“Stop at nothing to get a head”
But be careful…. that head could become some body’s dinner!
401 Richmond is a renovated industrial building that is now an arts and culture hub; it includes many little galleries. The building was built in stages between 1899 and 1923 for the Macdonald Manufacturing Company who made lithographed tinware such as biscuit tins and containers for tea and tobacco.
Many of the galleries are participating in the CONTACT Photography Festival and what follows is a selection of what is on display at the moment. A few non-photography installations have snuck in as well.
One of the galleries is the Red Head Gallery. Their exhibit, titled ‘Pentimento’, is a collection of work by some of their members. From their website: “The work presented is a diverse commentary on the idea of photography and the definition, role & relevance of the photograph, both directly & indirectly, in the act of image and object making.”
below: ‘Untitled’ by Tonia Di Risio. The photos have been printed on vinyl and then stuck to the gallery wall.
below: “Still Life with Paper’ by Jim Bourke
below: ‘Process’ by Sally Thurlow is 6 photographs of a demolition and renovation of a house (prompted by a rotting roof) and the upheaval that that causes. Each little frame is made from something from the job site including Tims cups and yellow caution tape.
The word pentimento means “a visible trace of earlier painting beneath a layer or layers of paint on a canvas.” The last blog post dealt with palimpsest which is erased text that becomes visible and it seems to me that pentimento is very similar, but with pictures not words, paint not ink.
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Urbanspace Gallery, “Further Along the Road”, an exhibit of photos taken on Dupont Street in Toronto, by Eliot Wright.
below: Left: 1220 Dundas St looking west. Right: 1072 Dundas Street West. Both photos were taken in July 2016
below: Left: CP railline, west of Shaw. Right top: Creeds coffee bar, 390 Dupont St., taken from the CP tracks, July 2016. Right bottom: CP rail line west of Dufferin, August 2016
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below: Laura Shintani, Bodywashi! at Tangled Art Gallery
It’s like a car wash for people although no water is involved. Strips of translucent plastic (shower curtain material?) hang from the ceiling. After walking through the plastic you encounter the scene below.
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Gallery 44, “Developing Historical Narratives”
below: One of the images in ‘Petro Suburbs’, a series of black and white images by Hajra Waheed, also Gallery 44. The subject matter is based on old aerial photos of Dhahran Saudi Arabia, a town that the artist grew up in. It was also a gated town built for Saudi ARAMCO (Arabian American Oil Company). Dhahran was protected by airbases, both US & Saudi, as well as by the CIA and such. Access and privacy were strictly controlled and photography and filming were not allowed.
below: Untitled cyanotypes by Sarah Comfort, part of a series called “More Than This”.
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below: An image by Shelley Wildeman, superimposed people in the hallway.
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below: Two pieces by Florence Yee, who introduces herself on her website as: “Florence Cing-Gaai Yee is a queer Cantonese visual artist based in Tkaronto/Toronto and Tiohtià:ke/Montreal. These hang in the Space Gallery which are windows in the hallway on the ground floor at 401 Richmond.
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The last of the 401 Richmond galleries that I explored this past week is the Abbozzo Gallery where Patty Maher’s exhibit “The Sky as my Witness ” is now being shown.
below: “The Quiet Storm”
below: “Parallel Universe”. Because we are all just dots in the universe. The same but different.
below: “Land Line”.
The above photo is from a series called ‘The Liminal Field’. On her website, Maher describes the series thusly: “This staged self portrait series is an exploration of the state of liminality that occurs in midlife. It is an attempt to symbolically describe the transformation that needs to take place when moving from youth to the second half of life. The field depicted here is a construct and does not exist in real space. It has been constructed to indicate a place that is both personal an intangible. Each photo symbolically depicts an internal struggle that is necessarily part of this transition.”
As you can see, there is a a wide selection of images and ideas lurking in the galleries at 401 Richmond. Most exhibits change over every month or so – so there is always something to see.
Palimpsest. I had to look up the word too. No, it’s not the superlative form of palimps. As it turns out, palimsest has to do with surfaces that have been reused or altered while still retaining traces of its earlier form.
