Archive for the ‘galleries’ Category

Also could be called, “Of bricks and stones and a lot of glass.”

I was recently telling a relative that one of the best ways to explore Toronto, especially downtown,  is just to get off at a subway station or streetcar stop and start walking.  There is always something to see.   This walk is the result of taking my own advice and just getting off at Queen station and seeing where my feet took me.   First stop was the Eaton Centre where Michael Snow’s birds still fly.  “Flightstop”.

interior of eaton centre shopping mall, south end by queen street exit, escalators and stairs, glass ceiling

below: Interior, Eaton Centre where all the benches have been removed.  Sadistic?  Gone are the days when you could take pictures of the men sitting outside Victorias Secret.

inter eaton centre shopping mall, people walking, others on walkway above,

interior of eaton centre shopping mall, large dream catcher shaped decoration hanging from the ceiling, with gold, silver, and white, ribbons, people on stairs beside it

below: As I walk around the city, I see more and more of this – the glass wall.   This view is south on James Street as I walk between the Eaton Centre and Old City Hall.

looking south on James street with old city hall on the right and eaton centre on the left, looking towards queen street with lots of glass towers in the background

below: Approaching City Hall and Nathan Phillips Square from the east you now encounter a conundrum.  Did people hit their heads on the low ramps?  Or were people camping out here?  A poor, and I hope temporary, solution.

barricades under a ramp with two signs saying this way, with red arrows, pointing opposite directions from each other

below:  A few images from “The Red Chair Sessions”, photography by Nadya Kwandibens  A series of 9 large photos is on display in the ground floor windows of City Hall (viewed from outside).  On the right, Sage Paul, designer and artist, originally from English River; on the left, Mushkegowuk Iskwew from Peetabeck (Fort Albany Ontario).

red chair photography at toronto city hall

below: Portrait of Ogimaa Kwe Bnes (aka Chief Lady Bird, her Spirit name) from Mnjikaning and Aura from Onyota’a:ka, posing under a mural that the two of them painted at Underpass Park.

red chair photography at toronto city hall

below: The backside of Sir Winston Churchill as he walks away from City Hall – something to think about?  The new court house is in the background.

man standing beside backside of statue of winston churchill

below: New court house from the corner of Chestnut and Armoury.

new court house, tall glass and steel building

below: Reflections in the glass of the new court house

very blue sky with white puffy clouds, reflected in windows of new court house on armoury

below:  Across Chestnut from the court house is an old hotel that is now part of U of T.  Its older brick and concrete facade contrasts with the glass and steel of the newer building.

grey brick and concrete wall

below: More concrete, the back of City Hall (completed 1965).  This is not a view that is typically shown but I find it fascinating that there are no windows at all on the outer sides.  As it turns out the back walls are made from 18 inches of reinforced concrete that allow for cantilevered floors which in turn make it possible to have an inner structure with few structural elements.

back side of toronto city hall, curved buildings, concrete

below: Also on Centre Ave is the Textile Museum. At the moment one of their exhibits is about quilts, “The Secret Codes: African Nova Scotian Quilts.  Some of the quilts are older ones like this pair by Susan Lawrence (1931-2008) which is a variation of “square in square” pattern.

two quilts by Nova Scotia resident Susan Lawrence, hanging in the textile museum

below: Other quilts are more contemporary such as these three by Myla Borden from New Glasgow NS

three quilts by Myla Borden on exhibit at textile museum, black line applique of daily scenes

quilt by Myla Borden on exhibit at textile museum, black line applique of daily scenes

I first read about these quilts on a blog, junkboattravels.blogspot.com  She has a more thorough description of the exhibit along with some pictures. I will add a few more of my photos at the bottom of this post, but if you are interested in seeing others, I recommend checking out the link above (and then scroll down a bit).

below: Looking north on Centre Ave to Dundas and beyond.  The facade of the old brick building on the northwest corner is being saved. It was built in 1928 as an extension to McLean Hunter which was on University Ave. This Beaux-Arts style building has five storeys of offices and four storeys for a printing plant.

looking north on centre avenue towards dundas

below: A closer look at the facade.

dundas and centre, northwest corner, facade of old brick building is being saved during redevelopment

below: Also Centre and Dundas, but the eastside of Centre, a colourful spot… and a trendy way to liven the street appeal of a parking garage.

east side of Centre and Dundas inersection with colourful abstract geometric mural on the corner of a parking garage, and turquoise upper level of Hong Shing restaurant

below: “The world is a little bitter. I want to give you a little sweet.” written on the inside.  Tiles in a marvelous tessellation by the front door.

looking in the window of a restaurant or coffee shop, with tiles in grey black and white pattern by the front door

below: Reflections in the glass at the northwest corner of University and Dundas.

