Posts Tagged ‘past’

Along a short stretch of Coxwell Avenue

Upgrades to Coxwell subway station include work on the north side of Strathmore Blvd.  Two murals were created to brighten the hoardings around the construction site.  Both murals are the work of a program called ‘City on the Move – Young Artists in Transit’.  If you use Coxwell subway station you can’t help but see these murals as they are right across the street from the entrance.

below: ‘Today Reassembling Yesterday’ shows people standing within a miniature old East York.  On both sides of the mural is a replica of a Hollinger Bus line ticket.  This bus company was founded in 1921 by John Hollinger and it serviced the growing neighbourhood of East York.  By the time the TTC took it over in 1954, Hollinger had 96 employees and a fleet of 56 buses that traveled twelve routes on such streets as Woodbine, O’Connor and Coxwell.

mural in front of a construction site, the tops of two brick houses are visible behind the fence, a large green crane is working at the site

below: In this mural, five panels are covered with wallpaper of pictures of the past.  Residents, the present day, peel back the layers of the past to reveal their visions and hopes for the future.  On the left, red barns and hay stacks make way for solar panels over fields with bird filled skies.  The next panel is also inspired by agriculture – healthy corn fields and other crops under a layer with horses and stables.  The middle panel puzzles me.  I’m note sure what the pictures on the brown paper represent but birds in a tree are under it.  The fourth panel suggests accessible public transit.  Lastly, cars and trucks make way for rivers to fish in.

A mural of kids peeling away layers of wallpaper with pictures on it.

‘New Revelation, at Coxwell’

a poem by George Elliott Clarke, Poet Laureate of Toronto 2012-15
to accompany the mural at Coxwell station

As wallpaper peels to windowpanes, spy
Grass, insurgent, urging all our future
Is Spring: Sunlight sparks sweat and dream; wind drives
Machines. Thrilled, birds wing and sing so sprightly,
Everyone delights. Blossoms float perfumes.
Branches brandish emerald bouquets. Our lungs
Flood with surging airs, clean as chlorophyll,
Mint-new, mint-tangy, so song is born,
Just by breathing. Wheels become our earthly
Wings, so infant and elder, builder and
Dreamer, can flit – transit – through the city
As public millions that public millions
Uphold, so that the lame, too, can take
The air and wheel down to creek, stream, and lake.
Suddenly glittering, afresh with fish.

The TTC also owns property on the southeast corner of Coxwell and Danforth.  Back in 1915 this facility was built as the Danforth carhouse for the streetcars that ran along the Danforth.  When the Bloor Danforth subway line opened in 1966, these streetcars were retired and the carhouse was converted to handle TTC buses instead.   In 2002 the Danforth carhouse (or Coxwell Barns) was shut down.  Some of the property has been sold off but the TTC still has a presence there.

below:  Along Coxwell Avenue, south of the Danforth, there is a fence that separates TTC property from the street.  It was a typically drab TTC concrete barrier.  Recently it was painted by a group of volunteers.  The word ‘transition’ now pops out at passersby from a colourful mural designed by Sean Martindale.

Transitions written in block letters in a large geometric mural that matches the grid of the concrete that makes up the fence

close up of the letter N and part of S in the Transitions mural on a TTC fence on Coxwell ave.

Transitions written in block letters in a large geometric mural that matches the grid of the concrete that makes up the fence

If you walk a few more blocks south on Coxwell, you will come to a fence where many butterflies have stopped to rest.

two wood butterfly shapes that have been hand painted by kids and then attached to a chain link fence around a school playground.

They share a fence with a few creative owls wisely made out of recycled materials.  Tin cans, CDs, buttons, bottle tops, corks, paper clips, sunglass lenses, clothes pegs, foil plates, and bits of plastic repurposed.

 

four owls made of recycled goods, foil pie plates, CDs, bottle tops, there feet are wrapped around twigs and they are attached to a chainlink fence

owls made of recycled goods, foil pie plates, CDs, bottle tops, there feet are wrapped around twigs and they are attached to a chainlink fence - two corks for horns

owls made of recycled goods, foil pie plates, CDs, bottle tops, there feet are wrapped around twigs and they are attached to a chainlink fence - also blue buttons for the nose

below: A little red fairy door, home of the Earl Haig gardener.  This past summer there was a project called  Danny’s Urban Fairies.  Fairy doors that were hand crafted by local artists started appearing in stores and parks along Danforth East  (from Jones to Westlake).  Some of the fairy doors remain but many were auctioned off in November to raise money to support the non-profit East End Music Project.

A little red screen door, fairy door, at the base of a tree with two little signs. One sign says Earl Haig gardener and the other says Do not litter.

below: No bows and arrows allowed!

old sign on the exterior wall of a school that says: Playing of golf, hardball, handball, bows and arrows prohibited

 

 

Douglas Coupland’s
everywhere is anywhere is anything is everything
at the Museum of Contemporary Canadian Art, Queen St. West
until 19 April 2015

Secret Handshake
What makes Canadians Canadian?
What do we identify with that others don’t recognize?

close up of part of a quilt.  One of the squares is made from fabric with a Toronto Maple Leafs hockey player on it.  Old chrome hubcaps have been added to the quilt.

A quilt made of plain beige fabric into which dreamcatchers of various sizes have been incorporated.
A low hutch with three drawers.  The handle of each drawer is on old pepsi advertisement on an old bar from a door - the kind of bar that you would push on to open the door.

 One of the rooms of the exhibit features Coupland’s re-imagining of famous Canadian paintings,  paintings by Tom Thomson and Lawren Harris of the Group of Seven to name a couple.
In the center of the room is a black metal structure that is supposed to represent a damaged hydro transmission tower reminiscent of the ones damaged by the eastern Canada ice storm of 1998.

A large metal structure that is supposed to represent  a damaged hydro (electricity) transmission tower is in the center of a room.  There are paintings on the walls.

A large metal structure that is supposed to represent  a damaged hydro (electricity) transmission tower is in the center of a room.  There are paintings on the walls.

***

Growing up Utopian

A portion of three Douglas Coupland creations are visible.  In the foreground are numerous lego houses complete with yards and garages all laid out in a grid.  In the background are wood shelves with household articles from the past.  In the middle are lego towers in bright stripes and interesting shapes.
below: Towers, 2014
An urban jungle of imaginative lego towers created from selected parts of towers that were “crowd-sourced” at building events at the Vancouver Art Gallery.

Close up of some of the brightly coloured lego towers in the art exhibit

below: 345 Modern House, 2014
One hundred identical houses built from a kit that was first issued in 1969.

A grid of white lego bungalows with black roofs with detached garages, green lego lawns and red fences.

 

.