What does it have to do with this blog post? It is the name of an exhibit of photos by a Poland-based collective, Sputnik Photos. Between 2008 and 2016 this group compiled their ‘Lost Territories Archive‘; this is a project that documents the “physical, political, and sociocultural” aspects of the former Soviet republics. Some of the thousands of images that they collected are on display in the Allan Lambert Galleria at Brookfield Place as part of this year’s CONTACT Photography Festival. It is on view for the month of May.
below: “A sculptural model in a student atelier, Spitak Armenia, 2014”.
below: “Cafeteria at the Heydar Aliev Centre, Gobustan Azerbijan, 2016”. In 2013, to mark the 10th anniversary of the former president of Azerbijan, Heydar Aliyev, his son and successor, Ilham Aliyev, ordered the country’s 70 district capitals to each build a monumental centre named after his father.
below: “Semipalatynsk Nuclear Test Site, Kazakhstan, 2016”. The Soviet Union conducted over 400 nuclear tests at this site in northeast Kazakhstan between 1949 and 1989. The impact of radiation exposure was hidden by Soviet authorities and didn’t become known until the site closed in 1991.
below: ‘Homemade construction for growing grapes, Yerevan Armenia, 2013’. Urban farming was popular during the post-Soviet crisis in the 1990’s. Today grapes are grown in every neighbourhood using homemade constructions for supporting the vines.
below: “Anaklia Georgia, 2013” Anaklia is a village on the Black Sea. In 2011, Mikheil Saakashvili, the president of Georgia, announced a program to transform the village into a luxury resort. Construction began in 2012. Saakashvili’s party lost the parliamentary elections in 2013 and he fled the country. Work on this project was discontinued.
below: “Slutsk Belarus, 2013”. This image is of ‘Cultural Space’, an installation in the sugar factory Saharny Zavod. The factory was given an award for best ideological work in a contest organized by a regional committee for ‘admiration structures’.
Members of Sputnik Photos: Andrej Balco, Jan Brykczynski, Andrei Liankevich, Michal Luczak, Rafal Milach, Adam Panczuk, and Agnieszka Rayss.
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More about the word palimpsest:
In Ancient Greek, it was παλίμψηστος (palímpsēstos) and in Latin it was palimpsestus meaning “scraped clean and ready to be used again”. It was originally applied to wax covered tablets that the ancient Greeks and Romans used to “write” on by scratching out the letters with a stylus. Smoothing the wax would erase the words. Around the 6th century vellum, or parchment prepared from animal skins, became more commonly used. It was expensive. Early on, writing on parchment could be washed away using milk and oat bran but over time it would come back, but faintly. In the later Middle Ages, writing was removed with powdered pumice which was more permanent.
Along with the historical definition, palimpsest has a more modern definition. The Merriam-Webster Dictionary gives this newer meaning as, “something having usually diverse layers or aspects apparent beneath the surface” while the Cambridge English Dictionary uses these words, “something such as work of art that has many levels of meaning, types of style, etc. that build on each other.”
Now showing at the Onsite Gallery, is an exhibit of photography by T.M. Glass called “The Audible Language of Flowers”. Glass’s work is inspired by 17th and 18th century northern European still life flower paintings.
below: On the back wall is “Clematis in a Chinese Teapot”, 2017 (The teapot is from the Gardiner Museum). The photograph on the right (with the red flowers) uses a vase from the Royal Ontario Museum, “Tulips in a Persian Vessel”, 2017.
But they are not just large photographs. They have been enhanced in a process that has become known as digital painting. This technique involves enlarging the image to the pixel level. Attributes such as sharpness, colour and vibrance are then manipulated giving the finished image more of a painted look.
below: Part of “Anemone Canadensis in an Italian Pharmaceutical Vessel”, 2017 (The ‘vase’ is from the Royal Ontario Museum).
below: Close up of some of the flowers in one of the photographs where you can see the “brush strokes”.
below: Glass has also been experimenting with 3D printing. On display are some sandstone and resin sculptures that were created from digital files, including these two.
The exhibit continues until August 18th.
