Posts Tagged ‘snb2015’

Inside Out, a global art project
with more than 250,000 portraits in 124 countries

This project came Toronto as an extended Nuit Blanche installation.

Two men are holding up a large black and white photo of the head and shoulders of one of the men that has just been printed

Starting a few days before Nuit Blanche the Inside Out mobile Photobooth was parked at Nathan Phillips Square.  Anyone who was interested could have their picture taken – a digital copy was emailed to each participant and a large black and white copy was printed within minutes.  The photos were collected and then used to make one large image, a series of concentric circles in the center of the square.

A picture of the mobile photoprinting booth that was used for the Inside Out global art project at Nathan Phillips Square. Some people are waiting in line to have their picture taken.

Two people are holding up a black and white photo of a girl's face. She has her fingers up to her eyes in an owl face. The man holding the photo is making the same face.
below:  Getting ready for Nuit Blanche at Nathan Phillips Square

A group of young people are using brooms and sqeegees to glue blackand white photos of peoples faces onto the concrete of Nathan Phillips Square

A group of young people are using brooms and sqeegees to glue blackand white photos of peoples faces onto the concrete of Nathan Phillips Square

Concentric circles of black and white photos are being glued to the concrete at Nathan Phillips Square, overview, photo taken from the upper level.

below: Nathan Phillips Square at Nuit Blanche

a group of people is gluing pictures to the concrete while many people look on, most are behind barricades, night time

view of the Inside Out Project at Nathan Phillips Square on Nuit Blanche 2015

below: The side of the ramp to the upper level was also covered with photos.

A group of people pose beside a wall that is covered with pictures, nuit blanche, night time.

black and white photos of peoples faces glued to a wall, part of Inside Out Project in Toronto

below: … as was the south side of the 3D Toronto sign.

3D Toronto sign covered with black and white pictures of people, at night, at Nuit Blanche when there were a lot of people standing around it.

below:  The Inside Out Project remained after Nuit Blanche.

Two photos that are glued on the O of the 3D Toronto sign. One is of a man in Blue Jays T shirt and one is of a ayoung man with his hands on his cheeks and a wide eyed, open mouthed look of astonishment on his face. Toronto city hall is in the background

Three people sit on the bench beside the fountain at Nathan Phillips Square. Their backs are to the camera, they are looking towards the 3D Toronto sign that is covered with black and white photos for Inside Out project. Toronto city hall is in the background

A seagull stands on photos of people that are glued to the concrete

Nathan Phillips Square after Nuit Blanche when Inside Out projects are still on the ground, and a farmers market is going on around it.

below: There were a number of other sites around the city that participated in this project including  a wall at Mel Lastman Square in North York.

A wall alongside a sidewalk ramp is covered with black and white photos of people's faces.

below: There was also a wall on the southwest side of Coxwell subway station that was covered.

exterior concrete wall covered with black and white photos of people

exterior concrete wall covered with black and white photos of people

#IOPToronto | #snb2015 | #snbTO | #share3DTO

Lots more info about Inside Out can be found here.


‘Solid State’ an exhibit of sculptures made from found material that are then cast in bronze, by An Te Liu at the Toronto Sculpture Garden on King Street East.  This is one of the Nuit Blanche installations that is still on view.  It is co-produced by MOCCA (Museum of Contemporary Canadian Art) and the City of Toronto.


below: Three sculptures.  From left to right are: 1. Meta-matic, 2. Tourist, and 3. Ascension

Three sculptures by An Te Liu in a sculpture garden, on pedestals in front of an ivy covered wall.

below: Vegetable, Mineral

A metal sculpture by An Te Liu on a grey stone pedestal with another grey stone behind it

below: Remains of the Day

A metal sculpture by An Te Liu lying on a flat grey stone.

Silent Knight by Ekow Nimako,
a sculpture of a barn owl using more than 50,000 pieces of LEGO,
on display in front of the Gardiner Museum as an extended Nuit Blanche exhibit

sculpture of a barn owl taking flight made of white lego, on a black pedestal (also made of lego) in front of the gardiner museum

close up of the wings and the lego blocks used to make the sculpture of a barn owl

close up of a foot and talons of the barn owl sculpture that is made of lego


Some of the art installations from Nuit Blanche remain available for viewing this week.
Two of them are near Jarvis and Gerrard.

below: As you travel south on Jarvis Street, just before Gerrard, you can see a billboard art installation, ‘Refugees run the seas’ by Francisco Fernandos Granados.  The accompanying sign says:  “‘Refugees run the seas’ draws and diverts from pop culture as a way to invite the viewer to imagine a future where justice for migrants exists.  The work evokes past and present scenes of harrowing escape while allowing the possibility of a time to come when those seeking refuge will be agents of movement, rather than victims.”

“Refugees run the seas ’cause we own our own boats” is a line from Wyclef Jean’s rap in Shakira’s song ‘Hips Don’t Lie’ in case you were wondering how this billboard “draws and diverts from” pop culture.

a billboard on a city street. it is blue with just the words on it that say Refugees run the seas cause we own our own votes

below: In the Children’s Conservatory at Allan Gardens is another installation.  This one is titled “Sphinx” and it is by Luis Jacob of Toronto.   According to the Nuit Blanche sign: “Toronto is changing before our eyes.  Neighbourhoods and skylines are transformed seemingly overnight while the social fabric of the city is altered in ways that are difficult to discern.  Come in and see the ‘Sphinx’, who poses questions that we want ardently to ask.”

The hands and fingers of this tall and imposing headless man are forming a frame that is apparently supposed to capture our attention.  When you walk into the conservatory it’s definitely not the hands that you notice. The hands are way above the line of sight.   Of course, one could ask why he has no clothes and does having no head enhance the artwork.  Can you ask questions if you have no mouth, no voice?  And are the questions ardently wanted or ardently asked?  hmmm….

There are books and pamphlets in display cases around the room.  These publications are all about Toronto and they date back as far as 50 years ago.  No, you can’t access the books, you can’t open or read them.  I’m not sure what information they are supposed to add to the exhibit.

In a glass walled and glass roofed conservatory, a white statue of a headless naked man stands on a pedestal in the middle of the room. Two men are looking at a display on a table in the left of the picture.