a lap around the tracks

Posted: July 27, 2016 in graffiti and street art, locations
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But not a running, or even a jogging, track!  No, yesterday’s walk was an oval-ish loop at walking pace from Dundas West station, up one side of the railway tracks and back down the other.

below: Just past the subway station I saw the mural on “The Friendly Trini’s” which is now closed.  If the mural is telling the truth, they once served butter chicken, curried goat roti, jerk chicken with rice and peas, as well as drinks in coconuts and pineapples.  Feeling hungry already, and I’ve only just begun my walk.

a mural on the side of the Friendly Trinis restaurant that is now closed. Two women are walking on the sidewalk by the restaurant, a sign for Jennys bar and restaurant is in the background. The mural has drinks in coconuts and pineapples as well as a list of some of the food they served

below: Also on Dundas West, the King’z Convenience and Dollar Store which sells Filipino products and delicacies is adjacent to the Slovenija meat & delicatessen.  Multicultural.  I regret not taking pictures of the window of the Slovenian store – juice and beer brands that were unfamiliar to me.

two storefronts on a street, one is a slovenian grocery store and the other is a convenience store

below: Detail, boy riding an old fashioned bike on a little hook above a door.

a decorative ornament hanging high on a brick wall, a hook that extends from the wall about 8 to 10 inches, on top is a flat rendition of a boy on an old fashioned bicycle

below: And someone has decorated their balcony.

a balcony railing has been decorated with different colours of fabric that has woven between the rails

below: Just before I reached the bridge over the railway tracks I saw these words on a wall.

graffiti on a wall, in white paint on grey wall, the words "I have a dream'

below:  The dream theme continues on the metal steps up to the bridge.  This one was small and I almost missed it.  I’m not sure if it was painted black to blend into the background, or if the painting was an attempt to “clean up” the graffiti when prying off the letters proved to be too difficult (the D is broken so maybe someone tried).  Insert words about killing other people’s dreams here.

a raised word, 'dream' in cursive that has been stuck on the side of a set of stairs and then painted black to match the steps

below: From the top of the steps looking south.  The minimalist new Bloor GO and UP (Union Pearson) station is finished, top left of the photo.  Don’t you think we should call it ‘Get UP and GO’?  The street is Dundas West and yes, that mural is new.

view from a bridge, a street, and a railway and some buildings in between. There is a mural at the bottom of the steps.

below: Helping to hold up the bridge, west side of the tracks.  He’s carrying the weight of the world, or maybe just the bridge, on his shoulders.

mural on the concrete base supporting metal struts bridge supports.

After crossing the bridge, I walked north along the West Toronto Railpath. The fencing along the path has all been upgraded.  There used to be some spots where you could get through the fence (non-railway side) but those are gone.  Between the tracks and the path there is a new clear (glass? plastic?) fence.  Of course it has already been ‘vandalized’ or ‘tagged’ – choose your verb.  Because I was there on a sunny afternoon, the sun was shining through the ‘artwork’ and making interesting designs.  A few thistles and other weeds added some compositional elements.

glass that has been spray painted yellow and orange, with some black that has run, weeds are growing in front of it, the sun is shining from behind it

a bright red heart has been sprayed painted onto a glass wall, weeds growing front, train tracks behind, the sun shining through the glass.

There were quite a few hearts on my route, especially around the Dupont exit of the Railpath.

below: Many hearts on the fence.

two street art pieces painted on a glass wall. the first is a red and black heart with a white banner across it on which the word love is written. the other is 8 little red hearts on white stems growing from the ground below.

below: A heart for Hex and Nish wherever, and whomever, they may be.

a bright red heart painted on a man made boulder, words hex and nish written on it

below: Three heart balloons on the Dupont sign.  You can get a good view of the fence here.

glass fence beside railway tracks, path, trees, also a metal sign on which three red hearts on white stems have been painted.

below: Part of the West Toronto Railpath runs alongside Planet Storage, an large old brick building.  There used to be a lot of street art along the side of the building but it’s all been painted over.   A few tattle tale remnants remain.

wall, part of an older brick building that has been painted a rust colour, with windows, some of which have metal grilles over them. Remnants of old graffiti on the metal grilles.

below: My favorite, little details like the bright yellow giraffe looking at the clouds.

looking into a window, toy yellow giraffe on the window sill as well as two toy trolls, one with yellow hair and the other with orange. Reflections of clouds in the window

below: There is one mural on the Railpath, the back of Osler’s Fish Market is covered with a fish and fishing themed mural.

back of Osler Fish Market covered with a fish and fishing mural

below: Fish heads in the weeds.  Queen Anne’s lace, that plant with the white flowers, was growing in abundance along the path.  You might know it by its other name, Wild Carrot.

detail of a mural, fish heads, on a wall with Queens Annes lace and other weeds growing in front.

mural with fisherman bringing in a load of fish to the shore, boat in the background, more fish in the foreground.

mural, man sitting, mending fishing nets, woman on the shore carrying a bundle towards some fishing boats.

below: A splash of red on a street just off the railpath.

the top part of an old Victorian brick 2 storey house, painted red with white trim

below: The sign on the table says: “Hi! La Witch Cat here.  Enjoy the space, but PLEASE do not litter.  I provided a garbage can. Use it!  This includes cigarette butts.  Put in trash once extinguished.  Thanks!  XXO”.  Marvellous!  I sooo agree with the part about cigarette butts.  Why do people who don’t litter still consider it okay to throw cigarette butts wherever they please?  I smiled but I didn’t stop to rest.