Onsite Gallery is part of OCADU and is at 199 Richmond St. West.
This exhibit is part of the CONTACT Photography Festival.
I’m not sure what the allure of the cherry (aka sakura) blossoms is. Has it become a symbol of spring and who doesn’t like the long awaited end of winter? Is there something special about the cherry flower? Or is it more ‘exotic’ than the magnolia that flowers about the same time, or a bit earlier? Why not celebrate the lilac trees? Or other trees that blossom in the spring?
below: A couple of cherry blossoms along with some buds and partially opened flowers.
Although there are a number of places around the city to see sakura trees (14 I think), High Park seems to be the most popular place. True, they have the oldest trees and the most trees planted in one area. It has become the site of an annual pilgrimage by thousands of people to see the blossoms. Even though the ‘sakura watch’ website said that ‘peak’ blossom hadn’t yet arrived, I decided to check out High Park yesterday.
below: Lots of signs to direct pedestrian traffic to the cherry trees. The roads were closed to most cars.
below: There were a couple of school groups there for the morning. Although there weren’t too many blossoms to see, it was a beautiful spring morning and many of the kids were making the most of it.
below: An Instagram moment I suspect.
below: An engagement photo shoot
Yesterday there were many more buds and partially opened flowers than there were blossoms. By the weekend, there will probably be a profusion of white petals… as well as a swarming of people. I had to search for flowers to take pictures of but at least it was a relatively quiet and peaceful morning.
May Day, the 1st of May. In some countries it is International Workers’ Day, or Labour Day, and is often a holiday (similar to the first Monday in September that is celebrated as Labour Day in Canada and the USA). This May 1st there was a protest in front of Queen’s Park to protest some of the recent policies announced by Ontario Premier Doug Ford and his provincial Conservative party.
below: UnaFORDable DOUG and CONservative CONS
below: Cheering for a clownish Doug Ford as premier, the first clown we’ve had.
below: Let them drink beer. Doug Ford as Marie Antoinette (how did he fit into the dress?!)
below: …. and at Rock bottom prices folks!
below: Oink oink, Ford with a pink snout
below: Signs. “You know it’s time for change when children act like leaders and leaders act like children.”
below: A poop emoji makes an entrance
below: That’s a good reason to revolt!
below: Rapping to the crowd
below: Bees and trees not sleaze….and some important facts about mental health and youths in the province.
below: You have been warned! Beware! Killing two birds with one stone, Entrepreneurs at TugaDoug.com advertize their product while protesting. Follow the link to order yours for $19.95
below: Standing near the front of the crowd were these three people with their three different issues – For Ontario’s Rich Developers, concern for trees (cancellation of the tree planting initiative), and the threats to health care.
below: “Give me the birds and the bees please.”
below: Books not beer
below: “Let’s show our government that we refuse to regress.”
below: Get organized instead of panicking!
Maybe I’ll see you at the next protest?
I happened to visit Artscape Youngplace this afternoon just after their latest hallway gallery exhibits were hung. Showing on both the second and third floors are images produced by the graduating class from Etobicoke School of the Arts contemporary photography course. I tried to find information about the exhibit online but nothing about it was mentioned on the Artscape Youngplace website or on the Etobicoke School of the Arts website. If you know of something that has appeared online since this afternoon (29th April) or something that I missed, please let me know.
This is a selection of the pictures on display. Not all of the labels were up yet and some I didn’t get a clear picture of so my apologies to the photographers whose images that I haven’t credited here. Also, there was no criteria for selecting these images over the many others also being exhibited.
below: The finishing touches
below: By Owen Herlin. “The Last Week of Summer” on top and “Making Memories” on the bottom.

MIDDLE: Why’d you bring me here and then leave. Friends that aren’t mine. Contacts I don’t have. It’s all good but my time is too valuable right now and a lot of these interactions aren’t ( a lot not all). // writing with words in my head, overlaying over crowded memories that aren’t mine. “I want more out of life than this”!
