A new mural in town,
Equilibrium, by Okuda San Miguel, aka Okudart

below: As seen from Sherbourne street.  It’s tall!  23 storeys tall in fact.  Not just a new mural but also a new landmark.

a man walks up Sherbourne street, on the sidewalk, past a vacant lot, in the background is the back of some older brick buildings and beyond that is a tall building with a mural on it, equilibrium by okudart

below: As seen from Allan Gardens.

Allan Gardens conservatory with its glass dome roof in the foreground, tall buildings in the background. The side of one of the background buildings has a colourful mural on it with a rainbow striped background

below: It’s painted on the side of the Parkside student residence (once the Primrose Hotel) on the SW corner of Jarvis and Carlton streets.   It looks finished although the ropes and lifts are still in place.  No one was painting when I walked past this afternoon.  The artist, Okudart, has already signed the piece.

car stopped at street light at Carlton and Jarvis. Behind the car is a very tall mural, bright colours, geometric shapes, some human like figures too, with blue conical noses, equilibrium by okudart

below: The very top portion.  A blue conical beak and feathery wings on a female human like figure who is sitting on three large heads.

very top part of mural, equilibrium by okudart

below: Just a bit lower on the mural – more beaks but this time they look like carrots.  A black and white globe with a mouth in Africa.  One blue eye in the Atlantic Ocean and one orange eye in Asia.   Is that a man on the left?

middle section of mural, equilibrium by okudart

below: Under the globe another female figure with a blue nose.  Nude but discreetly so.

lower portion of equilibrium by okudart

The background of the mural consists of large rainbow coloured stripes on top and black on the bottom.  These were painted by local artists before Okudart finished the piece.

below: Street level

street level part of mural, equilibrium by okudart

below: The church across the street does not have stained glass windows.  The colours are reflections from the mural.

part of mural, equilibrium by okudart, reflected in church windows across the street from it

part of mural, equilibrium by okudart, reflected in church windows across the street from it

The mural was part of the STEPS Initiative Program and it also involved StART (StreetARToronto), the owners of the residence, and a number of other partners.

‘Trans Am Apocalypse No. 3’ by John Scott

a 1980 Pontiac firebird trans am, painted in black house paint and then words scratched into it, the words from Revelations in the New Testament of the bible, every part of the black surface is covered with words, in an art gallery

This is a 1980 Pontiac Firebird Trans Am painted with black house paint.   The words from the book of Revelation from the New Testament of the bible scratched into it, covering the whole surface of the car.

below: “Faithful until death” stands out on the door handle.  From Revelation 2:10 “Do not fear what you are about to suffer. Behold, the devil is about to throw some of you into prison, that you may be tested, and for ten days you will have tribulation. Be faithful unto death, and I will give you the crown of life.

words from Revelations in the New Testament of the bible scratched into paint covering the whole surface of a trans am car, close up of door handle with the words faithful until death on it,

This is actually the third car that Scott produced. The first, finished in 1988 ended up being crushed into a cube of metal. The second, finished in 1993, is now in the National Gallery in Ottawa.  This one was finished in 2000 but it was homeless for a while.   In 2007 it was donated to the AGO (at that time it was housed in a barn). It was first displayed in 2016.

below: All 22 chapters of the Revelation to John fits on the car, including the part seen here: “He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name.”   This is Revelations 3:12.

words from Revelations in the New Testament of the bible scratched into paint covering the whole surface of a trans am car, close up of the side of the car by the front passenger door, and front tire

The book of Revelation is written in a very symbolic language and there are different interpretations of its meaning.  One interpretation is that it was written to give ancient Christians hope for dealing with their own problems –  to stand firm in their faith despite the threat of death from the Roman government.

Another interpretation is that our world is doomed, that Revelation is a description of the “end of days” sometime in the future. This is the futurist interpretation of Revelation with its premise  that the prophecies in Revelation still await a future, literal fulfillment.  In this interpretation, the four horsemen described in the sixth chapter symbolize the evils to come at the end of the world.   This seems to be the interpretation that gets a lot of attention. 