glass building with lots of reflections, northwest corner of dundas and university

below: Crossing University Ave. while looking west on Dundas.  There’s a curvy new building underway.

looking west along dundas from university

below: The old court house, or Toronto Courthouse, which was built in 1966 is on University Ave just north of Osgoode Hall.  It is a 20th Century Modern building clad in Queenston limestone, a stone that you can also see on many other Toronto civic buildings such as the ROM and the .  It is quarried in Queenston, near Niagara Falls, and at one point was the largest quarry operation in Ontario.  You’d easily mistake it for concrete.

old court house building, or Toronto Courthouse, 361 University Ave., 8 storeys, clad with Queenston limestone, Canadian flag flying beside.

below: Cannons and yellow umbrellas

two cannons behind a black wrought iron fence by a patio with yellow umbrellas

below: Behind the yellow umbrellas

below: A narrow passageway between buildings.

two people at the end of a narrow lane that has a tall black wall on the left. 4 lamp posts along the wall

below: Old City Hall clock tower

a woman on her phone walks north on university ave past the canada life building where a man is sitting on the steps

below: The CN Tower sneaks into the photo.  At Osgoode, Metrolinx has taken over part of University Avenue for construction of the Ontario Line across Queen Street.

a man walks south on university, past the entrance to osgoode subway station on the northwest corner of university and queen west

below: Even Campbell House is behind scaffolding.

below: Just another Toronto street corner.

workmen in orange safety clothing standing around and talking or watching others work, construction site at Queen and Simcoe

below: Another facade saved. This one is at Queen and Simcoe where a bank once stood.

construction on Queen West and Simcoe

below: The wide open mouth of the green monster reaches upward as it tries to grasp the red balcony between its jaws.

below: This is the bank in question, The Canadian Bank of Commerce, built in 1930 just after the beginning of the Depression.  The photo was taken in 1931.  Take a close look at the other buildings in the picture, the stores to the right.   The structure with the Coleman Oil Burners billboard is gone but take a  look at the next couple photos which are of this stretch of Queen West today.

old black and white photo of bank of commerce on southwest corner of queen and simcoe, black and white, taken 1931

Queen street west, new condo with red glass on balconies, older stores like Adrenaline Tattoo, a Barbershop, Hollywood Hi, south side of the street

below: Queen West struggles to maintain its character.  The store in the middle is definitely in sad shape.  It looks like it would collapse if the others weren’t there to support it.

three stores on Queen West

two stores on Queen West

three stores on Queen West

below: There’s a little white “ceremonial” street sign, just below the blue and white Queen St. West sign, that let’s you know that this stretch of road was also named Moses Znaimer Way.  Znaimer had a long career in the entertainment industry in Toronto including co-founding CITY-TV, MuchMusic, and more.  In Toronto, a ceremonial street name is secondary to the legal name.  I am not sure how many there are in the city and I haven’t gone down that rabbit hole to find out.  Interesting idea though.

two people crossing the street by Queen West, with stores in the background, Civello, Stag Shop and another

below: Queen and McCaul, looking west

below: Gelber Brothers ghost sign on Richmond Street.

below: The CN Tower… again!  and Hooters (do they still exist?)

below: Murals in a parking lot.  Both were painted by Alex Bacon.

below:  Blue marine life, sharks circling.  An ominous hook.  This one of many Pangea Seed Foundation sponsored murals in the city.  Some of the others appear in a much earlier blog post, “love letters in paint” (2016).  Pangea Seed’s original mission was to use science, art and creativity to “inspire positive change around pressing ocean environmental issues”. This campaign has now branched out to increase awareness of the issues involving out fresh water lakes and rivers as well.

mural, blues, aquatic, marine animals, sharks swimming in the water

below: Restaurants on John Street.

restaurants in old brick houses on John street, with tall glass and steel condos rising above them

below: A vacant building longing to be another restaurant. In the meantime it’s been painted black… and as I type those words I am reminded of the Rolling Stones song, “Paint it Black”.  The song is a bit depressing and negative but then again, so is a blackened building.

older three storey building with mansour roof and upper gable windows, painted black, vacant, ad posters on it

The last stanza is “I wanna see it painted Painted black
Black as night
Black as coal
I wanna see the sun Blotted out from the sky
I wanna see it painted, painted,
painted Painted black, yeah

below: “We See You” shout out to the doctors, nurses, and other healthcare professionals that worked throughout Covid.  “Thank you”.  Painted by Elicser Elliott.

mural by elicser elliott on the side of a Tim Hortons, small lane, with text that says we see you. it's a thank you mural to the healthcare professionals that worked throughout covid

below: Variety on Adelaide.  Bricks and stone and a lot of glass.

