If you are driving or walking west on Sheppard Avenue, just past Midland Avenue, you will notice a new mural on one corner of a railway underpass. This mural was recently painted by street artist Elicser.
elicser people in Scarborough
Posted: December 1, 2015 in graffiti and street artTags: couple, Elicser, elicsr, men, mural, paint, people, Scarborough, Sheppard Ave., sheppard east village, street art, students, underpass, women
Monica, and others, on the Danforth
Posted: December 1, 2015 in graffiti and street art, public artTags: airways, alley, black line drawing, Danforth, Danforth Mosaic BIA, Emilia Jajus, fish, graffiti, Great Wave, Hokusai, lane, laneway, Monica on the moon, mural, painting, rat, sticker
A short walk earlier this month along the laneways south of the Danforth near Woodbine Ave.
below: A mural by Monica on the Moon, styled after Katsushika Hokusai’s ‘Great Wave off Kanagawa’ picture. This is only part of it – the mural wraps around the back of the building.
below: Just throwing a little bit of fun into the mix. The ‘Great Wave’ has inspired many other great works of art over the years including this Cookie Monster one:
below: Leaving the Danforth area briefly, there is also this mural by skam near Bloor and Bathurst. You can find it in Loretto Lane on the side wall of Kinka Restaurant.
below: A little path leads onto a mural on Amroth Ave just south of the Danforth that was painted by Airways Airbrushing and Sign Co. It was funded by the City of Toronto and the Danforth Mosaic BIA.
below: Historical mural on a Bell box, ‘Danforth’ 1912 by Emilia Jajus 2012.
below: Another Monica on the Moon mural
below: Alley ratz and company
below: A red fish swimming in bright blue by an unknown artist.
a drive by
Posted: November 27, 2015 in graffiti and street art, public artTags: Eglinton Ave East, geometric, IAH Digital, Leslie St., Mediah, mural, North York, railway bridge, terra strat'aa, underpass
“Terra Strat’aa” is a new mural by IAH Digital (Mediah) that now covers both sides of a railway overpass on Eglinton, just east of Leslie Street. I have been meaning to take pictures of it for a few weeks now. One of my excuses for not getting there sooner is that it is not convenient to get to by foot and once there, it’s in a photographic wasteland.
I hadn’t planned to drive past it today but I did….and I had my camera in the front seat with me….and believe it or not, the traffic on Eglinton was extremely slow, even slower than usual! I think that these photos were meant to be. 🙂
two number tens
Posted: November 26, 2015 in history, public artTags: 10, ACC, air canada centre, captains, George Armstrong, history, hockey, hockey players, Legends Row, Maple Leafs, public art, statues, Syl Apps
Earlier in November, two more statues were added to Legends Row outside the Air Canada Centre, Syl Apps and George Armstrong. Both men were Maple Leaf Captains and both men wore jersey number 10.
below: Blue and white confetti at the unveiling of the latest statues on Legends Row.
below: An old photo showing Syl Apps and a young George Armstrong when the latter was given Maple Leaf jersey 10 to wear. Armstrong was the first player to wear number 10 since Apps had retired.
below: George Armstrong, past and present, at the unveiling. Armstrong played 21 seasons with the Maple Leafs between 1950 and 1971. After retiring from playing hockey, he coached the Toronto Marlies for a few seasons and he was on the Maple Leaf scouting staff for many years.
below: Also, number 10, Syl Apps joined the Maple Leafs in 1936. While he was captain of the Maple Leafs, the team won three Stanley Cups. Apps retired in 1948.
below: left to right: Mats Sundin, Borje Salming, Darryl Sittler and Ted Kennedy
below: George Armstrong and Johnny Bower
below: left to right: Borje Salming, Darryl Sittler, Ted Kennedy and Syl Apps
below: Just around the corner, two statues of a slightly different nature

food, food, glorious food
Posted: November 25, 2015 in galleriesTags: Amanda White, Andree Wejsmann, Artport, broaches, brooches, Bruce Cochrane, ceramics, corn, Erin Riley, food, Forage, Harbourfront, hunters, Lana Filippone, leaves, lemons, Lisa Myers, Lynn Price, natural dyes, ode to a lemon, photographs, photography, rings, Sooyeong Lee, squash, Thea Haines, Victoria Piersig, video
Food is an important part of our lives and there is a lot that we take for granted about the food we eat. Food, and all that accompanies it, is the theme of a collection of art exhibits at Harbourfront’s Artport. On display is work by a number of artists who have been examining different food related issues. How we see food, it’s role in our lives, how healthy is it, it’s production, and how we obtain it, are just a few of the questions that are explored. We eat food but what about the parts we usually waste?