I have no intention of writing an essay on this but I wanted to mention the horsemen because some of the words used by the AGO to describe John Scott’s car are “A symbol of American consumerism and machismo, the vehicle has been modified to produce a contemporary mode of transport fit for the Four Horsemen of the Apocalypse”.   The Trans Am, a doomsday vehicle on the highway to hell.

 

words from Revelations in the New Testament of the bible scratched into paint covering the whole surface of a trans am car, close up of the front corner of the car, headlights and part of hood

What drives a person to scratch out these biblical words, not once, but three times?  What goes through a person’s head while they’re working on it?

And I have one more question – wouldn’t a Mustang be a more appropriate vehicle for the four horsemen?

‘This Mountain Loves You’

is a mountain of positive messages stitched into a quilt-like artwork at the AGO.  Fabric squares were decorated with pictures and messages and then hand stitched together.  It is the creation of the AGO Youth Council, overseen by artist Ani Castillo.

 AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council, view from second level of the gallery

black and white art by Ani Castillo of 'Toronto in the Summer', many whimsical scenes of the city in the summer, birds, trees, kids on scooters, lots, of legs, all kinds of flowers, picnics, the island, sun, the ex,

An example of her work, black and white drawings with a little bit of whimsy and a lot of heart…. ‘Toronto in the Summer’ by Ani Castillo. Found online at Bored Panda.

 

AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council, close up of some of the squares of fabric

“I love my black hair and my black loves me”.
“It’s me and it’s you and we’re the universe too”.

Castillo worked with a group of young people (ages 14 to 24) over seven weeks and this was one of the results.   I’m not sure how high it was, 4 or 5 metres perhaps?

AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council, close up of some of the squares of fabric

Part of the AGO description of ‘This Mountain Loves You’ mentions that it is a tribute to, and a recreation of, Salvation Mountain in southern California.

Photo credit: by Kevin Key, found online at Los Angeles Magazine in an interesting article about the site and its creator, Larry Knight who worked on it for 30 years before his death in 2014.

As you can see in the above photo, Salvation Mountain is predominantly about God and Jesus whereas the fabric mountain proclaims a message of secular love, hope, and acceptance.  Messages such as “trust in your abilities”, “love ahead!”, and “keep families together”.

AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council,

Today was the last day that this ‘mountain’ was on display.

A Saturday walk about with friends

a group of people walking over the raised pedestrian bridge between the Eaton Centre and the Bay, 4 women, one man and a boy

Looking at people.  Ordinary people.  Going about their summer lives.

man with beard and moustache, one a bike that is stopped in front of a red and white TTC bus, man wearing a blue baseball cap with red Air Canada maple leaf logo on it

young Asian woman under a black umbrella, standing in a TTC bus shelter, reflections off her umbrella of other people, plus a stella artois beer ad

man in an apple store, orange T-shirt, leaning on the counter, with headphones on, looking closely at the screen of a laptop, other men in the store too

a young woman with bright yellow hair tied back in a short ponytail, tattoo covering most of her arms and upper part of body that is visible , wearing sleeveless black top, walking past Cheese Magic shop in Kensington market, Toronto

two people, one is a woman holding a coffee cup from Jimmys Coffee, she is laughing. The other is black, hair tied back, pink long sleeved shirt and sleeveless jean jacket, scowling,

a tanned older man in sleeveless black shirt leans against metal railing at the Eaton Centre, mannequins in a store window behind him, womens' sporting wear

a man sits with his son on the floor of the Eaton Centre, next to the glass railing. reflections from the railing make it look like there are two boys

looking into the window of a women's wear store, two dresses, on mannequins, each holding a handbag. a red dress and a dress with big red flowers, a red head woman is standing beside the mannequins

people walking across pedestrian bridge between the Eaton Centre and the Bay, one woman has long light pink hair and is wearing jeans with many rips and holes in the front,

