Posts Tagged ‘Union station’

Stephen Andrews POV

Posted: August 13, 2015 in galleries
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Stephen Andrews POV
an exhibit at the Art Gallery of Ontario

Stephen Andrews is a Toronto artist whose career began in photography and the exhibit now on at the AGO does include a few excellent 8×10 photographs.  The main part of the exhibit though are approximately 20 (mostly large) paintings of his.

A room in an art gallery with white walls and three large paintings on it. A woman is taking a picture of one of them with a camera. The paintings consist of large rectangles
  below: ‘X-men at Union’, 2013, oil on canvas
Construction workers at Union Station, Toronto

rtwork picture of two construction workers wearing orange and yellow safety vests as they walk into a building that is being renovated

below: ‘After Before/After After’ oil on wood panels
The two paintings on the wall were based on landscapes by J.M.W. Turner that depicted scenes before and after the flood described in the bible (or before and after chaos).  Andrews has painted his with dots in only four colours, yellow, magenta, cyan and black

An open book on a pedestal, a large picture of a painting on each page. Two paintings on a wall directly behind the book. The paintings on the wall are replicas of the ones in the book .

below: detail from ‘Crossing’, 2011, oil on canvas

close up of a painting of a large number of railway crossing signs.

below: close up of part of ‘Entrance/Exit’, 2014, oil on canvas

close up of a slightly abstract painting of a person about to go through a revolving door in a glass wall

Water’s Edge

Posted: July 25, 2015 in galleries, locations
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Water’s Edge
A Pan-American photography exhibit
produced by No.9: Contemporary Art & the Environment.

Two venues are involved, Union Station and Pearson Airport.  The photos below represent a sample of the photos on show at Union Station.

 

below: Bridge Glacier, British Columbia 2012, by James Balog, part of his study of vanishing glaciers.

large photographs, part of an exhibit at Union Station in Toronto -

below: Two black and white photographs by Sebastiao Salgado,
part of a photographic project titled ‘Genesis’.
One aim of ‘Genesis’ was to examine “the fragile beauty and grandeur of nature”.

large photographs, part of an exhibit at Union Station in Toronto -

below:  ‘The Anavilhanas’ taken in Amazonas Brazil, 2009 by Sebastiao Salgado.
Located on the Rio Negro, the Anivilhanas Archipelago is the world’s largest fresh water archipelago.  It is an unique ecosystem with over 400 river islands spread over 90 km.  The Rio Negro is 27 km at its widest point. During the rainy season (November to April) many of these islands are underwater.

large black and white photograph, part of an exhibit at Union Station in Toronto -

below: ‘Sarnia’ by Gustavo Jononovich, taken in Sarnia, from his “Free Shipping” series.

large photographs, part of an exhibit at Union Station in Toronto -

below: ‘Georgian Bay #1, Four Winds’, Point-au-Baril, Ontario  2009, by Edward Burtynsky.
This picture is part of his Water Series, a series that looks at changing water systems around the world as well as the relationship that we have with these water systems.

large photographs, part of an exhibit at Union Station in Toronto -

The exhibit ends on the 15th of August.

#myhomewaters

distress at Union Station

Posted: July 16, 2015 in locations, public art
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A while back, I posted some photos of ‘Zones of Immersion’,  Stuart Reid’s art installation at Union Station.   Now that it is completed, I decided to revisit it.  There has been some talk about how depressing it is.
I’ll let you decide whether it is depressing or not.

If you are on the ‘northbound to Finch’ platform you get a clear view of all the panels.
If you are on the ‘northbound to Downsview’ platform you can only see some of the glass panels.

I’ve now been back a number of times and this is what I saw:
1) Of the figures with discernible gender, 12 or 13 were male.
2) The males are of different ages and shapes.
3) The number of females outnumber males by at least 2:1.
4) Almost all (or even all?) of the women are young.  They are all thin, if not gaunt.
5) There is one child…. with a finger up his/her nose.
6) Only two or three figures are smiling.

 

Part of an art installation at Union Station, paint on glass panels - a rough drawing, black outline with some grey shading of a couple

paintings on glass panels, Union Station art installation, two women. One on the left looks very sad, like she's been crying. The other woman is painted very dark grey with a few red highlights.