older brick building, with sign Variety on Adelaide, in front of newer glass and steel condos

below: Looking east along Adelaide (a one way street with bike lanes and newly rebuilt streetcar tracks).

looking east along adelaide from john

below: Looking down the middle of the glass and metal sculpture in Grasett Park.  If you were to step back a bit, the sculpture takes on the shape of sails of a ship.

glass and metal sculpture in a park that looks like sails on a ship

below: Looking through the netting/glass, same sculpture as above.  The park is named after Dr. George Robert Grasett, a medical doctor (1814-1847).  The park stands on the site of the Emigrant Hospital built in 1847 to treat “ship fever” (typhoid) and other sicknesses in the Irish immigrants who started arriving in greater numbers that year.  Many died on the journey and many more were sick when they arrived.  Dr. Grasett was appointed as Medical Superintendent of the hospital but he died of typhoid fever about a month afterwards.   His name, as well as the names of the other doctors, nurses, and orderlies, (and one priest) are engraved on the benches in the park.

looking through etched glass on a sculpture to street scene on other side of adelaide street

below: Designs in the pavement – etched into the granite is an 1842 map of Toronto.

pavement designs in a small park, grasett park, dedicated to robert grasett and irish immigrants of the 1840s

below: Widmer Street, where a row of old houses has been preserved, but are dwarfed by the developments around them.

below: King Street, looking east from John Street.

barriers on King Street that were initially part of King street pilot for streetcars but infrastructure never made permanent, King street looking east from JOhn

below: It’s always there!  The CN Tower again.

below: Southeast corner of King and John.  Another glass wall.

below: Another row of preserved brick facades.  This time on King West.

preserved row of brick buildings on king street, with glass and steel condo rising above and behind

below: Rising above the Royal Alex Theatre

top part of Royal Alexandra Theatre building on King Street, with new glass condo towering above it

a couple standing on sidewalk and talking, a red and white crane in a construction site rises behind them, condo building in the background

below: This is “The Poet, The Fever Hospital” (1992) by Bernie Miller in David Pecaut Square

Bernie Miller sculpture in David Pecaut Square, title of The Poet, The Fever Hospital

below: Nearby is a new sculpture by Gillie and Marc and it has a very long title: “He was on a Wild Ride to a Safer Place with Rabbitwoman and a Dogman” (not the Dogman from the childrens books!). There is an empty seat at the back of the bike and it’s waiting for you to join them on their wild ride!

sculpture in david pecaut square, a four seater bicycle with a large rhino in the front seat, then a dog and then a rabbit. the back seat is empty for photo ops, this is by Gillie and Mac and is called He was on a wild ride to a safer place
Rabbitwoman and Dogman from a Gillie and Mac sculpture

black door at number 122, with white words painted on door that say who taught you to love

black and white slap graffiti on a metal box on sidewalk

This post has grown. It’s longer than I had envisioned it when I started putting ideas together a few days ago. I am not sure whether to thank you or to congratulate you for getting this far! Maybe both. Anyhow, I hope that you’ve seen a few new things, or interesting bits, as you’ve scrolled through this post.  Perhaps the pictures have brought back some memories?  In the meantime…..


As promised earlier, more quilts to end the post.

quilt in a museum

 

quilt in textile museum, the cotton pickers

quilt in a museum with a poem on it as well as black and white photos

“Sing poets of this beauty
Sing choirs of this inviolate pride
Make these moments precious to history
Let these scenes live in every eye”

Back down to the waterfront, Ontario Square and Harbourfront to be more precise.

Canada Square, near waterfront, tall condos overlooking small concrete structure with a large photograph, art piece, displayed on the side of it, Liquid Gold by Alex McLeod

below: Three large pieces by Alex McLeod, “Liquid, Gold” are on display on the walls of the underground parking entrance structure in the middle of Ontario Square.

Liquid Gold, images by Alex McLeod, large, two, on a concrete structure outdoors

From the words on the wall:  “Liquid, Gold” envisions oases where fragments of coral, flora, gems, and precious metal formations emerge. Delicate structures are weaving a narrative of resilience and adaptation. The crystal-clear waters, reflecting the azure skies above, beckon viewers to immerse themselves in the tranquil embrace of nature’s bounty.  Each ripple in the water is a testament to the fluidity of existence, whispering tales of renewal and transformation.”

Liquid Gold, images by Alex McLeod, large, outdoors

below: There are more large images from this series on the walls in the hallway of Harbourfront Centre.   McLeods artwork is on display through to December.