a couple sitting in a restaurant, across from each other, in the window, window is open, drinks on the table .  Woman has glass of white wine, man has something orange

a woman standa against an exterior wall, beside a tottoo place. The word tattoo is in large yellow letters beside her, her hair is multicoloured, she is wearing a short dress, knee bent with one foot against the wall, phone in hand, black jacket over her shoulders

three people sitting on a concrete bench outdoors at Yonge Dundas Square. An older woman with teal long sleeeved shirt and light blue hat, a man in a white t-shirt with black moustache, with a woman leaning against his shoulder with her eyes closed

a couple standing facing each other, talking to each other,

an older woman carrying a pale purple umbrella, and a handbag with pictures of cats on it, a blouse with orange flowers on it

mother and son posing for picture, Asian, boy is lying on the ground between his mother's feet

bald black man with black sunglasses is taking a selfie while holding a large ice cream cone

a young man holds a sign that says hug me we need it

black man with blue t-shirt holds a blue bubble maker and he is making bubbles as he walks down the street

young woman in sunglasses poses in front of a fountain

couple, one is smoking, man in yellowish orange shirt, standing by a chinese restaurant, pictures of the food on the wall behind them.

There is no theme to this blog post.  It’s just a description of some of the things that I saw as I walked down Bathurst Street the other day after taking the 512 streetcar to St. Clair West station.   In a lot of ways its like other busy Toronto streets, some houses, a few corner stores, and an alley or two along the way.   A little bit of architecture and a little bit of history round out the story.

At St. Clair West and Bathurst, the northeast corner remains vacant. About four or five years ago there was a gas station and car wash on this corner.  St. Clair West subway station is just to the east, just beyond the trees on the right hand side.

northeast corner of Bathurst and St. Clair West, vacant lot, St. Michaels College in the background as well as a couple of highrise condos.

below: I went looking for an old photo of this corner and this is what I found.  It’s from 1924.  If the streetcar’s destination is Caledonia, then it is going westward.  In 1924, St. Clair was the northern edge of the city and very little development had occurred here.  It is interesting to note that the streetcar tracks came first, then the development.   In addition, I’d love to be able to read the sign about dogs but the resolution of the photo is not good enough.  An ad?  A sign saying no dogs allowed?  Or something else?

vintage black and white photo from 1924 of a streetcar on the St. Clair line stopped at Bathurst to pick up passengers.

below: Of course, no vacant lot remains that way for long.   At the moment, three 30 storey towers joined with a 6 or 7 storey podium has been proposed for the site but it is still in the re-zoning and planning stages.  The light brown building to the left is St. Michael’s College School (boys school).

blue and white city of Toronto development notice sign on a small hill, by some trees, in front of a vacant lot. Highrises in the background

below: New development on the southeast corner of this intersection is almost complete. People have moved into the units above while the finishing touches are put on the lower retail floors. Developments like this are all over the city. Developments that look great (maybe?) on paper but are lackluster and banal at street level.

street level of a new glass and steel building, empty retail space available for lease, just finishing being built

below: As I walked south on Bathurst, this mural caught my eye.

mural in a laneway, painting of many trees with red and yellow sky, dark brown earth, and a few small black figures, some words beside it

Words written beside the mural:
“Long before concrete and steel
Punctuated the landscape
The land was pure and natural
This mural acknowledges and honors 13 trees and 21 medicinal plants that have thrived here since time immemorial.”

The mural was funded by Toronto’s Start program (street art) and Na’Ma’Res Sagatay, a residence for indigenous men that is nearby.

close up of mural, large trees with wavy red and yellow sky, small black figures standing under the trees

I will admit that the main reason that I was walking in this area is because I wanted to check out the new public artwork that I’ve read about at Bathurst and Vaughan.  It is “Three Points Where Two Lines Meet” by Christian Giroux and Daniel Young and apparently there is some controversy about it.

below: For those who don’t know that intersection, it is V-shaped.  This photo shows the approach to  the intersection from the north, on Vaughan.  I took this photo because my first reaction to the scene was “Ugly.  Ugly is what Toronto does”.  From this angle the sculpture gets lost in the visual noise.

sidewalk, lined by tall hydro utility poles, wood, road, some buildings, approaching the intersection of Bathurst and Vaughan

Cities have rules and regulations for public art. It needs to be weatherproof and graffiti-proof.  It can’t block the view of drivers and pedestrians.  No sharp edges or structures that people might hurt themselves on – note the two black poles are to prevent people from hitting their heads.

