Archive for the ‘locations’ Category

David Crombie Park runs along the south side of the Esplanade between Lower Jarvis and Berkeley Street.

At the east end is a basketball court and playground.   One of the back walls of the basketball court has been repainted with a mural by Shalak, Smoky and J. Periquet.

 

mural on the back wall of a basketball court
mural on the back wall of a basketball court

one end of the wall

mural on the back wall of a basketball court

the other side of the wall

the west side of the wall has been painted with a mural that looks like a train train going towards the sunset at the horizon. Three tall condos are in the distance

close up of the west side of the wall has been painted with a mural that looks like a train train going towards the sunset at the horizon

Sugar Beach on a November afternoon.

A time when you have your choice of seats to sit and watch the clouds race past and the wind whip the branches of the trees around.

Sugar beach with its white chairs and pink umbrellas, looking over the sand towards Lake Ontario

Late afternoon beside grey Lake Ontario.

Sugar beach with its white chairs and pink umbrellas, there are no people here, and the lake is looking a little grey.

The first hint of sunset appears in the sky.

Sugar beach with its white chairs and pink umbrellas is in the foreground and the city is behind it.

Darker skies over the city as the rain clouds pass by.

Sugar beach with its white chairs and pink umbrellas is in the foreground. The Toronto skyline is in the background, including the CN tower.

With the city behind.

Sugar beach with its white chairs and pink umbrellas, with a four storey building behind as well as some willow trees

The low sun of late afternoon is reflected off the umbrella stands as well as the glass of the Corus building behind.

Sugar beach with its white chairs and pink umbrellas,

Location: railway bridge over Woodbine Ave., just north of Gerrard St.

This underpass was transformed this past summer.  Raidi’aal Encompass, by Toronto based graffiti artist IAH Digital (Mediah).   It was done as part of StreetARToronto Underpass Program. 

a woman walking her dog passes street art in blues and browns under a railway bridge

Street art in blues and browns under a railway bridge

Street art in blues and browns under a railway bridge

Street art in blues and browns under a railway bridge

Street art in blues and browns under a railway bridge

The Tower Automotive building is on Sterling Ave. in the Junction.  This ten storey building was built in the 1920s.  Tower Automotive went bankrupt in 2005 and the building has been empty ever since.  A number of years ago there was talk of turning it into studio space but for a temporary art installation or two, nothing has been done with this heritage building.

 

Chainlink fence in front of the building.

A chainlink fence surrounds the north part of the site.

….. but part of the fence was down and nobody was working on the site, so in we went.

Some of the graffiti on the west side of the building: 

graffiti on the back of the Tower Automotive building, a tall brick building - looking along the side of the building, the head of the reclining woman is in the foreground.  Construction equipment is also in the picture.

graffiti on the back of the Tower Automotive building, a tall brick building - the backside of a naked woman who is lying on the ground.  Much larger than lifesize, painted by Jarus.

graffiti on the back of the Tower Automotive building, a tall brick building - a large light blue face with tags on either side of it.

graffiti on the back of the Tower Automotive building, a tall brick building - the words cant hold me back are written in black on top of yellow and turquoise.
graffiti on the back of the Tower Automotive building, a tall brick building - a woman with purple hair wearing a brown and red hat.  She is holding a blue watering can.  She has an anchor tattoo on her upper arm.

moving around the building

On a concrete telephone pole, a black and white drawing of a man's head.  The word Others is coming out of his mouth.

on the east side of the building

wall of a building with a wheatpaste lovebot and a standard city of Toronto development proposal sign.  Some tags are also on the building.

The sign says “Draft of Subdivision Proposal, 158 Sterling Rd. – Castlepoint Studio Partners Limited has made an application to subdivide the property at 158 Sterling Road into 7 blocks in order to create a mixed use development that will have building heights ranging between 2 – 17 storeys.

a large gameboy lovebot on the side of a concrete wall.
lovebot and an anser black, white and grey face on a conrete wall.
a tag over old graffiti
blue construction fence is in focus in the foreground with a construction site behind it.  A tall brick building stands in the construction site.

The Heritage Trail murals are a series of murals depicting the history of Scarborough.  The project began in 1990 and consists of 12 murals at different locations along Kingston Road (old hwy 2).

