Posts Tagged ‘art’

More art under another bridge over the Humber Recreational Trail, this time as the trail passes under St. Phillips Road (near Weston Rd and the 401).

Painted by Gabriel Specter and Dan Bergeron, it represents the energy of a hurricane.  Sixty years ago Hurricane Hazel was responsible for flooding of the Humber River that killed people and destroyed many homes.

below:  A purple graphic representation of a cyclone beside swirling water is the backdrop for the red slinky-like spiraling energy of the hurricane.

Mural of swirling water and a tangled spiral shape in red representing a hurrican rising from the eye of the storm upwards to the underside of the road

This spiral crosses under the road and connects the two side murals.

Mural on a concrete support of a bridge over a trail.  rocks on blue, with a tangled spiral shape in red representing a hurricane rising from the rocks (or ending at the rocks) and passing upwards to the under side of the road above.

part of a mural under a bridge -  a tangled spiral shape in red representing a hurrican rising from the eye of the storm upwards to the underside of the road

Fourteen murals are planned along the route of the Pan Am Path, a trail that will connect Brampton to Pickering running south along the Humber River and then east along Lake Ontario.

signs along the HUmber Recreational trail indicating the name of the trail, the cycle path number that it is, the fact that it is also the Pan Am Path, and lastly a sign that says dogs must be on a leash.

Part of CONTACT photography festival,
billboard “art” on the NE corner of Spadina and Front streets.

All the billboards are in a parking lot in what was a junky looking space to begin with.

below:  Yellow rubber gloves with the fingers tucked back in…
to look like they’ve just been taken off a pair of hands?

a billboard above a parking lot, condos in the background.   A pair of yellow rubber gloves with the openings turned into a cuff are all that in the image on the board

below: The body of the handbag is a loaf of bread.

a small billboard in front and a larger, higher one in the background.   In the background is a woman's hand holding what looks like a handbag but the bag part is made of a loaf of bread.  In the foreground, yellow background with household objects arranged in a face like shape.

below: Clusters of sponges.  At first I thought they were candies.

billboard art - three clusters of colourful sponges on a black background

three billboards with art images instead of advertisements
Supported by Pattison Outdoor Advertising and Nikon Canada.

a billboard with a large picture of clear bottles filled with coloured liquids in reds and oranges.

“Challenging how people perceive and interact with images in public spaces”

“Each of the artists destabilizes the conventions of advertising and the cultural codes associated with consumer lifestyles.”

Me?  I’ll call them dull and underwhelming clutter.  Too harsh?  Perhaps.
I’ll leave the verdict up to you.

Part Picture,
an exhibit at MOCCA,
part of CONTACT Photography Festival

Like the introduction of film photography once usurped the role of painters and engravers, the introduction of digital photography has supplanted the photographer of old.  We are all photographers now.  A smartphone.  A little bit of software.  And presto, you have a picture.   Many, many bazillions of pictures.  Photography excels at visually telling stories, documenting events or capturing a moment in time either with a single image or in a series of photos.  The expression ‘a picture paints a thousand words’ comes to mind.  Even a blurry selfie says something.

Photography has always had an uneasy relationship with art (with the fine art, visual artsy stuff in particular).  This art, while also visual, often has a slightly different focus.  It too aims to elicit emotions and reactions but no one expects an artwork to document or to tell a story albeit some do.  But art too is in flux (and probably has been for a while).   What hasn’t already been done?  What rules are left to break?

So what’s a photographer to do?

 

pictures on a gallery wall.  the picture in the foreground has 4 coloured wires protruding from it, 2 yellow and 2 red.

Part of the description of this exhibit states: “placing photography in conversation with other artistic mediums – particularly painting and sculpture – to create hybrid works that are only part picture”.

pictures on an art gallery wall.  In the middle of the room is a large roll of photographic paper that has been developed with streaks of colour.  It hangs from the ceiling and lays on the floor.

Experiments with chemicals on photographic paper; experiments with photoshop artifacts as part of the image;  experiments with how one frames or hangs a picture.  What is photography anyhow?

two pictures on a wall of a gallery.  The one on the right is of pink flowers and is in a metal frame.   The one on the left is an abstract of white and black that looks like cracks in a white surface

Four pictures on an art gallery wall, all abstract.  One of them protrudes from the wall at a 90 degree angle.

below: close up of part of the picture from above, the one that is hung perpendicular to the wall.

close up of what looks like a collage

Just because something is different doesn’t mean that it’s good just as not all experiments are a success but  kudos to those who try.  I will leave it to you to decide which category (good/bad) these pictures fall into.