A woman walks past Three Points Where Two Lines meet

From Giroux & Young’s website:  “Taking its form from the orphaned triangular site on which it sits, this artwork produces a new urban room by combining a multicoloured truss structure, the triangular plot of wild grasses it encloses, and an encircling sidewalk thats acts as a podium and plinth. Located between the converging energies of uptown and downtown, the structure densifies an intersection already clotted with utilities and challenges established forms of urbanism and spatial representation in Toronto.”  Think of that what you will.  While you’re thinking, you can check the website for more photos and information.

Three Points Where Tao Lines meet, a public art sculpture in bright colours, metal grid like construction cranes, by Daniel Young and Christian Giroux at the intersection of Bathurst and Vaughan.

below: An interesting (unique?) roofline on what turns out to be The Occult Shop.  I made one mistake – I neglected to cross the street to go inside and find out just what one can buy here.

brick building with a large rounded roofline, the bulding is a semi, one half has doors and windows covered with white from the inside, the other is the occult shop

below: These people can still be seen in the space above the doorway at 1358 Bathurst.

the space above a doorway at number 1358 Bathurst is painted with pictures of people (head and shoulders) in shades of brown

Continuing south on Bathurst, as you go downhill towards Davenport Road, there is a retaining wall beside the sidewalk on the west side.  This wall was painted back in October 2013.  The city paid $23,000 to two Brooklyn NY street artists (Patrick McNeil and Patrick Miller, together known as Faile) who designed the mural and in turn paid other artists to paint it.

The mural is quite long and I only have a few pictures of bits and pieces of it.

mural, large blue and white owl, with words in large letters that say no change my heart

mural, large painting of a blond boy sleeping, head on pillow, head and shoulders only

mural, by faile, orange car, woman driver, the word vanity written on the side of the car

below: Apparently Davenport Road is considered to be one of Toronto’s oldest roads.  It follows the base of a ridge and provided a route between the Humber River in the west and the Don River in the east.

toronto historical society plaque for Davenport Road, 1995, description of the history of Davenport Road

below: There is a park on the northwest corner of Bathurst and Davenport, The Tollkeeper’s Park.  The old house, the Tollkeeper’s Cottage, is now a museum run by The Community History Project.  It is open on Saturday afternoons (and some Sundays during the summer)

The Tollkeeper's Park, sign, green space, trees, and an old small wood frame house, now a museum,

below: And across the road is Tollkeeper’s Lane.  There are chairs everywhere in this city not usually as comfy looking as these.

two comfy chairs in an alley withtheir backs agains a grey garage door

below: An old Comet parked in the alley

a yellowish beige Comet car, old, parked behind a house in a lane

below: Tomatoes and other vegetables growing in a front yard.

small front yard packed full of vegetable plants looking very green and healthy

below: A hand, part of an Elicser mural.  This mural, which is on both sides of the railway underpass just north of Dupont, is still there.  Photos can be seen in a blog post from Nov 2014 (Yikes!  Have I been blogging that long?!).

part of a mural, a blue hand horizontal on a wall with some weeds growing in front of it

There are a few remnants of a more industrial past in the area near the railway tracks.

a window consisting of 18 panes of glass, 6 across and 3 down, some have texture and some are clear. the clear ones are reflecting the blue sky and clouds.

old wood door, once painted green but the paint is peeling

below: Another door –  I doubt that it’s open now, or that it ever will be again.