Just west of Midland Ave are two of the murals.

Half Way House painted in 1990 by John Hood at 2052 Kingston Road, the NW corner of Midland & Kingston Rd.  It is a picture of the Half Way House inn (and stage coach stop) that stood at this corner.   It’s name comes from the fact that it was halfway between the village of Dunbarton (now a part of Pickering) and the St. Lawrence Market in Toronto.   In 1965 the building was moved to Black Creek Pioneer village.

A mural that takes up the side of a building.  It is a picture of an old two storey inn.  It is a street scene as well, with people wearing clothes from the late 1800s.

Just farther to the west is another mural.  ‘The Bluffs as Viewed by Elizabeth Simcoe c. 1793’ was painted by Risto Turunen in 1992.  It is on the side of the building located at 2384 Kingston Rd, now Wong’s Martial Arts.  Elizabeth Simcoe was the wife of wife of Lieutenant-Governor John Graves Simcoe, the first Lieutenant Governor of Upper Canada.
mural on the side of building depicting an early scene from Canadian history - a small rowboat with a couple of people in it is passing by the cliffs that are now known as the Scarborough bluffs.

The property beside this mural is now vacant and is enclosed by the type of blue temporary fencing that you see around many construction sites all around Toronto.  If there was a building there, it has been demolished, otherwise there is no work being done there at the moment.

mural on the side of building depicting an early scene from Canadian history - a small rowboat with a couple of people in it is passing by the cliffs that are now known as the Scarborough bluffs.

Wongs Martial Arts building, a nondescript two storey brick building.

Both Adelaide St. East and Richmond St. East pass over King Street as they converge into Eastern Avenue.  Recently the concrete supports that help hold up these overpasses have been painted in bright, bold pictures.  The murals are entitled ‘Frozen Memories’ and they were designed and painted by street artist Shalak Attack with help from Bruno Smoky and Fiya Bruxa.

 All four pillars of the overpasses are in view.

Each pillar has a large face on the side that faces King Street and a picture that depicts something representative of Corktown on the other sides. 

Paintings on the large T shaped concrete supports of the overpass, in  the foreground is the face of a man with the eyes on the upper horizontal portion of the support and his mouth on the lower part.

These murals are a part of the StreetARToronto Underpass Program or “StART UP.” 

Paintings on the large T shaped concrete supports of the overpass,  a man passes by on the sidewalk while in the foreground is a support painted with street scenes.  Houses and streetcar tracks.

Enoch Turner established Toronto’s first free school in the Corktown area in 1848. 

Paintings on the large T shaped concrete supports of the overpass, a young girl in a pink top sitting at a table and writing in a notebook.  The word love is written on one of the pages.

painting of the Enoch Turner school on one of the pillars supporting Adelaide St. East in Toronto.  Other Corktown houses are also painted here on the lower part of the pillar.

  Two of the main industries in Corktown were bricks and beer.   One pillar pays homage to the people who worked in these industries, including this bricklayer.

Paintings on the large T shaped concrete supports of the overpass, a man portrayed in blue tones, wearing an old fashioned hard hat and holding a trowel.

Mural on concrete pillar of a blue brick layer surrounded by symbols of industry such as factories, gears, beer bottles, bricks.  There is a parking lot surrounding the concrete support so there are cars parked in front of the pillar.

This mural is a another tribute to the early days of Corktown.   Sailing ships, maps and compasses are for the immigrants that came here.   The first church built in Corktown was Little Trinity in 1843.   It’s stained glass window is shown here.

Paintings on the large T shaped concrete supports of the overpass, three supports are in the picture.  The one in the foreground has marine scenes - two sailing ships, a large turtle, and waves.  The two supports in the background are those with faces, one man and one woman.

other views

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Paintings on the large T shaped concrete supports of the overpass,  a large multicoloured woman's face is on the concrete support that is across the street.  A chain link ffence and yellow fire hydrant are in the foreground.

A mural near Church and Wellesley

A picture of most of the mural.  There are many colourful characters on a wall that is about 8 feet long.  The mural is close to 20 feet long.

Most of the mural.