Figures and Models of Surfaces,
by Isabelle Wenzel,
on King St. West at John (by Metro Hall).
Part of CONTACT Photography Festival.

Six people walking on a sidewalk.  They are walking past a row of large pictures of legs in various strange poses on bodies with no upper parts.

“I’ve got two legs from my hips to the ground
And when I move ’em they walk around
And when I lift ’em they climb the stairs
And when I shave ’em they ain’t got hairs.”

 “I’ve Got Two Legs” by Monty Python’s Terry Gilliam

That’s the sort of thing that went through my head as I took these photos.

A man in brown pants and a brown and white striped shirt is holding a drink in his hand as he walks past two large pictures of legs.

a man's leg and black boot stick out from under a picture of a woman's leg with a yellow shoe, on a bright orange background.  A man is sitting on a ledge behind the photo.

All photos are self-portraits of the photographer.
Legs as sculptural elements – colour, shape and composition.
Legs as objects – objectification of the legs is now complete.

people in front of 4 large photos of legs by Isabelle Wenzel.  A couple are saying goodbye, two men in suits are walking together, a woman is looking at the pictures as she walks past and another woman is walking out of the photo on the right.

These legs were made for walking.  Not.
Just walk on by.
More silly thoughts as I watch people walk past the pictures.

Two young women are alking past a few large, larger than life photos of legs.  The women have their arms up in the air.

below:  The blue tones of Metro Hall provide a backdrop.

A tall bluish colored glass building with a sidewalk in front.  Along the sidewalk is a row of short young trees with new leaves.  There is also a row of large photos of legs on the sidewalk between the building and the street.

Fun.  Great installation.

Obsolescence, by Shelagh Keeley, 2014
at The Power Plant, Harbourfront Centre

A man is looking at a large art piece on a wall.   A collage called Obsolescence by Shelagh Keeley,

The piece covers a wall that is 25 x 40 feet in a room that is only 10 feet wide.

close up of part of a large collage art piece on a wall

The large collage includes photographs taken inside an abandoned textile factory in Monchengladbach Germany.

close up of part of a large collage art piece on a wall.  One of the pictures is of a typewriter

A dictionary definition: “Obsolescence: being in the process of passing out of use or usefulness; becoming obsolete.

close up of part of a large collage art piece on a wall

One of the inspirations for this piece was Marshall McLuhan’s 1970 “Notes on Obsolescence” which opens with the lines:  “When print or the motor car is referred to as “obsolete” many people assume that it is therefore doomed to speedy extinction. A casual glance at the historical record indicates the contrary. Gutenberg did not discourage handwriting. There is a great deal more handwriting done even in the age of the typewriter than was ever done before printing”.

And it ends with: “Obsolescence is a very large and mysterious subject that has had very little attention in relation to its importance.” The present paper may … thus help awareness of the role of obsolescence in sparking creativity and the invention of new order.”

A woman is looking at a large art piece on a wall.  A collage called Obsolescence by Shelagh Keeley,

Like all art, it is subjective.   Like good art, it has the potential to make you want to linger in front of it and even to reflect and think.

The upper part of a collage by Shelagh Keeley at The Power Plant gallery.  This is the top part of the piece which is 25 feet high.

This piece is scheduled to remain at The Power Plant until 17 May 2015.

Douglas Coupland: everywhere is anywhere is anything is everything

Royal Ontario Museum
until April 26, 2015

entrance to an exhibit at the Royal Ontario Museum featuring a large yellow wall with the name Douglas Coupland in large black letters.  In the distance are two women standing in front of a painting that is hung on point.

In the background is a large painting of geometric abstract shapes in yellows, reds and greys.  In the foreground is a close up of two stacks of blocks.  The blocks are old children's wooden building blocks but they are alll different.  Three have letters of the alphabet on them, one has a picture of a birds nest.

