“I said, get some sleep and dream of rock and roll.”
below: War is not the answer, and Let it Be.
below: A bit dirty and faded but still smiling.
The title of the exhibit is ‘Surrender’ and the words on the wall say this:
“Liz Magor’s art invites us to reconsider our relationships with the things we encounter every day. Through subtle shifts in materiality and context, her works reveal the important role that objects play in our lives: they can allow us to conceal ourselves or to express our identities. In her sculptures and photographs, Magor explores how we depend on domestic materials to develop a sense of self.”
Nothing is mentioned about surrendering, or why the exhibit has the title that it does.
In the first room there are boxes on the wall. Each box looks like a carefully wrapped sweater or jacket that has just been purchased. I can envision a middle aged saleslady taking her time to package your purchase, like in an Eatons store thirty or forty years ago.
On closer look, most boxes also have a hand print, or shape of a hand with index finger pointing at something and little details are amiss… a ketchup package for example.
The second room has a number of smaller installations.
A garment bag left over a chair.
Neatly folded blankets hanging on a wall.
A platter of chocolates and left overs.
A tweed jacket on top of a liquor bottle.
A husky under a blanket (of snow? on a bed?)
A coat and purse hanging on a hook.
The contents of a room boxed and ready to move.
On closer look, some of the details on the blankets are wrong
including the labels that are sewn on back to front.
I was interested in what people’s reactions were to this exhibit so I had a chat with a couple of the employees about it. According to them, there was no reaction. Most people showed interest in the boxes but when they walked into the second room they rarely stopped to take a closer look.
As for surrender, I did find reference to it in the description of the exhibit on the AGO website, ” In this exhibition, everyday objects and forms, as well as the natural world, function allegorically by evoking the human need to surrender to desires, compulsions, fantasies.” Once again, I will leave it to you to decide if this description fits.
Exhibit continues until 29th November.
Another month, another walk through Graffiti Alley.
As usual, there were some new things that I noticed and here is a sample.
below: This big guy sits where Batman was just a few weeks ago.
below: Little town scene by Peru with a poser bunny beside.
below: The flu hating rapper
below: Shanghai Toronto 2015
below: Lovebot is on the move
below: Stikman in green and grey
below: Any idea what she might be holding in her hands?
Inside Out, a global art project
with more than 250,000 portraits in 124 countries
This project came Toronto as an extended Nuit Blanche installation.
Starting a few days before Nuit Blanche the Inside Out mobile Photobooth was parked at Nathan Phillips Square. Anyone who was interested could have their picture taken – a digital copy was emailed to each participant and a large black and white copy was printed within minutes. The photos were collected and then used to make one large image, a series of concentric circles in the center of the square.

below: Getting ready for Nuit Blanche at Nathan Phillips Square
below: Nathan Phillips Square at Nuit Blanche
below: The side of the ramp to the upper level was also covered with photos.
below: … as was the south side of the 3D Toronto sign.
below: The Inside Out Project remained after Nuit Blanche.
below: There were a number of other sites around the city that participated in this project including a wall at Mel Lastman Square in North York.
below: There was also a wall on the southwest side of Coxwell subway station that was covered.
#IOPToronto | #snb2015 | #snbTO | #share3DTO
‘Solid State’ an exhibit of sculptures made from found material that are then cast in bronze, by An Te Liu at the Toronto Sculpture Garden on King Street East. This is one of the Nuit Blanche installations that is still on view. It is co-produced by MOCCA (Museum of Contemporary Canadian Art) and the City of Toronto.
below: Three sculptures. From left to right are: 1. Meta-matic, 2. Tourist, and 3. Ascension
below: Vegetable, Mineral
below: Remains of the Day
It would be fun to write a post about the winning ways of the Blue Jays and up until two days ago I could have. After a great ending to the baseball season, the Blue Jays entered the playoffs with back to back afternoon games against the Texas Rangers here in Toronto. Yesterday the Rangers beat us 5 to 3. Again today, the Blue Jays lost by two runs but this time it took 14 innings, or close to 5 hours.
The Rogers Centre holds just over 49,000 people and it was filled to capacity both days.
The next two games of the American League Division Series are scheduled to be played in Texas on Sunday and Monday. If a fifth game is needed (it’s a best of five series), it will played in Toronto on the 14th of October, next Wednesday.
Keep your fingers crossed!
Some of the art installations from Nuit Blanche remain available for viewing this week.
Two of them are near Jarvis and Gerrard.
below: As you travel south on Jarvis Street, just before Gerrard, you can see a billboard art installation, ‘Refugees run the seas’ by Francisco Fernandos Granados. The accompanying sign says: “‘Refugees run the seas’ draws and diverts from pop culture as a way to invite the viewer to imagine a future where justice for migrants exists. The work evokes past and present scenes of harrowing escape while allowing the possibility of a time to come when those seeking refuge will be agents of movement, rather than victims.”
“Refugees run the seas ’cause we own our own boats” is a line from Wyclef Jean’s rap in Shakira’s song ‘Hips Don’t Lie’ in case you were wondering how this billboard “draws and diverts from” pop culture.
below: In the Children’s Conservatory at Allan Gardens is another installation. This one is titled “Sphinx” and it is by Luis Jacob of Toronto. According to the Nuit Blanche sign: “Toronto is changing before our eyes. Neighbourhoods and skylines are transformed seemingly overnight while the social fabric of the city is altered in ways that are difficult to discern. Come in and see the ‘Sphinx’, who poses questions that we want ardently to ask.”
The hands and fingers of this tall and imposing headless man are forming a frame that is apparently supposed to capture our attention. When you walk into the conservatory it’s definitely not the hands that you notice. The hands are way above the line of sight. Of course, one could ask why he has no clothes and does having no head enhance the artwork. Can you ask questions if you have no mouth, no voice? And are the questions ardently wanted or ardently asked? hmmm….
There are books and pamphlets in display cases around the room. These publications are all about Toronto and they date back as far as 50 years ago. No, you can’t access the books, you can’t open or read them. I’m not sure what information they are supposed to add to the exhibit.
#snbTO
Totally unexpected… walked past Yonge Dundas Square this afternoon and happened upon Shopper’s Drug Mart’s 15th birthday party for their Optimum program. There was a DJ, music playing, and a couple of people dancing. There were acrobats but I just missed their performance. The main attraction was a large clear plastic bubble filled with many bits of coloured paper the people were lining up for…. a life sized confetti globe.

Once inside, people were posing for photographs.
Pictures were printed on the spot for those who wanted them.
It was also part of a contest for gift cards and vacations.
I didn’t go in the bubble but I did score a loot bag by showing my Optimum card.
I now have some candy and a small bottle of brown nail polish.
#15daysofhappy