In a veryshady spot, against a metal fence, two old chairs with a white table between them, a sign on the table and a small garbage can to the left.

below: At one point I found myself at this intersection.  What is a pedestrian to do? It’s possible I walked where I shouldn’t have, or at least where foot traffic is rare.  All the roads in the photo are Dundas West; it’s where the street splits as it approaches Dupont and Annette.  There was a small park behind me, called Traffic Island park.  The name sums it up I think.

wide intersection where two roads meet in a V shape. not much else in the picture, only the nose of one car, no other traffic. hydro poles and wires in the picture

two old Toronto street signs, slightly rusted, on a hydro pole, one for Dundas St. WEst and one for Dupont street

below: A lament for the streetscape.  One more line in an elegy to public spaces.  The result of a half hearted attempt.  Massive hydro poles on the narrow sidewalk.  A large ad. A green space that needs attention.  If you look carefully, you can see  a plaque on a small stand.

sidewalk right beside a road, with hydro poles on the sidewalk, a small stretch of green space (about a metre) befoew a large fence that is concrete on the bottom and glass on the top. A couple of small trees that are dying are in the green space.

below: This is the plaque.  According to the words, this strip of land was replanted in 2001-2003 with a number of native species with the plan that they would spread and “create an oasis in the middle of the city”.   It mentions three plants – Nannyberry tree, Staghorn sumac, and Bottlebrush grass.   Disconnect alert.

plaque describing the railside garden with words about its history and some picture of the plants that grow there

below: On my way back to the subway station I spotted this 24 hour lovebot.

a lovebot sticker on a TTC bus stop pole, between the sign that says 24 hours and the symbol of a bus, older industrial building behind it.

…. that was where I walked yesterday but before I leave, a few small details.  Ciao!

graffiti on a grey metal door of a girl's head with lots of pink hair. A pink heart beneath her with the word love under that

red background, silhouette of sumac leaves

blue background, graffiti drawing of man's head, wearing large crown, sad eyes, heart in word bubble

a plate in a window that says Good Morning Sunshine, also two small ceramic figures of cats, and one ceramic dog

The Bentway

Posted: July 25, 2016 in locations, nature, transportation
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The Frederick G. Gardiner Expressway, commonly just called the Gardiner, has been in the news a lot lately.  This 18 km stretch of road between the city and the lake was completed in 1965 after years of planning and building.  At the time that it was built, Toronto’s waterfront was largely industrial and there wasn’t much objection to having a 4 to 6 lane expressway, with many sections elevated, built there.   The railway had begun the process of dividing the city from its waterfront a hundred years previously.

As the city changes and grows, more and more people live in the downtown core.  Industry has moved out and residents have moved in.  For so long the land south of the Gardiner as well as under the Gardiner was neglected, especially from a city planning point of view.  But now, the city is looking differently at that swath of land.  The far east elevated section between the Don Valley Parkway and Leslie Street was demolished in 2001 and there have been calls for the next section (Jarvis to the DVP) to be demolished as well.   There has been some controversy as to whether to demolish it or move it… and if move it, where to? I am not even sure what the plans are at the moment.   On the other hand, the western section of the elevated expressway (Strachan to Spadina) will remain standing.  Work is underway to refurbish the structure – the city doesn’t want any more stories of pieces of concrete dropping onto cars beneath!  Plans are being implemented to use the land under the Gardiner much more efficiently.  To make it work for the public.

The Bentway is the name that has been given to this new park, or public space, beneath the Gardiner Expressway from Strachan 1.4 kilometres east to Spadina. The first phase is due to open Canada Day 2017 and it involves the stretch between Strachan and Bathurst.  Many of you have probably driven on the Gardiner but do any of you know what is under it now?  Let’s take a look.

below: The Gardiner passes over Strachan Avenue which  in turn passes over the railway tracks.

bridge over a street, many orange and black construction cones down the center of the road, some pedestrians on the sidewalk

below:  On Strachan Ave looking west.   Condo development in this area has extended right to the railway line.  The Exhibition GO train station is in the distance.  You can also see the Gardiner to the left of the tracks.  Here the north side of the under part of the expressway is walled in and the enclosed space is used by Exhibition Place.  At this time there is no plan for the Bentway to extend this far; I have used this photo to provide more context as to the location of the park.

railway tracks in the center of the picture, condos on the right. On the left is the elevated Gardiner expressway, but under it is a concrete wall that makes it look more like a concrete building than a road

below: A closer look at the Gardiner on the west side of Strachan Avenue.  Maybe there is potential to expand the park westward? to Exhibition GO station? And by the way, those concrete structures holding up the expressway – those are called ‘bents’ and that is why the park is called what it is.

a dirt road runs alongside the Gardiner Expressway, some condos in the distance

below: This photo was taken as I stood on Garrison Common and looking towards Strachan Avenue.  This will be the western end of the new park. You can see the underside of the Gardiner as it passes over Strachan Ave which in turn is also a bridge.  This bridge once crossed the Grand Trunk Railway tracks that were built in the 1850s.  New entrances to the park are planned that incorporate the present sloped embankment of the bridge.

The elevated Gardiner Expressway passes over Strachan Ave which in turn has a bridge over what used to be a rail line. The bottom part of the bridge is covered with graffiti. The whole area is a construction site at the moment.

below: A quick aside:  It’s a slightly different angle, but here is a photo of the Strachan Avenue bridge from 1959, before the Gardiner was built.  I suspect that there has been upgrades made to the bridge since then.  Photo credit: R.L. Kennedy, found online (also a good source for the history of the Grand Trunk Railway in Toronto).  Garrison Common is to the right.

vintage photo from 1959, GTR tracks pass besidde Garrison Common park and under the bridge at Strachan Ave

Garrison Common is the green space surrounding Fort York.  It will abut (be continuous with?) the new Bentway.  Fort York is a National Historic Site and on its 43 acre site are original buildings from the War of 1812 as well as an 1813 battle site.  Did you know that the Americans beat us here in 1813 and controlled the city of York (as Toronto was known then) for a few days?

below: The new Fort York Visitors Centre is now open. There is still being work done both inside and outside, but it is open to visitors. For so long the fort was hidden away and difficult to get to; it is nice to see it receiving more attention.

