Posts Tagged ‘numbers’

A return to St. Helens Avenue and the galleries there.

A few galleries devoted to contemporary art can be found on St. Helens Ave.  I know that I have mentioned some of their past exhibits in previous blog posts.  Exhibits change and so back we go.   The three exhibits that I saw today have little in common with each other.  Three artists with different views; three men trying to turn their thoughts and ideas into something visual.  The first gallery that I visited today is the Clint Roenisch Gallery where the exhibit is “Hot Takes, No Sax”, by Torontonian Niall McClelland.   It will be there until 21st April.

From Wiktionary: “Noun[edit]. hot take (plural hot takes). A bold, broad, and subjective moral generalization on a situation, with little or no original analysis or insight, especially by a journalist.”   Something written quickly and without much thought put into it.   Although some people associate it with journalism, you could also apply it to a lot of things online – think about the comments section after a news article, or something on your facebook or twitter feed.   Sometimes I think that that expression applies well to contemporary art – thrown together to provoke but not much actually went into it.

below: Running diagonally across the room is a line of trunks and metal cases that are covered with bumper stickers.  On the wall are 4 images, each with a black and white background.  The frames are covered with more bumper stickers.  This is only part of the exhibit.

room in an art gallery, a line of trunks runs diagonally across the room, they are covered with bumper stickers.

below: These are the three images on the wall in the photo above.  The frame on one side of the image on the left has the names of four American politicians from the not so recent past – Nixon, Goldwater, McGovern, and Carter.  Some of the images may be familiar to you as well.

three pictures on a gallery wall, in black and white checkerboard backgrounds, blue images on that. Artist is Niall McClelland

below: More of the stickers.  Is there a theme to them?  How do these relate to hot takes?   Which side is the artist on?  “Urban farmer”, “When you sit down for dinner, thank a farmer”, “Impeach Trump”, “Give a hoot”, “The times they are a changin”, “Be green”, “Bio fuels: no war required”, “Who’s your farmer?”, “I’d rather be gardening”, “Nasty woman”, “Break the chains, shop at independent stores”,  “Saving seed is a basic human need”, “Localvore”,  “Whatever happens to the water, happens to the people”, “What is the proper way to fold an anarchist flag?”

sticker covered metal cases on the floor of an art gallery with a picture on the wall behind, the work of Niall McClelland at the Clint Roenisch gallery

Next is Douglas Coupland’s “Tsunami” at Daniel Faria Gallery, until 28th April.  Trashy in a certain way.  Coupland has collected, cleaned and painted various plastic containers and other disposable items he found along the shore in British Columbia.  A number of the items probably crossed the Pacific Ocean after the earthquake and tsunami in Japan in 2011. Trash on display?  We’ve all heard the expression “reduce, reuse, recycle” which may be facetious here?  Is it too pretty to be a statement about the environmental impact of plastics?

plastic containers and other items found washed up on the shore of British Columbia, cleaned up and painted and put in sealed clear plastic boxes, art gallery exhibit, artis is Douglas Coupland

below: The large gold piece is a collection of more debris that Coupland has amassed and painted.  Another one,  all in black, is on a different wall (not shown here).

plastic containers and other items found washed up on the shore of British Columbia, cleaned up and painted and put in sealed clear plastic boxes, art gallery exhibit, artis is Douglas Coupland, with large structure behind made of gold painted containers and other items

This spring, Coupland will transform the Vancouver Aquarium into a vision of the Great Pacific Garbage Patch by filling aquarium tanks with some of the trash that Coupland has collected – by some I mean 20 tons of it.  Twenty tons of found rubbish.  Twenty tons of plastic and other debris.   Jet streams will simulate ocean currents and the garbage will “float, bounce, disperse and gather along the tank, fragments flowing into one another like an overwhelming and exhausted assemblage”.

below: Tucked away in the back room of the gallery are four paintings like this, also by Douglas Coupland.

part of a Douglas Coupland painting, with a black and white picture of a man's face in the center of swirls of colours. Apainting by Douglas Coupland

 

Part three is the exhibit “Raw War” by Bruce Eves that is on at the Robert Kananaj Gallery until 21st April. Eves was just given one of the 2018 Governor General’s Awards in Visual and Media Arts.

