Posts Tagged ‘Mickalene Thomas’

Mickalene Thomas was born in 1971 in Camden NJ.  She’s a contemporary African American artist now based in Brooklyn New York who likes to examine how Western art has treated women and beauty.   She celebrates black femininity and sexuality with her artwork – something that has been overlooked (or neglected).

below: Close examination of ‘I Learned the Hard Way’, 2010.  Embellished with rhinestones.

a man is looking at a large painting by Mickalene Thomas of a black woman sitting on a sofa. Two women in the foreground
close up of an artwork by Mickalene Thomas at the AGO, a black woman's legs, seated, crossed at the knee, embellished with rhinestones

below: Part of ‘Qusuquzah Une Tres Belle Negresse’, 2012 showing detail in the blue veil that runs diagonally across her face.

close up of a woman's face from a Mickalene Thomas painting, blue eye shadow, and a blue mesh veil diagonally across her face

below: ‘Living Room Tableaux’ (the seats and carpets) with ‘Los Angelitos Negros’ 2016 in the background.  The latter consists of videos playing on four monitors arranged horizontally.

a mother and young daughter sit on seats in a room at the Art Gallery of Ontario, watching videos by Mickalene THomas as part of her Femmes Noires exhibit

below: Also part of ‘Living Room Tableaux’ but from a different angle.  The painting on the wall is ‘Blues’, 2016 which was influenced by the movie “The Color Purple”.  Whoopi Goldberg (in the painting) was one of the characters in this movie which was based on the novel of the same name written by Alice Walker.   Based in rural Georgia in the early 1900’s,  it is the story of Celie Harris, a young black woman and the struggles that she faces.

furnishings, comfy armchairs and a carpet on the floor, turing a room at the AGO into a livingroom. On a wall in the background is a piece by Mickalene Thomas as a tribute to the Colour Purple

below: ‘Living Room Installation’.  This one is different from the one above – in a different room at the AGO.

people sitting, furnishings, comfy armchairs and a carpet on the floor, turing a room at the AGO into a livingroom, one wall has video (or videos) playing over its entire surface

below: Part of “Portrait of Kalena”, 2017.   The geometric face is a direct reference to the style used by Picasso in some of his work.  Picasso was inspired by the work of African artists so here Thomas is re-appropriating Picasso’s geometric and mask-like shapes.

a portrait of a black woman by Micklene Thomas where the face has been done in a Picasso-like style

Thomas’s website

The exhibit at the AGO ends on 24th March

This is another post about an exhibit from the CONTACT Photography Festival.   I know that it’s now June and CONTACT was in May, but I wanted to post these photos.  I actually took them early in May as you can probably tell by how many clothes the people in the pictures are wearing.  They’re certainly not dressed for the warmer weather we’ve been having lately.  I have had trouble deciding what to write in this post.

There is a parking lot at the NE corner of Front and Spadina with some billboards in it.   Maybe you saw them as you drove or walked past but maybe you passed by and missed them.   There are so many things on the street vying for our attention and a billboard is just another piece of street ‘furniture’.

For the month of May, an installation titled ‘What it Means to be Beautiful’  by Mickalene Thomas occupied a number of billboard spaces at the above mentioned corner.   All the images are portraits of women and are “shown within the context of street advertising, where women are constantly bombarded with narrow notions of female beauty.”   A sample of the billboards:

 

part of an art installation, portrait of a black woman in profile, with a shaved head, on a billboard, by Mickalene Thomas, in a parking lot in downtown Toronto

part of an art installation, portrait of a black woman wearing a blue hat on a billboard, by Mickalene Thomas, in a parking lot in downtown Toronto. A woman stands on the corner talking on her phone. Another, large, billboard is in the background.

Two women walk past part of an art installation, portrait of a black woman on a billboard, by Mickalene Thomas, in a parking lot in downtown Toronto

Two portraits of black women, in a billboard space in a parking lot, with people waiting for a streetcar in glass bus shelters in the background.

part of an art installation, portrait of a black woman on a billboard, by Mickalene Thomas, in a parking lot in downtown Toronto, A group of people wait for a green light at the intersection in the background, tall condos too.

Part of the reason that I hesitated to write this post was the fact that the iphone 6 ad campaign was on at the same time.  It was a campaign that used photos taken with the phone and the ads were very visual and used very few words. In my opinion, they are more eye catching and visually appealing than Thomas’s work. I found a few of them to show here (below).  I know that there were many more but unless I was consciously looking for ads, I didn’t notice them as billboards are one of the things that I block out as I walk.  That led to a few thoughts about what catches a viewer’s attention on the street –   Faces?  Colours?  Contrast?

There is more going on in Thomas’s photos and collages than just visual appeal but I still question the validity of asking the viewer to look at them in the context of street advertising.   Is it fair to compare her images to ads produced by, and in aid of, a large corporation?   Would it have been better to  exhibit her work in different form or a different place?  I don’t have the answers for those questions.  Do you?

 

iphone ad on a bus stop wall showing a woman in a field

iphone 6 ad on a bus stop wall of a woman lying in a field of pumpkins. Her head is surrounded by pumpkins.

an iphone ad on a bus stop wall of a man lying on the ground. He is upside down in the picture

And now I will go back to ignoring billboards as I walk.