entrance to Fort York, under the Gardiner, still a construction site but nearing completion

below: Jake from Park People, one of the groups helping to design the new park, stands under the Gardiner as he talks to a group of us on a tour.    Here, by Fort York, the Gardiner is the equivalent of 5 storeys from ground level, the highest it reaches as it crosses the city.

a man is standing in front of a group of people on a walking tour, he is standing under the Gardiner Expressway where it is 5 storeys above ground level.

below: Standing on the grounds of Fort York.  The Bentway will be beyond the stone wall.  You can get a good idea of the spacing between the bents.  These spaces are being referred to as ‘rooms’ and there are 55 of them between Strachan and Spadina.

from the grounds of Fort York looking south to the Gardiner and the condos built beyond it. Grass field in the foreground.

below: One obstacle is the fact that Fort York Blvd passes under the Gardiner on a diagonal.  Plans are to build a pedestrian/cycle bridge over the street.  Also in the photo, note the TTC bus – Fort York and vicinity are finally on a bus route.  Route 121 runs between the Portlands and Fort York via Union Station.

fort york blvd is in the foreground, a TTC bus and a car are on it, the Gardiner is to the right and a short condo building is in the background along with the CN tower

below: The section under the Gardiner Expressway between Bathurst Street and Fort York Blvd is not city owned. It is owned, and has already been developed, by the Onni Group who built the Garrison at Fort York condominiums on either side of it.  This is the eastern end of phase 1.

evening, low angle sunlight shines under the Gardiner Expressway where it has been developed with paving stones and some large rocks.

below: Northbound traffic on Bathurst passes under the Gardiner.

some traffic on Bathurst street on a rainy day, as the street passes under the Gardiner Expressway, condos on the right, construction hoardings on the left.

Phase 2 of the park’s development involves land between Bathurst and Spadina. This is an area that is undergoing a lot of changes at the moment, i.e. a lot of construction.

below: Immediately south of the Gardiner on the northeast corner of Bathurst and Lakeshore is a construction site.  Demolition of the old 1928 Loblaws warehouse building is now complete.  The facade of the old building was disassembled rather than demolished; after cleaning and refurbishing of the bricks, it will be rebuilt in its original location.  Two condo towers are planned for the space between Loblaws and the Gardiner.  Yes, more condo towers to face the Gardiner and add to the tunnel effect that you get when you drive on the expressway.

construction site in downtown Toronto, Gardiner Expressway runs behind the site, rubble in the foreground, a few remaining remnants of the old Loblaws building that was there, high rises in the background.

below: The development of this site is a collaboration between a number of developers.  I found a photo of one rendition (source) of what the space under the Gardiner will look like here in the future.  Public space including a cafe are part of the plans.  Check back in a couple of years to see what really happens here!

artist's rendering of what a planned development for under the Gardiner would look like, part of a larger condo and retail development.

below:  Standing on Bathurst Street, looking east along what will be Housey Street.  This is just north of where the Loblaws development (above) will be.  As you can see, you can’t walk there yet.

the elevated road, the Gardiner Expressway passes over a construction site on the right, a new street being built on the left.

below: Southeast corner of Bathurst and Fort York Blvd.  This is the section of land just north of Housey Street.  Construction hoardings and cranes – familiar sights in this area.  It also means that taking photos of under the Gardiner here are difficult!

late afternoon, long shadows, yellowish tint to the photo, looking east from Bathurst, south of Front, north of the Gardiner, wood construction hoardings with posters on it, many orange cranes, some condos already built, a woman jogging past, cars on the street.

below: Development north of the Gardiner between Bathurst and Dan Leckie Way.

construction site under the Gardiner, cranes and condos being developed on the left, CN tower in the fog in the distance.

Dan Leckie Way is a north-south road that runs under the Gardiner just east of Bathurst.  It is the western boundary of Canoe Landing Park.  This park is north of the Gardiner and the Lakeshore.

below: ‘Tom Thomson’s Canoe’, by Douglas Coupland sits at the highest point of land in the area; it’s almost at the same level as the Gardiner and is very visible as you drive by.   This park extends down the hill.

The end of a large red canoe, an artwork by Douglas Coupland called 'Tom Thomson's Canoe' sits in a park, high above the surrounding scenery. Looking southwest towards the elevated Gardiner Expressway and the condo developments south of it.

below: Looking the other way from the same vantage point. The street running under the Gardiner here is Dan Leckie Way . Up until this point the Lakeshore is south of the Gardiner.

The elevated Gardiner Expressway with traffic is in the middleground, some trees and parkland in the foreground, and condo developments in the background.

At Dan Leckie Way, the Lakeshore is still south of the Gardiner and the space under the expressway is wide open.   By Spadina, one major block east, the situation changes.   The Lakeshore splits and westbound traffic lanes go north of the Gardiner and eastbound lanes stay south.  Shortly after Spadina, the Lakeshore runs under the Gardiner and there is no room for any further development under the road.

below: Standing on Spadina, just south of the Gardiner and looking west.  Here there is a lot of road to cross for pedestrians on Spadina.  Not only has the Lakeshore split to run on either side of the Gardiner, but there are also ramps between the Gardiner and the Lakeshore.

major road with traffic under an elevated expressway in a city, long ramp from the upper level to the lower. Gardiner Expressway and Lakeshore Blvd in Toronto, at Spadina looking west

below:   Still on Spadina, and still looking west, but now under the Gardiner.  The space under the road is not as high as it was previously.  Its lower and darker and not as inviting.   It will be interesting to see what phase 2 of the Bentway development will look like in this space.  I am not sure when it will to be finished but I will keep an eye on it!

under an elevated section of the Gardiner Expressway, at Spadina.

As for the eastern Gardiner, what does that look like?  Well, that’s a whole other blog post!

