Posts Tagged ‘boots’

new leaves on a tree in the foreground, top part of a house in the background - bright green walls and old window

I went back to Craven Road this morning to see if anything had changed.   The last time I blogged about this street was in November 2016. As with many things in life, some things have changed while other things remain the same.  A quick tour of the street …..

below: Some of the cat paintings are there still.

large painting of a yellow and white cat on canvas stapled to a wood fence, outdoors.

below: These two paintings have been here since at least 2015 although the vines have started to grow over them.  Once the leaves reappear (soon), the paintings won’t be quite so visible.

two small paintings on a wood fence, with vines growing in front of them.

below: The sheep painting by Christine Kowal is still there

picture of sheep on a wood fence

below: On the other side of the fence, backyards on Ashdale.

backyard, reddish two storey house with grey added on back rood

below: There is still a section of the fence that has been decorated with found objects.

many found objects attached to a wood fence, outside,

objects attached to a wood wall, outside, small flag, musical instrument, clock, sign,

below: Parking for pirates only.  It was five past twelve when I took this picture so either it’s a functional clock or I happened past at a very fortuitous time.

a clock and a sign attached to a wall.

below: A creepy doll and boots to watch you.

below: A faded bunny from days gone by, holding a little watering can perhaps to water the metallic leaves?

metal leaf art piece attached to a wood fence, stuffed bunny that is faded and grey also attached to the fence

a stylized figurine, round head on conical body, screwed onto a wood fence and surrounded by a wood frame

below: Part of a collection of found objects in front of a house.   The gallery has expanded!

old objects arranged on a ledge in front of a house

below: Today I met Johnny, the King of Craven Road. He mentioned that he appears in a video about Craven Road so I looked it up (on Vimeo, “Craven Road – Director’s Cut). The video was made five years ago which pre-dates the collection of objects that he’s standing in front of in the photo. If you watch the video, you will see some of the cat, and other, paintings.

a man in tie dyed shirt and red bandana, and holding a can of beer, stands in front of a wall with many objects attached to it.

Johnny in a tie dyed shirt standing on the front steps of a blue house with red trim

below: A door knocker beside a front door.

old rusty white door knocker with metallic green garland beside it

small doorway

below: One of the older houses on the street being renovated.

old white house with screen door slightly ajar, signs in window that are building permits, inside of house is gutted and it is being renovated

below: Grass and dandelions in their own little enclosure.

three white houses in a row

below:  Red and yellow tulips in a small front yard that the fence is having trouble containing.

red tulips and yellow tulips growing in a very small front yard

below: Geraniums in the planters on the fence

small wood flower boxes on a wood fence, with geraniums growing in the boxes

“Apparel oft proclaims the man” Shakespeare in Hamlet I iii.
or as Mark Twain said, “Clothes make a man”.

“Workware, Abiti da Lavoro”  is an exhibit at the Harbourfront Centre Art Gallery.  It is curated by Milan-based designer and artist, Alessandro Guerriero and co-produced by the Istituto di Cultura of Toronto and Triennale di Milano.  A lot of the artists who participated in the show are fashion designers

below: “Dress for a Crop-Raising Girl”, 2014, by Elio Fiorucci

a straw hat hangs with a dress made of green fabric, sleeveless, with two big shiny red hearts that would cover the breasts of the woman who wore it.

Some of the words on the wall – “Some time ago, the cowl did make the monk, the metalworker and the lawyer. Our clothes were the direct representation of our role in society and its related image. Originally, however, clothes were something else altogether. In the Biblical story of the apple, as He cast Adam and Eve out of Paradise, God made garments of skin to clothe them, saying, “Go but remember that you are just a man and that you need protection because you are limited.””

below: Hanging on the wall were a line of dirty work coats, each labeled with a job: cobbler, draper, glazier, saddler, carpenter, and hatter.    None of these jobs would have involved a coat that looked like this, i.e. that got messy in this way.

a row of dirty well used workcoats that used to be blue are hanging on the wall of an art gallery. under each one is a label with a job name, draper,

below:  left to right – “Work Shirt to Paint Dreams” 2014 by Alberto Aspesi, “Dreamers Clothes” 2014 by Angela Missoni,  “Clothes for a Carrot-Picking Girl, 2014 by Colomba Leddi,  and unfortunately two that I forgot to take note of.     The red dress is just so little red school house – so literal.  Not quite as literal as the carrots for the carrot-picking girl…. so if she’s finished picking carrots and wants to pick beans next, does she change into her bean dress?

a row of designer clothes as part of an art gallery ehbiti, a paint splotched covered blue long sleeved shirt, a red mid-calf length red dress with white polka dots with little red school house shaped head on the mannequin, and and holding a small red schoolhouse in her hand, a sleeveless dress with carrots in many pockets

More words on the wall – “This original garment was a gesture of love – protective as well as representative and foundational of the human condition. But as society rather than the sacred came to define the balance of power, these two meanings were upset so that clothing changed from being a mark of fragility into a social function and sign. Today, our individualism has once more changed its meaning making clothing an expression of the self.  It is now a way of disguising our thoughts and of giving them a new shape.”

I decided just to repeat the words verbatim.  I will let you decide their worth.  I just can’t do it.

below: “Extreme Film, AW13 Collection”, 2013 by Issey Miyake

a mannequin in shiny gold pants stands with its feet apart, in between its feet are a pair of shiny gold boots

below: “Adam and Eve are Going Shopping in Costume” 2014, by Frederique Morrel.   Eve is standing in the shopping cart

two mannequins covered in patchwork of tapestry needlepoint with pictures that sort of match the anatomy of the mannequin.   The faces dont quite line up,   a man and a woman.  the woman is standing in a shopping cart

below: Some of  tapestry placements are just a little too literal.

 close up of part of a mannequin dressed in tight fighting fabric made of a patchwork of tapestry pieces. The piece shown in this image is of a brown cat

below:  “Clothes for a Dithering Monk” 2014, by Denise Bonapace.

black netting in the shape of a cross on a wall. within the cross is more black light weight fabric in the shape of a person whose arms in the horizontal parts of the cross.

below: Part of “Clothes for the Chaste Pornographer” by Gentucca Bini

a coat made of blue mesh hangs in front of a display of old dirty workcoats that are hanging on the wall

below: Close up of part of “Mirabelle Shining Star” 2014, by Melissa Zexter

part of a dress made of black and white pictures printed on fabric, and knitted squares in orange and red yarn

Last paragraph of the words on the wall – “This exhibition is not a display of “work clothes” but of garments for hypothetical, invented, coveted, imaginary jobs that actually invent new jobs for a new and different society. Today’s designers, including the 39 in this exhibition, work amid epochal changes – the decline of the myth of great masters and of the small factories of fine Italian design on the one side, and on the other, between the giant global entities of eastern virtual design and the complete subversion of centres of post-economic and post-industrial geography.  Nevertheless, there are those who attempt to discover new territories – empty spaces, experimental, staggering, radical and unknown. What would clothes look like not only for bakers, carpenters and tailors but also for an email eraser, a butterfly engineer, the one who looks for a needle in a haystack, a healer of the healthy, a survivor, or a quarreller?”

…. And now I think I am going to design an outfit for a ‘skeptical photoblog writer who has read too many words’.

Exhibit continues until 23 April