The 21st Century Condition
“I want to explore how it feels to be inside the 21st century brain as opposed to the 20th century brain”

Six paintings arranged three across by two down, on a wall.  One in grays, one in pink, one in purple, one in ornage and one in pale pink.

a large wall is covered with coloured rectangles and in each rectangle is an expression that has become common.  For example, get a life, oh my god, delete entire history?, etc.  A woman is standing to the left of the wall, taking a picture of it with her cellphone.

view of an art exhibit, some people are walking through it and a couple of people are looking at the art on the walls

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Painted with dots.  When they are hanging on the wall, they look abstract.
When they are shrunk down and viewed on a smartphone, the picture comes into focus.

three paintings hanging on a wall in an art exhibit.  One is of Osama bin Laden and the other two are 9/11 related, New York .

update:  Here is an interesting article that appeared in the Torontoist on 24th Feb about this exhibit.

Gumhead is a “gum-based, crowd-sourced, publicly interactive, social-sculpture self portrait” in the words of Douglas Coupland, the artist who conceived and developed this idea.

It sits inside the entrance of Holt Renfrew Men on Bloor St. West.

A large (about 6 foot tall) black head sits in the front of a menswear store.  People have been encouraged to add chewed wads of gum to the head.  It is about one third covered.

People are encouraged to add their own chewed gum with the intention that the head will become covered, obscured, and transformed.  And people have done so, some with imagination or whimsy.

He now has eyelashes on one eye.

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Gumhead is scheduled to remain until March 9th.
And yes, gum is provided…. as is the Purell!

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An art exhibit in the Great Hall at Union Station, January 16 to January 23

I’m going to out on a limb a bit here and say like most contemporary or modern art, this exhibit was combination of  some shoddily thrown together nonsense and some well executed and interesting pieces.
One of the things that caught my attention was how people reacted and/or interacted with the different parts of the exhibit.  Union Station is not an art destination.  It’s a space that people walk through on their way to somewhere else.

A view of the Great Hall of Union Station with the provincial flags along one wall, the archway over the window at the end of the room, and an art exhibit in the main part of the hall.  Two woman are looking at sculptures on one side.  A video screen is showing a video about the exhibit - a man sitting in a chair is what is seen in this picture.

In the above photo, the women are using a computer monitor to learn about The Legacy of Joseph Wagenbach, an installation by Iris Haussler.  In 2006 she turned a house on Robinson St. in Toronto into a ‘discovered’ home of a reclusive older man who had filled his house with over 100 sculptures that he had made.  At that time there was some controversy when people learned that there was no real Joseph Wagenbach, that his story was fiction.   There is a  Joseph Wagenbach Foundation with its own website.

A colletion of small sculptures of life like figures in grey and black.

Some of the Joseph Wagenbach sculptures.

A relief sculpture of a woman's head, on the ground.  In the background are people and some of the booths of Union Station.

 ***

A corner of a dimly lit white walled room. In the

‘Marbled Meanings’ by Navid Nuur. 
top right: ‘Broken Diamond’  made of neon, broken glass, argon neon blue light. 
center: ‘Threshold’ made of green florist foam blocks

With the above collection, I found that the light and shadows were more interesting than the green column.  I don’t know whether or not this was an intentional part of the exhibit.

Neon art piece on a wall.  It is shaped like a V, it's turquoise blue in colour and it is a bit bigger than the size of a hand.  It is mounted on a wall with the electrical wires visible.  It is shadow.

close up of ‘Broken Diamond’

 ***

part of a piece of art that is a pillar like structure cover with bits of colourful paper.  There is also a child's drawing in pencil on an 8 by 11 piece of paper.  Also a sign in blue letters that says .  In the background there are a couple of people walking past.

“I’m going to use the two hundred dollar artist fee from this project to pay my phone bill and with the money left over I’ll probably buy a pack of smokes and maybe order some Chinese food.” 
Is this a statement about the value of art?  Is this a f*ck you statement – if you, or society, don’t value art why should I (as the artist) care about my work?

 

A large translucent rectangular piece of fabric hangs from the ceiling.  It sort of has a face on it, yellow eyes and a small slit mouth.

Floating overhead and watching us with yellow eyes.

 

This photo was taken looking into a mirror.  A man in a long black winter coat and red scarf is taking a photo of some art on a wall.

reflections

 

Four people, two are standing together while one texts, and two others are walking past.  Four large square paintings (or photos?) are behind them on a white wall.

I know that art is subjective but I fail to see the appeal in large monochromatic pictures in an ugly shade of green.  They aren’t profound; they’re not making a statement; they elicit no emotion.