 Project: Under Gardiner  On this site you’ll find detailed maps and diagrams of this area as well as information about the plans for the various sections of the space.

 

 

 

gallery hopping

Posted: July 25, 2016 in galleries
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This post is subtitled ‘Staying Cool on a Hot Hot Day’.  When the temperatures are into the 90’s (old style) and the humidity makes the air thick, walking streets and alleys is not very comfortable.  Instead I took refuge in air conditioned arty places.  With the help of the (mostly) air conditioned TTC I only needed to take a few steps outside.

below: At one point I walked through an air conditioned building rather than going outside.  This is what I found there. ‘August 6, 1945’ by Matthew Day Jackson.  Moments after I pulled my camera out of my backpack, a security guard appeared.  I was sure that once again I was going to get the “this is private property” talk but instead we ended up discussing the work and how it is displayed.

It is constructed of four panels and it’s very heavy.  The base is made of lead; you can see the lead where Lake Ontario is.  It is attached to the wall with 18 very long bolts and each bolt is wired to an alarm.

map of toronto made of charred wood and lead, meant to resemble the city after an atomic bomb, large, made by Matthew Day Jackson, hanging on a wall behind a metal railing.

below:  Looking a bit more closely at it you can see that it is a map of Toronto.  As you might have surmised,  the title is a reference to the dropping of the atomic bomb on Hiroshima by the USA during WW2.    This isn’t just any map of Toronto, it’s an aerial view of a burnt out city after a nuclear explosion.  It is one in a series of cities given similar treatment, all with the same title.

detail of the islands and downtown area of map of toronto made of charred wood and lead, meant to resemble the city after an atomic bomb, large, made by Matthew Day Jackson

From the effects of man made death to the life enhancing effects of nature….

below: A few steps outside took me past the Gardiner Museum where I noticed that the front garden was redone about a year ago.  ‘Vertical Crevice Garden’ was designed and donated by landscape artist Neil Turnbull.  From the Gardiner museum website, a quote by the artist: “When the massive forces of continental drift push against layers of sedimentary rock, they cause it to crack, break, and rise. Over centuries, through exposure to wind, sun, and the freeze-thaw cycle, the layers split open. These fissures and crevices collect rain, dust, and an array of windblown bits like seeds and spores; plants take root, and life takes hold.”

limestone rocks arranged on a slant in a garden, stripes of red rock and grey rock, all just a few inches off the ground

below: When walking past the Gardiner Museum, one can’t help but notice the striped head.  It’s actually called ‘Untitled’ (why do artists do that?) and it’s by Jun Kaneko, 2002.  It’s made of glazed ceramic and galvanized steel.   Before heading underground at Museum subway station I took a few minutes to try to take a ‘pretty’ picture of the head.  The plants in the garden next door haven’t quite grown up enough to hide that ghastly table that the head sits on.  I have always wondered why the museum chose such a mundane bland platform for the sculpture but now that I look at it again I wonder if it’s possible that the table is actually part of the artwork.  Could it be?

large striped head sculpture on a table, outside, by Jun Kaneko, old building behind it, lavender and other plants growing in front of it.

below:  A photograph in the doorway of a gallery caught my eye.  The picture below is not the one in the doorway, but one that was hanging on a wall inside that I liked even more.  ‘Paris Rooftops 4’ by Michael Wolf.  It is 48″ x 68″ and is a chromogenic print (full-colour silver-based photograph), edition of 9.   To buy it will set you back $22,000 but looking is free – check out more of Michael Wolf’s work on the Bau-Xi gallery website.

picture of a photograph by Michael Wolf of Paris rooftops. Concrete grey with lots of lines of little terra cotta chimneys

below: A man with a camera stares at a painting on a gallery wall.  ‘Watching’ 2010, (26 inches high) by Tom Campbell on the left and ‘Brown Trail #7’ 2016 by Shi Le, a Toronto based landscape artist.  These are at the other Bau-Xi gallery (the non-photography one)

a small sculpture of a man holding a camera is placed in an art gallery such that he seems to be looking at a painting on the wall.

below: Three paintings by NUBARR Gallery, a collection of the works of Armenian-Canadian painter Noubar Sabag (Noubar Sabbaghian) 1920-2006.   These, and others by the same artist, are on show at the Art Square Cafe & Gallery but unfortunately I just learned that today is the last day.

a woman in a floppy black hat is taking pictures of three paintings hanging on a gallery wall.

below:  How many people try to paint pictures like this?  How many people sell such paintings, not to mention have them hang in the Art Galley of Ontario?  But they aren’t Robert Motherwell.      So I ponder on the age old question of what makes a piece of art valuable or collectable?  Is the AGO (and other galleries) collecting paintings or names?  Motherwell painted this in numerous variations – a few changes in colour, a slight change in the lines.  Cheating?  Or brilliant marketing?  One for every gallery of note? This is Motherwell’s ‘Untitled (In Orange with Charcoal Lines)’ c1970.  There’s that “untitled” again, the most popular name for an artwork.

all orange with 3 black lines that form three sides of a square, top line of the square is missing. It's a picture of a painting by Robert Motherwell in an art gallery

My last stop of the afternoon was at the photography exhibit by Thomas Ruff at the AGO.  Part of the exhibit was a few large photographs of stars,  ‘Sterne’.  Large pictures of stars in the night sky were made from negatives that Ruff bought from the European Southern Observatory in Chile in 1989.

below:  They are difficult to look at, or rather it is difficult to what is the picture because the blackness of the photograph creates a mirror when placed behind glass.   This is me taking a picture of the picture – me plus the picture on the opposite wall plus the lights and light fixtures in the ceiling plus a table plus another person in the room plus a few white spots that are stars.

large photograph of the night sky, lots of stars and blackness. The black acts like a mirror and parts of the gallery are reflected in the picture.

below: ‘Walking Away, Walking Through the Universe’ a manipulation of a manipulation.

a reflection of two people walking hand in hand as seen reflected in a photograph of stars in the black night sky

below:  One last photo.  Let’s end this on a positive note and give Thomas Ruff credit for some interesting work.   These two pictures are part of his press++ series where he has taken old photos used in print medium and merged the front (picture) and back (words and markings) of the print into one.

a woman is standing in an art gallery and she is looking at two large pictures on the wall.