back door of an empty house, window boarded over, door with board nailed across it, open sign in the window, also a sign that says beware of dog

below: These windows, and the house too, probably won’t be here much longer either.

green trim around roof and windows of an old house

below: A very standard row of semi-divided houses; a common sight.  Hundreds (thousands?) of these were built around the city.

a semi divided house on bathurst street, two storey, bay windows on upper floor, porches, stairs to front door

below: And a not so usual semi.

a semi divided house on bathurst street where one side has been rebuilt into a taller square structure

below: A touch of art deco.

two doors side by side with art deco motifs, on a low rise brick building

below: Slight larger houses, with turrets even!  (or is there another name for this architectural element?)

a semi divided house on bathurst street both with small turrets above upper floor bay windows

below: This is part of Coopers Hawk Lane which is just south of Dupont.

buildings and garages in a lane, Coopers Hawk Lane, garage doors have street art on them.

painting of a wooden box with papers in it, pictures of people on the papers

below: In another nearby alley …. a pink cat eating ice cream

two doors in an alley, painted, one in colours, the other in black and white

below: And a gate with a frame, and the laundry beyond.

a chainlink fence and gate in a back yard, laundry hanging out to dry in the yard, brick houses, some green grass

red octagonal stop sign with a sticker on it that says take a breath

 

For a number of reasons, I started walking late yesterday.
It was overcast and the the light was flat.

a woman on the sidewalk, with people on the other side of the street in the background

  There were a few people sitting around and/or hanging out – on their phones, alone with their thoughts,  meeting with friends, or just passing by.

three people, two sitting, one smoking and the other on her phone. The third person is male, lying down with head on lap of woman on her phone, outside,

Catching moments and freezing them in time – is that what photography is?   To call the images random would be farfetched.  They are edited starting from the first decisions such as where to aim the camera and at what moment do I take the picture.   But they are candid in that the people are unaware, unposed, and to me, more natural.  These women are just hanging out outside the Eaton Centre, together, yet separate.  Are they waiting for someone?  What is the woman on far left reacting to?

women in head scarves standing beside glass window of a store, other women walking past

men sitting on a bench, a woman walking past

As I mentioned above, the light was flat.  It was a grey afternoon and that is always a challenge.  As the day becomes darker, the ambient light provide by windows increases.

below: Is it my imagination or is her neck longer than most?  I don’t think that I’d be able to wear four leather rings around my neck even if I wanted to.

head of a mannequin in a store window, white, large sunglasses, leather rings around her neck

As I was processing some of my photos, I got to thinking about my grandmother.  I remember driving with her at dusk and into the early night.  She would get excited about being able to look into people’s windows after they’d turned on their lights but before they’d closed their curtains.  We could only get a quick glimpse as we passed by – were there pictures on the wall?  What was on TV?  What were the people doing?  But even that was enough to spark our imaginations and we would create stories about the possible lives of the people in those houses.

below: Talking at the bar

from the outside, looking into a bar. Line of bottles on a back lit shelf, two women takling near the window

below: Sitting at Timmies

three people at Tim Hortons, sitting at a table. Seen from the outside, a poster on the window blocks the view of one of the people

Night windows offer a different view.  Things that are hidden during the day become visible.

below:  Interior renovations in progress

looking in the window of a construction site, two ladders, square panes of interior glass on a wall

below: The mundane and austere railing and fluorescent light in the stone bank building caught my attention.  As I was lining up the shot I noticed the woman (who had obviously noticed me first).

evening, from outside, a lit window in a bank of Nova Scotia building shows a hand rail, a woman stands outside the window

people in the midst of getting on and off a streetcar

two people, slightly out of focus pass by a lit window

And then it started to rain.  My feet were getting wet and my umbrella wasn’t big enough so I called it quits and went home.

a woman holding an umbrella crosses the street

red chairs and white tables in an empty restaurant

July is still hot and still humid.  Not complaining though – it’s just part of my excuse as to why I haven’t posted much recently.  Yesterday morning I managed to get myself out the door around 7:30 so I could walk comfortably – without drowning in sweat.

