What are words?   How do we use them?

below: “Excuses injurieuses” 2007, by June Clark.  One of her “Wine and Tea” pieces.  It consists of the words Invective and Apology written over and over again starting from the top left corner and moving inwards toward the center.  Instead of a spiral it is a pyramid shape.  Perhaps it rises upwards, or perhaps it sinks down.  It’s only 40cm x 40 cm so the words are tiny.  I’d love to know how many words there are but I think that I’d be screaming profanities before I finished counting.  What I can tell you is that the pair of words ‘invective apology’ is written 32 times on the outer square.  If  invective is a noun that means, expletive, or abusive language, what does ‘invective apology’ mean and is that the same as the french title, ‘Excuses injurieuses’?

close up artwork of words written over and over again, invective apology, in smaller and smaller circles.

June Clark was born in Harlem NY but moved to Toronto in 1968.   At the moment, the AGO is featuring some of her work.  For whatever reason, I was more attracted to the pieces with words.

below: More of Clark’s “Wine and Tea” series, 2007.  Each one is a 40cm x 40 cm square and they are made with wine, tea and paper except for the one on the top left.  It is “Poubelle Lune” and the circle is a rusted lid that fits in a circle that has been cut out of the canvas.

a grid of 8 square artworks by June Clark on a gallery wall

below: Close up of another of the eight squares, a collage of sorts, the silhouettes of two people (men?) in front of flags, one American and one ? Titled: “All Some Many”.  If you look closely, you can see small words cut out of newspapers or magazines, some, all.

close up of an artwork, ink and collage. Brown squares in checkerboard shapes, with one shape being a photo, 4 small words from a newspaper, all (twice) and some (twice).

below: The next two photos are panels from “Formative Triptych” 1989/1990.  The first one says “I always imagine that I never received anything as a child, but I do remember being disappointed that the chocolate Easter Bunny was hollow and then of course there was the red broom and dustpan set.”

old black and white photo of a black girl, smiling, in dress, with words beside that say "

below: The words say “I decided that I must become so famous and so recognizable so the they could never let me die in an emergency room.”

picture of the head and shoulders of a middle aged black woman, old black and white photo, with words beside that say "

below: More collage and more words, this time it’s “Homecominghome”, words on paper towel.   Words like proactive, dulled integrity, impotent, hostage, elation, victim, underwhelmed, illusion, and satisfied surface desires.   These are only some, there were many more, each in their own little black frame.  Paper towel, that stuff we use once and then throw away.  Can we throw away the words?  Or what is behind the words?  Do we want to?

Actually there was a story about why paper towels were used – “…was made during a residency in New York City.  I had been cleaning the space so it was empty aside from paper towels.  It was a way of dealing with my emotions around how I felt living back in Harlem.  Cutting out the words, I felt like I was captive but free – a sort of ransom situation, of calls for help and demands for responsibility. ”  Quote taken from the words on the wall at the exhibit.

a grid of 8 square artworks by June Clark on a gallery wall - black frames around pieces of paper towel with words on them formed from cut outs from newspapers,

Words are fascinating.

June Clark’s work is on exhibit at the Art Gallery of Ontario until December 2018.

 

And while we’re on the subject of words and the AGO, there is a whole room of panels like the one below.  This is “Jack and the Jack Paintings: Jack Goldstein and Ron Terada”

Goldstein was an artist who published his memoirs in 2003, just before he committed suicide.  Terada has taken words from the book and made them into 14 panels, sorry, I mean test-based paintings.  They are Goldstein’s words? Or are they now Terada’s words?  Whose story are they telling?

below: A large painting by Jack Goldstein (lightning) and four of the panels by Ron Terada.

The Jack exhibit continues until 16 September.