Thomas Ruff, Object Relations, at the AGO until 1 August 2016

inked at the ROM

Posted: July 22, 2016 in events, galleries
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There are seven or eight large photographs, portraits of older women, on University Avenue.   They were actually part of the CONTACT Photography Festival and they have been on display outside the Royal Ontario Museum since early May.  The photos are the ‘The Last Tattooed Women of Kalinga”, portraits by Jake Verzosa.

large black and white photo of an older woman with many tattoos, black and white, displayed outside, another portrait in the background

In the villages of the Cordillera mountains of northern Philippines the women have been tattooed with lace-like patterns for centuries.  The tattoos are symbols of stature, beauty, wealth and fortitude and are traditionally applied during rituals.  The tradition is dying out as standards of beauty change and as the old ways are replaced with more modern methods.

Each village once had their own tattooist, or mambabatok, but today only one remains.  Born in 1918, Whang-od (or Fhang-od), is the last person to practice the centuries old technique called batok.  The ink is made of charcoal and water and it is applied by tapping the skin with a thorn.

two older women with their shoulders tattooed, wearing necklaces and a patterned skirt, seated. Black and white

Once the men were also tattooed.  The Kalinga tattoo has evolved from their ancient tradition as warriors and headhunters.  Heads were taken from fights and battles as a trophy; each time a man brought home a head he would receive another tattoo as a reward.  Tattoos were a mark of social status.

Indigenous groups throughout the Philippines practiced tattooing for centuries.   When the Spanish arrived in the 1500’s they called the people ‘pintados’ or ‘painted people’ as it was not uncommon for people to have tattoos covering their whole body.  While some tribes used tattoos to mark status, other tribes believed that tattoos possessed special spiritual or magical powers which gave the individuals strength and protection.  The use of tattoos as protective symbols is an idea that occurs in many cultures.

large black and white photo of an older woman with many tattoos, black and white, displayed outside, another portrait in the background

In conjunction with the Kalinga portraits, the ROM is featuring an exhibit that examines the beliefs surrounding tattoos, and the role that they and other forms of body art play in different cultures over the years.  “Tattoos: Ritual, Identity, Obsession, Art” is on view until September 5th.  It is a global tour of tattoos past and present.

One of the cultures that is featured is the Chinese.  For centuries, tattoos were forbidden, or at least taboo, in China.  To be tattooed was to be discriminated against as they were associated with prisoners or vagrants.  Recently that has begun to change.

below: Three large modern picture tattoos by Taiwanese tattoo artist Gao Bin featuring traditional Chinese images, Buddha, lion and dragon.  Tattoos as a cultural expression.  In some countries such as Sri Lanka and Thailand images of Buddha are considered sacred objects of worship.  While it’s not illegal to have such a tattoo, wearing one could get you into trouble.

Three pictures of the backsides of men, each with a large picture tattoo from neck to thigh. Chinese art pictures as tattoos

below:  Here is another example of why people get the tattoos that they do.  This is a picture of one photograph in a series by Isabel Munoz.  Munoz spent three weeks inside several prisons in El Salvador and photographed mara gangs.  Gang members wear offensive tattoos to assert their antisocial behaviour and express their loyalty to the gangs.  Tattoos as statement; tattoos as a mark of membership and belonging.  Tribal.

photo of a picture in a museum of a man's face that has been tattooed with gang symbols and words,

below: A silicone arm with a tattoo by Montreal artist Yann Black on display.  This is one of 13 commissioned tattoos on silicone body parts – arms, legs and torsos both male and female that are part of the exhibit.   Tattoos as artwork.  Individuality.

a silicone arm has been tattooed with a design that looks something like a cross between Frank Lloyd Wright and Mondrian. It is in a glass showcase in a museum.

The oldest known tattoos were found on Otzi the Iceman, a natural mummy who was found in the Otzal alps near the Austria – Italy border in 1991.  His tattoos were 61 lines ranging in length between 7 and 40 mm.  The lines were arranged in groups.  Most of his tattoos were on his legs where there were 12 groups of lines.  Otzi is estimated to have died between 3239 BC and 3105 BC.

Tattooed mummies have also been found in other places – Greenland, Alaska, Siberia, Mongolia, western China, Egypt, Sudan, the Philippines, and the Andes in South America.  We will probably never know what significance the tattoos had.  Theories abound of course and they often involve reasons like protection, spiritual, status, tribal, or just for decoration.  Reasons that probably ring true today too.  The methods have changed and some of the images have changed, but human nature remains just that, human nature.

 

 

north and south, blue and green

Posted: July 20, 2016 in galleries
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A comparison of sorts.  Two painters from two different time periods.  One looked north and the other looks south.  The north with its barren cold and blue in comparison to the south and its lush greenness.  A famous anglo Canadian painter who went searching for simplicity and a relatively new British painter with Jamaican roots who explores complexities.

Lawren Harris and Hurvin Anderson.  You should know which is which!