Liquid Gold, images by Alex McLeod, large, gallery

Liquid Gold, images by Alex McLeod, large, gallery, close up view

below:  Another exhibition now on at Harbourfront Centre is “Future Matters”.   Matters is a play on words here as it means both ‘materials’ and ‘is important’.  One matter, or material, is stone. It is represented here in this large collage of photos of quarry walls by Nada Al-Obaidi.

collage of images of stone structures made to look like a large stone wall

below:  Another material, and one that most of you wouldn’t think of, is dried salmon skins.  Here, Morgan Possberg Denne has used 74 skins to fashion two lampshades.

hanging lamps with shades made from dried salmon skins, art, in a gallery

There are other exhibits that don’t photograph all that well (or that I curated out) such as crumpled bits of paper on tables, fabric made of milkweed, and paints sourced from a vacant lot – using crushed snail shells, and sumac flowers for example.

exhibits in a gallery at harbourfront centre, wood structure, picture on wall, image of stones,

 

Also at Ontario Square is the Power Plant Contemporary Art Gallery.  There are two exhibitions on there at the moment.  First, a retrospective of the work of June Clark and second, a look at the research by Terence Gowan on architecture in some of the embassies around the world.

below:  Gowan has extensively studied the architecture of American embassies in Baghdad, Havana,  Ho Chi Minh City, and Ottawa (the last one is unbuilt), including how different materials are used.  Over time, the materials and methods have become more sophisticated and complex as governments demand more safety and more secrecy from their embassies.   From a sociological perspective, or as a look at the history of international relations, it is a fascinating exhibit.

room in art gallery, Power Plant Contemporary Gallery, with exhibit based on research by Terence Gowan into architecture of embassies around the world

But does this work translate well to an art gallery setting?

room in art gallery, Power Plant Contemporary Gallery, with exhibit based on research by Terence Gowan into architecture of embassies around the world, looking through grid of ceramic tile to far wall where a woman is looking at a display

below: The most eye-catching of the June Clark art installations is “Harlem Quilt” (1997).

a wall of little lights in an art gallery, each light is by a photo of a person printed on fabric. Witness, by June Clark at Power Plant contemporary art gallery

Each light is mounted with a piece of fabric on which a photo of a person has been printed. In many cases the light obscures the face of that person. I am not sure if this was intentional or not.

part of witness, an art installation by june clark featuring a string of lights and each light is mounted on top of a piece of fabric and each fabric has a photo of a person printed on it.

part of witness, an art installation by june clark featuring a string of lights and each light is mounted on top of a piece of fabric and each fabric has a photo of a person printed on it.

below: The installation has a room of its own and the effect that it produces is quite ethereal.

three walls of little lights of a room full of them, in an art gallery, each light is by a photo of a person printed on fabric. by June Clark at Power Plant contemporary art gallery

below: Another exhibit that is part of Clark’s “Witness” is a circle of chairs made of washboards titled “Keepers”. Like most of her other work here, it features people in her life. Each chair is decorated with items that evoke the memory of a person that mattered in her life.

close up of the back on one of the chairs made out of whitewashed washboards, in a circle, art project by June Clark, chair in foreground has photo of a boy, plus watch and chain hanging over the top corner,

below: One of 10 pieces from “Homage”.  Again, a tribute to other people in Clark’s life.

little sculpture of a board painted white, a metal key, some frayed rope and a miniature washboard

below: And last, the one part of Clark’s work that is about her is “44 Thursdays in New York” where each piece has a photo of herself plus a copy of her journal from that day, for 44 consecutive Thursdays in 2004 when she was living in New York City.   I’d love to be able to read the words as well!

3 framed images on a gallery wall, each has  portrait photo in the center as well as pages from a journal, ink on lined paper, June Clark, 44 Thursdays in New York.

 

… a CONTACT Photography post.

Gallery 1313 and Elaine Fleck Gallery are within a block of each other out in Parkdale and both were participating in this year’s festival.

The Elaine Fleck Gallery were featuring the work of one artist, Bill Hornbostel, in a retrospective show titled ‘Luminous Realism’.   At Gallery 1313 I saw ‘Offshoot’, a collection of images from nine photographers.   Unfortunately the latter was only on display until May 19th.

below: Hornbostel’s images are large, and shot at slightly longer exposures.   Some of the photos, like this one of traffic on Bay Street south of Old city Hall, were taken in Toronto

a large photograph of Bay Street in Toronto, looking toward old city hall, hanging on a wall in Elaine Fleck Gallery, photo by Bill Hornbostel

below: ‘Offshoot’ at Gallery 1313

two women in an art gallery looking at photographs that are mounted on the wall

below: Margaret Kittel Canale, two building exteriors, orange and blue.