Below is a sample of what is on offer.
below: ‘Wearable Food – Hat’, 2014, by Sooyeong Lee, part of a series of photographs that displays food in atypical and unexpected ways. An acorn squash fascinator is precariously perched on her head.
below: ‘Frugivore Project’, 2011-ongoing, by Amanda White, an attempt to communicate biologically with tomato plants. White bought tomatoes from the grocery store and ate them. She harvested the seeds after they had passed through her digestive system and then planted them. After the plants bear fruit, it is eaten and the cycle continues.
below: ‘Foraged Palette’, 2015, Thea Haines, made with wool, silk, linen, hemp and cotton with natural dyes. The dyes are made from food waste such as carrot peels, onion skins, pomegranate skins and avocado pits.
below:‘Strain to Absorb, 2015, by Lisa Myers, three digital files running simultaneously. Blueberries contain the pigment anthocyanin which the artist produces from strained fruit.
below:‘Accidental Hunter’, 2014, by Erin Riley, hunting with a rifle received as a gift from her father and taking pictures of the event.
below: ‘Delicate merchandise!”, 2014, by Lynn Price, oil on paper. The title comes from a poem called ‘Ode to a Lemon’ by Pablo Neruda (see bottom of post)
below:Functional Ceramic Tableware, 2005-2015, by Bruce Cochrane
below: Trading Places, Victoria Piersig. A series of photographs from a journey spent onboard a ship transporting wheat from Thunder Bay to Montreal.
below: cookie cutter rings and brooches, by Andree Wejsmann
below: Teerex and Triceratops Corn Cob holders, 2012, by Lana Filippone
***
‘Ode to a Lemon’ by Pablo Neruda
Out of lemon flowers
loosed
on the moonlight, love’s
lashed and insatiable
essences,
sodden with fragrance,
the lemon tree’s yellow
emerges,
the lemons
move down
from the tree’s planetarium
Delicate merchandise!
The harbors are big with it –
bazaars
for the light and the
barbarous gold.
a walk on Eglinton
Posted: November 23, 2015 in general Toronto, history, locations, transportationTags: architecture, bite me, buildings, bus bays, concrete, dolls, Eglinton, glass, historical, reflections, shadows, signs, street, Toronto Hydro, Toronto Hydro-Electric System, TTC, windows
The plan was to start walking westward from Eglinton subway station.
below: The first photo I took was right after I got off a bus at the station. With the ongoing reconstruction at Eglinton, there is now easy access to the old bus bays. There is still a fence around them, but at least they can be seen and photographed. These bays have not been used since 2004 and the area has been fenced off and unused since then. Now they sit empty in the shadow of the ever increasing tall buildings around them.
below: Looking west along Eglinton Avenue after the completion of Eglinton station in 1954. The street running north-south just beyond the bus bays is Duplex Avenue. There is now a police station on the SE corner of that intersection. On the NW corner you can see the brick Toronto Hydro-Electric Building with its large front ‘door’. It is still there.
.
below: (taken later in the afternoon, on the way home) The intersection of Eglinton and Duplex from west side with the brick Toronto Hydro-Electric building now between glass buildings.
below: After leaving Eglinton station, this caught my eye. The glass cube-like building on the NE corner of Eglinton and Duplex reflects the afternoon sun onto the walls of the Toronto Hydro-Electric building across the street.
below: On Duplex, right behind this brick building is an intriguing building. The highly textured concrete exterior and the 3D patterned wall are suggestive of the 1960s although I could be wrong. It’s ugly yet fascinating at the same time. Now that the leaves have fallen from the trees in front of it, the pattern of trapezoids, diamonds and rectangles is revealed…. as is the dirt and grime on the concrete. The fact that there are no windows and doors facing the street provides a clue that this is yet another Toronto Hydro building.
Somethings old
below: A sign with an old Toronto HU (Hudson) exchange phone number. HU1 would be 481. This number is probably from the late 1950s. In the early days, Toronto phone numbers had only 6 digits. In the mid 1950s a seventh digit was added and then between 1961 and 1966 the letter prefixes were phased out, replaced by numbers.
below: The Eglinton Grand, art deco building from 1936; National Historic site since 2003.
Somethings new
And some window ‘shopping’ to do
below: Marbles wedged between glass make an excellent decorative touch.
below: little Japanese wooden dolls in the window of the Sake Bar
below: And even a lovebot hangs out here
below: A little chuckle at this sign….
below: And then later I saw this.
Rather than wait for a bus I decided to keep walking home but unfortunately it’s that time of year when the daylight hours are just too short. One last look at where I had just been before putting my camera away and heading home.
return to Lawrence West
Posted: November 22, 2015 in graffiti and street art, locations, public artTags: birds, brunosmoky, camel, CN Tower, dead, death, Earth, elephant, environment, essencia art collective, exploitation, fiya, gas mask, Lawrence West, lumber, mural, oil fields, pyramids, Shalak Attack, tiger, vulture
As promised a few blog posts ago, I went back to take more photos of the now complete mural on the underpass on Lawrence Avenue just west of Caledonia. It was painted by Essencia Art Collective (Shalak Attack, Fiyabruxa and Brunosmoky).
Love or Love
Posted: November 21, 2015 in graffiti and street art, locations, public artTags: Allen Expressway, Art Start, community, empty, flower, heights, home, Lawrence Heights, limitless, love, love or love, mural, Ranee Ave., renewal, Sean Martindale, shoot for the stars, stars, streetARToronto, telephone poles, Toronto Community Housing, Yorkdale, Zachary Court
I drove the back streets to Yorkdale yesterday. It’s not something that I normally do; in fact I can’t remember the last time I drove those streets. But I’m glad I did because I found another mural painted on an underpass. Four sections of concrete wall, four words in bright colours – Love, Home, Limitless, Heights.