More words!

below: You’re awesome!

large white letter across a roof line that say you're awesome

below: Embrace peculiarity

side a garage plus wood fence beside it painted with abstractr shapes in reds and oranges, with the words embrace peculiarity written in blue cursive writing

below: Love will win 🙂

on the side of a grey metal box, written in black, with a smiley face under the words, love will win

below: I love you!

graffiti on a brick wall, red heart with words I love you, instead of the word love there is a white heart

below: A mural with a pink skate boarding raccoon with a hockey stick and a Blue Jays baseball cap.  Also words of encouragement (or at least that’s how I’m going to interpret them today), Keep Pushin.  It’s actually an ad for Kadence World, a store that is opening up on Ossington, a place where art, music, and skate boarding all converge.

large yellow letters that say keep Pushin, on a mural with a pink raccoon wearing a blue jays baseball cap, looking at a wrist watch with a dollar sign on the face,

below: And last, a final Buh Bye

yellow stencil on a sidewalk, in cursive writing, buh bye

People watching at Kensington Pedestrian Sunday

a woman in white sleeveless top and with very red dyed very curly hair, carrying a bottle of ginger beer,

a young black man in black wide brimmed hat sings in front of a microphone, part of a band performing ouside in front of a mural on a wall

below: The Spontaneous Poet, poet 4 hire

woman with green felt hat with floppy brim, smoking a cigarette, sitting at a small table and typing on an old Smith Corona typewriter.  She has a sign on the table that says, poet for hite, the spontaneous poet.

older man with white beard and mustache, wearing sunglasses and teal baseball cap, leans on a garbage can while smoking a cigarette

a young black woman with long dreadlocks has a large snake on her forearm, she's smiling. A man with grey grey beard and moustache watches her.

man standing in an alley with street art on one wall, holding a guitar, he has just finished playing and singing, a man is behind him on a bike

balding black man with the Queen of hearts playing card stuck on his head makes a muscle man stance with fists clenched, he's performing magic tricks while people watch him

below: #whatsvictorupto painting the word ‘together’ on the sidewalk.

victor painting on the sidewalk in Kensington.  He's wearing a shiny sparkly mask over the top of his head. people are walking past #whatsvictorupto

an older man in tweed jacket and cap with long white beard and mustache, black rim glasses, white plastic bag over one arm, walks down the street

young black man dancing on the street, part of a group, Pedestrian Sunday afternoon at Kensington, people in the background watching

young Asian womanin a straw coloured wide brimmed hat, smiling as she dances, she is holding the brim of her hat with both hands so it doesn't fall off

a male mime, black hamburg hat, lime green shirt, black suspenders and red carnation on the suspenders, beckoning to the crowd, outside, street festival, pedestrian sunday at kensington

a black man dances on the street, slow dance, with an older blond woman,

two women dancing, one with long hair on the top but shaved on the sides, wearing an intricate black necklace, double, one woman in focus in the front, the other slightly out of focus, purple and black sleeveless tops, close up of head and shoulders and one hand with grey fingernails

woman in short velvet close fitting top, large necklace, and holding a white parasol walks down a street in a crowd of people

young girl in Minnie Mouse tshirt and frilly pink skirt, pacifier in mouth, sits on the street beside a bike while she watched a performer, summer afternoon,

black woman with very short hair, round sunglasses and white top, wearing many strands of beads, sitting on a bench on her phone

a man wearing a purple vest and white hat, stands on stilts with long trousers covering, juggling 4 different coloured bats (or pins?) shaped a bit like bowling pins, two in his hands and two in the air.  outside on the street

 

below: What is happening? By the looks of it, Doug Ford and John Tory have taken up cricket. Nice uniforms but something’s not cricket…

a woman with light brown hair holds a sign at a protest, seen from the back. The sign says what is happening? Picture of John Tory and Doug Ford as cricket players.

below: What is happening is a protest. A decent sized crowd gathered at Nathan Phillips Square late this afternoon because why?  Because another Ford, another protest. Been there, done that, and is he really going to do what? Sigh.

crowd gathered at Nathan Phillips square for a protest, TV cameras, microphones, speakers, protesters, signs, placards,

below: Making a point.  Doug Ford recently dictated that the sex ed curriculum brought in by the last government will no longer be taught because not enough parents had been consulted about its contents.  Today he announced that the number of Toronto city council seats will be reduced from 47 to 25 after he consulted with zero zilch nada of Toronto’s 2.7 million people.  Hypocrisy.  It also gives credence to the theory that this is all sour grapes – he lost the last mayoral election to John Tory and his ego is damaged.

a man in a green t shirt holds up a protest sign that says Dick-tator Ford

below: “To succeed we must secede #provinceofontario”  An interesting concept?

