands are underwater.

large black and white photograph, part of an exhibit at Union Station in Toronto -

below: ‘Sarnia’ by Gustavo Jononovich, taken in Sarnia, from his “Free Shipping” series.

large photographs, part of an exhibit at Union Station in Toronto -

below: ‘Georgian Bay #1, Four Winds’, Point-au-Baril, Ontario  2009, by Edward Burtynsky.
This picture is part of his Water Series, a series that looks at changing water systems around the world as well as the relationship that we have with these water systems.

large photographs, part of an exhibit at Union Station in Toronto -

The exhibit ends on the 15th of August.

#myhomewaters

Part of CONTACT photography festival,
billboard “art” on the NE corner of Spadina and Front streets.

All the billboards are in a parking lot in what was a junky looking space to begin with.

below:  Yellow rubber gloves with the fingers tucked back in…
to look like they’ve just been taken off a pair of hands?

a billboard above a parking lot, condos in the background.   A pair of yellow rubber gloves with the openings turned into a cuff are all that in the image on the board

below: The body of the handbag is a loaf of bread.

a small billboard in front and a larger, higher one in the background.   In the background is a woman's hand holding what looks like a handbag but the bag part is made of a loaf of bread.  In the foreground, yellow background with household objects arranged in a face like shape.

below: Clusters of sponges.  At first I thought they were candies.

billboard art - three clusters of colourful sponges on a black background

three billboards with art images instead of advertisements
Supported by Pattison Outdoor Advertising and Nikon Canada.

a billboard with a large picture of clear bottles filled with coloured liquids in reds and oranges.

“Challenging how people perceive and interact with images in public spaces”

“Each of the artists destabilizes the conventions of advertising and the cultural codes associated with consumer lifestyles.”

Me?  I’ll call them dull and underwhelming clutter.  Too harsh?  Perhaps.
I’ll leave the verdict up to you.

Part Picture,
an exhibit at MOCCA,
part of CONTACT Photography Festival

Like the introduction of film photography once usurped the role of painters and engravers, the introduction of digital photography has supplanted the photographer of old.  We are all photographers now.  A smartphone.  A little bit of software.  And presto, you have a picture.   Many, many bazillions of pictures.  Photography excels at visually telling stories, documenting events or capturing a moment in time either with a single image or in a series of photos.  The expression ‘a picture paints a thousand words’ comes to mind.  Even a blurry selfie says something.

Photography has always had an uneasy relationship with art (with the fine art, visual artsy stuff in particular).  This art, while also visual, often has a slightly different focus.  It too aims to elicit emotions and reactions but no one expects an artwork to document or to tell a story albeit some do.  But art too is in flux (and probably has been for a while).   What hasn’t already been done?  What rules are left to break?

So what’s a photographer to do?

 

pictures on a gallery wall.  the picture in the foreground has 4 coloured wires protruding from it, 2 yellow and 2 red.

Part of the description of this exhibit states: “placing photography in conversation with other artistic mediums – particularly painting and sculpture – to create hybrid works that are only part picture”.

pictures on an art gallery wall.  In the middle of the room is a large roll of photographic paper that has been developed with streaks of colour.  It hangs from the ceiling and lays on the floor.

Experiments with chemicals on photographic paper; experiments with photoshop artifacts as part of the image;  experiments with how one frames or hangs a picture.  What is photography anyhow?

two pictures on a wall of a gallery.  The one on the right is of pink flowers and is in a metal frame.   The one on the left is an abstract of white and black that looks like cracks in a white surface

Four pictures on an art gallery wall, all abstract.  One of them protrudes from the wall at a 90 degree angle.

below: close up of part of the picture from above, the one that is hung perpendicular to the wall.

close up of what looks like a collage

Just because something is different doesn’t mean that it’s good just as not all experiments are a success but  kudos to those who try.  I will leave it to you to decide which category (good/bad) these pictures fall into.

Figures and Models of Surfaces,
by Isabelle Wenzel,
on King St. West at John (by Metro Hall).
Part of CONTACT Photography Festival.

Six people walking on a sidewalk.  They are walking past a row of large pictures of legs in various strange poses on bodies with no upper parts.

“I’ve got two legs from my hips to the ground
And when I move ’em they walk around
And when I lift ’em they climb the stairs
And when I shave ’em they ain’t got hairs.”

 “I’ve Got Two Legs” by Monty Python’s Terry Gilliam

That’s the sort of thing that went through my head as I took these photos.

A man in brown pants and a brown and white striped shirt is holding a drink in his hand as he walks past two large pictures of legs.

a man's leg and black boot stick out from under a picture of a woman's leg with a yellow shoe, on a bright orange background.  A man is sitting on a ledge behind the photo.