below: Getting ready to walk.

looking out the window of a Starbucks, backwards writing on the window, a dog tied to a tree, a bike,

I followed the morning light but still trying to stay away from places that are too familiar.   The following pictures are in no particular order.

below: With hands on hips, in an alley near Queen & John.

a woman walks down an alley, away from the camera, metal fire escape staircase is above her, brick buildings beside her

below: Vincent Van Gogh has taken up a position on Dundas Street across from the AGO.  This 8′ x 8′ sculpture sits in front of the Mayberry Fine Art gallery.  It is the work of Saskatchewan artist Joe Fafard who recently had an exhibit at that gallery. Fafard has other works in the city – he is the artist that produced “The Pasture” which is the seven life-sized bronze cows outside TD Centre.  I don’t have a photo of the cows for this blog post, but if you don’t know the piece (or want to see it again), here is a link to an article about them.

large square blue and yellow artwork that looks like the face of Vincent Van Gogh in front of a building with pillars and front steps. A young woman is walking by

below: A large flower in an alley doorway.

painting of a large flower on a door in an alley

below: Beside the flower is a black and blue butterfly.

spray paint street art mural of a blue and black butterfly

below: A heart bursting with colour on Cayley Lane.

garage and garage door painted in mural with a red heart in the center, surrounded by pink, purple and blue triangles

below: Black face, white face. What emoji face are these?

graffiti on wall and on wood pole, both are faces with mouth and two round eyes

below: Harriet Boulton Smith is the ceremonial name for the section of John Street between Queen Street West and Stephanie Street.  Harriet Smith was the last owner of “The Grange” and Grange Park.  When she died in 1910, she left her home and seven acres of land to the Art Museum of Toronto (AMT).  The site is now the home of the Art Gallery of Ontario.  She also bequeathed the family art collection to the AMT.    This section of John Street was once the driveway to the Grange.

Toronto street sign for John Street, also called Harriet Boulton Smith Way

below: He lost his head in the lane.

a headless cardboard cut out of a Toronto Blue Jay baseball player, in a doorway, in a lane.

below: Taking the bathroom stall with him.  The toilet paper holder is empty though.

a man carries a metal divider from a bathroom, with toilet paper roll holder still attached, carrying it on his shoulder

below: One of my favorite windows.  Sunday was the day of the French vs Croatia soccer/football World Cup game and there was a group of France supporters gathering on Peter Street to watch the game.  Apparently the party after the game, celebrating France’s victory, spilled out onto the street afterwards but unfortunately I missed it.

the window of Nickys coffee shop, on red brick wall, with two women walking past, both are carrying French flags

below: Old rusty metal barrels and butterflies.

a tree grows behind old rusty metal barrels and a wall painted blue with little butterflies painted on it.

below: The ice cream “mane” is still there.  I frequently walk down an alley and wonder if I’ve ever been this way before… and then I spot an old friend and recognize where I am.  That was the case when I spotted the ice cream guy (mane?  why mane?).  I think he dates from 2014.

street art painting in a laneway of a man in white uniform and hat, holding popsicle in one hand and ice cream cone in the other, words say ice cream mane

below: Same alley as the ice cream man, perhaps the same vintage originally?  The white swirls and the ‘love’ came after I think.

old street art, paint fading, of a blue man's face, and the word love

below: 24 hour public parking on the large sign, private parking on the small pink one but no one’s parking there anyhow.

parking lot, white wall behind, parking lot attendant booth covered in signs, 24 hour public parking, private parking,

below: Pasteups on plywood hoardings.  A love love love lovebot and a blessed urban ninja squadron amongst others.

paste ups on plywood hoardings,

below: Reflections

reflections of City TV building in a puddle

below: Large mural behind Queen Street West (south side) featuring queens of different sorts – cards, chess and people at the minimum.  “Queen Street West” designed and painted by Christiano De Araujo near the end of 2017.

