A Photographer at Work

Posted: December 2, 2024 in galleries
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Lee Miller: A Photographer at Work is the title of a recent exhibit at TMU’s Image Centre,

A brief synopsis of her long and storied life – Miller (1907-1977) started her career as a model in New York in the 1920s. She went to Paris in 1929 where she became a fashion photographer. She also tried her hand at conceptual photography in the 1930s when she was living in Egypt with her first husband.  During WW2 she was a war correspondent for Vogue magazine in Europe.

two people looking at black and white photos in an art gallery, an older man and a woman with long red hair

black and white photo in a gallery, of a woman in old fashioned bathing suite standing beside and posing with a large fake fish

below: Fashions for Factories with the subtitle: “Every picture tells a story of streamlined,  uncompromising chic for a vital job.”  One of the paragraphs is this: “A woman is apt to be much what she looks. Fix her up smartly and she’ll be smart at the job.  The factory people know this.”

page from Vogue magazine from the early 1940s, spread on fashion in the factories, and what women were wearing at work, hat like turban, short sleeved shirt

women looking at an exhibit in an art gallery

below: Three actresses and models in a photo taken in New York in 1933.  One woman is unidentified and the other two are Dorothy Hale  (1905-1938) and Kendall Lee Glaenzer (1903-1978)

Lee Miller photo of three women, two sitting on a couch and the other standing behind it. Book case behind couch

below: “What’s Yours?” a double page spread in Vogue magazine with coats on the left and dresses on the right. Country coats and town coats… day dresses and afternoon dresses from a time and place when those details might have been important.

double page spread in Vogue magazine showing three women in each of four photos with different kinds of coats

black and white photo from vogue magazine, young woman holding a tennis racquet. Part of a tennis net is on the wall behind her

below: From an article, Six for Dinner”.  The six refers to six long, simple yet stylish dresses for the well dressed woman of the time.

three back and white photos on a green gallery wall, by Lee Miller

below: Advertising ‘intimate apparel’ but staying modest and discrete (r very coy?)  The age of the girdle! (even though this model doesn’t really need one!) – so glad that that phase has passed (sigh of relief).

black and white lee miller photo for vogue magazine, showing corset, or under garments for women, bra and girdle, slip, hard to tell because details are hidden

old black and white photo by Lee Miller, of three women, fashion photography, 2 standing are wearing slacks, woman witting on ground is in a dress

below: From 1945, chronicling the liberation of Europe by the Allied troops.

two photos, on left is a cover of vogue magazine from 1945, a woman in a head scarf, with bright red lipstick, on right a large photo of a recently liberated part of Europe and an article describing the liberation

below: November 1944, Paris.  “Ah Madame! Merci!  The article is written in French and it is a thank you to all the women who played a role in winning the war.  Like her fashion work, her focus during the war years was also on women and how the war affected them and their place in the world.

two photos on a gallery wall, on left is woman on a motorbike by the eiffel tower in Paris and on the right are a group of black and white photos of women working, article is thanking women for their role in winning world war 2

Her documentation of WW2 and its aftermath was extensive.  She was one of the first photographers into Hitler’s residence (and there is a photo of her in his bathtub).  She also documented the liberation of many of the concentration camps.  After the war, she continued working for Vogue, taking pictures of models and celebrities.

two people looking at photos on the wall of an art gallery

Unfortunately, this exhibit ends today, 2nd December.

Comments
  1. icelandpenny's avatar icelandpenny says:

    To photograph the liberation of concentration camps, and then… return to a career of models and celebrities? eeeeek

    • Mary C's avatar Mary C says:

      That would have been quite the change! Apparently she then gave up photography altogether. I am sure that she suffered more than a little PTSD because of her wartime experiences

  2. Merle Rosenstein's avatar Merle Rosenstein says:

    How interesting that the way women look is so important today.

    • Mary C's avatar Mary C says:

      It’s an interesting look at the history of women’s place in society too. WW2 really shook things up…. women working in factories! OMG. Women having money of their own!

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