Looking along a subway platform at Union Station, the far wall is an art installation, paintings on glass panels of people

part of an art installation, paintings on glass panels,

part of an art installation, paintings on glass panels, a woman's head in dark blues and blacks, heavy paint around the eyes

part of an art installation, paintings on glass panels, a large face in red
blog_union_art_thinking

part of an art installation, paintings on glass panels, three men sitting on a subway

part of an art installation, paintings on glass panels, on the left are white words on blue background, on the right are two women in profile

“the way we settle into a seat
the way we stretch when the train is empty
and retract as it fills
the way we deflect a glance and simultaneously present
language of the body claiming, relinquishing and balancing
personal space in the interstitial realm
halfway between the worlds of here and there”

part of an art installation, paintings on glass panels, a woman in yellow on a green and blue background, a man is waiting for the subway and his reflection is in the photo

part of an art installation, paintings on glass panels, woman standining

The panels that can be seen on the ‘northbound to Downsview’ platform are seen as the reverse of those viewed from the other platform.

black and white painting on glass of a woman holding a mobile phone

part of an art installation, paintings on glass panels, upper part of a man sitting and reading, in profile, on the left is the reflection of a woman waiting for the subway
“slicing through the clay of the earth’s first skin
steel rails and electric lines
going from      going to
slicing through time and distance
darkness and light
station by station
releasing us into the city’s fabric
stop by stop
after a days labour
taking us home”

part of an art installation, paintings on glass panels, four women sitting on the subway

part of an art installation, paintings on glass panels, a group of people standing. The word because is also visible in the picture

part of an art installation, paintings on glass panels, a woman sitting on the subway with a child on her lap. The child has a finger up its nose

part of an art installation, paintings on glass panels, on the left side is a man on blue and on the right is a woman's head drawn in blue

painting on glass panels, two women, on the left is standing, on the right is pointing to the left.

(added in October) I got off the subway at Union Station today.  There were three guys in front of me.  One of them stopped and pointed to the nearest painting which happened to be the one above.  As he pointed he said “See what I mean, if that doesn’t make you want to jump… “.

 

I’m happy to be corrected if you can prove me wrong.

 

Edouard’s Toronto

Posted: May 15, 2015 in locations, public art
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Edouard
a CONTACT photography festival exhibit,
VIA Rail Concourse (i.e. where the trains depart from)

Edouard LeBouthillier documented his life in Toronto in the 1970’s and early 1980’s with Polaroid pictures.  On the back of the photos he noted dates and places.  He also took pictures of Toronto buildings and landmarks that were newly constructed or in the process of being torn down (e.g. the old Eatons store at Yonge & Dundas).

There are two exhibits of his work being shown at CONTACT this year.  The first, shown below, is on the east side of the VIA Rail Concourse of Union Station where a number of large prints are on display.  If you have trouble finding them, look for VIA platforms 12 and 13.

A second Edouard exhibit is at Art Metropole (1490 Dundas West) and it consists of some of the original polaroids that show his domestic life.

below:  At new City Hall.
In front of the tulip garden on the left and lying by the fountain on the right.

large photographic prints on display at Union Station

large photographic prints on display at Union Station

below: Edouard was at the CNE on the 17th of August 1977.

large photographic prints on display at Union Station

below: On the left is Ed’s Wacky Wirld store, 1977

large photographic prints on display at Union Station

hanging around Union Station

Posted: April 20, 2015 in locations, public art
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If you have recently stood on the platform at Union subway station, northbound to Finch side, you will have seen the new artwork being installed there.   The platform is still under construction and not all the art panels have been installed but this is what it looked like this past weekend.

new art, pictures of people on the subway, on glass panels installed at Union Station platform - a seated woman picture on the left. The panel on the right has not yet been installed, there is a space and the construction behind it is easily visible

There are 166 glass panels, each just over 2m high (7 feet) and when it’s finished it will cover the length of the subway platform, a length of 170m (about 500 feet).

new art, pictures of people on the subway, on glass panels installed at Union Station platform

At the moment they are installed in such a way that they act as mirrors as well as pictures.

new art, pictures of people on the subway, on glass panels installed at Union Station platform - several panels with pictures of people but it is highly reflective so you can see the people waiting on the platform as well

The piece is titled ‘zones of immersion’ and it is the work of Canadian stained glass artist Stuart Reid.  The people on these panels are based on drawings that Reid made as he rode on the TTC.