“taps into a zeitgeist fraught with peril”

below: Part of Work #901 by Bruce Eves.  There are seven panels in total.  Every hour for a week in February 2014 he took his heart rate.  The numbers in the squares are his heart rate.  It’s difficult to see in this picture, but each square also has the date and time.  In addition, each panel is a day.   Something happened on Friday February 14th at 16:00 to elevate his heart rate to 123 beats/minute!

Part of a set of 7 paintings by Bruce Eves on a gallery wall, each painting is squares with numbers in them. The numbers are Eves' heart rate taken every hour for a week.

Eves has also painted a sequence of numbers that are actually nine blood pressure readings.  It was after he learned that he had a heart condition that Eves started using his health (and the monitoring thereof) as subject matter.   A self-portrait based on data about oneself, so to speak.  How his doctor sees him.

A few things to think about?

(P.S. My apologies for the title)

 

I thought that I would see if I could find door pictures today.  When I first stepped outside, I wasn’t sure what that meant.   I just knew that it was a beautiful day and that I would find an answer to my doorish quest.   “Que sera sera” as Doris Day once sang.

Well, what is a door?

door: nounA hinged, sliding, or revolving barrier at the entrance to a building, room, or vehicle, or in the framework of a cupboard.

doorway: noun. An entrance to a room or building through a door.

Well duh, I think most of us know what a door is, at least in the literal sense.   As an image just a door on its own is often blah, B O R I N G.   There are exceptions of course, but if that was all I was looking for today, I wouldn’t be taking many pictures.

an ornate double door with windows in both doors, red brick house, stairs to the doors. closed.

I also think that most of us realize that “door” is so much more.   We find them intriguing. Door metaphors abound.  Open doors are opportunities and invitations, think “My door is always open”, or  “When one door closes, another one opens”.  Closed doors are mysteries, obstacles, or dead ends.   We talk about not knowing what goes on behind closed doors.

below: Closed for good. No mystery here, just a dead end.
With a smile for being upside down.

the front door of a small apartment complex that is about to be demolished. There is a blue metal fence in front of it with a danger due to demolition sign on it. The sign is upside down.

A closing door has a slightly different imagery – “slam the door in his face”, or “show someone the door”, or “don’t let the door hit you on the way out”.   Can you picture the scene in a movie where the hero walks into a strange room only to have the door close behind him.  Can you see the look on his face when he hears it being locked from the other side?

Doors, and their cousins gates, are both entrances and exits.    Entrances to buildings and rooms.  Entrances to other worlds such as “at death’s door”.  Unfortunately I don’t have a picture to illustrate ‘entrances to other worlds’.  

below: But maybe this entranceway leads to something exotic?    That’s a better explanation than ‘someone went to Home Depot and bought lots of cheap corrugated plastic’.   It juts out like a sore thumb from an otherwise well maintained, nice looking house.

an old brick house painted turquoise with green trim. wrought iron fence in front. A corrugated plastic covering has been made to cover the entrance to the basement door. the covering comes out from the house to beyond the fence, all the way to the sidewalk

Doors are associated with privacy, protection, and control.   We feel more secure when we lock our doors.   Closed doors, especially locked ones, can keep things in or keep things out.  Closed doors separate, open doors connect.

below: Waiting at the door.   I can’t decide if he’s patient or impatient.  Perhaps bored?

a white metal door on a white concrete wall. A bright ornage line drawing of a man standing in front of the door with his arms crossed.

 

Back doors are private, hidden from view.  The expression “through the back door” suggests sneaking around.  Front doors are part of the face that we show the world.   They can be welcoming or not, a lot like the people who live behind them. 

below: Or they can just be a long way up.  How are your knees feeling today?

a small narrow one storey house. Many steps to get up the hill to the front door. The incline has been covered with patio stones.

side yard and side entrance to a wood clapboard house with one window on the side at ground level.

below: A bright red chair brightens the picture.   I wonder who usually sits there?

a bright red chair sits on the sidewalk beside the entrance to a building. The door has a large window which is covered by a curtain on the inside

below: Another bit of cheerful red.

a small house painted blue with white trim, a bright red door.

