Florine Stettheimer: Painting Poetry,
an exhibit at the Art Gallery of Ontario
Florine Stettheimer (1871-1944) was the 4th child of five, daughter of Joseph and Rosetta. Joseph, a banker, abandoned the family early on and was never mentioned again. Older siblings Walter and Stella married and moved out while the younger three girls, Ettie, Florine and Carrie remained in the same household with their mother until their deaths. They became known as “the Stetties”. They hosted salons in Manhattan and lived a life of leisure and artistic pleasure.
below: Family Portrait II, 1933, This painting has flowers, New York City references, and Florine Stettheimer’s immediate family portrayed in a theatrical setting/arrangement. These are themes that occur over and over again in Stettheimer’s work. Here Ettie is reading, Rosetta is playing cards, Florine is painting, and Carrie is playing hostess.
The Stettheimer children were born in Rochester NY. Between 1906 and 1914 Florine and her mother and sisters lived in Europe before settling in Manhattan.
A portion of the exhibit features a collection of designs for costumes for a ballet that Florine wrote while she was in Paris in 1912. ‘Orphee of the Quat-z-Arts’ (or ‘Revellers of the Four Arts Ball’) was based on a costume parade organized by Parisian art students and in it the main character, Georgette, encounters the ancient Greek minstrel Orpheus and a parade of mythical creatures, as she and her father walk down the Champs Elysee. The ballet was never performed.
below: One of 42 sketches and 9 relief maquettes, Georgette.
below: People, both men and women, were painted with elongated willowy shaped bodies.
Florine also wrote poetry and she liked to send her poems to her friends. In 1949 her sister Ettie published a book of Florine’s poems titled ‘Crystal Flowers’. This is one of the poems:
And Things I Loved
a poem by Florine Stettheimer
Mother in a low-cut dress
Her neck like alabaster
A laced up bodice of Veronese green
A skirt all puffs of deeper shades
With flounces of point lace
Shawls of Blonde and Chantilly
Fichues of Honeton and Point d’Espirit
A silk jewel box painted with morning glories
Filled with ropes of Roman pearls
Mother playing the Beautiful Blue Danube
We children dancing to her tunes
Embroidered dresses of White Marseilles
Adored sashes of pale watered silk
Ribbons with gay Roman stripes
A carpet strewn with flower bouquets
Sevres vases and gilt console tables
When sick in bed with childhood ills –
All loved and unforgettable thrills.
below: The painting in the foreground of this picture is ‘Self-Portrait with Palette (Painter and Faun)’, 1910s. According to the words that accompany the painting, the faun behind her symbolizes a memory inspired by Russian ballet star Vaslav Nijinsky whom she saw perform in Paris in 1912. After the performance, Florine wrote: “Nijinsky the faun was marvelous. He seemed to be truly half beast… He knew not civilization – he was archaic – so were the nymphs. He is the most wonderful male dancer I have seen”.
below: Self-portrait, 1933
“For a long time
I gave myself
To the arrested moment
To the unfulfilled moment
To the moment of quiet expectation
I painted the trance moment
The promise moment
The moment in the balance
In mellow golden tones…
Then I saw
Time
Noise
Color
Outside me
Around me
Knocking me
Jarring me
Hurting me
Rousing me
Smiling
Singing
Forcing me in joy to paint them…”
This exhibit continues at the AGO until 28 January 2018
as I walk Toronto 