I didn’t purposely set out to compare them.  I saw the ‘The Idea of North’ exhibit that features the Steve Martin paintings of Lawren Harris first.  As much as I like the Group of Seven, Harris’s minimalist snow and ice paintings have never been my favorite.  Still, it was an interesting collection to see.  After I finished there, I headed up to the contemporary art floors.  The fifth floor is still closed (new installation opening later this week) but I discovered that the fourth floor is devoted to the works of Hurvin Anderson.  As I walked around the Anderson installation I kept thinking of similarities and differences between him and Lawren Harris.

many people in a room in an art gallery, standing around and looking at paintings.

below: Mountains in Snow: Rocky Mountain Paintings VII, 1929.  One of the many famous Lawren Harris snow and ice paintings.  Light, reflected light, shadows, and contrasts.  The elements reduced to their simplest form.   The landscape itself is almost secondary.  Or the landscape is the medium, not the message.

a Lawren Harris painting of a snow covered mountain, blue sky in the background.

below: The large painting on the right is ‘Pic Island’ painted about 1924.  Pic Island is an unpopulated island along the north shore of Lake Superior.  Today the island is part of Neys Provincial Park.

a woman walks through a gallery with paintings on the wall. She stops to look at one of them.

below: Two of Hurvin Anderson’s paintings from his Caribbean landscape collection.  On the left is ‘Beaded Curtain – Red Apples’, 2010.

three young women sitting on a couch with their backs to the camera, they are looking at two large paintings on a wall, by Hurvin Anderson.

below:  ‘Constructed View’, 2010.  Anderson’s Caribbean paintings have grilles incorporated into them.  These are the security features prevalent on houses and businesses in the Caribbean (and elsewhere in the world), metal fixtures over windows and doors to keep out the unwanted.  They contain what’s inside.  They are a barrier.  They intrude on the landscape and cut it up.  Again, the landscape is almost secondary.  The message, or emotion, is more important.  [aside – There is a grille in the painting above (right) but it’s more subtle.]

a landscape painting in shades of green with fragments of white grille overlayed, repeating pattern of 4 circles with a square

Lawren Harris painted his famous mountain pictures in the late 1920’s.  In 1930 he visited Baffin Island and a few paintings resulted from that trip.  I learned that although I associate Harris with icebergs and arctic scenery, most of his snow and ice paintings were from the north shore of Lake Superior or from the mountains around Banff Alberta.

The repetoire of both painters is not limited to landscapes.  Harris painted many houses and street scenes from downtown Toronto including houses and streets that were demolished years ago.  The examples of Anderson’s non-landscape work were interiors.  Both men used bold colours but Anderson tends to show more detail in his paintings.

below: ‘Welcome: Carib’  The Welcome sign of the bar in  juxtaposition with the red metal work covering the window.  The picture beckons to us but keeps us out.

a man in a straw fedora stands in front of a painting called Welcome: Carib by Hurvin anderson, it features a red star patterned grille over the painting, over the window that is in front of the interior scene.

below: One of the paintings from Anderson’s Barbershop collection, ‘Flat Top’ 2008.

two young women walk away from a large painting hanging on an art gallerywall. two barber chairs in a barber shop, empty. Bright pink wall with squares of colour.

below: A selection of colourful Toronto houses in winter painted by Harris in the 1920s.

two women look at a line Lawren Harris paintings of brightly coloured houses in winter on a wall in an art gallery

In the 1930’s Lawren Harris’s personal life went awry.  The words on the wall at the AGO says that he divorced, remarried and moved to the states.  That’s a bit of spin.  He didn’t divorce his wife because that would be messy, apparently.  Instead in 1934 he just married the wife of an old friend.   And of course that turned messy and the new couple left for the USA for a few years before eventually settling in Vancouver BC.   Harris’s post-1934 work is very abstract and was never as successful as his earlier paintings.

below:  You can see the influence of the mountain paintings in this,  ‘Painting No. 4’, about 1939, painted when he was a member of the Transcendental Painting Group.  This was a collective of artists in New Mexico that Harris help to found.

an abstract painting by Lawren Harris, circles and diamonds in an egg shape

below: Since I have no idea where the art of Hurvin Anderson is headed, I will leave you with one more of his present paintings (I’m not sure those two ideas actually go together!).  ‘Foska Foska’, the interior of a shop behind yellow bars and black mesh.

a painting by Hurvin Anderson called Foska Foska, shows the interior of a store with a yellow metal gate in front. and a wire structure covering the ceiling too

 

The Idea of North – until 18 September

Hurvin Anderson – until 21 August

#HarrisAGO | #HurvinAndersonAGO

Festival of India parade

Posted: July 18, 2016 in events
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Many people walked and danced, clapped and chanted, as they paraded down Yonge Street on Saturday to start the annual Festival of India weekend.

The parade is similar to an annual procession (Ratha Yatra) that has occurred for centuries in the city of Puri, India as part of a Hindu festival associated with the god Jagannath.  Here in Toronto, as in Puri,  three chariots constructed to look like temples are pulled through the streets in a procession from one temple to another.    Each chariot carries a richly decorated representation of a god, first is  Jagannatha (another name for Krishna or God) and then his brother Baladeva and his sister Subhadra.   The chariots are pulled by people and the procession symbolizes the pulling of the Lord into our hearts.

In Puri, this Ratha-Yatra procession continues to attract over a million people every year.  In Toronto, the numbers aren’t quite that high!

a police car drives slowly in front of a parade as it makes its way down Yonge Street

people walk behind a yellow horizontal banner that reads Festival of India, Join us at Centre Island.

two women in sarees are pulling on a large rope in a parade. In the foreground, a man is pulling on another rope.

a group of young South Asian women walking in a parade. One of them has her face decorated with paint. In front of them is a group of young men in yellow tops and white bottoms, one has a drum.

South Asian, Indian, women, in long colourful sarees dancing as they move down Yonge Street in a parade

some older people dressed in white riding high in the chariot float in the Festival of India parade, others walking in front and pulling ropes to make the chariot move.