 

The projector is playing a loop of blank screen to a garbled soundtrack.

The projector is playing a loop of blank screen to a garbled soundtrack.

 

An art piece, a shiny silver coloured porta potty stands in the middle of the floor.  A trash container (real) is behind it.

I couldn’t help but chuckle at the juxtaposition of the arty porta-potty and the real trash container behind it.  Someone tried to open the door of the potty but it was either locked or not real.  Note to artist: Why?

video art installations at an art exhibit.  The large clock and departures board of the train station are seen over the top of the temporary walls of the exhibit.

The Ontario Bread Company is located near Dundas and Ossington.
It had an Ossington Ave address but it is surrounded by lanes.
In September of 2013 it went out of business.  The building is still there but it is empty.

A slightly snow covered parking lot between two low rise buildings, both of which have murals painted on them. .

street art on a wall.  In the middle is a brown loaf of bread with the words Ontario Bread Co written around it.  There is a black and white tag on either side.  two windows and a door of the building are also in the photo.

Lovebot is now on their mailbox!

a small black and white lovebot sticker, the one that looks like a king of hearts playing card, is on the mailbox

The bakery was founded in 1935 by Polish immigrants and they specialized in Polish, and other Eastern European, breads.  BlogTO did an interesting piece about the bakery in August 2013.

 There is a lumber yard adjacent to the bakery on the same lane.
What follows are some of the photos that I took as I walked the “block” of lanes around the bakery and the lumber yard.   Some of the graffiti has been there for a few years.

 

Lifelike painting of a beaver, but larger than life.  Very realistic looking, sharp front teeth, little arms and big flat tail.

Old graffiti taf in yellows and blues on a grey brick wall.  Two windows have been bricked over in red brick.  One window has a green wood covering.  It includes the words "RIP Ryan Dunn"

jumble of different scribbles and tags and old graffiti along a wall.

A view of the back wall.

looking down an alley with the side of a two storey building being the dominant part of the picture.  It has a large number of colourful graffiti tags painted on it.

The words on this one say “It’s a bittersweet symphony”

A large colourful tag and street art piece.  It's a bittersweet symphony is written into it.  The left side is dark with a black background, the right side is brighter with a yellow and orange background.

This pair stands under the shower in a quiet corner.

Wheatpaste paste up picture of a woman in a long black sleeveless dress who is pouring water from a jug over the back of her head.   The water is falling on a girl who is sitting behind the woman.  The girl is holding an umbrella.
Rob Ford may no longer be mayor, but his legacy lives on …. in the form of anti-Ford graffiti.

tags on a brick wall in black, orange and white.  Anti Rob Ford graffiti also there in the form of a crack pipe with Fords face on it.  "Spud doesn't condone crack"  I think are the words written beside the crack pipe.

colorful graffiti tags on a brick wall

colorful graffiti tags on a brick wall

colorful graffiti tags on a brick wall

colorful graffiti tags on a brick wall
graffiti tag in greens and purples on a wall on a snowy day.  Above the tag is a weathered sign that is peeling but it can still be read - No Dumping Along this wall.

This piece is on Rolyat Street, just north of the Ontario Bread Co.

A wheatpaste paper graffiti piece of a girl's head in duplicate, looks like she's reflected below.  Long black hair. Big black eyes.

The last two pieces of street art are in a neighbouring lane, just to the northwest.

large pink creature street art, a small pink heart with the words 'lost doggy' is beside the creature

graffiti buzzard and tag behind a house.

On a fence at Adam Beck Junior Public school in Scarborough is a wonderful “mural” composed of pictures painted by some of the students.  Kudos to all involved in the project!

a large number of colourful paintings by students at a junior public school.  Some are scenes of Toronto, others are of animals or plants or buildings.

A “Danger due to construction” sign, the CN Tower and a Toronto police car.
Ladybugs, flowers and trees.
On the very right is a picture that looks like a sunset or sunrise.  What you probably can’t read are the words written on the blue stripe.  They say, “the story of my life”.

Close up of the fence at a school.  About twenty paintings done by the students.

 Buses, soccer balls and a hat left on the fence.
Another CN Tower, an arena, and ice cream.
Stop bullying too.

close up of the left part of the fence with paintings by students at the school.

A Canadian flag and the Toronto Maple Leafs.

more of the collection of paintings by elementary school students that are hanging on a fence around the school.