Crowd of people at protest rally at city hall in Toronto. One man holds a sign that says to succeed we need to secede

protesters at an anti Doug Ford and anti PC Ontario provincial government for their announcement to cut the number of city council seats

two middle aged red headed women holding a sign at a protest at city hall

a young woman holds up a sign that says Dud Ford. Words followed by a sad face. Seen from the back. Lots more people in the crowd at the rally

below: Ford did campaign on cheap beer, a dollar a can if I remember correctly.  There was no beer at Nathan Phillips square this afternoon.   No consultations AND no beer.

a woman holds a white hand written sign at a protest, the sign says You campaigned on cheap beer, not on cutting my representation in government with no public consultation where is my beer?

Young women in a crowd, holding a sign that says Ford - F for Fuck O for Off R for rude and D for Doug

below: A lone dissenter (or at least the only visible one). “Thank you Doug Ford.  You saved me a part of my battle, for the Mayor’s office.  Harris suggested this at amalgamation you put it in to action. Jim McMillan.”

people sitting by the Archer, a Henry Moore sculpture, at Nathan Phillips Square. An older man is talking to another man. He is holding a hand written sign that says Thanks to Doug Ford

Once the speeches were over, some of the protesters went inside City Hall to the council chambers where a city council meeting was in progress.  We’ll see what happens in the coming days and weeks.

below: Like most days, there were lots of tourists in the square too.  But that’s a whole other story!

a father and son by the light purple O in the 3D Toronto sign. In the background is a group of people at a protest

A new mural in town,
Equilibrium, by Okuda San Miguel, aka Okudart

below: As seen from Sherbourne street.  It’s tall!  23 storeys tall in fact.  Not just a new mural but also a new landmark.

a man walks up Sherbourne street, on the sidewalk, past a vacant lot, in the background is the back of some older brick buildings and beyond that is a tall building with a mural on it, equilibrium by okudart

below: As seen from Allan Gardens.

Allan Gardens conservatory with its glass dome roof in the foreground, tall buildings in the background. The side of one of the background buildings has a colourful mural on it with a rainbow striped background

below: It’s painted on the side of the Parkside student residence (once the Primrose Hotel) on the SW corner of Jarvis and Carlton streets.   It looks finished although the ropes and lifts are still in place.  No one was painting when I walked past this afternoon.  The artist, Okudart, has already signed the piece.

car stopped at street light at Carlton and Jarvis. Behind the car is a very tall mural, bright colours, geometric shapes, some human like figures too, with blue conical noses, equilibrium by okudart

below: The very top portion.  A blue conical beak and feathery wings on a female human like figure who is sitting on three large heads.

very top part of mural, equilibrium by okudart

below: Just a bit lower on the mural – more beaks but this time they look like carrots.  A black and white globe with a mouth in Africa.  One blue eye in the Atlantic Ocean and one orange eye in Asia.   Is that a man on the left?

middle section of mural, equilibrium by okudart

below: Under the globe another female figure with a blue nose.  Nude but discreetly so.

lower portion of equilibrium by okudart

The background of the mural consists of large rainbow coloured stripes on top and black on the bottom.  These were painted by local artists before Okudart finished the piece.

below: Street level

street level part of mural, equilibrium by okudart

below: The church across the street does not have stained glass windows.  The colours are reflections from the mural.

part of mural, equilibrium by okudart, reflected in church windows across the street from it

part of mural, equilibrium by okudart, reflected in church windows across the street from it

The mural was part of the STEPS Initiative Program and it also involved StART (StreetARToronto), the owners of the residence, and a number of other partners.

‘Trans Am Apocalypse No. 3’ by John Scott

a 1980 Pontiac firebird trans am, painted in black house paint and then words scratched into it, the words from Revelations in the New Testament of the bible, every part of the black surface is covered with words, in an art gallery

This is a 1980 Pontiac Firebird Trans Am painted with black house paint.   The words from the book of Revelation from the New Testament of the bible scratched into it, covering the whole surface of the car.

below: “Faithful until death” stands out on the door handle.  From Revelation 2:10 “Do not fear what you are about to suffer. Behold, the devil is about to throw some of you into prison, that you may be tested, and for ten days you will have tribulation. Be faithful unto death, and I will give you the crown of life.

