Posts Tagged ‘arm’

The first time I saw the latest art installation in the Canary District I was in a car and only got a quick look at it.  I couldn’t figure out what the mess was all about.  It wasn’t until I went back on foot to take a closer look that I could appreciate what the artists were trying to do.

Located at Front and Bayview is the ‘Garden of Future Follies’ by Hadley Howes and Maxwell Stephens (Hadley & Maxwell and the Studio of Received Ideas).  It is a sculpture garden and there are 7 sculptures in this garden.  Each sculpture is a mashup of pieces from different sculptures around Toronto.  Aluminum foil ‘molds’ were used to replicate portions of over 80  different monuments and architectural features.  These portions were then put together in a whole new way.

public art installation on Front St East, various pieces of sculptures put together wrong, people with more than one face, legs in pieces, bronze pieces in 5 groupings on the sidewalk

From an interview with the artists:

“Sir John A. Macdonald’s nose is assembled along with the eyes of artists Frances Loring and Florence Wyle, the chin of Dr. Sun Yat-Sen, and Northrop Frye’s hair; Jack Layton’s smile is one of seven that grace a figure lounging atop a reconstituted mantel from the library at Osgoode Hall; a bell from St. James Cathedral’s famous collection is perched on a cannon from Fort York; while nearby a suitcase from the Memorial to Italian Immigrants acts as a plinth for a collection of hats from various bronze heads.”

Now you can play spot the pieces!  But you won’t find any hockey sticks.

blog_man_three_heads_statue

So far I haven’t seen anyone taking selfies here but I think it would be a great spot for them!

part of a public art installation outdoors created by piecing together fragments of other statues cast in bronze , man and hammer

fragments of horse and feet statues embedded in the sidewalk

part of a public art installation outdoors created by piecing together fragments of other statues cast in bronze

part of a public art installation outdoors created by piecing together fragments of other statues cast in bronze, hands, top of a column and a laurel leaf

part of a bronze sculptture, a naked bum with a hand beside it.

part of a public art installation outdoors created by piecing together fragments of other statues cast in bronze

below: No one will ever call it beautiful, playful yes, but not pretty.

arrangement of statue pieces to form a sculpture garden, Garden of Future Follies by Hadley and Maxwell.

a face is upside down on a statue made from bits and pieces of other statues

 

There are seven or eight large photographs, portraits of older women, on University Avenue.   They were actually part of the CONTACT Photography Festival and they have been on display outside the Royal Ontario Museum since early May.  The photos are the ‘The Last Tattooed Women of Kalinga”, portraits by Jake Verzosa.

large black and white photo of an older woman with many tattoos, black and white, displayed outside, another portrait in the background

In the villages of the Cordillera mountains of northern Philippines the women have been tattooed with lace-like patterns for centuries.  The tattoos are symbols of stature, beauty, wealth and fortitude and are traditionally applied during rituals.  The tradition is dying out as standards of beauty change and as the old ways are replaced with more modern methods.

Each village once had their own tattooist, or mambabatok, but today only one remains.  Born in 1918, Whang-od (or Fhang-od), is the last person to practice the centuries old technique called batok.  The ink is made of charcoal and water and it is applied by tapping the skin with a thorn.

two older women with their shoulders tattooed, wearing necklaces and a patterned skirt, seated. Black and white

Once the men were also tattooed.  The Kalinga tattoo has evolved from their ancient tradition as warriors and headhunters.  Heads were taken from fights and battles as a trophy; each time a man brought home a head he would receive another tattoo as a reward.  Tattoos were a mark of social status.

Indigenous groups throughout the Philippines practiced tattooing for centuries.   When the Spanish arrived in the 1500’s they called the people ‘pintados’ or ‘painted people’ as it was not uncommon for people to have tattoos covering their whole body.  While some tribes used tattoos to mark status, other tribes believed that tattoos possessed special spiritual or magical powers which gave the individuals strength and protection.  The use of tattoos as protective symbols is an idea that occurs in many cultures.

large black and white photo of an older woman with many tattoos, black and white, displayed outside, another portrait in the background

In conjunction with the Kalinga portraits, the ROM is featuring an exhibit that examines the beliefs surrounding tattoos, and the role that they and other forms of body art play in different cultures over the years.  “Tattoos: Ritual, Identity, Obsession, Art” is on view until September 5th.  It is a global tour of tattoos past and present.

One of the cultures that is featured is the Chinese.  For centuries, tattoos were forbidden, or at least taboo, in China.  To be tattooed was to be discriminated against as they were associated with prisoners or vagrants.  Recently that has begun to change.

below: Three large modern picture tattoos by Taiwanese tattoo artist Gao Bin featuring traditional Chinese images, Buddha, lion and dragon.  Tattoos as a cultural expression.  In some countries such as Sri Lanka and Thailand images of Buddha are considered sacred objects of worship.  While it’s not illegal to have such a tattoo, wearing one could get you into trouble.

Three pictures of the backsides of men, each with a large picture tattoo from neck to thigh. Chinese art pictures as tattoos

below:  Here is another example of why people get the tattoos that they do.  This is a picture of one photograph in a series by Isabel Munoz.  Munoz spent three weeks inside several prisons in El Salvador and photographed mara gangs.  Gang members wear offensive tattoos to assert their antisocial behaviour and express their loyalty to the gangs.  Tattoos as statement; tattoos as a mark of membership and belonging.  Tribal.

photo of a picture in a museum of a man's face that has been tattooed with gang symbols and words,

below: A silicone arm with a tattoo by Montreal artist Yann Black on display.  This is one of 13 commissioned tattoos on silicone body parts – arms, legs and torsos both male and female that are part of the exhibit.   Tattoos as artwork.  Individuality.

a silicone arm has been tattooed with a design that looks something like a cross between Frank Lloyd Wright and Mondrian. It is in a glass showcase in a museum.

The oldest known tattoos were found on Otzi the Iceman, a natural mummy who was found in the Otzal alps near the Austria – Italy border in 1991.  His tattoos were 61 lines ranging in length between 7 and 40 mm.  The lines were arranged in groups.  Most of his tattoos were on his legs where there were 12 groups of lines.  Otzi is estimated to have died between 3239 BC and 3105 BC.

Tattooed mummies have also been found in other places – Greenland, Alaska, Siberia, Mongolia, western China, Egypt, Sudan, the Philippines, and the Andes in South America.  We will probably never know what significance the tattoos had.  Theories abound of course and they often involve reasons like protection, spiritual, status, tribal, or just for decoration.  Reasons that probably ring true today too.  The methods have changed and some of the images have changed, but human nature remains just that, human nature.

 

 

David French lane runs between Borden St. and Brunswick Ave., south of Bloor.   I know that I have posted some of the graffiti on the garages in the lane before.  Most of those garages have since been covered with ugly and boring tags.  There isn’t as much of interest there these days…. but I did see the following today.

Street art piece of two large women's heads.  One is blue and she's wearing a black mask.

Masked and unmasked

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A stencil (on paper) almost life sized woman wearing shorts and a Tshirt.  She has a metal arm with a vice grip hand that looks sort of robot like.

Waiting in the doorway. Note the trashy tags around her.

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Bright red lips on a wood fence.

smoochies!

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Graffiti man's head with red eyes and mouth.  Red paint that looks like blood dripping is above him.

Ooops, that’s not a woman!

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