All photos are self-portraits of the photographer.
Legs as sculptural elements – colour, shape and composition.
Legs as objects – objectification of the legs is now complete.

people in front of 4 large photos of legs by Isabelle Wenzel.  A couple are saying goodbye, two men in suits are walking together, a woman is looking at the pictures as she walks past and another woman is walking out of the photo on the right.

These legs were made for walking.  Not.
Just walk on by.
More silly thoughts as I watch people walk past the pictures.

Two young women are alking past a few large, larger than life photos of legs.  The women have their arms up in the air.

below:  The blue tones of Metro Hall provide a backdrop.

A tall bluish colored glass building with a sidewalk in front.  Along the sidewalk is a row of short young trees with new leaves.  There is also a row of large photos of legs on the sidewalk between the building and the street.

Fun.  Great installation.

Edouard
a CONTACT photography festival exhibit,
VIA Rail Concourse (i.e. where the trains depart from)

Edouard LeBouthillier documented his life in Toronto in the 1970’s and early 1980’s with Polaroid pictures.  On the back of the photos he noted dates and places.  He also took pictures of Toronto buildings and landmarks that were newly constructed or in the process of being torn down (e.g. the old Eatons store at Yonge & Dundas).

There are two exhibits of his work being shown at CONTACT this year.  The first, shown below, is on the east side of the VIA Rail Concourse of Union Station where a number of large prints are on display.  If you have trouble finding them, look for VIA platforms 12 and 13.

A second Edouard exhibit is at Art Metropole (1490 Dundas West) and it consists of some of the original polaroids that show his domestic life.

below:  At new City Hall.
In front of the tulip garden on the left and lying by the fountain on the right.

large photographic prints on display at Union Station

large photographic prints on display at Union Station

below: Edouard was at the CNE on the 17th of August 1977.

large photographic prints on display at Union Station

below: On the left is Ed’s Wacky Wirld store, 1977

large photographic prints on display at Union Station

‘The Death of a Journey V’ by Zineb Sedira,
at the Power Plant, Harbourfront,
south exterior wall facing the waterfront.
19 ft x 31 ft

This is a photograph that appears in Sedira’s ‘Shipwrecks’ series, a picture of the ‘United Malika’ that ran aground enroute to a shipping graveyard near Nouadhibou Mauritania in 2003.

A large photograph by Zineb Sadira of an old ship that lies rusting on the shore.  A tree is in front of the photo.  Although it is rusting, the ship is intact.

Although it is part of the CONTACT photography festival, it is scheduled to remain until September.

‘Demolition Site’ by Jihyun Jung,
at MOCCA as part of the CONTACT photography festival

This Korean artist visits demolition sites where he paints one of the rooms red.
Over time, he documents the changes to this room as demolition proceeds.

below:  One of his photographs of a red room covers the entire wall at MOCCA.

 A large photograph of the inside of an abandoned building.  The interior walls have been painted red.  Rubble has started spilling into the hall from the demolition of the rest of the building.

One of the walls of the courtyard in front of MOCCA is covered with one of his photographs.   It is 30 feet long.  Very annoyingly, a car was parked in front of it the day I was there.  It was promoting a car dealership in return for their support of an exhibit at the gallery that shares courtyard space with MOCCA.   The two planters with the tall evergreens are very tacky too.

A large photograph (30 feet long) that covers the side of a building.  The photo is of a building being demolished.  It is to scale with the real building.

A close up of A large photograph (30 feet long) that covers the side of a building.  The photo is of a building being demolished.  It is to scale with the real building.

‘Tree’ by Myoung Ho Lee,
an art installation at the Allen Lambert Galleria, Brookfield Place,
part of CONTACT Photography Festival,

large banner with a photograph of a tree against a white background hangs in Brookfield Place with its high rounded glass and white steel ceiling.

Six large banners (12.5 x 10 ft) are hung from the ceiling such that they look like they’re standing upright.
Each banner has a picture of a lone tree taken with a white canvas backdrop.

Three large banners  photographs of a tree against a white background hangs in Brookfield Place with its high rounded glass and white steel ceiling.   Some people walking past, ignoring the pictures
According to the description of the installation, Lee “transforms the common tree into a highly theatrical and mysterious entity”.
I’m going to disagree.  It’s an interesting visual effect having the large banners arranged as they are but I see the trees as static, captive entities.  Trees as museum pieces.  That’s my two cents worth.

large banner with a photograph of a tree against a white background hangs in Brookfield Place with its high rounded glass and white steel ceiling.