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detail from mural - three people, black woman, white woman with blond hair and glittery ear rings and necklace, and a man in the right hand corner
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detail from mural - group of people in flamboyant clothes lounging around

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detail from mural - close up of woman with white hair and long eye lashes.  She is wearing blue and silver sparkly er rings .

detail on mural - man in cowboy hat with a red & white striped guitar, amongst other people
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detail from mural - a bearded man in a pink dress, a woman in purple and two people sharing the same red & white polka dot dress
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detail from mural - a very pink woman in fish net top and wearing a sparkly pink eye mask
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detail from mural - close up of woman with black and white striped top, glittering neacklace and ear rings.

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detail of mural - two women, one in black low cut dress and silver sparkly crown and the other in a bejeweled black dress and white fur boa. .

woman with long arms and hands, wearing 2 bracelets as well as necklace and long droopy ear rings.

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detail from mural - chicken pecking at some nuts (corn?) on the ground beside legs wearing yellow high heel shoes
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A picture of a man in drag - blue dress as well as long hair and horns on head, is behind a real tree

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sign painted beside the mural that says "Ultra Church 50 VIP part people 1948 to 2014"

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World Press Photo 14,
a traveling exhibition of prize-winning photographs assembled by World Press Photo.

At the Allen Lambert Galleria, Brookfield Place
 until October 21st

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These pictures were taken from drones that were flying over playing fields.  The shadows of the players look like they are the people.

These pictures were taken from drones that were flying over playing fields. The shadows of the players look like they are the people.

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Photo on the far left is “A flock of Guillemots (Uria aalgae) in a snowstorm in Vardo, Norway” by Markus Varesvuo of Finland.


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LEFT: Survivors of typhoon Haiyan march during a religious procession in Tolosa, on the eastern island of Leyte. One of the strongest cyclones ever recorded, Haiyan left 8,000 people dead and missing and more than four million homeless after it hit the central Philippines. Photo by Philippe Lopez of France.
CENTER: A woman reacts in disappointment after access to see former South Africa President Nelson Mandela was closed on the third and final day of his casket lying in state, outside Union Buildings in Pretoria, South Africa. Photo by Markus Schreiber of Germany.
RIGHT: A group of blind albino boys photographed in their boarding room at the Vivekananda mission school for the blind in West Bengal, India. Photo by Brent Stirton of South Africa.

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Near the corner of Queens Park Crescent and Grosvenor Street is the Ontario Police Memorial.
It was dedicated in May of 2000.

Light grey stone horizontal with 5 panels.  The outer two panels on each side contain the names of the policemen who have died while on duty in Ontatio.  The center section of the stone is the base for two statues - an older and a younger policeman.

The names of fallen Ontario police are carved in the stone at the base of the memorial.

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The two statues on the police memorial as seen from the side.
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close up of young police officer (upper body) at the Ontario Police Memorial
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On Mt Pleasant Road, just north of Davisville Ave. is the Regent Theatre.  It is a rather nondescript brick building with an ugly white piece of something across the front.  Sometimes the names of the movies that are showing appear on the south side of that white thing (on the side you can’t see in the photo!).

The front of the Regent theatre, a two storey red brick building with a large ugly blank white sign across the bottom of the upper storey.

The Regent theatre today.

It was built in 1920 as the Belsize Theatre.  As you can see, the front of the building hasn’t changed much after almost 90 years.

old black and white photo of a stretch of Mt. Pleasant showing some stores and the Belsize Theatre.

Even back then the hydro poles and wires were an eyesore!

A mid life name change and it became the Crest Theatre.

old photo of the Crest Theatre from the late 60's or early 70's.

Crest Theatre – The movie ‘The 7 Year Itch’ came out in 1955.  I have been corrected (see comments below).  Between 1954 and 1966 the Crest Theatre was not a movie house, but was devoted almost exclusively to live theatre.  The “now playing” refers to the theatre production of ‘The 7 Year Itch’ which pre-dated the movie.  The original stage play was by George Axelrod (1962) and was presented live at the Crest in December of 1963.  Their production starred Toby Tarnow and Douglas Rain.  (with thanks to David Rain for the correction and added information).

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