Home – just to the right of the word ‘home’ was a large heart that unfortunately I missed when I took the next photo. There was also a sign describing the story behind the mural.
This community mural was painted by youth from the neighbourhood, Rocco Ursino, Salim Yislam, Michelle Collin, Jaden Beckford, Tamika Smart, and Hassan Mohamed under the mentorship of Sean Martindale and Joshua Barndt. Apparently it was inspired by a popular local expression “Love or Love” and tries to convey compassion, hopefulness and determination. Needed sentiments as this neighbourhood undergoes major changes and revitalization.
This 2012 project was produced by Art Starts in partnership with Toronto Community Housing and office of councillor Josh Colle. Funding was provided by StreetARToronto and TCH.
The mural is on Ranee Avenue as it passes under the Allen Expressway. It is also right by the south entrance to Yorkdale subway station.
When I parked my car I saw this telephone pole – Shoot for the stars. Great advice!
And because one thing always leads to another, I was parked on Flemington Road beside this – the remains of Zachary Court.
The street is fenced off and the houses are empty. Some of the windows are missing but most are boarded up. This must be the neighbourhood redevelopment referred to in the description of the mural, or at least part of it.
There was another telephone pole with a happy picture painted on it but looking a little worn.
There are two development proposal signs posted on Ranee Avenue that pertain to this area. One of them is for a seven unit, three storey townhouse development on Ranee Avenue itself. The other is for the demolition and replacement of 233 social housing units as well as the construction of 824 market value units serviced by a new public street. The latter development involves a number of streets besides Zachary Court on both sides of the Allen Expressway (Zachary Court backs onto the west side of the Allen).
mosaic people
Posted: November 20, 2015 in public artTags: Adelaide St. West, Bell Canada, ceramic, downtown, exterior, glass, glass ceiling, Immigrant Family, mosaic, pieces, public art, sculpture, small piece of something larger, smalti, Stephen Andrews, tiles, Tom Otterness, Toronto, Trump International hotel, walls, York Wilson
The other day I came across an interesting mosaic of which the picture below is just one part. There is a plaque beside it which says “Seen at a disance the mosaic reveals a crowd of people sheering and clapping, people of all backgrounds, which is the unique mix of Toronto. Up close, the images dissolve into abstract patterns of colour and light.”.
The mural is called ‘A Small Piece of Something Larger’ and it was designed by Stephen Andrews and fabricated in Montreal by Mosaika Art. It is made of smalti (hand cut mosaic glass), gold tiles and hand glazed ceramic tiles.
I’d love to show you a picture of the whole thing but I can’t. The piece is located in the taxi drop off and valet parking area of the Trump International Hotel. I dodged cars while I took these photos. The wall that it is on looks cheap, especially with the dreary doorway that cuts into the mosaic. Another strike against this piece is the very yellow nature of the lighting in this space. I played with the colour balance on the photo below to try to capture the true colour of the artwork.
It really deserves a better location.

The above picture was taken from the NE corner of Bay and Adelaide.
Just a few steps west on Adelaide is this mosiac (look up!):
It is above the entrance to the Bell Canada Building at 76 Adelaide West. Five panels, each twenty feet tall and five feet high, of glass mosaic tile are embedded in the cement of the building. It was designed by York Wilson and installed in 1965 when the building was constructed.
The theme of the piece is communication and each panel represents a different form of communication. From left to right: writing, drawing, music, voice, and satellites.
Staying on Adelaide, walk east again but continue to Yonge Street. Here you can find another hidden, almost secret, mosaic that many people have walked past and never seen. Find the silly little entrance way to what is called the Dynamic Funds Tower on the SE corner of Yonge and Adelaide. Stand outside the entrance but don’t go in. Now look up.
Three very different mosaics all within a few steps of each other.
….and there’s one last stop on our mosaic tour. It’s not a mosaic but looking at Stephen Andrews’ work at the Trump Hotel reminded me of a sculpture. If you walk down Yonge Street, just south of the railway tracks you’ll find a bronze ‘Immigrant Family’ by Tom Otterness.

A roly poly mother, father and baby in arms. A bit cartoonish but vague enough that they represent no one immigrant group. They could be any piece in the mosaic that is Toronto.
With a shoutout to Penny at Walking Woman since it was because of her blog post that I learned about the Otterness sculpture.
Other links:
- Stephen Andrews
- A more thorough explanation of the Bell Canada building mosaics
- Tom Otterness























































































































