words from Revelations in the New Testament of the bible scratched into paint covering the whole surface of a trans am car, close up of door handle with the words faithful until death on it,

This is actually the third car that Scott produced. The first, finished in 1988 ended up being crushed into a cube of metal. The second, finished in 1993, is now in the National Gallery in Ottawa.  This one was finished in 2000 but it was homeless for a while.   In 2007 it was donated to the AGO (at that time it was housed in a barn). It was first displayed in 2016.

below: All 22 chapters of the Revelation to John fits on the car, including the part seen here: “He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name.”   This is Revelations 3:12.

words from Revelations in the New Testament of the bible scratched into paint covering the whole surface of a trans am car, close up of the side of the car by the front passenger door, and front tire

The book of Revelation is written in a very symbolic language and there are different interpretations of its meaning.  One interpretation is that it was written to give ancient Christians hope for dealing with their own problems –  to stand firm in their faith despite the threat of death from the Roman government.

Another interpretation is that our world is doomed, that Revelation is a description of the “end of days” sometime in the future. This is the futurist interpretation of Revelation with its premise  that the prophecies in Revelation still await a future, literal fulfillment.  In this interpretation, the four horsemen described in the sixth chapter symbolize the evils to come at the end of the world.   This seems to be the interpretation that gets a lot of attention. 

I have no intention of writing an essay on this but I wanted to mention the horsemen because some of the words used by the AGO to describe John Scott’s car are “A symbol of American consumerism and machismo, the vehicle has been modified to produce a contemporary mode of transport fit for the Four Horsemen of the Apocalypse”.   The Trans Am, a doomsday vehicle on the highway to hell.

 

words from Revelations in the New Testament of the bible scratched into paint covering the whole surface of a trans am car, close up of the front corner of the car, headlights and part of hood

What drives a person to scratch out these biblical words, not once, but three times?  What goes through a person’s head while they’re working on it?

And I have one more question – wouldn’t a Mustang be a more appropriate vehicle for the four horsemen?

‘This Mountain Loves You’

is a mountain of positive messages stitched into a quilt-like artwork at the AGO.  Fabric squares were decorated with pictures and messages and then hand stitched together.  It is the creation of the AGO Youth Council, overseen by artist Ani Castillo.

 AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council, view from second level of the gallery

black and white art by Ani Castillo of 'Toronto in the Summer', many whimsical scenes of the city in the summer, birds, trees, kids on scooters, lots, of legs, all kinds of flowers, picnics, the island, sun, the ex,

An example of her work, black and white drawings with a little bit of whimsy and a lot of heart…. ‘Toronto in the Summer’ by Ani Castillo. Found online at Bored Panda.

 

AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council, close up of some of the squares of fabric

“I love my black hair and my black loves me”.
“It’s me and it’s you and we’re the universe too”.

Castillo worked with a group of young people (ages 14 to 24) over seven weeks and this was one of the results.   I’m not sure how high it was, 4 or 5 metres perhaps?

AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council, close up of some of the squares of fabric

Part of the AGO description of ‘This Mountain Loves You’ mentions that it is a tribute to, and a recreation of, Salvation Mountain in southern California.

Photo credit: by Kevin Key, found online at Los Angeles Magazine in an interesting article about the site and its creator, Larry Knight who worked on it for 30 years before his death in 2014.

As you can see in the above photo, Salvation Mountain is predominantly about God and Jesus whereas the fabric mountain proclaims a message of secular love, hope, and acceptance.  Messages such as “trust in your abilities”, “love ahead!”, and “keep families together”.

AGO, Art Gallery of Ontario, This Mountain Loves You, by AGO youth council,

Today was the last day that this ‘mountain’ was on display.