new art, pictures of people on the subway, on glass panels installed at Union Station platform - a sitting woman and a standing woman. An exit sign is reflected in the glass

I’m not sure they will be so highly reflective once the installation is complete and the construction behind them finished.  But in the meantime, a little fun can be had!

new art, pictures of people on the subway, on glass panels installed at Union Station platform several panels with pictures of people but it is highly reflective so you can see the people waiting on the platform as well

new art, pictures of people on the subway, on glass panels installed at Union Station platform - two blue glass panels, one with a woman's face

new art, pictures of people on the subway, on glass panels installed at Union Station platform - 3 men sitting on the subway, all facing the viewer

new art, pictures of people on the subway, on glass panels installed at Union Station platform, a woman's face in profile. You can see traces of the construction behind her.

Villa Toronto

Posted: January 22, 2015 in events, galleries
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An art exhibit in the Great Hall at Union Station, January 16 to January 23

I’m going to out on a limb a bit here and say like most contemporary or modern art, this exhibit was combination of  some shoddily thrown together nonsense and some well executed and interesting pieces.
One of the things that caught my attention was how people reacted and/or interacted with the different parts of the exhibit.  Union Station is not an art destination.  It’s a space that people walk through on their way to somewhere else.

A view of the Great Hall of Union Station with the provincial flags along one wall, the archway over the window at the end of the room, and an art exhibit in the main part of the hall. Two woman are looking at sculptures on one side. A video screen is showing a video about the exhibit - a man sitting in a chair is what is seen in this picture.

In the above photo, the women are using a computer monitor to learn about The Legacy of Joseph Wagenbach, an installation by Iris Haussler.  In 2006 she turned a house on Robinson St. in Toronto into a ‘discovered’ home of a reclusive older man who had filled his house with over 100 sculptures that he had made.  At that time there was some controversy when people learned that there was no real Joseph Wagenbach, that his story was fiction.   There is a  Joseph Wagenbach Foundation with its own website.

A colletion of small sculptures of life like figures in grey and black.

Some of the Joseph Wagenbach sculptures.

A relief sculpture of a woman's head, on the ground. In the background are people and some of the booths of Union Station.

 ***

A corner of a dimly lit white walled room. In the

‘Marbled Meanings’ by Navid Nuur. 
top right: ‘Broken Diamond’  made of neon, broken glass, argon neon blue light. 
center: ‘Threshold’ made of green florist foam blocks

With the above collection, I found that the light and shadows were more interesting than the green column.  I don’t know whether or not this was an intentional part of the exhibit.

Neon art piece on a wall. It is shaped like a V, it's turquoise blue in colour and it is a bit bigger than the size of a hand. It is mounted on a wall with the electrical wires visible. It is shadow.

close up of ‘Broken Diamond’

 ***

part of a piece of art that is a pillar like structure cover with bits of colourful paper. There is also a child's drawing in pencil on an 8 by 11 piece of paper. Also a sign in blue letters that says . In the background there are a couple of people walking past.

“I’m going to use the two hundred dollar artist fee from this project to pay my phone bill and with the money left over I’ll probably buy a pack of smokes and maybe order some Chinese food.” 
Is this a statement about the value of art?  Is this a f*ck you statement – if you, or society, don’t value art why should I (as the artist) care about my work?

 

A large translucent rectangular piece of fabric hangs from the ceiling. It sort of has a face on it, yellow eyes and a small slit mouth.

Floating overhead and watching us with yellow eyes.

 

This photo was taken looking into a mirror. A man in a long black winter coat and red scarf is taking a photo of some art on a wall.

reflections

 

Four people, two are standing together while one texts, and two others are walking past. Four large square paintings (or photos?) are behind them on a white wall.

I know that art is subjective but I fail to see the appeal in large monochromatic pictures in an ugly shade of green.  They aren’t profound; they’re not making a statement; they elicit no emotion.

 

The projector is playing a loop of blank screen to a garbled soundtrack.

The projector is playing a loop of blank screen to a garbled soundtrack.

 

An art piece, a shiny silver coloured porta potty stands in the middle of the floor. A trash container (real) is behind it.

I couldn’t help but chuckle at the juxtaposition of the arty porta-potty and the real trash container behind it.  Someone tried to open the door of the potty but it was either locked or not real.  Note to artist: Why?

video art installations at an art exhibit. The large clock and departures board of the train station are seen over the top of the temporary walls of the exhibit.

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