There was a crooked man, and he walked a crooked mile,
He found a crooked sixpence against a crooked stile;
He bought a crooked cat which caught a crooked mouse,
And they all lived together in a little crooked house.”

crooked concrete steps and metal railing lead to a front door.

below: Another closed door waiting for demolition.
How many people have passed through those doors since 1913?

blog_blue_church_door_1913

below: I’ve always been fascinated by the sign above this door.

an older woman in a bright red jacket stands on a corner waiting for a green light. On the other side of the street is the Emerald Isle Seniors Society

below: This door seemed to be out of place on the Danforth… it’s an entrance to the apartment above, not to the hair salon on the left.   I like to think that she keeps watch over the doorway.

blog_etched_glass_beauty_salon

below: These two doors (especially the green one) caught my eye as I walked along the Danforth.   On my first pass I had the wrong lens on my camera.  After changing lenses, I doubled back.   Just as I was getting ready to take a picture of the two doors together, the one on the right opened.  Dilemma – to shoot or not to shoot.  I’m not brazen enough to shoot someone in the face so to speak; this over the shoulder and hope it works shot is only second rate (or third!).   I only include here so I can briefly go off on a tangent and mention my #1 problem with door shots.  People.   Pointing my camera at someone’s house often makes me feel uncomfortable and I have no desire to have any kind of confrontation, even a friendly one.

two doors, one faded green and one greyish black . a man with a rather large stomach is standing in front of the latter.

below: What to do with leftover tiles.

a door with 1242 on it, brownish colour, green door frame, the wall on one side is covered with small mosaic tiles in squares

below: A contrast in colours.  The door is in the picture but it’s become just an element in the composition.

a green door is beside a large store window. The interior wall is painted yellow, the sun is shining in the window and the blinds are partially open and partially down

below: This is the last of the Danforth door photos that I took today.   Again, the doors are just elements; the mailboxes provide the focus and the interest.

three black mailboxes with mail in them, between a white door and a black door.

below: Doors are part of a building.   What you can do with a door is often limited by the structure of the house.

a small white house with a large tree in front of it, winter, but no snow

Having said that,  if you walk around the city there is a lot of variety.  Don’t worry, I’m not going to go through all the permutations and combinations that I saw today!  I’ll limit myself to a few (sometimes I can do that!).

below: A few stone steps lead to a simple white entrance.

a red brick house with a white rectangular doorway. driveway beside the house leads to a garage with a white door.

below: A study in compare and contrast – the wonderful result of semis where next door neighbours with dissimilar tastes, habits, and decorating ideas share a common wall.

a semi divided house, on the left, a bright yellow door. On the right, an open porch with lots of clutter.

Many steps and many hours later I find myself nearing the end of this post.  It’s been a bit of a ramble, both in the route that I walked today and in the thought processes that helped create this post.    I hope that I have entertained you at least a little bit.    And with one final photo I will close the door on this post.    Last one out turns out the lights.  Adios.

looking down a street to an T-intersection. Two houses across the intersection with a large truck parked in front of them. A man is sitting in the truck and looking at the camera

“Happiness often sneaks in through a door you didn’t know you left open.”  John Barrymore

Keeping warm at the Art Gallery of Ontario.

Below are 5 works of art that I saw recently when I decided to spend the afternoon inside instead of walking in the cold.  The AGO is definitely a great way to stay warm!

below: There is a room at the Art Gallery of Ontario that is home to four large metal sculptures at the moment.  Large structural pieces. These creations are the work of Sir Anthony Caro (1924-2013).  They are made of discarded metal pieces.  At one point in his career, he made scale models for a giant art project for Park Avenue in New York City.  When the project was cancelled, he took apart the models and used the pieces to make a new series.  Three of those on display here are from that series, ‘Sculpture Laid Bare’.  It would be interesting to see what the Park Avenue sculpture models looked like.

a woman with long hair walks away from a large metal sculpture made of cast off pieces of metal, on display at the Art gallery of Ontario,

In the early part of his career, Caro made modeled figurative pieces cast in bronze.  In the 1960’s he started to use prefabricated steel and aluminum, sometimes in bright colours such as the example below:

red sculpture by anthony caro, metal, 4 upright cylindrical tubes with metal mesh forming an X on top of them.

Red Splash, by Anthony Caro. Image found online at source.