A Saturday walk about with friends

a group of people walking over the raised pedestrian bridge between the Eaton Centre and the Bay, 4 women, one man and a boy

Looking at people.  Ordinary people.  Going about their summer lives.

man with beard and moustache, one a bike that is stopped in front of a red and white TTC bus, man wearing a blue baseball cap with red Air Canada maple leaf logo on it

young Asian woman under a black umbrella, standing in a TTC bus shelter, reflections off her umbrella of other people, plus a stella artois beer ad

man in an apple store, orange T-shirt, leaning on the counter, with headphones on, looking closely at the screen of a laptop, other men in the store too

a young woman with bright yellow hair tied back in a short ponytail, tattoo covering most of her arms and upper part of body that is visible , wearing sleeveless black top, walking past Cheese Magic shop in Kensington market, Toronto

two people, one is a woman holding a coffee cup from Jimmys Coffee, she is laughing. The other is black, hair tied back, pink long sleeved shirt and sleeveless jean jacket, scowling,

a tanned older man in sleeveless black shirt leans against metal railing at the Eaton Centre, mannequins in a store window behind him, womens' sporting wear

a man sits with his son on the floor of the Eaton Centre, next to the glass railing. reflections from the railing make it look like there are two boys

looking into the window of a women's wear store, two dresses, on mannequins, each holding a handbag. a red dress and a dress with big red flowers, a red head woman is standing beside the mannequins

people walking across pedestrian bridge between the Eaton Centre and the Bay, one woman has long light pink hair and is wearing jeans with many rips and holes in the front,

a couple sitting in a restaurant, across from each other, in the window, window is open, drinks on the table .  Woman has glass of white wine, man has something orange

a woman standa against an exterior wall, beside a tottoo place. The word tattoo is in large yellow letters beside her, her hair is multicoloured, she is wearing a short dress, knee bent with one foot against the wall, phone in hand, black jacket over her shoulders

three people sitting on a concrete bench outdoors at Yonge Dundas Square. An older woman with teal long sleeeved shirt and light blue hat, a man in a white t-shirt with black moustache, with a woman leaning against his shoulder with her eyes closed

a couple standing facing each other, talking to each other,

an older woman carrying a pale purple umbrella, and a handbag with pictures of cats on it, a blouse with orange flowers on it

mother and son posing for picture, Asian, boy is lying on the ground between his mother's feet

bald black man with black sunglasses is taking a selfie while holding a large ice cream cone

a young man holds a sign that says hug me we need it

black man with blue t-shirt holds a blue bubble maker and he is making bubbles as he walks down the street

young woman in sunglasses poses in front of a fountain

couple, one is smoking, man in yellowish orange shirt, standing by a chinese restaurant, pictures of the food on the wall behind them.

There is no theme to this blog post.  It’s just a description of some of the things that I saw as I walked down Bathurst Street the other day after taking the 512 streetcar to St. Clair West station.   In a lot of ways its like other busy Toronto streets, some houses, a few corner stores, and an alley or two along the way.   A little bit of architecture and a little bit of history round out the story.

At St. Clair West and Bathurst, the northeast corner remains vacant. About four or five years ago there was a gas station and car wash on this corner.  St. Clair West subway station is just to the east, just beyond the trees on the right hand side.

northeast corner of Bathurst and St. Clair West, vacant lot, St. Michaels College in the background as well as a couple of highrise condos.

below: I went looking for an old photo of this corner and this is what I found.  It’s from 1924.  If the streetcar’s destination is Caledonia, then it is going westward.  In 1924, St. Clair was the northern edge of the city and very little development had occurred here.  It is interesting to note that the streetcar tracks came first, then the development.   In addition, I’d love to be able to read the sign about dogs but the resolution of the photo is not good enough.  An ad?  A sign saying no dogs allowed?  Or something else?

vintage black and white photo from 1924 of a streetcar on the St. Clair line stopped at Bathurst to pick up passengers.

below: Of course, no vacant lot remains that way for long.   At the moment, three 30 storey towers joined with a 6 or 7 storey podium has been proposed for the site but it is still in the re-zoning and planning stages.  The light brown building to the left is St. Michael’s College School (boys school).

blue and white city of Toronto development notice sign on a small hill, by some trees, in front of a vacant lot. Highrises in the background

below: New development on the southeast corner of this intersection is almost complete. People have moved into the units above while the finishing touches are put on the lower retail floors. Developments like this are all over the city. Developments that look great (maybe?) on paper but are lackluster and banal at street level.

street level of a new glass and steel building, empty retail space available for lease, just finishing being built

below: As I walked south on Bathurst, this mural caught my eye.

mural in a laneway, painting of many trees with red and yellow sky, dark brown earth, and a few small black figures, some words beside it

Words written beside the mural:
“Long before concrete and steel
Punctuated the landscape
The land was pure and natural
This mural acknowledges and honors 13 trees and 21 medicinal plants that have thrived here since time immemorial.”