two photographs on a gallery wall, both building exteriors, the upper photo is an orange building, the lower one is grey stone with a blue arched door

below: Jude Marion (two photos), industrial areas in Hamilton.

photograph by Jude Marion of an industrial part of hamilton ontario at night

four photos of hamilton industrial areas on a gallery wall, work of jude marion

below: Lilianne Schneider with “Displaced” that looks at the abandonment and relocation of two heritage structures.

photographs of rural abandoned buildings by Lilianne Schneider, on a gallery wall

below: One of the photos by Courtney Fairweather who chose to highlight cell phone usage in today’s society.

man in orange robes, seated, looking at his cell phone, a photograph in a gallery by courtney fairweather

below: Some interesting photographs by Ted Scott

4 photos on a gallery wall by ted scott

below:  When I first posted this, I thought these images were part of ‘Offshoot’ but I was mistaken.   They are in fact part of a solo exhibit of digital photocollages by Janne Reuss (in a separate little room) titled ‘Thread(t)s and Narratives’ .

artwork on a gallery wall

artwork on a gallery wall

With apologies to the photographers whose work I haven’t shown (not missed on purpose): Joachim Oepkes, Ulla Djelweh, James Sutherland, and Eric Garsonnin.

The Bill Hornbostel show continues until the end of May

a large framed photograph on a gallery wall with lots of reflections of the people in the gallery, and of the view from the front window of the gallery

 

 

In the lobby of 150 King West there is a display of the artwork of two artists, Katerina Bohac and Diana Rosa.  Most of the paintings are portraits of women.  The exhibit continues until the end of May.

below: “Sophia in Dubai”, Katerina Bohac

below: “Saguaro Amor”, Diana Rosa

below: “Light of Hope” by Katerina Bohac

below: “A Century of Chairs”, Diana Rosa

The exhibit was organized by Helloart whose goal is to bring businesses and local artists together.

For more information on the artists see the links:

Katerina Bohac

Diana Rosa 

 

below: An aside, being in the lobby of 150 King West provides a different vantage point for this sculpture by Sorel E. Trog on the northeast corner of King and University.

It’s May 1st, the start of May and the start of CONTACT Photography Festival.   It’s a chance to see what other people are doing with photography besides what is posted online on sites like flickr or Instagram.  Some of the work will be great and you may get inspired.   I am sure that there will also be images that you dislike.   But that’s art.  That’s why create.

Events like CONTACT that are spread all over the city also give you the excuse to try someplace new as well.  For instance, today I was back in Scarborough.

below: Bellamy Road, looking north from just above Ellesmere

view of Bellamy looking north

below: Hiding in the back of a multi-unit building was the home of Next Generation Arts.

low rise light industrial building on Bellamy, with red sign in front for Arts group

The front looked abandoned.  But look for the unexpected.

below: Ghost sign on window. “Denture”?  an arrow pointing left, and a phone number?

ghost sign on glass window beside door of empty office unit

 With apologies for the less than stellar quality of the photos….  The show in their gallery features work that was produced as a result of their ‘PS Scarborough’ program for youth and seniors.

photograph, framed, on a gallery wall, Next Generation Arts

 

two framed photographs on a gallery wall

below:  Something has caught their attention…..

framed photograph on a gallery wall, inside subway station, by entrance and exit gates, with green arrows, many people, all looking at something on a wall, some taking pictures of it

below: I am afraid that I have inserted myself into the image. Sigh. The downside of glass in front of photos.  It is an interesting photo of a woman on the subway, looking through windows with reflections.

framed black and white photo hanging on a gallery wall

below: Now an historic photo!  An evening shot of the Scarborough RT, no longer with us, with more reflections.

framed photo of Scarborough RT through a window, with reflections of interior lights, passing a large building, framed photo on gallery wall

Have fun exploring!  You never know what will catch your eye!  Seen behind the building with the gallery as I wandered around.  Lost?  Thrown away? Stolen and abandoned?

plaid handbag with ribbon trim, outside, lying on the ground, with old wood, and a flattened cardboard box

And enjoy all that May has to offer.

red tulips

Artists whose work is shown at the gallery:

Ruby Chan
Nithursan Elamuhilan
Leeza Gheerawo
Patricia Guyader
Noor Hamadi
Anudev Kumarri
Samantha Lu
Casey Lun
Anne Ng
Dhiviya Prabaharan
Shammah Salwa
Michelle Tan

a small weed grows up beside a brick wall

 

… As seen on Gerrard Street East and the alleys that run behind it.

mural that says you are here in 3 d looking letters, on side of brown brick building

below: Paintings in a little outdoor gallery space – along the fence on Craven.