South Asian, Indian, women, in long colourful sarees dancing as they move down Yonge Street in a parade, lifting their skirts a little bit as they move

people walking in front of one of the chariots in the Festival of India parade in Toronto

a large blue wheel that is holding up a chariot float in the Festival of India parade, people walking beside and behind it as they walk down Yonge Street

lifting the red rope that separates the parade from the traffic, women dancing and clapping and walking as well as other people, pulling ropes to pull the chariot in the parade

Queen, Soho, Bulwer

Posted: July 14, 2016 in graffiti and street art, locations
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It’s good to see the ‘Hug Me!’ tree is still on Queen Street!

large tree stump with some of the large branches, painted an orangish brown colour with a face and the words 'hug me' on a downtown sidewalk inToronto (Queen Street West)

If you look closely in the background of the above photo, you can spot the reason I was exploring this section of Queen St West (near Soho St).  Along the wall by the parking lot is a new mural.

below:  Floating man, floating down the river with an photo from the past clutched in his hand.  “Tona as Marty McFly Disappearing Photos” by Elicser Elliott.  It is another of the Love Letter to the Great Lakes project murals.

mural of a man lying on his back in the water, words written in red Tona as Marty McFly

There were two other Love Letter murals that I came here to find.

below: If you look up as you walk along Queen Street West you might catch a glimpse of this mural by JAZ (Franco Fasoli).  Arms, or tentacles, seem to be reaching out of the water and strangling the fish.

mural on an upper storey wall, viewed from the street so you can't see the whole thing. A fish seems be strangled by tentacles in the water

below: The third mural is around the corner from the other two, on Bulwer Street.  It’s a large portrait of David Suzuki painted by Kevin Ledo.  The blue shapes on the right are outlines of fish (atlantic salmon apparently) but I cut their tails off when I took the picture.

a large mural with the centerpiece being a portrait of David Suzuki

below: I haven’t walked along Bulwer St for a while so it was nice to see that this (unsigned?) mural is still there even though someone has spray painted some words on it.

mural on the side of a building, kids playing

below: One last little find on Bulwer, a circuit board stikman

a little stikman covered with circuit board symbols, missing part of his head, on a door frame outside,

Other posts about the Love Letter to the Great Lakes project murals:

  1. love letters in paint
  2. seawalls and serpents
  3.  at the mouth of the Don

 

#seawallsTO | #pangeaseed | #loveletterprojects

at the mouth of the Don

Posted: July 13, 2016 in graffiti and street art, locations
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street art painting of a blue fish on light blue background, stylized

Today I walked the southern part of the Lower Don River trail.  It’s not the most relaxing place to walk even though the path follows the river.  I have a habit of absentmindedly meandering and I didn’t want to meander right into a cyclist on the narrow shared path.   There was constant background noise from the cars and trucks on the nearby Don Valley Parkway but it was the GO trains that made the most noise as they rumbled right beside me.  Yes, you are correct, it’s not my favorite place to walk.  But I also knew that there was a reward near the end of the trail.

Near the ‘mouth of the Don River’ (in reality, where the Don River turns into the Keating Channel), there are some new murals on the bents supporting the ramps between the DVP and the Gardiner Expressway.  They are part of the Love Letter to the Great Lakes project.   A previous blog post, love letters in paint, concerned the murals from this project that were painted near Ossington and Queen West.

below: If you approach the area from the north, this is the first bent that you see.  All sides of it have been painted by Kirsten McCrea.  If you are driving south on the Don Valley Parkway and you exit to the Gardiner westbound, you drive right over this, and the next few, bents.  In case you haven’t guessed, a bent is that concrete support thingy holding up the road.

a bent supporting an offramp has been covered in a bright mural, grass and weeds grow in front, the river is behind, a small tree also in the picture

below: The other side of the McCrea mural is in the background, behind the bent that has been painted by PA System (Patrick Thompson and Alexa Hatanaka).  Amongst the swirly watery  shapes there is a face near the top.  Extra bit: The guy on the bike stopped to take a photo too.

A swirl of colours makes a mural of faces and hands and watery things, on a bent under the Don Valley Parkway

below: The other side of the PA System bent. A large fish fits perfectly in the upper portion while a hand reaches up from the vertical part.

A very large fish is painted across the top of a bent, and a hand is on the vertical part, with finger tips pointed upwards.

below: The work of MC Baldassari who is currently from Montreal.

concrete support, or bent, under a ramp has been painted with a mural based on a large dark blue triangle

below:  The other side of the above bent.  It looks like the woman has come through the pillar.

concrete support, or bent, under a ramp has been painted with a mural based on a woman's head coming through a large dark blue triangle

below: A woman with a mouse in her hand and a flower in her hair kneels beside the foxes,
a mural painted by EGR (Erica Balon).   In the background you can see a much taller bent that has been painted blue.   This bent is on a different ramp, the ramp that you would find yourself on if you were driving east on the Gardiner and then exiting to the DVP.  It has been painted by Jason Botkin and it includes the word Wonscotanach.  Apparently that was the First Nations name for the river before John Graves Simcoe came along in 1790 and decided to call it the Don River.

A mural on a bent in an underpass, a young woman is kneeling. She is holding a mouse in one hand. Two foxes stand beside her.

below: There are more animals on the other sides, along with a city lit up in the night in the background of the mural.   Raccoon, rabbit and a pink butterfly fluttering past.