The mural was funded by Toronto’s Start program (street art) and Na’Ma’Res Sagatay, a residence for indigenous men that is nearby.

close up of mural, large trees with wavy red and yellow sky, small black figures standing under the trees

I will admit that the main reason that I was walking in this area is because I wanted to check out the new public artwork that I’ve read about at Bathurst and Vaughan.  It is “Three Points Where Two Lines Meet” by Christian Giroux and Daniel Young and apparently there is some controversy about it.

below: For those who don’t know that intersection, it is V-shaped.  This photo shows the approach to  the intersection from the north, on Vaughan.  I took this photo because my first reaction to the scene was “Ugly.  Ugly is what Toronto does”.  From this angle the sculpture gets lost in the visual noise.

sidewalk, lined by tall hydro utility poles, wood, road, some buildings, approaching the intersection of Bathurst and Vaughan

Cities have rules and regulations for public art. It needs to be weatherproof and graffiti-proof.  It can’t block the view of drivers and pedestrians.  No sharp edges or structures that people might hurt themselves on – note the two black poles are to prevent people from hitting their heads.

A woman walks past Three Points Where Two Lines meet

From Giroux & Young’s website:  “Taking its form from the orphaned triangular site on which it sits, this artwork produces a new urban room by combining a multicoloured truss structure, the triangular plot of wild grasses it encloses, and an encircling sidewalk thats acts as a podium and plinth. Located between the converging energies of uptown and downtown, the structure densifies an intersection already clotted with utilities and challenges established forms of urbanism and spatial representation in Toronto.”  Think of that what you will.  While you’re thinking, you can check the website for more photos and information.

Three Points Where Tao Lines meet, a public art sculpture in bright colours, metal grid like construction cranes, by Daniel Young and Christian Giroux at the intersection of Bathurst and Vaughan.

below: An interesting (unique?) roofline on what turns out to be The Occult Shop.  I made one mistake – I neglected to cross the street to go inside and find out just what one can buy here.

brick building with a large rounded roofline, the bulding is a semi, one half has doors and windows covered with white from the inside, the other is the occult shop

below: These people can still be seen in the space above the doorway at 1358 Bathurst.

the space above a doorway at number 1358 Bathurst is painted with pictures of people (head and shoulders) in shades of brown

Continuing south on Bathurst, as you go downhill towards Davenport Road, there is a retaining wall beside the sidewalk on the west side.  This wall was painted back in October 2013.  The city paid $23,000 to two Brooklyn NY street artists (Patrick McNeil and Patrick Miller, together known as Faile) who designed the mural and in turn paid other artists to paint it.

The mural is quite long and I only have a few pictures of bits and pieces of it.

mural, large blue and white owl, with words in large letters that say no change my heart

mural, large painting of a blond boy sleeping, head on pillow, head and shoulders only

mural, by faile, orange car, woman driver, the word vanity written on the side of the car

below: Apparently Davenport Road is considered to be one of Toronto’s oldest roads.  It follows the base of a ridge and provided a route between the Humber River in the west and the Don River in the east.

toronto historical society plaque for Davenport Road, 1995, description of the history of Davenport Road

below: There is a park on the northwest corner of Bathurst and Davenport, The Tollkeeper’s Park.  The old house, the Tollkeeper’s Cottage, is now a museum run by The Community History Project.  It is open on Saturday afternoons (and some Sundays during the summer)

The Tollkeeper's Park, sign, green space, trees, and an old small wood frame house, now a museum,

below: And across the road is Tollkeeper’s Lane.  There are chairs everywhere in this city not usually as comfy looking as these.

two comfy chairs in an alley withtheir backs agains a grey garage door

below: An old Comet parked in the alley

a yellowish beige Comet car, old, parked behind a house in a lane

below: Tomatoes and other vegetables growing in a front yard.

small front yard packed full of vegetable plants looking very green and healthy

below: A hand, part of an Elicser mural.  This mural, which is on both sides of the railway underpass just north of Dupont, is still there.  Photos can be seen in a blog post from Nov 2014 (Yikes!  Have I been blogging that long?!).