 few paintings in blues, purples, and teals, abstracts, mounted on wood fence on Craven Rd.,

below: Swirls in black and red

street art on side of white brick building, red and black swirls

below: Monstrous creatures and flowers on the stairs.

below: In a parking lot behind Gerrard, south side.

trailer parked in font of walls covered with street art murals including a woman's portrait by jarus

below: More laneway art

murals in alley

murals in alley

below: Close up view of a woman’s portrait painted by Anya Mielniczek

close up of face in woman portrait street art mural by anya mielniczek

below: Part of a mural by Chief Ladybird and Auralas

woman with feather in her hair, by chief lady bird, mural street art

below: It looks like the Venus Flytrap is trying to hide…

below: More illustrations of his work at SOWL, Art of Sowl

below: Tommy Drift characters on two sides.

tommy drift street art on two sides of a building in an alley behind gerrard street

below: The life of a mural isn’t always nice – the bottom part was tagged over and then painted.

an old mural with orange umbrellas that has had the bottom painted over in blue

below: Part of mural on the side of Whole Foods store

mural on the side of whole foods store

purple and blue banner attached to lamp post

below: Large yellow flowers on Kohinoor Foods store.

store front, Kohinoor Foods, building painted blue with large flowers

below: More flowers, bright bold coloured flowers

mural of white line drawings of flowers, on bright coloured backgrounds so it looks like bold coloured flowers, reds, blues, oranges, all on a royal blue background, mural

below: And a red rose in Blazeworks mural

mural by blazeworks, a young woman lifting hand weights, a red rose, other white leaves

below: Woman in a pink head scarf overlooks the street

store fronts on gerrard street east, mural on the side of one building that is taller than the others, woman in a head scarf in mural, car parked on street,

The Riverdale Hub and Gallery is on Gerrard Street.  It is now home to three floors of gallery space.  The remaining images in this post is a sampling of what I saw there when I visited back in March.

below: Poonam Khanna, Rainy Day series

two paintings on gallery wall, riverdale Hub, both are rainy day scenes, one has two people walking on a sidewwalk, with a black backpack, the other is looking out onto an intersection

below: Robyn Asquini

paintings on gallery wall, riverdale Hub, by Robyn Asquini, realistic painting of two women on steps of a stone building, one with very red hair who is standing, the other woman is sitting with a large brown hand bag

below: Detail, close up, of a Steve McDonald artwork.

part of an artwork by Steve McDonald, digital art, tall yellow flower like plants

below: Kyla Yager, “Looking for Words”

painting by Kyla Yager hanging on a gallery wall, abstract, a green flower, some eyes, a mouth full of teeth, a red arrow, other shapes and colours

below: Three little pieces by Natalie Plociennik

three paintings by Natalie Plociennik, one round one, one vertical rectangle, and one square, abstracts, curvy shapes

below: Karen Couillard, part of a series, “ Beautiful Chaos : Nature’s Resilience”

paintings on gallery wall, riverdale Hub, by Karen Couillard, pink abstract flowers in a vase, a greenish yellow bird sits on one of them,

below: Marina Doukas, “Performance by Bob the Drag Queen”.

paintings on gallery wall, riverdale Hub, blad black man in drag, painted by Marina Doukas, green lipstick, holding a smoking gun (not real), pink stripe down middle of face,

below:  Miyakah Emon, part of the “Invisible Playground” exhibit.

two artworks on a gallery wall by Miyakah Emon

below: Mimmo (Domenico) Baronello, owls, the story tellers.

paintings on gallery wall, riverdale Hub, both feature owls, realistic paintings,

trim on a green awning on a store in little india, tassels and shiny bits

 

The Art Gallery of Ontario has recently acquired two new paintings by Ojibwe artist Travis Shilling.   Both paintings are from a series of 11 paintings titled “Tyrannosaurus Clan” that depict varies spirit animals looking over, or observing, people building a pipeline through a subdued coloured landscape.  The people are unaware that they are being watched; there is no interaction between the two.

  below: An owl perches on a piece of heavy equipment in this painting that is simply titled “Owl”.

painting by Travis Shilling, men digging for a pipeline, with image of an owl rising above it. owl is perched on roof of digger

below: A dinosaur type creature embodies other species in “The Excavators”

painting by Travis Shilling, men digging for a pipeline, orange green and purple dinosaur

painting by Travis Shilling, men digging for a pipeline

At the Art Gallery of Ontario (AGO) until 31 March 2024 is ‘KAWS Family’, an exhibit of work by Brian Donnelly who is a Brooklyn artist also known as KAWS.  Donnelly started his career in graffiti, especially defacing ads and other illustrations.   He also worked for a while as an illustrator including a stint with Disney.  This exhibition includes sculptures, paintings, and drawings.