2 bents covered with murals. In the foreground, the mural is dark blue, with a pink butterfly, a rabbit, a mouse and a raccoon.

woman holding a mouse in a mural on a bent in the foreground, with another bent in the background, a mural of water and topless red women walking or standing in the water

below: Rajni Perera‘s mural features red and yellow women walking or standing in the water.

part of a mural of water and topless red women either walking or standing in the water

below: Looking back

a cyclist rides past 4 bents under the Don Valley Parkway that have been painted with murals as part of the Love Letter to the Great Lakes project.

below: A collaborative effort by Jarus and Kwest beside the Don Valley trail, just north of the other murals.

large sea creature painted on a mural on a concrete wall.

below:  And one last photo before leaving the area… a quick note sprayed on a concrete support.

rough spray painted words 'Hi Love' on a concrete support on a railing by a river.

passing faces

Posted: July 12, 2016 in graffiti and street art
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I was walking along Queen Street West near Shaw St when pieces of paper on the wood construction hoardings around one of the buildings caught my eye.  The installation is no longer intact, but the pieces are still compelling.  The mural consisted of many faces of black men.  Even though some of the faces are peeling away, they still look like they are looking at you (or the camera).   Apparently there is another similar mural a bit farther west (by 1050 Queen St. West) but with black and white outlines and highlights instead of red, blue, yellow and green.

pictures of the faces of black men attached to wood construction hoardings and rough outlines and highlights drawn on the faces with crayon, in red, blue, yellow and green. Some of the faces are peeling away at the edges and the look a bit 3D

pictures of the faces of black men attached to wood construction hoardings and rough outlines and highlights drawn on the faces with crayon, in red, blue, yellow and green.

pictures of the faces of black men attached to wood construction hoardings and rough outlines and highlights drawn on the faces with crayon, in red, blue, yellow and green. The faces all look like they are looking into the camera

pictures of the faces of black men attached to wood construction hoardings and rough outlines and highlights drawn on the faces with crayon, in red, blue, yellow and green.

pictures of the faces of black men attached to wood construction hoardings and rough outlines and highlights drawn on the faces with crayon, in red, blue, yellow and green.

It may be cheating a bit, but the next picture is from a screen shot of a photo from the artist’s (lavishbat, #oluseye) instagram account.  It shows the whole piece as it was originally.

screen shot of a page from instagram, account of lavishbat, and the photo of a mural made up of hundreds of pictures of black men's faces.

love letters in paint

Posted: July 11, 2016 in events, graffiti and street art
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From June 20th to 25th, many street artists brought their talents to paint murals with the Great Lakes as their theme.  It was part of Pangeaseed Foundation’s Seawalls for Oceans.  Pangeaseed’s mission is to use science, art and creativity to “inspire positive change around pressing ocean environmental issues”.   This campaign originally focused on oceans but they have now branched out to increase awareness of the issues involving out fresh water lakes and rivers as well.  One of their methods is to support and encourage the painting of murals –  Seawalls have been painted in Miami, San Diego, Napier New Zealand, Cozumel Mexico and many other cities around the world… and now in Toronto too.

One of the locations chosen for the murals was around Ossington and Queen where they join a number of murals that were already there.

below: The S.S. One Love sails high above an alley, painted by Peru143

large mural by Peru on the back of a two storey building, a large red ship called the S.S. One Love in the water

part of a mural by Peru, lots of blue, looks like a stylized snake

below: Painted in mostly shades of grey, a mural by Caratoes (aka Cara To), a street artist based in Hong Kong.

a two storey vertical mural by caratoes in grey tones, fish and faces on the top and an object made of black and white triangles on the bottom

Close up of the top half of a mural by caratoes in grey tones, fish and faces

below: A large water bird swims along the surface and watches the people passing by.
Painted by Jon Todd.

large mural of a water fowl sitting on the water on the old white Queen West self-storage building.

viewed from the corner so you can see two sides of the building, large mural of a water fowl sitting on the water on the old white Queen West self-storage building and another mural on the other side of the building

As you can see from the above photo, there are three round images painted on the south wall of the old Self Storage building.

below: Closest to the street, a mural by Sermob

round mural painted by Sermob, car parked in front of it, stylized figures on water

below: In the middle and tying the three circles together is a mural of entwined fish by Miguel Valinas from Mexico.

large round mural of two large fish, intricate patterns on the fish, entwined head to tail to form a circle with their bodies

below: A sleepy baby otter in its parents’ arms, painted by Sens, also from Mexico

a large round mural of a family of otters. Baby otter is sleeping in his parents' arms. by Valinas

below: A mural on a bright yellow wall –  a shark and a dinosaur amongst geometric shapes that are characteristic of birdo’s work.  There is also another animal head beside it.  This was a collaboration between birdo, tens2, fuel, kostyn, phil and barney and it pre-dates the Love Letters to the Great Lakes murals.

large mural by birdo, street art, on a two storey bright yellow building, a shark, and an alligator (or crocdile) head

small mural of an animal head, street art, by Fuel, Kostyn, birdo

below: From bright colours, to black and white – birdo’s collaboration with En Masse.  A mural with the words “RIP Don Valley River”

black and white mural in an alley, turtle, geometric shapes, woman's face, leaves, RIP Don Valley River

below: It’s a rather dark lament about the state of the Don River.

detail of a black and white mural by birdo and en masse with sybols of death and decay.

below: Standing on an island, ‘Hello’ by Chicago-born  Hebru Brantley in 2015

a large mural of a boy standing on a small island, wearing sunglasses, and saying "Hello", painted by Hebru Brantley

below: Whales, lobsters, fish and other creatures swimming amongst the seaweed, painted by street artist lebonar (aka Olivier Bonnard)

two sides of a building with murals, one side is a large mural of a boy standing on a small island, wearing sunglasses, and saying "Hello", painted by Hebru Brantley and the other side (store front)

below: More marine life, but in an unfortunate spot. I’ve been to see this mural twice, and both times the fence was locked.  It looks like the fish has an arm that it’s using to reach for the unsuspecting crayfish – a metaphor for invasive species and their effects on marine life and their habitats.  It was painted by Cinzah Seekayem from New Zealand.  You can see better pictures of it on his instagram page.

a mural of marine animals on the side of a building, but behind a locked fence

fish mural on a white wood fence, muted tones of greens, blues and browns.

colourful mural by Peru with the letters K E S H

Other posts about this project:

  1. other murals at Queen and Ossington, seawalls and serpents
  2. murals by the Don River, at the mouth of the Don
  3.  murals at Queen, Spadina and Bulwer

 

#seawallsTO | #pangeaseed | #loveletterprojects

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