If they were outside, they would invite interaction.  Touch them.  Climb on them.  In this gallery setting, there is a no touching policy.   The words on the wall says that: “He [Caro] meditates on the passage of time, processes of decay, the painful realities of aging, and the future of modern sculpture.”  Isn’t that why the gallery is doing their best to preserve them just the way they are?


below: ‘The Distinctive Line Between One Subject and Another’ by John McEwen, 1980.  Two steel wolves looking at each other across the room.  On the wall behind the wolves is ‘Folia Series #1 and #2 by Nobuo Kubota, 1976, representations of the wrinkles on the cerebellum in the brain.

two metal sculptures of life sized wolves looking at each other across the room, a large panel art work is on the wall behind them, half black and half yellow.

John McEwen is a Canadian sculptor.  A number of his sculptures can be found around Toronto.  He designed the boat hull like shapes for the Victory Peace memorial on the waterfront that I mentioned in a previous blog post – down to Coronation Park.  The three metal tubes outside the Air Canada Centre – the Searchlight Starlight Spotlight – are also his work.


below: More lines, this time its “Aforim” by Rita Letendre, 1975.  Which lines are parallel?  Is there a horizon line?  If so, which one is it?

horizontal lines, some parallel and some at slight angles, in blues and greys, painting on a gallery wall called Aforim by Rita Letendre


… And lastly, another reference to structure.  But not structure in the 3D, physical form, sense of the word.  Instead, it is a painting called ‘Number Structure II’ by Canadian artist Kazuo Nakamura (1926-2002).  Nakamura graphs out number-structure patterns and calculations and presents them as art.

below: One of the structures that Nakamura used was the Pascal Triangle.  This image shows the first 6 lines of the triangle.  Each number is the sum of the two numbers above it.  Can you figure out what the next line would be?   When expanded, it contains many number sequences and can be used to answer probability questions – as well as other mathematical things that I don’t understand.

the top 6 lines of pascals triangle, a mathematical structure of numbers

below: A small (maybe 1/8th) section of the painting … which unfortunately doesn’t give you much of an idea as to the composition of the artwork.  It does though give you an idea of the detail.  Some of the parts that I have omitted are triangle shapes that conform to Pascals triangle as pictured above.   Is it mathematics?  Is it art?  Where do you draw the line between the two?  Is there a line?

a detail picture of a painting by Kazuo Nakamura called Number Structure 2 which is based on Pascal Triangle. Lots of numbers written in white on blue and black background. the background is made into rectangles, squares and triangles.

It’s the kind of painting that a photograph can never do justice to.  It’s best seen in person.   Oh yes, the answer to the question above:  The next line of the triangle would be: 1, 6, 15, 20, 15, 6, 1.

National Seniors Day, 1st October

Just this week StatsCan announced that the number of Canadians older than 65 was more than the number of Canadians under 15.  There were 5,780,900 Canadians 65 and older (16.1% of the population) compared to 5,749,400 who were under 15 years old (16%).

The results of the last census in 2011 showed that Toronto had a population of 2,615,060, 14.4% of whom were over 65.

There was a CARP Flag Raising ceremony at City Hall today to  celebrate the contributions of older adults across Canada.  CARP, formerly the Canadian Association of Retired Persons, is a national, non-partisan, non-profit organization that concerns itself with issues that affect the older members of our communities.  Membership is no longer restricted to those over 50 years old; the societal challenges posed by aging populations are a concern to people of all ages.

below: CARP president Moses Znaimer and a woman (my apologies for not knowing who it is) listen to a speech by Toronto city councillor Pam McConnell prior to raising the flag.

CARP (Canadian Association of Retired Persons) is in the foreground. Pam McConnell, a Toronto City councillor, is giving a speech. To the right of them, the CARP flag is ready to be raised on a flag pole.

The blue flag of CARP (Canadian Association of Retired Persons) flies in front of Toronto city hall during the official flag raising ceremony.

The blue flag of CARP (Canadian Association of Retired Persons) flies in front of Toronto city hall. It has an orange coloured carp fish on it with CARP underneath in block white capital letters. There is a red maple leaf in the center of the A

Population by age group in Canada, as of 1 July 2015.  All numbers from Statscan.
The largest group are those between the ages of 50 and 54

population chart of all age groups in Canada as of July 2015

A full report, prepared by the city, of the population of Toronto in 2011 and how it compares to that of 2006 is also available.