This is a sample of what is showing at the AGO

below: Very much resembling Mickey Mouse with his over sized boots and big white hands, is Companion, the central character in this sculpture.  Companion made his debut in 1999 as an 8 inch high plastic toy figure.  He has since appeared in many sizes and situations.  Here he is carrying a limp pink figure in a piece titled “Gone”.  The pink character is based on Sesame Street’s Elmo.

in a gallery, paintings on wall, a person sitting on a bench, and a sculpture by KAWS of a large grey mickey mouse inspired character carrying a limp form of a pink character

below: Space suited Companion.  An Elmo sits in the background.   And yes, Companion has been to space – or at least into the stratosphere, more than 40 km up.

reflective silver colour KAWS family sculpture in the middle of the room in a gallery with far wall painted pink

below: From the back.  A pink Accomplice stands in the background.  Accomplice always has rabbit ears.

art gallery of ontario, rear of silver sculpture with pink wall reflected in the metal, other pink sculpture in the background along with 2 D artwork on the walls of two large red hands

below: A grid of sketches inspired by Snoopy, the lovable beagle created by Charles M. Schulz in his “Peanuts” cartoon.

person on bench in front of artwork at a gallery, snoopy inspired black and white sketches in a grid on the wall. about 50 squares

monotome grey sculpture of character based loosely on mickey mouse, holding a blue elmo from sesame street doll

below: The exhibit is scattered over at least places at the AGO including the Galleria Italia.

larger than life size sculptures in galleria area of art gallery of ontario, a man walks among them,

kaws sculpture of character with hands over eyes, wood, in art gallery of ontario

below: The pink character is Chum which is obviously inspired by the Michelin Man.  Like all of the KAWS figures, it has X’s for eyes and a skull shaped face.  the official mascot of the Michelin tire company.  The Michelin Man, or  his ‘real name’ Bibendum, was introduced in 1894 and is the oldest still active trademark.

art gallery of ontario, kaws family exhibit parts

below: Taking photos (even if it means ignoring the words on the floor!).

two women in an art gallery, one is taking photo of the other who is mimicking pose of sculpture's character, sitting on ground with hands over eyes

below: “Good Intentions”

two monotome grey sculptures of characters based loosely on mickey mouse, a parent and a child clinging to parent's knee, title is Good Intentions

There are many more on his Instagram page – KAWS

If you are interested in photography, especially taking pictures of people, then I highly recommend seeing the current exhibit of Arthur Newman’s black and white photos at the Art Gallery of Ontario.  Newman was an American photographer born in New York City in 1918.  He is known for his work with portraits, especially with ‘environmental portraits’.  These are images that are much more than head shots as they include context that provides further information about the subject.  Often the location or the accessories used in the shot were more dominant than the person being photographed.

Keep in mind that these are pictures of framed photographs hung in a room with low light, i.e. they are much better in real life.

below left: Michel Tapie, art critic and curator
below right: Georges Mathieu, French painter

black and white portrait by Arnold Newman, 2 portraits, on right is Georges Mathieu a French Painter and on left is

below top: from left to right – Phillip Glass 1981 composer, artist Roy Lichtenstein 1975, and Annie & Josef Albers 1976 (also artists)
below bottom: (all painters) from left to right – Edward Hopper 1960, Richard Artschwager 1987, and Lily Michaels 1959.  The image that is only partially shown is of Martha Graham, dancer and choreographer taken in 1961.

on wall at art gallery of ontario, black and white portrait by Arnold Newman, 6 photos

below: Israeli artist Moshe Kupferman, taken 1982

black and white portrait by Arnold Newman, of artist Moshe Kupferman

below left: Abstract image in home of Yechiel and Haviva Shemi, 1982
below right: Allen Ginsberg, poet, 1985

at art gallery of ontario, exhibit of black and white portraits by arnold newman, photo of poet alan ginsberg kneeling on a bed

below: Jean Arp, sculptor, 1949

at art gallery of ontario, exhibit of black and white portraits by arnold newman of french sculptor jean arp

below left: Jean Cocteau, 1960, writer and visual artist
below right: Yaacov Agam, sculptor, 1966

at art gallery of ontario, exhibit of black and white portraits by arnold newman, 2 photos

below left: Julio La Parc, artist, 1967
below right: Lee Krasner, artist 1973

at art gallery of ontario, exhibit of black and white portraits by arnold newman, 2 photos

below: John Hay Whitney, taken 1947.  Whitney was chairman of the board at MOMA (Museum of Modern Art) in New York City.

portrait of John Hay Whitney taken by Arnold Newman

below: Priscilla Colt and Thomas C. Colt Jr., 1950, museum directors, Portland Art Museum, Oregon.

portrait taken inside an art gallery, beside a scultprue of a standing figure, a couple,  photo taken by arnold newman

black and white photo by Arnold Newman of a man holding a picture frame around his head

Unfortunately this show ends this weekend, on the 21st of January.  I didn’t realize that it was ending so soon so I am glad that I caught it when I did.