LEFT: “Summer. It’s the start of this again, songs that will remind me of these moments above all others again. :
below: In the middle, a photograph by Tomoka Taki. It is flanked by two images by Julia Kerrigan called “Unnatural 1” and “Unnatural 2”. The opening sentence in the description of Taki’s work is: “I attempt to bridge a gap in communication between myself and older generations within my family.”
below: By Meredith Tudor-Doonan
below: by Kaya Joubert Johnson
below: by Ethan Wilder, “Why complicate the physical world when I can do so in an imaginary one?”
It’s almost May and that means that the Scotiabank CONTACT Photography Festival is just around the corner. Some of the participating galleries are already showing their CONTACT exhibits so I paid them a visit. Along the way, there were a couple of other galleries so I checked them out too.
below: Some artwork created by Chris Curreri is being exhibited at the Daniel Faria Gallery. This ‘man’ stands alone in the corner, in fact he stands alone in the room. It is called ‘Christopher’ and it is hand puppet, hollow and lifeless, and waiting for its ventriloquist. ‘Ventriloquist’ is the name of the whole exhibit.
below: There are some Curreri photographs on the walls and they are all of animal entrails…. a bit gruesome (and on the gallery website). Exhibits lasts until the 1st of June.
below: At the Clint Roenisch Gallery there are some paintings by Dorian Fitzgerald, some large and some very small. I thought that I had more photos than these but, sorry, they will have to do. The large one at the back is of fish swimming among coral. The seven small pictures on the side wall are very detailed paintings in black and white. Exhibit lasts until 18th May.
below: The wonderful work of Emmanuel Monzon hangs on the walls of the Robert Kananaj Gallery (but only until the 4th of May).
below: The quality of his photographs is much better than this! The graininess of this photo is my fault.
below: In a room at the Arsenal Contemporary Gallery is a display of Caroline Monnet’s work titled ‘A Whole Made of Many Parts’. One wall is covered with this intricate black and white pattern. In the middle is a video monitor showing kaleidoscope-like movements of more black and white patterns.
below: From the gallery website, “In a new series of ‘Fragment’ portraits, Monnet has developed individualized masks that overlay the faces of chosen subjects. Mixing facial features with geometric shapes, new identities are forged through abstraction and interference.”
below: Sharing space with Arsenal, is the Division Gallery. At the moment, and until 8th June, they are featuring the work of Alex McLeod. Division is aligned with Galerie Division in Montreal and they share the same website.
below: McLeod’s work is colourful and playful.
below: This is from a video (which can be seen on McLeod’s website). In my opinion, it was the highlight of the show.
below: “Deux Soeurs Qui Ne Sont Pas Soeurs” is one of the videos by Beatrice Gibson now playing at Mercer Union. A photograph doesn’t do it justice.
below: On display outside Mercer Union is, Joi T. Arcand’s “i was born with butter in my mouth” (2019). Arcand is from Muskeg Lake Cree Nation, Saskatchewan.
Locations:
1. The following galleries are on St. Helens Ave – Daniel Faria, Clint Roenisch, and Robert Kananaj. There is another gallery there, TPW, but it was closed because they are setting up their next exhibit (opening 4th May).
2. Mercer Union is on Bloor, just east of Lansdowne station
3. Arsenal Contemporary Gallery and Division Gallery share space on Ernest Avenue (close to West Toronto Railpath)
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below: Playing with reflections. ‘Christopher’ by Chris Curreri reflected by an interior window at Daniel Faria Gallery.
Every once in a while, but not as often as I should, I go through old files and folders of pictures that I have taken. Pictures that I have meant to use but never got around to it. Today I found a series of photos from mid-February, back when there was snow on the ground. In amongst them were some graffiti and street art shots from somewhere between Chinatown and Kensington and those are the ones that I chose to show you here.
below: A tribute to Prince on a utility pole
below: Mural by @emstroart (aka Rei Misiri) and @kuyaspirit
below: It’s seen better days. A grubby and dirty dog in the water.
below: Two grominator creatures- one of them is an historic figure (!?) beside a cat
below: …. and the other has a happy friend
below: A few hearts and a little star in a whirlwind of colour.
below: Even the pole was included.