large mural on the side of a building in an alley, theme is Queen Street west, queen of hearts heart, musicians,

below: Looking south on Soho Street towards Queen.  On the right is the new Mountain Equipment Coop store under construction.

looking down street towards Queen Street West

below: Street art in the greenery

street art in an alley

below: Lines. Electrical lines.  Horizontal lines of the stairs.  Vertical lines of the buildings.

metal staircase on upper level, street lights, electrical wires,

below: The next two photos are of a large mural on the back of a new building.  The first picture shows the figures on the right hand side of the mural.  Figures in action.

below: The Umbra building is clad with vertical lines made from a material that takes on different colours depending on the light.

building, umbra store, vertical lines on exterior of a material that changes colour depending on the light

below: Who is she?

below: Bent metal bracket

bent metal bracket on a white (painted) wood utility pool

Today, Monday, the sky looks stormy.  Perhaps a good thunderstorm will take away the humidity.  Whatever the weather, I’ll be back soon!

view of the stands for watching Honda Indy in Toronto, with flags flying from the top row, but not too many people in the stands because it's early in the day

Fan Friday at the Honda Indy, Exhibition Grounds. This is the day that entrance to the Indy grounds is free, although a donation to the ‘Make a Wish Foundation’ is encouraged. It was a day of practice laps and qualifying runs for a number of races. Although I started early, in a futile attempt to beat the heat, I missed a couple of events. I arrived in time to see the first practice for the Porsche GT3 Cup Challenge.

four porsche race cars on the race track at Honda Indy

porsche race car on Honda Indy track in Toronto

I have never been to a car race before and although I have watched a few Formula One races on TV, I didn’t know what to expect this morning. I knew it was going to be noisy and I was glad that I had ear plugs with me. I wandered around and checked out as many vantage points as I could.

5 Porsche racing cars in the pit lane with many people around them, at Honda Indy in Toronto

When I first arrived and had my backpack checked by security, I was told that any camera greater than 10 inches wasn’t allowed. At that time I had a small lens on my camera so there were smiles all round. When I switched to a longer lens I was a bit hesitant… but I quickly realized that my camera was no where near the biggest. I also noticed that I might have been the only woman taking pictures.

porsche race car on Honda Indy track in Toronto

below: Trying to set a record for the fastest lap? Pushing the car to its position in the pit lanes in preparation to start the qualifying laps of the Pro Mazda (one of the rungs of the Indy ladder system of races).

two men in green shirts push a race car to its position in the pit lane, Honda Indy, Toronto

below: Being towed into the pit lane to prepare for the qualifying run.

four men on a cart tow a yellow yellow race car covered with DHL ads into place before the start of a race

These weren’t ‘races’ between cars. Qualifying is done by doing laps as fast as you can – a race against the clock. There were a few cars with mechanical issues but no crashes in the time that I was there.two race cars pass by stands at Honda Indy

below: Flags and fire extinguishers

flag man watches the race at Honda Indy, flags beside him as well as fire extinguishers

below: The tire comes off and the umbrella gets held.

standing around a race car pre-race

below: The next event (and the last one that I stayed around for) was the first practice run in the Verizon Indycar Series.

two nascar type cars racing on a track at the Honda Indy, some people sitting in the stands,

below: I don’t think it’s going to stop whatever the silly sign says…. racing along Lakeshore Blvd.

a blue car races on track with is along Lakeshore, behind two layers of chainlink fence

three men of three different ages stand on a grassy hill watching race cars practice at the Honda Indy in Toronto

below: Alas, I wasn’t an official photographer, so there was an extra layer of annoying wire fence in the way.

two Honda Indy official photographers get close to the race to take pictures of a yellow race car as it comes around a corner

below: Signing autographs after doing laps.

race car driver Harrison Scott signs autographs for young admirers

drivers of racing cars signing autographs for admirers

below: Spectators only get to see a small part of the track. Large monitors like this were scattered around the site showing video of the races

large TV screen mounted on a metal post outside the back of a truck, mobile TV network setup to cover the Indy. picture on screen is of part of the racetrack.
The Indy is in Toronto for the weekend as qualifying laps and practices continue, leading up to the final races. If you are near the Exhibition Grounds you’ll hear the cars as they race around the course….especially if you’re stuck in the traffic mess caused by all the road closures!