 

For more than 40 years, Sarindar Dhaliwal has been creating works of art.  She was born in Punjab India but grew up in Southall London England.  The family moved again when Sarindar was 15, this time to rural Ontario.  Her work is colourful – vibrant and full of life.  Many of her pieces are being exhibited at the Art Galley of Ontario at the moment.  This is a sampling of them.

below: “Oscar and the Two Fridas”, 1991.  Oscar Wilde and Frida Kahlo are two artists that Dhaliwal admires.

 

painting by Sarindar Dhaliwal on the wall at the Art Gallery of Ontario, featuring a picture of Oscar Wilde in black and white in the middle, and two coloured portraits of Frida Kahlo in opposite corners, vase of flowers as well

Two women looking at painting by Sarindar Dhaliwal on the wall at the Art Gallery of Ontario

below: The garden outside, and the window through which you can view it…  An interesting way to present perspective.

painting by Sarindar Dhaliwal, garden, window in a pinkish adobe wall looking out onto the garden, metal bars in the window

below: A part of “At Badminton” another mixed-media collage-like work on paper; here woman in traditional saris are playing badminton.

part of a mixed media collage, pictures of women as seen out a window, plus a line of flowers, the work is "At Badminton"

below: “When I Grow Up I Want to be a Namer of Paint Colors”.  If you look closely, the names don’t always match the colour.  There are pinks called ‘powdered baby lemon’ and ‘chalky eggshell’ while some reds are “imperial indigo” and “periwinkle”.  A work of imagination – ‘vanilla twilight’!  A work that ignores the rules and norms.

I want to be the namer of colours by Sarindar Dhaliwal, a chart in grid shape of various shades of pink, red, and orange, that she has given names to

below: “Indian Billboard” 2000.

mixed media collage artwork by Sarindar Dhaliwal, lots of billboards and a tiger,

From the words on the wall, “The idea for this work came from a trip Dhaliwal took to Bangalore India in 1996. Here she saw a feminist billboard in India for the first time. The hand-painted sign openly critiqued the dowry system used in arranged marriages and featured the slogan “Is Your Husband Worth the Money You Paid For Him?”.
“In this work, she recreates the same text a well as advertisements ranging from the refrigerators to beedies (a type of Indian cigarette). Images of tigers, paint swatches, and her ubiquitous flowers are peppered throughout. In some of the billboards, Dhaliwal depicts Hindi script. Unable to read Hindi herself, she wrote the letters backwards. When this was pointed out to her, she decided to write one of the English language billboards in reverse as well.”

below: Closer view of some of the billboards.

close up of a piece of art, a tiger,

A couple at the AGO, woman is seated, man standing behind her. They are watching a video on a screen mounted on the wall

below:  Dhaliwal’s work consists of more than these mixed-media ‘collages’.  There is video as you can see.  There are also large panels that tell a story.  This one in English and a second in .  The story starts with a sick child whose mother and aunt took her from village to village, “the embroidered cuffs of their baggy pants encrusted with…”.

a story written in red letters on a black wall, goes around a corner

below: These are some of the women whose photographs were incorporated into a work called “Hey, Hey Paula”.  What do they have in common?  They were all featured in the Sunday edition of the ‘New York Times’; they were the brides-to-be in the Engagement Announcements section between 1989 and 1992.

Grid of photos of young women, all red tones,

below: There were many women!  The wall most easily seen in the photo is a grid of 9 x 27 photos, with no duplicated that I can find.  That makes 263 women represented on that wall… and that’s only part of the whole.

man in white shirt standing in the middle of an art piece of pictures on two sides of a corner, and a red phone in the middle Hey Hey Paula by Sarindar Dhaliwal

below: If you pick up the receiver on the red phone you can listen to a recording of the 1963 hit song ‘Hey Paula’ recorded by Ray Hildebrand and Jill Jackson under the name of Paul and Paula.

 an art piece of pictures on two sides of a corner, and a red phone in the middle Hey Hey Paula by Sarindar Dhaliwal

some people standing in front of, and looking at, an art piece of pictures on two sides of a corner, and a red phone in the middle Hey Hey Paula by Sarindar Dhaliwal

“…that [art] is a world that can belong to you and in it, you can make your imagination come alive.”
is a quote by Dhaliwal in an interview by the CBC.

This exhibit continues until mid-July 2024