part of a mural, a blue hand horizontal on a wall with some weeds growing in front of it

There are a few remnants of a more industrial past in the area near the railway tracks.

a window consisting of 18 panes of glass, 6 across and 3 down, some have texture and some are clear. the clear ones are reflecting the blue sky and clouds.

old wood door, once painted green but the paint is peeling

below: Another door –  I doubt that it’s open now, or that it ever will be again.

back door of an empty house, window boarded over, door with board nailed across it, open sign in the window, also a sign that says beware of dog

below: These windows, and the house too, probably won’t be here much longer either.

green trim around roof and windows of an old house

below: A very standard row of semi-divided houses; a common sight.  Hundreds (thousands?) of these were built around the city.

a semi divided house on bathurst street, two storey, bay windows on upper floor, porches, stairs to front door

below: And a not so usual semi.

a semi divided house on bathurst street where one side has been rebuilt into a taller square structure

below: A touch of art deco.

two doors side by side with art deco motifs, on a low rise brick building

below: Slight larger houses, with turrets even!  (or is there another name for this architectural element?)

a semi divided house on bathurst street both with small turrets above upper floor bay windows

below: This is part of Coopers Hawk Lane which is just south of Dupont.

buildings and garages in a lane, Coopers Hawk Lane, garage doors have street art on them.

painting of a wooden box with papers in it, pictures of people on the papers

below: In another nearby alley …. a pink cat eating ice cream

two doors in an alley, painted, one in colours, the other in black and white

below: And a gate with a frame, and the laundry beyond.

a chainlink fence and gate in a back yard, laundry hanging out to dry in the yard, brick houses, some green grass

red octagonal stop sign with a sticker on it that says take a breath

 

For a number of reasons, I started walking late yesterday.
It was overcast and the the light was flat.

a woman on the sidewalk, with people on the other side of the street in the background

  There were a few people sitting around and/or hanging out – on their phones, alone with their thoughts,  meeting with friends, or just passing by.

three people, two sitting, one smoking and the other on her phone. The third person is male, lying down with head on lap of woman on her phone, outside,

Catching moments and freezing them in time – is that what photography is?   To call the images random would be farfetched.  They are edited starting from the first decisions such as where to aim the camera and at what moment do I take the picture.   But they are candid in that the people are unaware, unposed, and to me, more natural.  These women are just hanging out outside the Eaton Centre, together, yet separate.  Are they waiting for someone?  What is the woman on far left reacting to?

women in head scarves standing beside glass window of a store, other women walking past

men sitting on a bench, a woman walking past

As I mentioned above, the light was flat.  It was a grey afternoon and that is always a challenge.  As the day becomes darker, the ambient light provide by windows increases.

below: Is it my imagination or is her neck longer than most?  I don’t think that I’d be able to wear four leather rings around my neck even if I wanted to.

head of a mannequin in a store window, white, large sunglasses, leather rings around her neck

As I was processing some of my photos, I got to thinking about my grandmother.  I remember driving with her at dusk and into the early night.  She would get excited about being able to look into people’s windows after they’d turned on their lights but before they’d closed their curtains.  We could only get a quick glimpse as we passed by – were there pictures on the wall?  What was on TV?  What were the people doing?  But even that was enough to spark our imaginations and we would create stories about the possible lives of the people in those houses.

below: Talking at the bar

from the outside, looking into a bar. Line of bottles on a back lit shelf, two women takling near the window

below: Sitting at Timmies

three people at Tim Hortons, sitting at a table. Seen from the outside, a poster on the window blocks the view of one of the people

Night windows offer a different view.  Things that are hidden during the day become visible.

below:  Interior renovations in progress

looking in the window of a construction site, two ladders, square panes of interior glass on a wall

below: The mundane and austere railing and fluorescent light in the stone bank building caught my attention.  As I was lining up the shot I noticed the woman (who had obviously noticed me first).

evening, from outside, a lit window in a bank of Nova Scotia building shows a hand rail, a woman stands outside the window

people in the midst of getting on and off a streetcar

two people, slightly out of focus pass by a lit window

And then it started to rain.  My feet were getting wet and my umbrella wasn’t big enough so I called it quits and went home.

a woman holding an umbrella crosses the street

red chairs and white tables in an empty restaurant