While walking on Yonge Street on the day of the Pride Parade, I noticed that the St. Charles tavern clock tower was visible once more.  Also on that day, I heard someone ask the person beside them what the tower was.  The answer was something like, “I don’t know what it is but it looks interesting.”  I went back this weekend to take some pictures – not quite so many people in the way!

below: The St. Charles as it was back in the 1950’s.  It was built by Charles Hemstead who had made his money in real estate and horse breeding.  Hemstead sold it in 1958 but it continued as the St. Charles until 1987.

black and white photo from 1955 of the St. Charles Tavern and it's clock tower on YOnge Street

photo credit: 1955. Photo by James Salmon, originally found  at Toronto Public Library. I found it online at Toronto.com in an excellent article about  the history of the building and its role in the LGBQT community.

I have always associated the tower with the St. Charles Tavern but I now know that the tower pre-dates the St. Charles by many decades. It was built as part of Fire Hall Number 3 in the 1870s. Although the fire hall is long gone (it was replaced by the fire hall on Grosvenor Street in the 1920’s), the clock tower has survived several changes of ownership.  It is also going to survive the next change which, of course, is the building of a large glass and steel condo on the southwest corner of Yonge & Grosvenor.

below: The site has been cleared.  Looking south from Grosvenor.

construction site, downtown Toronto, clock tower of St. Charles tavern, tall condos, construction equipment

below: Looking north up Yonge Street towards Grosvenor.  The yellow scaffolding is holding up the brick facade of 480 and 482 Yonge Street.  It too will be incorporated into the new development.  Can you count how many new condos there are? Did you notice that the two clock faces say different times?

looking north up Yonge Street towards Grosvenor, clock tower still there, yellow scaffolding holding up the facade of an old brick building

The clock kept time until 1969.  It had been maintained by the city up until then.  Repairs and upkeep stopped when the city decided that the cost was too much.   Maybe it will function once again in the near future.

St. Charles tavern clock tower stands on a construction site as a woman on a bike cycles past

below: An archway has been built into the back of the clock tower.

close up of the lower part of clock tower, with archway that has been constructed at the back

looking up, condo towers and the clock tower from the St. Charles tavern

Toronto Outdoor Art Fair 2018,
Nathan Phillips Square

three men, in two different booths, side by side, looking at paintings, Nathan Phillips Square, outdoor art fair

three men looking at paintings, Nathan Phillips Square, outdoor art fair

two small paintings on wood, hanging on a metal grid

reflections in a framed artwork, people passing by, outdoor art fair

woman in a brown hat starts to pack up her paintings of people's faces at the end of an outdoor art fair in Toronto

two paintings in a booth at an outdoor art fair, one is yellow, there is a table in front of it, with a flower and and a hat on it, a man walks past

three little glass sculptures of little robot like creatures with rectangular heads and one large antenna

a woman walks past a painting of a cat head in blues and greys,

old rusty hand saws with wood handles, blades have been cut in intricate designs, one in maple leaves and the other with oak leaves

a couple looks at a painting at an outdoor art fair

a man, with back to the camera, stands beside a painting of a topless woman, their faces are close together

a woman carries a large painting, passes by another large painting of a black man with a white beard

a woman in a large brimmed pink hat is talking to another woman in front of some paintings at an outdoor art fair

five black and white photos are attached to a string with wooden clothes pegs

square artworks arranged in a grid on a metal mesh wall, hanging at an outdoor art fair.

sqaure artwork, mainly yellow, person body with large clock head , fish swimming around, letters and numbers on the edges

two muslim women in head scarves walk past some glass sculptures at an outdoor art fair